Haeock is very readable, an beautiful slab serif designed by Pedro Alexandre Teixeira. This font family works very well on packagings, branding and editorial design, tiles, books, magazines, corporate design.

Ashley Script is a typeface developed by the British designer Ashley Havinden in 1955 for Monotype Corporation. Ashley Script is a brush script and is based on Havinden's own handwriting.

Firme is a very personal take on the geometric typefaces, and it’s specially suited for corporate and editorial projects, with several stylistic alternates and discretionary ligatures, for improved typographic flexibility.

I drew this font on the computer, and added a few effects for the finishing touches. I named it "Bush!!" just because that is kind of what it looks like.

Magnetron is a thick/thin sans with a rectilinear, round-cornered construction. Reminiscent of early computer games or contemporary dance music festival posters, it has a fashionable retro-futuristic appeal.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp . Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Kalligraaf is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.

Graphology is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.

TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.

Cyberglass JNL is a throwback design to the Techno rage of the 1980s, when everything seemed to be typeset in lettering that represented something to do with computers, electronics or outer space.

PipeDream is a thick, slab-serif typeface. It is perfect for short, attention grabbing headlines. Inspired by 1990's computer games this bold face is a force that refuses to be ignored.

Dobra is a redesign of the previous released Dione. Dobra is a very geometric and robust sans typeface, specially suited for magazines and newspapers, but it works great as a corporate typeface.

Rasteroids is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Unlike that dot matrix type of yore, Rasteroids does have some variation in character width, and is legible in small blocks of copy. Still, it is best used sparingly, or as a special effect.

RoyalBavarian was comissioned by King Ludwig the First of Bavaria about 1834. He was probably the greatest king Bavaria ever had, but he fell in disgrace for a short affair with the infamous Lola Montez and subsequently had to resign. He died in 1868, peaceful and happy in Nice on the French Riviera. I happened on an original etching of his type-guidelines for official writers of those days about 20 years ago. I always thought it was a very nice Fraktur (Blackletter), not a sturdy militaristic one as most of them are. Being me, I started with first tests immediately and then just forgot the font on my computer. When I was sorting out old stuff a couple of months ago I happened on the etchings once again and kept on working intermittently on the letters. The Plain cut is pretty much like the king wanted it. The Fancy cut is more to my liking and very decorative. Yours in a royal mood, Gert Wiescher.

A modern, authoritative and robust design for headline and shorter texts, September has the requisite presence for corporate and academic use, company brochures, branding, sport packaging, television idents, posters, packaging and film titles.

Negative sans-serif capitals in squares with rounded corners, looking like tiles, pushbuttons or computer keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

Plastica Pro, inspired by a J. Lehmann design, is an ideal plastic font for posters, logos, corporate identity, headlines, booktitles, car and truck design etc. The Plus style includes Cyrillic and Greek glyphs.

The hand-lettered name on a couple of 1940s-era piano course books was the basis for Piano Solo JNL.

Introducing Begita font, a perfect fusion of elegance and luxury. With its exquisite curves and graceful strokes, this font exudes sophistication and opulence in every character. Designed for those seeking a touch of grandeur in their designs, Begita font elevates any project, from high-end branding to prestigious invitations. Its timeless charm and refined aesthetics make it a must-have for those who appreciate the finer things in life. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Beauty Reflections is a elegant script font that embodies the artistry of calligraphy with a touch of grace. The carefully crafted letterforms exquisite flourishes and intricate details, showcasing the perfect balance between elegance and opulence. It comes with regular and custome version. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Zakosten is a display corporate font that comes with a Monospaced Style. suitable for product, branding, social media, logotype and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Pro sotan is a rounded sans serif font family that comes with 9 weights and matching italics. This font is ideal for typing in documents, headlines, packaging, logos, advertisements, corporate identities and much more.

A space-age headline font, Telstar explores a computer-readable sci-fi aesthetic based on an obround lozenge pierced with off-centre holes; the left-right weight switch derives from early optical recognition typefaces.

A prolific lava producer, Volcan Puntas Negras is a collection of flows and domes forming a distinct large edifice. There is no current activity known unless you will activate the font on your computer ;)