Roclette Pro Display is a Brand Elegant Typeface from Roclette powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Roclette Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Eight Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Normal, Italics, Outline and Outline Italics Included.

SK Barbicane is a family of typefaces named after Jules Verne's famous book, From the Earth to the Moon. Inspired by Jules Verne's foresight, it was designed with a synthesis of the future and the past. While it carries sharper and futuristic lines than the future, it also incorporates the organic structure of the past. All characters have equal dimensions in this font with mono weight and mono space. In this way, you can create regular typographic layouts in your designs. Consisting of two different families, Normal and Unicase, this font has a total of 12 different fonts and 5088 glyphs. In this way, it contains many typographic elements that you will need in your designs.

Singolare is a contemporary geometric Sans Serif with angular terminals and a great x height. Its main feature is the style difference between the lighter and heavier weights. The more weight it gains, the higher its singularity. With its weights, styles and layers variety, it's perfect for display use and short texts that require a visual impact. Singolare is composed by five weights, from Ultralight to Black. Every weight has its own stencil variation with expressive cuts and four decorative versions: three outline and one inline version, that can work on it’s own or overlapped to the black normal version (changing the colors of each layer) in order to amplify its usage possibilities.

Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

Designed by Werner Schneider and Helmut Ness, the Vialog® 1450 typeface family has been drawn within the standards of the German DIN 1450 regulations. The typefaces conform to the DIN specifications for proportion and line thickness and also contain characters designed in accordance with its requirements. These include characters that can be easily confused, such as uppercase I and lowercase l, and the uppercase O and figure 0, with the corresponding accentuating graphemes and ligatures. In addition, letter pairs that can readily seem to merge together under less than ideal reading environments have also been redesigned. Characters like the g, J and R have also been redrawn to be more legible. Normal glyphs are available as alternatives.

Sztos (2018-2022) is a remix of one of the most famous grotesques used in Poland – Baccarat (published by Jan Idźkowski i S-ka in 1922). My version loosely refers to the original. On the one hand, I wanted to modernize the drawing and proportions, on the other hand, I did’t want to lose the historical flavour and details in which you can still feel traditional printing. In addition to the fairly wide version of the normal style, there is also a narrow version. Thanks to this contrast, Sztos gives the possibility of expressive combinations of different styles. The whole family consists of 10 weights, two widths and an additional slant version. Design Support: Małgorzata Bartosik, Karol Mularczyk

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Get ready to be transported back in time with Algol—the low-resolution display typeface that takes inspiration from classic computer pixel fonts. But don’t be fooled, Algol is not just your typical pixel typeface– it adds a touch of elegance to the digital age. By overlapping intersections with rounded corners, Algol creates a softened effect that sets it apart from other pixel fonts. Say goodbye to the sharp, precise pixel junctions and hello to a font that works perfectly for vinyl-cut signage systems and other cases where a more gentle look is desirable. With Algol, you have the choice of three members of the family—Algol Regular, Algol VII, and Algol IX. For a truly dramatic look, layer Algol Regular and Algol VII in inventive color combinations that will leave an impact on anyone who lays their eyes on it. Algol IX, on the other hand, is more relaxed in its spacing, allowing the spectator to look directly through it. But don’t be fooled by its simplicity—hidden alternate letters with closed counters open up a whole universe of design options for you to explore. So what are you waiting for? Let Algol take you on a journey to the past, all while creating stunning designs that are sure to impress. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I've wanted to create a font recalling the printed Futura of the 1940s, which seems to have an elusive quality all its own. After seeing an old manual on a World War II ship, I developed a plan for "Le Havre Metal" but chose to shelve the project due to Le Havre's small x-height. That's where Steagal comes in. When Robbie de Villiers and I began the Chatype project in early 2012 (a project which led one publication to label me the Edward Johnston of Chattanooga!), we started closely studying the vernacular lettering of Chattanooga. During that time, I also visited Switzerland, where I saw how designers were using a new, handmade aesthetic with a geometric base. I was motivated to make a new face combining some of these same influences. The primary inspiration for the new design came from the hand-lettering of sign painters in the United States, circa 1930s through 1950s. My Chatype research turned up a poster from the Tennessee Valley Authority in Chattanooga, Tennessee, which exhibited a number of quirks from the unique hand and style of one of these sign artists. Completing the first draft of Steagal, however, I found that the face appeared somewhat European in character. I turned then to the work of Morris Fuller Benton for a distinctly American take and discovered a number of features that would help define Steagal as a "1930s American" vernacular typeface--features I later learned also inspired Morris Fuller Benton's Eagle. The overall development of Steagal was surprisingly difficult, knowing when to deliberately distort optical artifacts and when to keep them in place. Part of type design is correcting optical illusions, and I found myself absentmindedly adjusting the optical effects. In the end, though, I was able to draw inspiration from period signs, inscriptions, period posters, and architecture while retaining just enough of the naive sensibility. Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the "bad signpainter" version with plenty of character. Steagal Regular comes in five weights and is packed with OpenType features. Steagal includes three Art Deco Alternate sets, optically compensated rounded forms, a monospaced variant, and numerous other features. In all, there are over 200 alternate characters. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Steagal also includes support for all Western European languages. Steagal is a great way to subtly draw attention to your work. Its unique quirks grab the eye with a authority that few typefaces possess. Embrace its vernacular, hand-brushed look, and see what this geometric sans serif can do for you.

Our Generation is a brand new handwritten font. Our Generation is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Pando Script is the a new brush script with inverted contrast and a lot of personality. Pando comes with many ligatures and alternates. We recommend to us it for headlines, labels, packaging and branding.

Slatteros is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Introducing the new lovely Healing Script. It's authentically handlettered font with full alternates (upper and lowercase). Designed to work perfectly in multiple designs like wedding invitations, website logos, Instagram posts and many many more.

Summer Splendor is a brand new handwritten font. Summer Splendor is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Anulika is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Bellazio is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Wisconsin is a complete character set including three stylistic sets in nine weights offering a new singular aesthetic to each. Three differents attitudes in one font, a real typographic weapon. Supports all latin languages

Hypertype is my new elegant serif display font that will bring a touch of style and luxury to your projects. It is perfect for branding, logotypes, blog headlines and many more your design needs.

Introducing of our new product the name is Aloha Dance a Quirky and Playful Font, Aloha Dance inspired by Playful style with a fun theme very good for tropical, kids and playful theme design.

Fearful House is a brand new display font. Fearful House is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

CurlyQ new from Rae Kaiser and Outside the Line. A curly, swirly, girly kind of font. A delightful headline font for your next garden party or note to the kids from the tooth fairy.

Introducing Amberlight Script - a new fresh & modern script with a sweet calligraphy style, decorative characters, and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more!

First developped for a logo that was rejected we made a font of it! It is an old-style techno but still modern new font (what a mix!). It is simply playful and fashionable.

Instinct Question is a brand new display font. Instinct Question is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Holsworth is a handwritten script font with a natural texture style that will inspire any new design project with its authentic feel!. It's suitable for logotype, t-shirts, posters, branding, advertising, and many more.

Striking Rainbow is a brand new display font. Striking Rainbow is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.

Sweet Daydream is a brand new display font. Sweet Daydream is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Glaudusa is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Nevins Hand is our first release of a new collection of fonts based on the designs of Peter Nevins, a San Francisco poster artist who does hand-lettered fonts in the Art Nouveau tradition.

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.

In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.

Rockdones is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

This is a modern font with a new interpretation of the classic font. It has sharp serifs, delicate hairlines, and beautiful curves that will make your typographic work look vinegar-lidded, stylish, and sexy.

Christmas Eve is a brand new handwritten font. Christmas Eve is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Expression Exchange is a brand new handwritten font. Expression Exchange is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Merden Graffiti is new font from WAP Typefoundry, strong feel character set. To create the beautiful combination, just mix the uppercase and lowercase then mix with the alternative glyphs.Merden Graffitis insfire from graffiti style.

Rockstone is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Inspired by the idea of found paper objects, this font centers around a strict grid. Combining dot-matrix printers with subtle serifs, it combines old and new. Recommended usage is as a display font.

Summer Fable is a brand new display font. Summer Fable is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.