“La Belle Zabriella” - new elegant luxury font family from Julia Visht. Classical font collection: luxury modern Serif (Bold, Regular, Light) with stylish decorative elements and classy authentic Script! La Belle Zabriella is a must-have for your collection of fonts. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Alternates. Set of lowercase alternates allows you to create even more authentic custom-feel text. - OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. -Multyfunctionality. It's perfect for: elegant modern branding, web-design, logo creating, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, wall art, websites, photos, and so much more. -Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font family for stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

Milescut is a display typeface inspired by some seminal covers the graphic designer and photographer Reid Miles created for the Blue Note Records between the 1950s and 1960s. Miles made almost 500 covers for Blue Note in this period, including some using the hand-cut technique that consists basically in doing vertical cuts in capital letters and numerals to create a unique style within the universe he created for Blue Note. Milescut is a tribute to this small “cut” 😬 in his trajectory within the greatest record label of all time. This idea came about while I was working on what will become soon a revival of a wood type that I fell in love with when flipping through a Specimen of the MACHINE CUT WOOD TYPE manufactured by The WM. H. Page Wood Type Co. Milescut has two extra sets of alternates that work cyclically when activated in your OpenType menu and lots of ligatures, pretty cool :)

Hold on to your hats, there’s a new orchestra in town - the Banda Nova! Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more. We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place. Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again? Download: PDF Specimen | Trial Fonts

DELIGHTED is an uneven, unpredictable, fun font that makes your projects smile and will inspire you to create something fun and memorable. It is suitable for titles, pamphlets, greeting cards, product packaging, book covers, printed quotes, logotypes, clothing designs, album covers, etc. DELIGHTED will help you create special and touching typographic designs for scandinavian or childish projects, for every day or the happiest day of your life, summer vacations, baby showers, birthday cards, christmas greetings, gifts, even can also be used for t-shirt / hoody design. This is really a universal and modern font. Owner of endless possibilities! Just make the best designs and make your project comfortable, cute, totally hand painted, realistic and natural. The DELIGHTED symbol is very easy to use because it is an alternate from lowcase, only typing the alphabet and adding the underscore ( a_, b_ c) and so on). DELIGHTED font has uppercase, lowercase, alternate ss01 numbers & basic punctuation, multilingual support.

The main source of inspiration for this project was Herb Lubalin's Serif Gothic font. This and other fonts of similar style provided the basis for developing a unique display typeface with a strong personality yet neutral enough to be used in a variety of applications. In order to make the font more versatile, we included a number of layered fonts, like inline and shadow styles, which, along with the core styles, provide users with a wide range of choices for any design project. The Lumiere Family comes in 14 styles and includes 2 different variants: multi-layered fonts that make Lumiere easier to use and single layer fonts which allow experimented designers to create their own combinations. Lumiere is highly influenced by retro designs but it features a modern and simplified style that brings great value to your design work. The font is well suited for album covers, movie posters and book cover designs, among other uses.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

If you like old style type, ephemera or victorian era, you must be collect this font , its combination of old and modern touch ,it so adaptable and thats make an eye catching design. This unique and classic font for signage, label, poster, gold leaf, sign painting, branding and the other graphic design made. Gold shine inspired of vintage advertising and sign shop around the world. Goldshine comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. To make everyone enjoyed Goldshine give you one extras font including ornament and traditional badge. If you use Goldshine with you imagination, you just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Modica Pro is here to expand upon the success and versatility of the original Modica typeface (2019). Modica has been compressed, condensed, narrowed, widened, and extended to a mega-family of 108 fonts that now includes small caps as well as additional language coverage. Modica Pro is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica Pro to task today? There are 108 fonts in this family, ranging from Hairline to Ultra weights across six widths in both roman and italic. A single variable font (included with the full family) covers all weights, widths, and italic angle with every increment in between to suit whatever style you prefer. Modica Pro has a character set that covers all Latin European languages. Key features: 1 Variable Font 9 Weights in Roman and Italic 6 Widths Small Caps Full European character set (Latin only) 650+ glyphs per font.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? If you are looking for an elegant font with flair. Something that can makes your project or design being so special. You better not going to want to miss this one! Cagier-A Display Font Cagier is a display font in a luxurious, classy, and timeless style. Inspired from classic and vintage flair combine with recently trend style making this font the best choice to whatever your design is. Cagier is mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc. Hope it helps to capture the soul of any design. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Rafisqi is a new font for a minimalist logo design. This font is suitable for creating word markers, titles, taglines. Use alternatives to set separate fonts in your text, unite thick and thin lines with your design techniques, so as to produce a very unique shape. Rafisqi font is perfect for designing company logos, online game logo, magazine covers, biographical book covers, business cards and all your design work, of course. to be more attractive in appearance, it helps you combine the Rafisqi font with other fonts so that your design looks more attractive Rafisqi is the display font, so it can not be the best choice for continuous text. Font contains: 3 letter styles 3 choices of basic replacement letters 3 number choices Ligature punctuation All character options are included in one font. You can use ligature in most major image editors, just look for the glyhps menu there. For example, in Adobe Illustrator you must select the Window Type glyhps menu item.

Would you like a professional, yet friendly looking design? If so, Paradise Garden is the best option. Paradise Garden is a serif font in thick weights and round shapes. Due to the weight and shape, this font expresses cute, friendly impressions on your designs. Its main characters are first, the noticeable differences between the thick and the thin lines and second, vertical and horizontal hooks or little wipes on the edges of each letter. It is better applied for big texts for a legibility purpose. You can also enjoy fascinating features on this font. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Paradise Garden fits for various design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, printed products, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Rahere Sans Inline is a bold, no-nonsense display font featuring an inline that imbues the design with classic overtones while still looking modern. It’s imposing without being overpowering and practical but not boring. As part of the expanding Rahere typeface family, Rahere Sans Inline is specifically designed to complement both Rahere Sans and Rahere Roman Display, pairing beautifully when used for headings, stand-out quotes or drop caps. Whether you’re in design, marketing or advertising, Rahere Sans Inline is a versatile display font suitable for all types of applications including: Design, advertising - posters, leaflets, brochures, adverts, books and banners Publishing - magazine covers and editorials and book covers Music, film - DVDs and CDs Announcements - offers, events, birthdays and anniversaries Rahere Sans Inline is a capitals-only font with small caps in the lowercase slots and matching numerals, plus a few ligatures. The following languages are supported: Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.

CT Ausetan is a typeface designed for perfect reading in continuous text. With humanist proportions and calligraphic details but actual, both in appearance and in function. Its asymmetric serifs and slightly curved stems recall the warmth, dynamism and character of the first humanist typefaces built according to the logic of the flat pen. It has a high x-height and its moderate contrast make reading in small bodies comfortable. The many OpenType features make it a versatile typeface that fits into any publishing project. To cover present-day needs, CT Ausetan consists of six weights and their corresponding italics. Each font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions as well as various geometric figures and stylistic sets. With an extensive Latin character set, CT Ausetan covers a large number of Latin-based languages. Initially designed for small texts, below 14 pt, its calligraphic details accentuate its personality when used in larger bodies such as headlines.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: "My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!" Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Hokuba Grabs - New Fun Display Font Hokuba Grabs is a New display font that creates with a very good concept and adjusted well to keep the legibility. Hokuba Grabs Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals, And other Glyphs variation of the OpenType features/ Ligatures. Hokuba Grabs Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, comics, kid books, custom mugs, pillows, t-shirts, youtube thumbnails/covers, subtitles, poster quotes, editorial design, book/cover Title, website/blog, social media post, packaging designs, and other designs. Features; - 2 Styles; Regular and Outline - Special Alternates - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is useful font for your projects!

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding. Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter. The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825). What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry. Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

P22 Flora Mambo is based on the distinctive style of 20th century illustrator Jim Flora. Most widely known for his Jazz album covers of the 1940s & 50s, Flora's style shows his fantastic imagination and bold graphic style. The P22 Flora Mambo Set contains 3 fonts- Flora Mambo, a 2-part font that can be used to achieve 2-color text in the style of Flora's iconic 1955 album design, Mambo for Cats and Flornaments, a set of 72 ornaments that features a variety of Flora's illustrative styles from his Jazz album covers to children's books to his fine art prints. Please note that P22 Flora Mambo B is not intended to be used on its own but rather is included with P22 Flora Mambo to create 2-color text. For best results, use with page layout applications. The fonts contained in the P22 Flora Mambo Set are licensed through the Estate of James Flora and JimFlora.com .

Are you looking for a serif font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? If you are looking for a modern but still elegant, something that can makes your project or design being so special. You better not going to want to miss this one! Ogilen-A Serif Font Ogilen is a serif font in a luxurious, classy, and timeless style. A font that is inspired from recently trend style making this font the best choice to whatever your design is. Ogilen is mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc. Hope it helps to capture the soul of any design. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Introducing "Nozen" - An Experimental Display Typeface. Dive into the realm of experimentation and creativity with "Nozen," a captivating display typeface that defies convention and redefines the boundaries of typography. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

For decades, the Persian-born Naghi Naghashian has been working as a graphic designer and illustrator in Germany. Arian™ is his first commercial Arabic typeface. Named after his mother, Naghi created the Arian typeface family after years of systematically analyzing the Arabic script. The Arian design is sought to fulfill the many needs and was developed for multiple languages and writing conventions. It's extremely legibilitable not only in small sizes, but also when the type is filtered or skewed. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

The name FeggoliteHatched comes from the fact that it was created with the help of an old font manipulation program called Incubator Pro. It was an attempt to create a more conventional typeface from the odd monospaced font, FeggoliteMono. As a monospaced font, FeggoliteHatched could be considered a typewriter face, but no typewriter ever produced letters like these. The original version from 1994 is now the italic style and it has a leftward or back slant. The upright or plain version was added much later, in 2018. There is also a choppy upright version included in this family.

Dreamer is a soft and dreamy serif with serious vintage appeal. As Dreamer occupies the space with its large x-height and wide characters it’s effective for any display use where you need to communicate a friendly, fun and easy to approach feeling with a touch of charming nostalgia polished in modern days aesthetics. Dreamer is equipped with a large arsenal of OpenType features - Try Swash, Stylistic or Titling Alternates for less conventional letterforms. Keep Standard Ligatures and Contextual Alternates on to prevent certain letter combinations, such as ff and fi from colliding unintentionally. In total, Dreamer has more than 100 alternative characters.

Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

Workaday from Yes Please is a bold and clean contemporary take on the classic American Sans Serif. Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a timeless, classic flavor packed with a personality perfect for graphic headlines, packaging, copy setting and much more! Workaday features conventional ligatures, a standard set of accents and symbols, and a set of open type alternate characters to provide a versatile end-user experience. Workaday has seen action for Nike Sportswear, MSN, IFC, FX and more. Workaday is designed by Lee Schulz.

Publicity Headline is an allcaps advertising font. Its heavy weight and robust strength allows it to be used against complex backgrounds or reversed out on dark backgrounds without getting lost. It also has a warm, friendly feeling for the conventional headlines indicated by the name. Publicity Headline is a distinctive and appealing font for creating bold and unusual headlines. This font includes the alternate R & S and the CO, LY & ST ligatures that were part of Gaunt’s original design. In addition, the ligatures AV, AW, WA, WO & YO are provided; along with AT, OF, AND & THE in the form of underlined small caps.

Hand-hewn along the banks of the mighty River Raisin in Southeast Michigan, this heavy block typeface is the perfect addition to any design project in need of a stout, yet fun typographical treatment. Before this font made its journey into the outside world, it began its life as a 4B pencil sketch on cheap inkjet printer paper, as many of my projects do. This typeface, not unlike me, doesn't waste its time with finesse, or convention, and truly doesn't mind being a little bit on the thick side. There is a time for refinement and propriety, but this ain't it.

Castile is a central region of Spain that formed the core of the Kingdom of Castile, under which Spain was united in the 15th and 16th centuries. "Castile" is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights. I adore Spain and the historical achievements of the Islamic civilization existed there in the past. By designing "Castile" Typeface, I wanted to refer to the Islamic civilization that Muslims had in Spain and especially in Andalusia. Today the name of Castile survives in two autonomous regions of Spain: Castile-La Mancha (capital city is Toledo) and Castile-Leon (capital city is Valladolid). The main characteristic of "Castile" Typeface is in its modern open-end style for some of its Arabic characters such as "Sad", "Dad", "Seen", "Sheen", "Qaf", "Faa", "Yaa" and others. The shape of the characters' "dot", "dots", and "point" is innovative; a triangle with a semi-circle shape. "Castile" Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its charactersí modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitionsí signboards and external or internal walls of malls or metroís exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

McKnight Kauffer is a casual sans derived from poster and book cover lettering by the American designer, Edward McKnight Kauffer, who mainly worked in England through the 1920s and 1930s. The style owes much to Louis Oppenheim's Fanfare of 1927, but without the Germanic blackletter inflection. The two display fonts, regular and outline, have a playful art deco feel, and share spacing and kerning so can be overlapped for bicolor effects.

Battleground is a very characteristic Display Font with a strong Sports theme and is very suitable for the Esport Logo as well Battleground came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : -Uppercase & Lowercase -Multilingual support -Number, -Symbol -Punctuation. -Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Introducing the delightful Quasar sans serif font – a true gem in the world of typography! With its clean and modern design, Quasar brings a touch of elegance to any project. This font family consists of not one, but six distinct weights, offering you a versatile range of options to choose from. Whether you're aiming for a bold and impactful statement or a more subtle and refined look, Quasar has you covered.

I have always liked the word ‘quite’ - you can stick it in a sentence and all of a sudden that sentence looks quite sophisticated! Quite Something may not be all that sophisticated; in fact, it is a rather messy font. But that’s where the fun begins! Use it for your children’s book covers, toy packaging and posters. I am sure people will say that your designs are Quite Something!

Nicely scribbled script font. It has a masculine, wild and wild mood. It also has a feeling of being torn. It is good when you want to use a lively atmosphere because of the fast flow of strokes. It is good to use when you want a cool and striking design such as a bromide for a rock festival, an album cover for music, a beer package, or a beer logo.

Hipsterism is a bold script with its distinctive character that can be easily implemented in your various design projects. Hipsterism comes with OpenType features such stylistic alternates, stylistic sets & ligatures which make it a great choice for logotype, posters, badges, book covers, t-shirt design, packaging and more. Features : • Character Set A-Z • Numerals & Punctuation (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Alternates There it is! I really hope you enjoy it

Inspired by Bell Bottoms pants which are trending through the disco days of the 80s Skinny Joe features a reverse contrast style with a retro and vintage look. That’s simply ideal for summer theme concepts such as posters, book covers, t-shirts, branding, logo, and many more. Consists of 5 weights from thin to bold and a variable format. Skinny Joe also has alternatives for more decorative and unique looks.

Makeba Retro Funky Groovy Font is a fun and funky display font that brings back the spirit of the 70s. Its bold, rounded letters feature groovy curves and playful embellishments that exude a retro vibe. This font is perfect for creating eye-catching titles and headlines for posters, album covers, and other retro-inspired designs. The font’s energetic and upbeat personality is sure to make any project stand out.

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Rounded and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Tieban font family is composed of 14 styles that perfectly complement each other. You can use them to create a logo or use for your business, branding, t-shirts, book covers, stationery, marketing, blogs, magazines, and more. Language support 29 languages: Afrikaans, Albanian, Basque, Belarusian, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Macedonian, Malay, Mongolian, Norwegian Bokmål, Portuguese, Russian, Serbian, Spanish, Swahili, Swedish, Zulu

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Imprint styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).