Mayfield could be anybody's handwriting. Very clean and legible.

Palace Script is a formal English script from the 1920s. This typeface, inspired by centuries-old copperplate engravings, could add the perfect touch to any number of holiday cards. You could also make cute little names tags for all of your presents with Palace Script.

The National Show Card Writer sign making set contained many different sizes and styles of lettering stencils, and additional type designs could be purchased as add-ons. This product was one of the many economical ways merchants, religious organizations, schools and others could make their own signs at low cost.

Inside, Whiffle is a standard, sans serif informal font. Outside, its surrounded by clouds.

A crunchy, yet romantic font. Another word that could describe the font is “delicate”.

At the end of every road in Transylvania stands a dark, foreboding castle, seemingly clouded by impossibly dark shadows. Bat-like creatures scurry across its gargoyle-festooned towers, and slimy green patches of moss climb inexorably up its cold walls. Blood has been spilt in the tombs of this chilling location, and there, etched in stone above the arched entranceway, is inscribed -- in Comicraft’s TRANSYLVANIAN typeface -- a simple legend: ABANDON ALL HOPE YE WHO ENTER HERE. TRANSYLVANIAN is a small-caps font that includes Comicraft's revolutionary Crossbar I Technology™, to locate that mysterious character in exactly the right places. Artwork from ASK FOR MERCY by Richard Starkings & Abigail Jill Harding, available on Comixology.com Features Four weights (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

You wouldn't print a book with this font; but you could sure leave a message.

Need a tattoo? there you go. Crazy and naughty - who could ask for anything more?

A clean and straight-up version of the joeHand series. Could pass for actual handwriting.

BD Kameron has a pretty strange mix of Art Nouveau curves and modern corporate cleanness. This font works well as an identity type of an entire guidance in a hotel or restaurant with a chic approach. It could be the source for a new logo, as it could also the headline font in a magazine.

If squirrels could write, chances are they would love to use this perky new font from Jillustration.

Betico’s Hand is based in Elberto Roman’s handwriting. It could be used even in a formal project.

BillieBob was made by cramping straight shapes into squares. Somewhat reminds me of pre cold-war Russian type.

Elsinor JNL brings the cold stark reality of the future, technology and science to a computer near you...

Based in Manuel Corradine's handwriting, Trazo is a very spontaneous font. It could be used in any informal project.

Audio Sans is a loud geometric sans-serif font family, set in six weights, inspired by vintage album covers.

Based in Manuel Corradine's handwriting, Salpicon is a very spontaneous font. It could be used in any informal project.

Based in Manuel Corradine's handwriting, Mucura is a very spontaneous font. It could be used in almost any informal project.

Based in Manuel Corradine's handwriting, Zape is a very spontaneous font. It could be used in almost any informal project.

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

Based in Maria Consuelo Roman's handwriting, Mimi's Hand Connected is a very spontaneous font. It could be used in any informal project.

Investigator JNL gives a serif treatment to Cold Case JNL, which was modeled from some old lettering stencils manufactured in the 1950s.

Rather Jazzy, Rather Loud: a family of two quite distinct fonts that perform together handsomely well. Both fonts include 2 versions for each letter, easily reachable through keyboard upper and lower keys. They also come packed with Contextual Alternates functionality to instantly cycle the alternates, providing a realistic handcrafted feel: just turn on the feature in any OpenType savvy application and let the music sound. Rather Loud brings yet another cool feature: lots of interlocking pairs that will add that nice extra twist your projects sometimes ask for. Trigger the discretionary ligatures feature button (OpenType savvy applications needed!) or pick up your choices through a glyphs palette or character map. Jazzy? Loud? I'd Rather Both, for sure!

Damasquine works well for headlines and titles mostly, could be a sharp Art Deco reinterpreted typeface with a touch of archaic lettering inspiration.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Killing Time can be quite good - if the time killed is being used on something useful ... could be if your are taking your fantasy and imagination for a walk, and let your creativity sprout. Use the soft lines and corners of Killing Time font for your comics, toys, candy, posters, postcards, invitations ... well, the list goes on - but if you need something fresh and comic, and not overdoing it, Killing Time could be your choice!

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”, we present you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kind of use, even you're an doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Strong, hard lines inspired the name of this font, based on the "nuclear standard" set by the U.S. and the Soviets during the cold war.

Cohoba is a chunky condensed sans serif. Cohoba is loud and proud. It comes with a handful of discretionary ligatures. Cohoba is fun and versatile.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”. We present to you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kinds of use, even if you're a doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Introducing Bilgosia, a Display Family typeface. It contains a Main Serif with Sans and Script as companion. If the whole three combined, it will suitable for any your projects. Each font could be standalone font either. The main serif contains Swashes Alternates , Ligatures and Discretionary Ligatures for your display purposes. Made it from scracth node by node for the best flow. Anyhow we wouldn't talk much here. You could see our display images as references to your projects.

Official is a very clear and legible font family of 14 fonts. Its simplicity makes Official an ideal style to use in any project you could imagine.

Squarish could have been the Universe or Helvetica of the 1980's, if only it was designed then. Now it is just a little quirky gridded typeface.

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.