FONT UPDATE → CFF Accelerator Roman is the ultimate logo typeface. It’s an efficient font family, consisting of 8 fonts with 4 weights and 2 widths. The masculine wide shoulders and sharp diagonal serifs are instantly recognizable and leave a lasting impression. CFF Accelerator is a space-age font made for heavy lifting. The original Accelerator Italic font was designed in 2005, making it our very first commercial font. It was created as an all-caps typeface. Now, the new Accelerator Roman font family has lowercases, an extended glyph set, a gazillion discretional ligatures, and loads of OpenType features. CFF Accelerator is currently our all-time bestseller!

Introducing our new product the name is Gardena Quanto Serif Display Font Family comes with 9 different weights. Modern Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Gardena Quanto Serif Display Font Family is a general-purpose, utilitarian design incorporating an abundance of OpenType features: small caps, ordinals, numerous figure options plus a few bonus goodies. Supports 66 languages using extended Latin character sets.

Introducing our new product the name is Walkie Valkyrie Serif Font Family comes with 9 different weights. Modern Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Walkie Valkyrie Serif Font Family is a general-purpose, utilitarian design incorporating an abundance of OpenType features: small caps, ordinals, numerous figure options plus a few bonus goodies. Mackinac supports 66 languages using extended Latin character sets.

Heft is a heavy slab serif that packs a powerful punch. Available in square-cornered and rounded versions, each with italics, plus two distressed variants — an inky version that evokes the urgency of cheap hot-metal printing, and a worn, distressed version that suggests vintage woodtype or photocopied text.

The movie poster for the 1937 film “Cafe Metropole” served as the basis for Outdoor Cafe JNL, which is available in both regular and oblique versions. The extra bold, stylized letter forms with their rounded corners typify the wide variety of typographic styles the Art Deco period offered.

MD-Type Rounded is a modern, stylish font family. The family consists of five fonts (Regular, Bold, Light, Block, Black) which are formed by all capital letters. The strong and accented letters were rounded on the corners and therefore softened. The font family supports Turkish language as well.

Fine-built, straight but not official, with soft corners is suitable for short texts, placards and advertising. It was inspired by 1970s when people were mad about robots, space and so on. I decided to create a font as if it was a progressive font of the 1970s.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

Landry Gothic is inspired by a wood type alphabet by an unknown designer. It was digitized in order to make prop signage for movies and television. Its imperfect lines and rounded corners are meant to capture the feeling of real wood or metal type that's worn from use.

The 1935 sheet music for Shirley Temple's "That's What I Want for Christmas" [from her 20th Century Fox film "Stowaway"] provided the hand lettered sans which became the model for Artistry JNL. A condensed block design with rounded corners, the typeface is available in both regular and oblique versions.

This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the corner, and continue with typing [alt] + p. Duplicate and mirror the lines to get a fantastic frame.

The cover of the 1934 sheet music for "Your Guess Is Just as Good as Mine" offers up another hand lettered Art Deco sans with a classic period look. The square-ish lettering with rounded corners of Second Guess JNL is available in both regular and oblique versions.

Pleasantville JNL is a condensed slab serif font with angled corners emulating a popular style of lettering most prevalent in the 1920s. Modeled from Cornfield JNL (which in turn was based on a vintage popcorn box's logo), the letters were given a more standardized treatment in form and balance.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

A geometric sans serif with a precise fabricated appearance. Smooth corners are mixed with subtle angles to form a strong, legible typeface ideally suited for a wide range of applications. Details include 6 weights with italics, an extended European character set, manually edited kerning, stylistic alternatives and Opentype features.

New York vibes FS Irwin was born in New York while Senior Designer, Fernando Mello, was studying an intensive 5 week typeface design course at the Cooper Union. His brief was to design a perfectly clear typeface that could communicate well, without loud or overtly mannered design features. Fernando was influenced by the subway font in New York: ‘It is very in your face and clear, always in bold. It doesn’t shout much but at the same time is very present and unique. The design is completely different but it was this spirit I wanted to capture for FS Irwin.’ And the vibe of the city: ‘In a similar way to London, New York is so mixed and so cosmopolitan. I was amazed by the different styles and identities I saw there, and tried to encapsulate this essence to create something new, relevant and very now.’ Incisive quality Rather than focusing on quirks or distinctive characteristics, the key to FS Irwin is the quality of its design and spirit of simplicity. The design, proportions and details are usable and authentic and it is suitable for countless situations, without running the risk of being instantaneously noticeable. Families like this can be used on nearly anything, from more playful designs to serious corporate IDs. ‘Extensively tested and precisely drawn text-oriented typefaces are what I enjoy designing the most. There is a beauty and a different approach, a different way of making them interesting, sellable and usable rather than adding flicks or unexpected details.’ Inscriptions and calligraphy FS Irwin’s origin lies in Fernando’s studies in inscriptional lettering and writing-calligraphic exercises at the Cooper Union. Mello started the process by digitising his explorations and adapting them into a more workable sans serif structure. The traditional forms of writing which gave the basis to Latin type as we know it today were the perfect place to start. This influence can be seen in the proportion of the capitals and in slight writing-calligraphic details in the lowercase, such as the slightly angled, chiselled spurs and their open terminals.

Introducing my new font named "Droptune". Dark riffs, strong rhythm, low frequencies - it's all about heavy music, and, I hope, about this typeface :)

Introducing Bronc Stomper; Bronc Stomper got its start from an old logo design used by the New York and Harlem Railroad in 1904.

Washington Heights JNL is a sans serif type design based on a vintage hand-made directional sign for the New York subway system.

A new high contrast gothic; works great for many different applications. This font will add a nice elegant touch to all your designs.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

Forget everything about Times New Roman and all the other classic typefaces! Forget all that and take a bite of Peanut Butter Man!

Try new Echophonic today! It's hi-fidelity sound you can actually see! Another miracle of modern science in several weights by Rocket Type.

Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Cell is a sturdy, geometric typeface with many potential applications. Though it is best suited to display sizes, its construction is simple enough for use in smaller settings. Its octagonal, almost mechanical design is softened by rounded corners. The face is characterized by a single thick stroke in each letter, lending it a unique appearance. It also features an oblique counterpart with several italic-style glyphs. Both members of the family also include small capitals mapped to the Private Use Area. Cell was designed to be at once simple and unique. Its grid-based structure is enhanced by slight adjustments for optical consistency. Glyphs which are normally round instead have 45-degree angles at the corners, sticking to the grid system without losing legibility.

Infantry SRF was originally a freeware dingbat font from Jeff Levine from 1999 featuring twenty-six cute baby expressions. Jeff has cleaned up the images, improved the font file and has now made it part of the Stella Roberts Fonts collection. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Since its foundation in 1901, the iconic building in the Rotterdam neighborhood Kop van Zuid, is shining. Where previously the Holland America Line was housed, you will now find Hotel New York. A building with a tremendous history. We’re glad to take you back in time with captivating memories. In 1991, catering entrepreneurs Daan van der Have, Hans Loos and Dorine de Vos refurbished the at the time vacant property into a hotel/restaurant. To honor its 25 years existence, we celebrate this happening with a brand-new font, ‘America Line’. A tribute to Wim ten Broek, the multi-talented Dutch Graphic Designer. As early as the 1930’s before the Second World War, Wim ten Broek made the famous posters for the Holland-America Line. The influence of A.M. Cassandre here in, is clearly recognizable. Wim ten Broek also worked for HAL with large surfaces and fixed lines in which primary colors dominate, accentuated with shadows acquired by spraying technique. He also made graphic works for, among others, the World Exhibition in New York, the Dutch railway company ‘Werkspoor’ and the royal Dutch steel factory ‘Hoogovens’. His drawings and lettering gave me a love for the trade and naturally gave me a completely different view on fonts. That’s how I slowly but surely made my way to the trade. Based on the letters I had at my disposal from the Holland – America Line poster, I started to complete the alphabet in the same style as the original text. I digitized everything in order to acquire a usable and modern font. The Holland America Line Font comes with uppercase and lowercase with all the needs of modern times to create a good digital font and to be able to use it for all graphic purposes. The font is ideal for headtext, posters, logos, etc... Don't hesitate and use this unique historical font! It will give your work that glamour that you will find in few fonts. Enjoy the Holland America Line. The Holland America Line Font comes with uppercase, lowercase, numerals, punctuations so you can use the Holland America Line font to customize all your designs. The Holland America Line font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. The Holland America Line Font can be used for all graphic purposes. It is ideal for headtext, posters, logos,  logos, letterhead, apparel design, package design, label design etc... Don't hesitate any longer and enjoy this unique historical font! It will give your work the glamour that you will only find in a few fonts. Enjoy your journey with the Holland America Line!

Vintage sheet music for the 1920s song "Where Did Robinson Crusoe Go with Friday on Saturday Night?" yielded the hand lettered Art Nouveau alphabet for Nouveau Display JNL. Because the Art Nouveau movement was so influential in the graphic designs of the 1960s "Love Generation" counter culture, this typeface blends itself well with projects crossing many decades and varying styles.

"Secret mango" ia a simple character shapes and open counters, make for an exceptionally legible design. Secret mango consist 9 weight of slab serif with matching oblique to make more touch and allowing you to make each word look completely stylish. True to the reflection of Slab serif, always associated with confidence, solidarity and courage, "Secret Mango" represents all of that.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Julio is a eye-catching, counter-contrast font with retro touch. This cool and cute font woks best for display uses, headlines, branding, print, and web design projects.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol Skyline presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

The Libran font family consists of Libran Regular, Libran Italic, Libran Antique and Libran Small Caps. The broad open counters make for easy reading with a touch of classic roman clarity. The diminutive serifs add a suggestion of the hand crafted origins without obstructing Its clean, contemporary lines. Libran’s generous x-height and short ascenders have been carefully proportioned to maximise reproduction qualities.

Spaceland is a narrow display font family with constant counter width and gradually growing stroke over 11 weights with matching obliques. Spaceland is a perfect choice for designs that require extra narrow but legible letters, such as movie posters, health warnings, bold titles etc. It has rich language support, including Cyrillic, as well as numerous OpenType features to customize your design.

Aladin is a calligraphic art deco face with an eastern touch, designed by Angel Koziupa and produced by Alejandro Paul. Casual, airy counters and friendly terminals give it an advantage as a packaging font for exotic coffees and teas. It also serves quite well on posters and book jackets where relaying the famous sense of Eastern hospitality and playfulness is a must.

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes and over-the-top arms, ties, bars and counters. Comes with an ultra-cute blob dingbat font and copious amounts of diacritics.

Likely is a joyful, brush script type family with complementary sans and extras styles. Hand drawn freely but carefully, each font is designed to work together to present a vibrant and natural package. Layer and colorize the free Counter styles to easily enhance the color palette or use the over 170 matching catchwords and shapes to make your designs even more fun!

Pebl is inspired by the naturally simplified and smoothed shapes of beach pebbles. The result is a bold, super-rounded display typeface. It's pared back to just the most basic, smooth outlines without counters, for a friendly and organic look. It’s ideal for logos, branding, headlines or just abstract type shapes in print, in displays, on the web, on T-shirts, wherever. Enjoy.

The Tanseek™ Sans family provides interactive and print designers with a suite of powerful and versatile communication tools. Square shoulders, open counters and distinctive character shapes also ensure high levels of legibility. Designed by Dave Farey and Richard Dawson, the lower case has a subtle calligraphic emphasis, creating an inviting rhythm and typographic flow when letters combine into words and sentences.