Originally designed by American type designer Morris Fuller Benton in 1933, Agency Gothic is a wonderful, narrow, squarish art deco typeface. I was commissioned by Publish magazine to create digital versions of Agency Gothic Open and Agency Gothic Condensed for a redesign in 1990. Since then, I have added four other styles. Agency Gothic CT is uppercase only and supports most European languages that use the Latin or Cyrillic alphabets. The Agency Gothic CT family is available in six weights/styles: Light, Medium, Bold, Condensed, Inline, and Open.

Meet Misspiece, a luxury ligature serif font with italic. Misspiece combines a vintage look with a modern flair to add more elegance to your project. This font can be used in high-end branding, logo designs, magazines, product packaging & invitations, wedding designs, social media posts, advertisements, labels, photography, and watermark... WHAT’S INCLUDED? Misspiece Regular (uppercase & lowercase) Misspiece Italic (uppercase & lowercase) Misspiece Condensed (uppercase & lowercase) Misspiece Condensed Italic (uppercase & lowercase) Numbers & punctuation Ligature & Huge Stylistic alternate Multilingual support. Still have a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.

This late 19th century design conjures up early 20th century Dutch DeStijl lettering with a mostly strict adherence to right angles and minimal stroke modulation. Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version. A heavier wood type specimen was found from an unknown manufacturer and digitized as it was found, resulting in the HWT Geometric Shopworn and Shopworn Inked variations. These digital versions all include a full Western and Central European character set of over 380 glyphs.

The font is the soft version of the Queulat basic and condensed families, but keeping the same features as the original typeface. Queulat Soft is a hybrid font that combines different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat Soft a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the Regular with the Alt version. The Regular version is more simple than the Alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’.

Alejandro Freitez’s first commercial typeface is inspired by contemporary serifs and newspaper typography. Calicanto is a compact typeface with strong serifs, symmetrical curves and a vertical axis. It has open counters and a generous x-height with slightly condensed characters and low contrast strokes. The design of its letters are simple (with a precise rationale), and it is ideal for combining different variables and typographic bodies, for digital and printed media. Each of the 12 variables has 750 glyphs (supporting more than 90 languages), with small caps, ligatures, lining figures by default, OldStyle and tabular, mathematical and currency symbols for each set of numerals, intelligent fractions, lower and upper numerals, glyphs sensitive to capital letters and circular numerals, among other OpenType functions that make it ideal for composing demanding texts for books, magazines, newspapers, annual reports, and much more.

Snatch is a dynamic and expressive type system designed for impassioned and unprejudiced creative directors who look to combine the rough with the sexy. The font is well-suited for publishing projects, branding and packaging. Snatch is composed of three sections: a group of sharp-shaped uppercase fonts (small caps and all caps) in 5 weights, a set of script catchwords and eclectic sets of dingbats and flags that communicate the blue-sky thinking and feel of the project. Snatch—a collaborative project between Bercz and Latinotype Team—is the wild, condensed sister of BOWIE and it was developed by Valentina Vega, Rodrigo Fuenzalida and César Araya, under the supervision of Dany Berczeller, Daniel Hernández y Luciano Vergara. The family consists of 5 weights, ranging from Thin to Black, and comes with a 679-character set that supports 206 languages.

MOTORWAY is the companion typeface to TRANSPORT, the British road sign lettering. The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M. Kinneir and Calvert designed the limited range of characters in two weights; a SemiBold 'Permanent' weight for use as white letters on blue motorway signs, and a Bold 'Temporary' weight for heavier black letters on yellow non-permanent signage. In addition to creating full fonts in both original weights, the K-Type family adds a new Regular weight, plus a set of italics, completing a highly usable condensed typeface which, while rooted in history, is fully functional for both print and web usage. The K-Type fonts are spaced and kerned normally, simply increase the tracking to recapture the generous spacing of motorway signage.

The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

MYTHICA is a slightly condensed roman with spur serifs, derived from incised lettering on early twentieth century memorial stones and monuments. The typeface is available in 3 weights each with a complimentary italic.

Winnetka JNL was inspired by Cooley Antique Tuscan Condensed - a printer's wood type manufactured in 1859 by J.G. Cooley. Given an additional hand-made treatment, the lettering resembles characters made from cut paper.

Inspired by the hand lettering on a 1940 campaign poster for Franklin Delano Roosevelt, this condensed, casual sans serif design is now available as Political Poster JNL – in both regular and oblique versions.

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

Mirror Display is based on the condensed sans. Developed to 'double view' to give readers the same feeling they have when looking to a work of art they don't understand at first glance.

Working on a parody of the “got milk?” ads and loved the challenge of creating a whole font (family) from 8 glyphs. Quite condensed, clean, jaunty san serif Usage recommendations Advertising, announcements, logos

Oil Painting JNL is a casual and condensed hand-lettered sans serif design based on a vintage WPA (Works Progress Administration) poster advertising an oil painting exhibition by renowned artists of the time.

Catalog Sheet JNL is the digital version of an extra condensed serif typeface from the 1892 MacKellar, Smiths & Jordan type foundry specimen book. The font is available in both regular and oblique versions.

A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.

Grischel Is a condensed serif font that comes with tall style for display purposes to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.

Introducing of our new product the name is Relocation is Rough Brush horror font Bold handmade with ligature and Multilanguage support. Best for halloween poster, horror poster, childrenbook, cartoon, comic etc

The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born. The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow. Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?

Wafterby is a handsome sans serif typeface family. It comes in eight weights which have a minimal and clean feel. Its design is based on circle and line geometric shapes. It can be used as a cute minimal-style header display or as a stylish text for magazine, blog, corporate branding, packaging, wedding invitation project, etc.

Kino font was designed in 1930 by Martin Dovey for the Monotype Corporation. Heavy in weight with the letters clipped at the top and bottom, Kino is unique among display types. Display typefaces with triangular serifs are sometimes called Latins and Kino is referred to as a serifless Latin. Use Kino font sparingly in informal display situations."

Mangal™ is an OpenType font for the Indic script Devanagari. Mangal can be used to write Hindi, Sanskrit, Marathi, Nepali, Punjabi and other Indic scripts. Mangal is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Devanagari.

Contage is the Display Sans Serif family, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 12 font weights, 368 characters, manually edited kerning and the Opentype alternates feature.

Academica Sans was drawn with the aim of following the artistic features of Josef Týfa's fonts. It has the same proportions as the famous Academica, so both fonts can be successfully combined. It is suitable for all types of literature from scientific to poetry, but also for corporate identity and websites. It has a calm and timeless character.

Mercurius Script font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1957 for the Monotype Corporation. The expressiveness of this bold script typeface is the result of Reiner's use of a bamboo pen for Mercurius Script's elemental shapes. Used sparingly, Mercurius Script font gives even the dullest headlines genuine spirit and excitement.

Cajito is a font family with a medium contrast, developed for numerous uses, ranging from app to website and catalogue to corporate design especially for logo design, Cajito has ten alternative capitals and his terminal looks like the fins of a fish. Cajito font family consists of five weights from extra light to extra bold with matching italics.

‘Ted’ is a geometric typeface. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. It's tall shape, high middle line and form gives ‘Ted’ neo art-deco look and feel.

During the 1940s and 1950s, the Miller Music Corporation issued a number of its songs with a stock cover design for their “Miller Series of Piano Solos” but the song titles were hand lettered in an Art Deco dual line design. Recreated digitally as Music Lesson JNL, this type design is available in both regular and oblique versions.

Helovatica is a sans serif font with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Helovatica is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

TKT Kate is a new interpretation of elegant sans serif display font with a modern touch. It inspired from Optima and Humanist font. The overall look is round, open counters and with a large x-height, geometrically constructed which is intentionally meant to be used in branding projects such as packaging, corporate design to on line applications.

Creata is a sans serif typeface with a wide range of application. The font family contains 14 weights (7 straight with match italics). The overall design is neutral but some letters has pretty unusual appearance (for example @, &). Creata has its own personality, its own integrity and a unique voice. Recommended for corporate branding and editorial exercises.

Kartika™ is an OpenType TTF font for the Indic script Malayalam. The Karitka font was tuned for high quality display and is used for Malayalam and Konkani. Kartika is based on Unicode, contains TrueType outlines and was designed for use as a UI font. Copyright ™ 2002 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Malayalam

La Rose is Display Sans, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 4 font weights, 290 characters, manually edited kerning and an Opentype alternative feature.

Shapectra is a font family. It comes in 11 weights, you can use it . Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.