Hello Seoul is a striking display font that is inspired by the vibrant energy of Seoul. With Hello Seoul, you have a display font that says "hello" with a contemporary flair; it's a celebration of Korean style and modern design. The characters in Hello Seoul stand tall with a sleek, non-thick weight, offering a refined and contemporary look. The rectangular shapes and sharp corners lend a structured and modern vibe to each letter, reflecting the architectural and cultural landscape of Seoul. Hello Seoul is more than a font; it's an invitation to explore the dynamic spirit of the city. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Hello Seoul fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Biotrons is not your ordinary bold display serif font—it's a visual powerhouse that commands attention with its unique design. This font is a daring exploration of boldness and precision, bringing a cutting-edge aesthetic to the world of script typography. The characters in Biotrons are defined by their bold strokes and sharp corners, creating a strong and impactful visual presence. The deliberately uneven outlines add an element of unpredictability, giving each letter a sense of individuality and flair. Biotrons is a font that thrives on breaking away from the expected norms, offering a dynamic and modern take on the traditional script. Enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Biotrons fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights, from Hairline to super dark Black – which allows to use the family in a complex way, depending on the user’s needs. Italic version has narrower and lighter proportions. Font has a glyph set for latin script and old-style figures. Merlo Neue would be a great choice for display use as well as for the longer texts. Font Merlo Neue is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW "Prasa” from May 1960 till December 1973 in Poland.

Merlo Neue Round is the younger brother of Merlo Round and cousin of Merlo Neue. This new family received a refreshed, rounded style and a new shape of many glyphs. New Merlo consist of a wide range of instances' seven new weights with italics, from Hairline to Bold allows to use the family in a complex way, depending on the users' needs. The font has a glyph set for latin and cyrylic script, small caps and old-style figures. Merlo Neue Round would be a great choice for display use as well as for the longer texts. This family is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" from May 1960 till December 1973 in Poland.

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful impact on the page, it was designed with thicker strokes than its counter forms. The objective is that the black of the letter fills the page and causes a fastest visual impact than typographies that balance blacks and whites. One of the most important tasks of the Comalle design was to think of how to handle the unequal percentages of blacks and whites in the typeface. The peculiar thing, is that the precision work of the letter does not make the blacks, but the whites; this is the reason why in one first instance it was very valid to start off designing in a very gross way, nevertheless, the majority energies are put in the details of the design of counter space. From the drained filling concept of forms Comalle was born, a typeface that pretends to enchant with its delicate counter space design and to impact with the heavy outlines which compose its form.

Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.

Designed by Jakob Erbar and released in 1930, Koloss is a headline face that works well for posters. Characters have been drawn with a broad nib leaving small counters. This gives the effect of a compressed face, although the width of the strokes imply a fat face.

Characterized by its quirky counter spaces, Opera is named after the font’s letter “O”, resembling the open mouth of an opera singer. The 3 weights plus italics can be used individually or together for a variety of applications including magazine body texts or a striking headline.

Bloeien is a super condensed variable typeface, consisting of 5 weights. With its subtle curves, consistently narrow counters and horizontal axis, this font is perfect to make a statement in editorial pieces, posters & headlines. Also, the variable feature allows complete flexibility and control when producing your designs.

Yet another typeface with simplicity as its core element. Concord is derived from a successful type family ‘Accord Alternate’ with an added geometric touch. Concord is a geometric sans serif. It has large counters which enhance readability. It is available in seven different weights for emphasis.

Among the countless typefaces available today, the Modern Face style is relatively underrepresented. During the 19th century and then later with the competition from the mechanized hot metal types and film setting, a number of attractive headline types appeared in this style. For text, however, the available types were limited to those based on tried and true classics like Walbaum, Didot and Bodoni, which were created between 1780 and 1830, as well as a few variations from the end of the 19th and beginning of the 20th centuries. The demand for new Modern text types remained nonexistant until the 1960s. Such was the situation when the Haas'sche Schriftgiesserei (Haas Type Foundry) commissioned me to come up with a concept and sketches of a new hot metal type. I was able to convince the director of the foundry that there was a niche to be filled with contemporary Modern typography. Another reason for the production of a new type was of a technical nature: the introduction of a new setting technique should not be limited to existing typefaces, but instead should lead to innovative text types suited to the demands of the new applications. André Gürtler, Basilia's designer: I began to work on the concept and initial designs of the new text type in 1968. I wanted to give the type a classical look, expressed above all in the strong stroke contrast between the robust verticals and fine horizontal strokes and serifs. This is one of the main characteristics of Modern typography.""This new typeface, Basilia, is distinguished by its soft, open appearance as well as a number of details which together mark a departure from historical models. For example, it has nothing of Bodoni's round letters and their angular, narrow spacing, and displays instead round forms with a much softer stroke in the curves. It was very important to me to avoid the Modern characteristic of stiff, vertical, grid-like strokes and to create instead a lighter, more transparent type. I retained the Modern style by using straight horizontal serifs at right angles to the strokes to still give the type its sense of rigidity." Three sketches for Basilia (normal, italic, and bold) were finished in 1973. Only the 9-point size was produced at first. In the following years, basic weights were made and adapted to filmsetting."

BluHead Studio LLC is pleased to announce the release of 9 fonts from the Churchward Design family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis. Churchward Design Lines is the latest addition to the Churchward Design family. The family now consists of nine unique fonts, all based on a classic, straightforward geometric glyph forms, with the addition of Churchward’s quirky details.

Monera is a new elegant stencil & modern serif font featuring a regular,outline & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Monera includes all standard glyphs plus a few essential ligatures as well as multilingual characters. Unique, playful and versatile serif family with 69 ligatures and 94alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Thank you, Skypia

Hugh is the development of a wide type font, we create a work of art that combines a very strong spirit of wide type, for those of you artistic art lovers, this good news for you, because Hugh has a high artistic soul. This is the start of a happy year for you, get this font right away and develop your wild ideas, Hugh is the answer for you now. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed

Royalite Script is classic script font that contain stylistic alternate, swash, etc to create your own customized signature. You can feel the elegant and luxury from this font. It's time to try a new classic script. Use this font for your fashion brand now! Also Royalite support multi language. This font available in OTF and TTF. Also Support PUA. Royalite contain start and end swash that you can use only by activate opentype. You can try this feature with copy and paste to the font testing -- -3royalite+3

Architype Ingenieur was inspired by Wim Crouwel’s late 1950s exhibition catalogues and posters, for which he had created a few geometrically constructed, simplified letterforms. In the 1960 Venice Biennale Dutch entry poster, he drew grid-based letters with 45-degree angles for ‘olanda’, the style influenced by his boyhood fascination with naval lettering. A subtle variation appeared in the Stedelijk Museum catalogue for painter Jean Brusselmans. Several dot matrix versions followed. The themes and systems in these early letterforms are encapsulated in this new four weight family Architype Ingenieur.

With a swooshy hand-painted flow, the strokes of this vintage brush script will make your designs sing and dance. While each character is charming on its own merit, put 'em together and this font dances with the swing rhythm and bursting energy of Benny Goodman’s big band. And don't miss the dandy special characters for letter combinations tt, th, or, os, and an extra fancy alternate capital M. Without a doubt, Swingdancer will satisfy the script jones of any retro font fan. Now available in new OpenType format, too!

The Wood-Regan Instruments Company (Wrico) of New Jersey manufactured for decades a line of lettering kits called the Wrico Sign Maker. With only special ink pens, plastic templates and a template guide anyone could letter clean, clear signs, posters and notices. Based on the same principles of architectural templates, the lettering was [for the most part] utilitarian and functional. Few templates were of stylized or decorative lettering. Informational Gothic JNL and its oblique version are based on the four inch high lettering templates from one of those kits.

Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.

Shareb font was initially designed with a different style compared to other Arabic typefaces. It was released as a free display typeface and went popular. Therefore, we decided to take it to the next level. Accordingly, we worked on the Arabic letters again, enhancing and fixing them. We also added new features like stylistic sets, ligatures, and a complete Latin set of letters so that the font can be used in the most needed languages. Now, we have a more professional, refined, and larger display typeface that can be used in more great projects.

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Sistina, designed by Hermann Zapf in 1950 was first named Aurelia Titling. It is a heavy supplement to the Michelangelo Titling based on studies of inscriptions in Rome. First release in hotmetal at D. Stempel AG, Frankfurt in 1951. Sistina was originally an all caps font. The digital version from Linotype contains small caps. Hermann Zapf together with Akira Kobayashi, type director from Linotype had made a new revised version of Sistina now named as Palatino Imperial" in the Palatino nova type family, a Platinum Collection product from Linotype."

Elida JNL was modeled from an image of some wood type for sale online. Although the type design most likely has its roots in the classic Bodoni, there were a few characters in the original wood type that had a bit of a square or block shape to them. Those characters were modified in order to keep with the overall roundness of the other characters. The name Elida JNL comes from a small town in New Mexico. Available in six styles: Regular, Oblique, Extra Condensed, Extra Condensed Oblique, Ultra Condensed and Mega Condensed.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

Introducing, The Postgates, An Essential Font! The Postgates is a classic script font that contain a lot stylistic alternate, swash, etc to create your own customized lettering. You can feel the elegant and luxury from this font. It's time to try a new classic script. Use this font for your fashion brand now! Also The Postgates support multi language. This font is also support PUA. Features Uppercase & Lowercase Number & Symbol Multi language Up to 11 Alternates for each characters PUA Encoded Don't hesitate to send me an email at saridezra@gmail.com Happy Creating!

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Vierkant was developed from the few letterforms that Crouwel created for an opening spread in a 1972 Drupa catalogue, on the theme ‘typo vision international’ – this single reference showed an interesting interplay of the experimental ideas underpinning his controversial ‘new alphabet’ and Fodor.

Say hello to the new Magallanes Condensed Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Calita Calligraphy Modern thick and firm style that you can get now! With character replacement styles updated with special glyphs that have been given a combination of fantasy and handwritten ink. This font will look beautiful on all designs, New Year designs, Weddings, branding materials, blog titles, quotes and invitations, and business cards. Open Type includes: Alternative Style Set style Swash To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, and Microsoft Word 2010, or later.

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

Say hello to the new Magallanes Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Maestra is a new dooType calligraphy font based on calligraphic style called Copperplate.

A new font with a large impact for words that shall be remember.

A distinguished new font from Oporto Design, Capa is clean, modern and urban.

Here is a new typeface JEUNES. Script font with alternates and some ligatures.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Steak and Cheese - a Savoury Font Collection Packed with flavour, Steak and Cheese includes following: • Brush - Two weights of a connected Brush Script with Contextual, Swash, Titling and Stylistic Alternates • Pen - Three weights of a connected monoline Script with Contextual, Swash, Titling and Stylistic Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners • Condensed - A bold and tight condensed Sans Serif with rounded corners. Steak and Cheese fonts are designed to work together - in pairs or more. Steak and Cheese is great for branding, posters or any display use. All fonts are PUA encoded and have a wide language support.

Finally, a font that’s ready for your pixel adventures. Johto is a hand-crafted, pixelated font that captures the excitement of 1990s Tokyo for today’s developers, designers, and video-game makers. We all love the pixelated games we played as kids. Now, as programmers, video makers, and creators of side projects that make our hearts pound with passion, there is nothing more satisfying than imagining ourselves in the shoes of the people that inspired us. We want to feel like we're right back there in the excitement of 1990s Tokyo, as an artist or engineer. Johto was created because of our disappointment with the pixel fonts we found online. And for people like us, who care deeply about the quality of our work - especially the work we do for ourselves - we realized we needed a high-quality pixel font to give our work the look it deserves. With over six hundred characters plus support for dozens of languages, including Japanese, tons of fun hand-crafted ligatures to get the look right, Johto is an authentic nostalgia trip. It has all those missing details you didn't notice, but your brain did.

We love sports – like billions of fans all over the world – but in Argentina, we really love fútbol (soccer). Fútbol is part of our culture: it makes our hearts’ race and our pulses quicken, it inspires screams of joy and screams of anguish, and it has been the cause of more than a few heated conversations amongst friends. So you can imagine our delight when, in recent years, a local team’s fútbol jersey used a Sudtipos font; it got us thinking about designing a font that explicitly had sports in mind yet still had the versatility to work for other types of projects. Sporty has a geometric and modular structure with many potential applications that far exceed jerseys, score boards and stadium wayfinding. Its flexibility is evident when examining its four style – from a square style to a rounded one – as well as the Shadow and Inline options. Each of the styles also comes with a set of miscellaneous shapes including modular banners, plates and arrows. Sporty comes in 3 widths – Condensed, Regular and Expanded – and 7 weights that equate to a total of 39 fonts.

Songs of the early 1900s were anything but the status quo in topic or style. Excessively long titles, novelty tunes and "foreign themes" permeated the piles of sheet music in the local music shops. 1916's "Oh How She Could Yacki Hacki Wicki Wacki Woo (That's Love in Honolu)" covered a number of these quirks within one publication. This Hawaiian-tinged song evoked the mysterious ways of the South Seas islands, despite the abridging of Honolulu to "Honolu". Nonetheless, the hand lettered title of this particular piece of sheet music featured an Art Nouveau-influenced bold block letter with rounded corners. It's now available digitally as Smooth Sailing JNL, in both regular and oblique versions.

Tangential is a distinctive modern sans in 3 weights which was born out of a simple idea: Beginning the project with a perfect circle to form the letter ‘o’, then squaring off one corner, ending up with a letterform I hadn't seen before for that character; this for me was enough motivation to attempt a full alphabet incorporating the angled styling wherever possible. The Tangential style I envisaged for the family is complemented by the prominent use of negative space throughout, most apparent on the drop shaped ‘o’ which is a key feature of the typeface and a letterform I'm particularly pleased with. The core Tangential design is also accompanied by two further variations, Rounded & SemiSerif.