FT Drobbs is inspired by the Didot font group, known for its neoclassical style reminiscent of the Age of Enlightenment. The font includes a combination of very narrow and very wide lines. FT Drobbs features increased contrast between wide and narrow lines and includes rich teardrop endings. I love to watch how the lines bend, how they move, expanding or going into the thickness of the hair. I love their graceful beauty. FT Drobbs is not alphabetic, but it contains numbers, a set of basic currency symbols, and a few typographic characters. It is suitable for use as accents in labels, posters and infographics.

Octopuss is an energetic titling typeface designed in 1970 by Colin Brignall for Letraset dry transfer sheets. Brignall expanded the basic alphabet with an outline variation with a shadow, which makes the typeface look three dimensional, almost like it is floating. Octopuss font displays the unmistakable signs of the typefaces of the 1970s, as do Countdown and Harlow, also designed by Brignall. The circular strokes of the capitals that drop well under the base line are striking and unique. Because of the small white spaces of its lower case letters, the rounded, robust Octopuss is meant exclusively as a headline font and should be set in large point sizes.

Melango is a captivating and artistic brush signature font that exudes a sense of flair and personality. With its handcrafted and expressive strokes, Melango captures the essence of a genuine signature, as if written with a brush. Each letter carries a unique and fluid charm, adding an element of authenticity to any design. The brush-like texture and varying thicknesses create a natural and dynamic appearance, making Melango an ideal choice for logos, branding, and creative projects seeking a touch of artistic elegance. Whether used for invitations, greeting cards, or social media graphics, Melango effortlessly infuses designs with a sense of warmth and creativity, making it a standout brush signature font.

Sandena began as an attempt at a harmonic convergence between the classic lines of Palatino and the curved flair of Optima - both favorites of mine from the great Hermann Zapf. As I’ve always loved the Swash characters of the 50’s and 60’s letterforms, I incorporated these alternatives to offer the more complete package that you see here - a humanist font in the truest calligraphic sense. This OpenType font family comes in four weights and includes condensed and Swash Cap alternates. Sandena offers multiple-character foreign language support and is being offered in a number of packages best-tailored for your unique application.

Introducing "Ultravision," a geometric sans serif font that artfully fuses the charm of the past with the clarity of the future. This typeface draws inspiration from timeless classics such as ITC Busorama, Herbus, and Marvin, yet it distinguishes featuring both uppercase and lowercase characters. A harmonious blend of vintage allure and modern sophistication, Ultravision embodies a retro aesthetic. Its geometric structure lends an unambiguous and clean feel, making it perfect for a wide range of applications, from bold headlines to subtle captions. Ultravision is also available as a variable font with variable weight support. Ultravision includes over 300 glyphs for lots of languages support.

Step into the future with Breaktime, a cutting-edge digital futuristic font that seamlessly merges technology, innovation, and style. Inspired by the sleek aesthetics of tomorrow's digital landscape, Breaktime embodies a perfect synergy of form and function. Whether you're designing a tech-forward website, a space-age poster, or a forward-looking logo, Breaktime is your gateway to a digital tomorrow. Embrace the future of typography with this innovative font and let your creations resonate with the essence of tomorrow's possibilities. Breaktime – where technology meets typography in perfect harmony. We're proud and honored if Breaktime can be the part of your special projects. Thank you :)

Mtwane is a contemporary font, fusing the vigor of African design with the clean-lined sophistication of the European fonts popular at the turn of the 20th century. In the wake of African Renaissance, European and African cultures are counter-influenced, resulting in an exciting fusion of the two. Mtwane plays on the line between upper and lower case characters, creating a young, powerful, in-your-face effect. Use Mtwane for clear, powerful impact in contemporary design. Mtwane contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

This font is dedicated to the glory of the human spirit and honor. Osovec is a fortress of World War I. On the 6 August 1915, the defenders of the fortress, the Russian soldiers, against whom the enemy had used poison gas; though half-dead, were able to rise to the counter. Thus it was that 60 Russian soldiers routed the 2 thousand strong enemy army. This heroic episode has gone down in history as"Attack of the dead". The font contains more than 700 glyphs, support for all 104 European languages, all Slavic languages, a variety of OT features, including ligatures, old numerals, alternatives, ordinals, and many others.

Future Bugler Soft is a soft version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie “Sky Captain and the World of Tomorrow”. It also communicates the idea of high performance, or extreme sports, without the grunge. Also check out its siblings, the original Future Bugler, and Future Bugler Upright. Digitized by John Bomparte.

"Soup Du Jour" is French and simply means "Soup Of the Day" - may not sound interesting, but I can tell you that I have had several tasty soup of the day served. I wanted to make a font that resembles that feeling of not really knowing what you get served, but you got a feeling that it is something good! The font has got 6 different versions of each letter, and they automatically changes as you type - it makes your text organic and lively, and probably quite tasty too! :) "Soup Du Jour" is also a well-known quote from one of my favourite movies: "Dumb and dumber"

Along Sans Grande is an ultra condensed sans serif font family developed based on the typeface styles of the Along Sans Geometric Font Family. In the case of the black weight with the largest change in the size of the stem, the size is 180:140:100, respectively. And, the thin weight style has the same proportion of stem size. Some Glyphs that need to support the stem alone remain a size 222 for Black Weight. These interpolation rules are sufficient to complement the rhythm and readability of the whole family. This family is perfect for special titling works, logo designs, and cool showcases.

Linotype Mateo is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Jürgen Ellenberger included three styles in his font, roman, bold and outline. The characters of Mateo consist exclusively of lines, giving the font an extremely angular look. However, Mateo retains a certain handwritten style somewhat reminiscent of the graffiti left on wooden grade school desks by previous classes. The bold and outline styles have emphasized stroke contrasts but keep the angular, consciously irregular look. The roman style is best for smaller texts and the bold and outlines styles for headlines.

Lumen Script is a contemporary monoline script display face. Combining the loops and swashes from the fanciest of hand painted scripts, with the consistencies of shape and form from the most regimented of sans, Lumen Script is a fresh and unique take on the ever popular script typeface. To get the most out of Lumen Script, make sure you have Contextual Alternates and Standard Ligatures turned on in your Opentype menu. Lumen Script also has a set of small caps, designed to sit comfortably alongside the standard letters, allowing you to change your tone without changing typeface. Lumen Script is also versed in multiple languages, with many accented characters included.

Everestoria is a stylish brush marker font that captures the essence of artistic expression and boldness. With its fluid and expressive brush strokes, Everestoria emulates the look and feel of a hand-painted masterpiece. Each letter exudes a sense of dynamism and flair, showcasing the authentic texture and character of brushwork. Its sophisticated yet approachable design makes it perfect for projects that demand a touch of elegance and creativity, such as logos, branding, and invitations. Everestoria's versatility shines through in its ability to effortlessly convey both a contemporary and timeless appeal, making it a go-to choice for designers seeking a captivating and stylish brush marker font.

Askey - The Funky Serif Font is a bold and expressive typeface that channels the spirit of funk and creativity. With its unique and unconventional serifs, Askey exudes a sense of artistic flair and individuality. This font is perfect for projects that seek to make a statement and stand out from the crowd. Whether you're working on posters, album covers, or any design that demands a touch of funkiness, Askey adds a distinctive and charismatic charm. Askey is like a burst of creativity in the world of typography, making it an ideal choice for projects that want to embrace a bold and unconventional style, exuding confidence and originality.

Introducing, The Mogaster - a bold monoline script with a touch of vintage look and feel. You will get 3 styles of font. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

An Swish is a unique handwritten font. Crafted in ink to become digital. Initially it was created as a kind of textural filling of spaces - walls, posters, clothes. In the process of creation, it became clear that it can solve different problems. It can become a logo or a great solution for identity. With the apparent density of the set and the negligence of the forms, it remains quite readable. It can work with different spacing options. There is a feature in the font that changes the second character when two identical letters meet. Also added icons (lightning, heart, eye) that can decorate your projects.

Introducing Lubeck Display, new generation Typeface with 3 Weights. Lubeck Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Lubeck is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Three Weights. Light, Regular and Medium Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters.

TT Bluescreens useful links: Specimen PDF | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org Meet the upgraded TT Bluescreens! TT Bluescreens is a geometric sans serif with narrow proportions. The font has a memorable character, while remaining neutral, so it can be used in various design projects. The range of possibilities of the updated TT Bluescreens has become much wider! Condensed styles with narrowed proportions have been added. The classic styles of TT Bluescreens are universal and suitable for setting both in headings and in text arrays. Condensed styles are intended for non-standard design solutions. In small sizes, they are perceived as if having a texture, thanks to which they can become part of packaging or poster design. In large size they look extraordinary, but they are highly readable and convey information well. Variable font now changes along 3 axes: weight, width and slant. Even more options for those who love variety. The character set of TT Bluescreens was expanded, and additional extended Cyrillic and Latin characters were added. Expanded character set. Each style has 874 characters. This is 253 characters more than it there were in the previous version. New currency signs, arrows, punctuation and fractions were added. Number of OpenType features increased from 18 to 31! The font has become even more functional and convenient thanks to a large number of ligatures, stylistic alternatives and localizations. The quality of the contours has become even higher, diacritics were improved. The updated TT Bluescreens is suitable for the design of covers and posters, it will look aesthetically pleasing in packaging design. It can be used in the design of titles and disclaimers. Condensed styles are preferably used in large size. The TT Bluescreens font has 37 styles: 9 upright and 9 italics of standard width, 9 upright and 9 italics in Condensed, 1 variable style. Each style contains 874 characters. The font has 31 OpenType features, including ligatures, stylistic sets, and localizations.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Blundell Sans is a type-hybrid that combines the precision and power of a sans serif with the elegance and humanism of a script. A resolutely upright font with a strong diagonal thrust.

Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Spun with webs in mind for the letters pages of the SPIDER-MAN books, INCYWINCYSPIDER is probably one of the World's CREEPIEST Comic Book Fonts! Handle with care - some letters may stick together!

Pictypo is a functional set of dingbat fonts, created with an open, rounded style, that contains a large range of symbols, from the usual arrows, to weather or office icons or mobility vehicles.

Sunny Days is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Quinlophe is a cute font with the theme of romance, and is made by paying attention to the shape and anatomy of the letters so as to produce unique and beautiful letter characters.

Summer Folk is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Sunny Days is a simple and friendly handwritten font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

I want the font to have a vitality of life, Visually, the details are beautiful, long and fashionable, low-key and elegant, quiet and delicate, with the aesthetic feeling of fashion, not aggressive.

Animosa is a font family high in spirit and even in temperament. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of P.T. Barnum are bracketed.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

TOMO Minkwalk is a casual but legible hand-made font. A tall, single weight, all-caps typeface with lots of language support. Ideal for book covers, or large pieces of text. Have fun!

Nurture Happiness is a tall, adaptable, and smart-looking display font. Add it to each of your party invitations, gathering, or pretty much any design that requires a touch of youth and joy.

Pleasant Feelings is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery

Brushcrazy is a crazy brush font. Yes, you read that right! It comes with a lot of attitude, serious brush strokes, nice detail and a handful of alternate glyphs and ligatures as well!