Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This font is designed to be layered as a trendy chalkboard art font. Stack the layers for a 3D, multi-colored look.

Albeit Grotesk Rounded Caps is a graphic geometric rounded all caps display font family of four weights (Light, Regular, Medium and Bold) with slightly exaggarated diacritics for better readability making it ideal for headlines.

Journalier is display sans serif typeface Perfect for Title and Heading, compose more than 300 characters, multilingual and OpenType features (Numerator, Denominator, Fraction, Superscript, Subscript, OldStyle Figure, Tabular Figure with OldStyle + Currency, Ordinal Lowercase & Discretionary Ligature)

An old set of brass stencils spotted for sale on eBay were the inspiration for this font from Jeff Levine. Redrawn completely from scratch, Jeff retained the narrow "M" and angled corners found in the original.

Spooky Strikes Halloween is a crafty and distinctive display font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level!

Hoxton Samuels is your perfect allround font companion. Four weights will help you find your match whichever purpose you are font hunting for. Soft inner and outer corners will help blend your message into any background.

A modern cutting designed to give the appearance of an old wood type. The letters were cut as linoleum blocks about 2 inches high, then duplicated as copper electrotypes. Used for some Ringling Bros. circus work.

Blood Scratch is a creepy and brushed display font. It is perfectly suitable for any Halloween-related project or crafty idea, creepy film project and horror themes will be nice! The only limit is your imagination.

Hello Everyone, introduce our new product Font Krakenstein This Is Horror Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 10 Alternate glyphs OpenType panel.

Reaver is my attempt to create a horror or bestial font that doesn't conform to the traditional stereotypes of either. A few have called it Geigeresque, and an earlier name for this font - Chupacabra - also inspired.

An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol.

Hello Everyone, introduce our new product Font SPOOKED This Is Horror Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 8 Alternate glyphs OpenType panel.

Wavely JNL is a font that could have been made by a child or a nervous writer. Squiggly, handmade lines form the characters and this font can also be used for spooky or horror-oriented themes.

Get ready for a font revolution with the Bllum SVG script color font family. This is a unique calligraphic color font. Writing immediately with 3D realistic letters is now real. Create a stunning visual effect. Features: - Real Plastic effect - Extras & ligatures - Alternates characters - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com

A condensed loose brush style. This font has a breezy elegance and casual sophistication, yet in a different context or color, it could be seen as nervous and urban. A weird dichotomy. Set in smallish text blocks, it has a surprisingly even color. This is due to a balace that has been struck between keeping the roughness and idiosyncracies of a hand-drawn face but ensuring an overall regularity.

Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin to Black with matching italics, resulting in a total of 28 fonts. The standard version is ideal for editorial design, tiles, books, magazines, corporate design and all types of publications. The Alt version—due to its display features, asymmetric shapes and contemporary appearance—is well suited for logotypes, branding, packaging, and use on web and Tv. Emy Slab contains a set of 440 characters that support 208 different languages.

Flexo is a geometric sans typeface, with humanistic warmth. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. Flexo has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. Flexo in use: 1 2 3 4 5 6 7 8 9 10 11 12 13. For more information about Flexo, download the PDF Specimen Manual.

Didonesque Ghost is a family of 10 fashionable fonts that will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 – giving each weight a ghost-like appearance by means of their hairline stems and serifs. This extreme contrast gives Didonesque Ghost a very stylish appearance which is intended for use in display purposes at very large sizes – posters, signage, branding, corporate identities, headlines, advertising, wedding invitations and the like. See more detailed examples here . Key features: • 5 Weights in Roman and Italic • Small Caps, Petite Caps, Contextual Alternates, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 750 glyphs per font.

ISO GPS symbols without frames for producing ISO GPS specifications in documents such as CAD drawings, word processor documents, spreadsheets, and slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017 (without frames), ISO 1660:2017 (without frames), ISO 14405 (including all size modifiers), ISO 1302 (surface texture symbols) and ISO 8062 series (castings). Fully compliant with the ISO 3098 series and ISO 7083. Use in conjunction with IMA ISO GPS Frame font to create the full range of ISO GPS specifications This fonts is sold with a single user licence, contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multi-user licences, site licences or corporate licences.

Yoshida is a modern sans serif made up of 2 widths, 8 weights and their matching italics offering an array of uses and applications with it’s 32 styles. The weights range from a delicate Thin, to a punchy Black that is perfect for branding or headlines. The curvaceous characters create a fun, fluid feel whilst keeping a modern, balanced look and structure. The font has extensive language support making it perfect for large corporations or small start ups. Yoshida also has several ligatures to enhance it’s visual appeal. Yoshida is a versatile font suitable for many applications such as web, print, branding and anything else that takes your fancy.

Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast. It is mainly designed to work in titles and short runs of text. Its contemporary look makes it perfect for corporate branding as well as for advertising work. It is also well suited for user interfaces and low resolution display devices. The font includes the basic Latin part of Univers Next and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Introducing our new product the name is Gabiant Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Designed with powerful OpenType features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

Mozzart Sketch is a decorative version of Mozzart Sans, slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia. Mozzart Sketch is a decorative hand-sketched font for headlines and short texts, and also very readable in small weights. All glyphs were carefully hand drawn, with marker as a tool, then traced and digitized. The family contains: 5 Weights, 3 Condensed and 1 Oblique versions of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... perfect for profesional designers and very useful for artistic things, catalogues, music... and many other sensual and beautiful things. Enjoy!

Igna Sans is a humanist functional typeface, with a contemporary style, designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is highly legible when used in a large body of text and well-suited for headings, display use and short text. Its angled strokes and rounded forms give it a smooth feel and make it look friendly and expressive. The Igna Sans family comes in 7 weights, ranging from Extra Light to Black, with matching italics plus alternative glyphs. The font contains a 430-character set that supports 206 different languages.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Many of my typefaces like Narziss and Mommie and also NewLibris or Verse are rather feminine. With Motora Sans I wanted to be the opposite. Masculine with a smell of gasoline and sweat. Technical and angular. Strong and self-confident. The weights are laid out in the usual way I create my families. 9 weights up to a strong UltraBold, all with italics. What was the inspiration for designing the font? A typeface you would long for in a men's magazine. What are its main characteristics and features? Legible constructed sans serif with German industrial and heritage. Usage recommendations: Corporate branding and magazines and other publications.

The aim of the project was to create a new type family for corporate and editorial design. The resulting humanist sans serif Weitalic has strict and angular strokes, but at the same time possesses a calligraphic look – an interplay of contrasts. Thanks to the very eye-catching features the result is a distinctive typeface that looks good in both the headline and the area of body text. With its 8 weights with matching italics and numerous OpenType features Weitalic is prepared for professional and complex typographic work. The fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Plan is a corporate typeface made for 'Plan A Ontwerp', a graphic design studio based in Eindhoven, The Netherlands. Based on the rough sketches of the founder of Plan A Ontwerp, Frank Vogt, Characters constructed, mastered and finetuned the complete Plan Family. Plan comes in three versions; Plan A, Plan B and Plan C. All versions can be mixed because they share the same metrics, spacing and kerning. Where Plan A is a strong display type, Plan B has more details and is therefore better suited for longer and smaller texts. Plan C is a decorative stencil version with an own personality and dynamic.

Memento is a 1993 design of the type artist Franco Luin, the creative mind behind a variety of types, for instance, Venus and Griffo Classico. Memento's high x-height allows it to be legible even in small point sizes. It is distinguished by its tiny triangular serifs, a characteristic reminiscent of the Dutch types of the 17th century. Memento is an extremely legible typeface with a classical touch. It is available in four different weights with corresponding italics and small caps. This range of weights along with its classic, neutral look makes it a versatile typeface which can be used in anything from books to corporate design to magazine typography.

Vayu(air) Sans is light typeface family. The complete family design comes with 9 weights and 9 matching italics. The fluent functionality of Vayu(air) is created keeping in mind contextual and stylistic alternatives. Which perfectly suits all areas of graphic design such as branding, identity design, especially digital use. It works great for web, corporate as well as editorial design. The standard numerals set encompasses figures and symbols, numerators and denominators, plus fractions. Approach of this typeface is to introduce light weight family. Thin master weight is 5 point size. Designed keeping in mind all kinds of scales and purposes of design aspects.

Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression. Global overview of Selektor says it's a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Contain 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as well as additional OpenType features.

Ritafurey is an extended sans in seven weights, with characteristic low bowls on the P and R. Modern, sleek and corporate, but with a dash of character. It has been used on tech logos, summer blockbuster movies and Playstation skateboarding games. This new version reinstates the original Unicase versions of the M and N (available through the Glyph palette or Opentype options), adds extensive international character support, redrawn and respaced glyphs, a new Regular weight for better weight flow distribution, and many other additional glyphs. (Note the the new weights differ slightly from the old of the same name, so may change the appearance of existing files.)

Klapt is a geometric sans serif family that is soft on the outside and sharp on the inside. This family of four weights, includes an extended character set supporting most Latin languages even Vietnamese! Klapt, which can be bold or very elegant, is well suited for designs ranging from branding and corporate identity to editorial design and also web design. It is great for display purposes especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com. Need extended Cyrillic support? We've got you covered https://www.myfonts.com/fonts/seventype/klapt-cyrillic/

Inspired by pop art and handmade touch, Light Fun is a bold display font that gives off a "light" feeling. Light Fun is playful and fun, but still serious enough for a corporate environment. This typeface is perfect for use in posters, branding, and product packaging. It screams creativity, suitable for a logo, a poster, a product packaging project and more. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations, works on PC & Mac Download Light Fun now and use it in your next project!

Actay Font is an elegant and remarkable family with its highly legible geometric lines. Crowded family members are divided into three separate groups: Normal, Condensed, and Wide. Each group has 20 weights. Actay Font also provides Cyrillic Alphabet support, providing unlimited possibilities in many languages and will not let you down. The fluent functionality of Actay is achieved with multiple OpenType features, such as case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions. Thanks to its corporate structure, Actay can be shaped and used in accordance with many design trends.

Badiya is designed by Lebanese designer Nadine Chahine as a modern and slightly modulated Naskh. The design has open counters that enable it to be used in quite small sizes.The resulting effect is that of a clear, legible, and modern text face. Badiya is especially suited for print in magazines and corporate communication. It combines well with Frutiger Arabic and Janna as a text face with a matching headline. The Latin companion to Badiya is Syntax which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages.