A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design. These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

Rightland is a modern bold script font, which is very strong and clean, has elegant swashes in each curve that can be applied to various design needs such as logos, posters, branding packaging and others. This font supports Multi-Language ​​and OpenType features and it is PUA encoded.

Loco is an impacting display typeface playing with simple geometric forms perfect for posters, flyers, magazines and everything that needs to look bold, noticeable and up-to-date. Loco was created to perfectly match Ambassador Plus Sans Light. Their combination offers a flexible tool for your creative designs.

Traditional stencil type faces have always projected images of strength, power, police, military or industry. The hand-lettered title card for 1951's "Detective Story" (directed by William Wyler) is a perfect example of this. A bold Roman letter style, it was the perfect inspiration for Detective Bureau JNL.

Thornton is a bold script that looks elegant when used for your design. It's also elegant and modern and works well with your design interests, be it for logos, branding names, posters, podcasts and so on. Features 1.Uppercase & Lowercase 2.Numbers & Punctuation 3.Multilingual Support 4.Ligatures

Tomboy is a type design based on informal handwriting. Its presence on the page is friendly and easy to read, suitable for correspondence, brief text, and for display use in titles and headlines. Three weights -- Light, Medium & Bold -- allow Tomboy to speak in a wide range of voices.

Wataha (in polish - wolf pack) is a sharp, robust uppercase family of 3 fonts: Bold, Heavy and Black. Perfect for posters, headlines and logotypes. With a range of OpenType features you have access to alternative letter shapes, fractions, arrows etc. Wataha supports most Latin-based languages and few others.

Powerful and angular. Power Grid comes in four versions: Regular, Stencil, Inline and Rounded. Inspired by 1920s constructivist posters, it's perfect for industrial and bold applications. Power Grid is all caps and includes a handful of alternate glyphs. 8 fonts 4 styles: Regular, Stencil, Inline and Rounded Alternate characters

Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family consists of five weights - Light, Book, Medium, Bold and Black, with corresponding oblique styles.

Vanda – A unique display font with numerous alternate letters, ligatures, decorative elements, and multilingual support. Vanda is a very versatile font that works great in all kinds of projects, from unique branding to bold magazine design. This all-caps typeface features numerous alternate glyphs with decorative elements and ligatures.

Landepz Typefamily includes three normal styles, grunge texture and glitch, Landepz is a family of bold hand-printed types, celebrating the style of the original printing press and all its beautiful imperfections. Its solid, robust shape lends itself to a robust design, while its texture provides an authentic sound.

Introducing FRUITZ, a Juicy Bold Font. This font family is great for apparel, branding, logo, magazine, quotes, packaging, advertising, and more, that need cheerful feel. It come in uppercase, lowercase, with punctuations, symbols & numerals. Also support multilingual and already PUA encoded. The Fruitz Doodles are completing this font family.

A script font family which include 4 variations, Light, Regular, DemiBold and Bold. An easily-legible font useful for notes, invitations and announcements, also for the package designer Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ https://typographica.org/typeface-reviews/scriptonah-and-casual-brush/

The Wendy family is a cursive script provided in three weights -- Light, Medium and Bold. The design is an upright, casual handwriting style, with natural joins and connecting strokes. Wendy, in her various modes, projects a friendly persona, adding an approachable quality to headlines and short runs of text.

Abdominal Krunch is a wacky handwriting font. But that's not all; if you write in ALL CAPS a totally new font appears! Write in lowercase and you get the wacky/chunky handwriting letters - or choose to write in CAPS and you get a more bold, steady comic-like font!

Teo Tuominen’s Trevor took its first breath as a revival of an 18th century antiqua, but culminated in an entirely new and good-natured family. Trevor is an affable slab serif in nature: both heavy and kind. Known for their familiarity and their dark colour, the terminals of slab serifs put additional weight along the line to maintain an inky presence. Their clunky forms reveal slight immaturity and arouse the reader’s sympathy for the subject at hand. Trevor connects with others by consciously riding the line between being personal and commanding. One goal with Trevor was to pair the robust nature of a low contrast slab serif with more sophisticated elements, such as the ball terminals. So wherever one looks in Trevor, rounded corners rule the day, softening the overall appearance by mimicking ink spread made by old metal type. The easygoing look is tempered by very few inktraps and sharp corners, mostly to the inside of characters and in acute angles. Whatever Trevor is paired with, it has an altruistic outlook in that it sees the best in others. It’s the neighbourly type family
 — the neighbour you actually want. Trevor’s almost monolinear weight and high x-height give it a typewriter look in the extralight and light weights, but the whole family was made to work with many other font styles, design work, and information structures. It certainly finds its home in packaging and advertising, its sturdy verticality and narrowness fit the needs of headlines and intro text, and its seven weights are primed for plays and involved text needing many layers of distinction. The black weight is treated like a separate display style with altered ball terminals and serifs to capitalise on the added heft. Trevor’s seven roman weights cover the Latin A Extended glyph set to bring its kindly and commanding outlook to your projects. Along with alternate version of the ‘R’ in the black weight, its OpenType features include both tabular and proportional lining and oldstyle figures, ligatures, and fractions. The complete Trevor family, along with our entire catalogue, has been optimised for today’s varied screen uses.

Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In fact, they were called just Modern. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions. The name Schotis comes from the misspelling of Scottish that gave the name to a popular dance in Madrid in the 19th-century. It first was called Schotis and today is knows as Chotis.

ATTACK OS font version: 1.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular; Italic; Bold; Bold Italic. We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

Judicious is perfect for making a bold statement and grabbing attention with its strong and commanding style. With its uppercase and lowercase letterforms, Judicious offers versatility and creativity for your design projects. Whether you're creating impactful headlines, striking logos, or eye-catching posters, this font will ensure your message is delivered with confidence. Featuring a comprehensive character set, Judicious includes numbers, punctuation marks, and supports multiple languages, making it suitable for various design applications. Additionally, the font is PUA encoded, allowing easy access to all glyphs and swashes, expanding your design possibilities. Let Judicious be the foundation of your next design project. Whether you're working on branding, advertising, packaging, or any other creative endeavor, this bold display font will command attention and leave a lasting impression.

Super Blues elegant font designed when in a creative mood and perfect shape, inspired by the bold, natural look of serifs so beautiful for today's fashion. bold, balanced and varied, born for luxury and beauty. including uppercase letters, numbers, and various kinds of punctuation Super Blues is perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme. Super Blues is built with OpenType features and includes initial and ending language styles, alternative characters for most lowercase letters, numbers, punctuation, alternatives, endings, and also supports other languages. Hope you enjoy our fonts and if you have any questions, feel free to message & I'll be happy to help :)

Anultra Slab is, you guessed it... An ultra bold slab serif! Anultra Slab is a hard hitting headliner, designed to be set LARGE. Because it's a single weight typeface, no compromises were necessary to get it interpolatable with other weights, so it is as bold and tight as I intended. Features include automatic fractions, case-sensitive forms, ligatures, stylistic alternates for non-descending J and Q, and a 3D 'xtrude' style, which can be layered behind the regular to create two colour, photo-lettering style text. Very seventies. Very cool. A companion typeface, Alight Slab , is available at the other end of the weight scale, but there are no weights in between. You're no middle-weight designer, so why use middle-weight fonts?!

Mr. Peter is a warm and friendly handwritten san-serif font which has two weights, Regular and Bold. He also features multi languages, some alternative letters, and 35 ligatures. He is good for an eye catching title, display as well as small text. Mrs. Peter is a handwritten script font based on Mr Peter. She also provides two weights, Regular and Bold, and features multi languages, automatic ligatures, and beginning and end-changing effect. It will be in good taste if you combine and use Mr. & Mrs. Peter together. Jr Peter consists of around 100 unique icons and ornaments. Also you can simply create multiple faces by using this font. The description of how to make a face is on the promotion poster.

Are you Troubled by Ghostly Voices in the night? Do you hear the Terrifying Tones of Demons and Ghouls in your Attic or Cellar? Have you or any of your family spoken with "Forked Tongue? Well, talk of the devil, Forked Tongue happens to be the latest offering brought to you buy our courteous and efficient staff this month (now on call twenty-four hours a day to serve all your supernatural lettering needs). If it Sounds Spooky, it most probably speaks with Forked Tongue. Oh, but if you really have got ghosts or poltergeists, well, um, we don't know who you gonna call. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western and Central European international characters.

Moonless is a charming handmade font duo, designed for texts, with a matching display font for titles in four different styles. The text font has true-drawn small caps available as an OpenType feature. In case you have no access to OpenType features, there is "Moonless SC" - the small caps version of the font. Moonless is perfect for children's books, poetry, invitations and design magazines. Moonless for texts comes in four different weights: light regular semi bold bold Moonless SC the small caps version of Moonless Moonless SC Regular is free! :) The display font comes in four styles: regular ("night") engraved ("shine") with dots ("stars") outline ("space") The font name was inspired by one simple word from Farid Attar's poem "The Conference Of The Birds".

BUMBLE OS font version: 1.0 is the first version, including 340 characters, there are 3 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold). We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

Alderney is a friendly font family in three weights, Light, Regular and Bold, designed by Stephen E Rowe for the foundry Fontelan. It is a gentle script crafted for more relaxed display needs, but, being oblique in character, it gives an air of excitement to many projects, especially in all caps situations. Unlike many scripts, the capitals can be successfully used as a great display option. All glyphs have a smooth curve and a broad, flowing, low aspect. The light version lends itself to airy design possibilities, again, especially when the caps are used for display purposes. The regular version is a well balanced script that remains spacey and elegant, and the bold version is excellent for a display that suggests excitement.

Rustle Fighter - A Handbrush Gaming Typeface. Rustle Fighter is a dynamic and gaming handbrush typeface that packs a punch with its bold and commanding presence. Inspired by the untamed brushstrokes of a skilled artist, Rustle Fighter captures the raw energy and strength of handwritten text. Each letter carries an impressive weight, with its rough edges and uneven lines creating a sense of intensity and ruggedness. Whether used for headlines, logos, or bold designs, Rustle Fighter makes a powerful statement, demanding attention and leaving a lasting impression. With its versatile nature, this typeface effortlessly adds a touch of rebellion and authenticity to any project, making it a go-to choice for designers looking to inject a fierce and artistic flair into their creations.

Forward Serif is a rough and classic typeface. This light serif font with an expressive movement gives any project the attention it deserves. Use it for a vintage logotype or headline to give your work that genuinely traditional look. The Forward Serif family consists of four high-quality fonts: Regular, Upright, Bold and Upright Bold The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Danish type designer Ole Søndergaard created this sans FontFont in 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries and small text. FF Signa Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Serif, FF Signa Serif Stencil, and FF Signa Stencil.

Codo Mono Modern monospace typeface Standard and italic styles, 6 weights + variable weight versions. Codo Mono is a carefully crafted monospaced typeface featuring stylistic alternatives to help make your design or branding stand out. Codo Mono Family: Codo Mono Thin Codo Mono Extra Light Codo Mono Light Codo Mono Regular Codo Mono Medium Codo Mono Bold Codo Mono Italic Thin Codo Mono Italic Extra Light Codo Mono Italic Light Codo Mono Italic Regular Codo Mono Italic Medium Codo Mono Italic Bold Plus: Codo Mono Variable weight Codo Mono Italic Variable weight This font has extensive Latin language support for Western, Central, and South-Eastern European. Designed to have great legibility with a modern feel, Codo Mono is well suited to branding, magazines, editorial copy, packaging, and more.

Gridiron Glory is a modern and elegant font that stands tall as a tribute to the world of sports. This dynamic display typeface captures the power and energy of athletic competition with its strong, bold letterforms and sharp angles. Inspired by the lines and precision of a football field, Gridiron Glory exudes a sense of strength and determination. Its clean and structured design, reminiscent of a gridiron play, brings a sense of order and professionalism to sports-related designs. Whether used for team logos, jerseys, or sports event promotions, Gridiron Glory makes a bold statement and evokes a sense of excitement and anticipation. Embrace the spirit of the game with this font that embodies the glory and fierce competition found on the field.