Memento is a 1993 design of the type artist Franco Luin, the creative mind behind a variety of types, for instance, Venus and Griffo Classico. Memento's high x-height allows it to be legible even in small point sizes. It is distinguished by its tiny triangular serifs, a characteristic reminiscent of the Dutch types of the 17th century. Memento is an extremely legible typeface with a classical touch. It is available in four different weights with corresponding italics and small caps. This range of weights along with its classic, neutral look makes it a versatile typeface which can be used in anything from books to corporate design to magazine typography.

Vayu(air) Sans is light typeface family. The complete family design comes with 9 weights and 9 matching italics. The fluent functionality of Vayu(air) is created keeping in mind contextual and stylistic alternatives. Which perfectly suits all areas of graphic design such as branding, identity design, especially digital use. It works great for web, corporate as well as editorial design. The standard numerals set encompasses figures and symbols, numerators and denominators, plus fractions. Approach of this typeface is to introduce light weight family. Thin master weight is 5 point size. Designed keeping in mind all kinds of scales and purposes of design aspects.

Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression. Global overview of Selektor says it's a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Contain 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as well as additional OpenType features.

Ritafurey is an extended sans in seven weights, with characteristic low bowls on the P and R. Modern, sleek and corporate, but with a dash of character. It has been used on tech logos, summer blockbuster movies and Playstation skateboarding games. This new version reinstates the original Unicase versions of the M and N (available through the Glyph palette or Opentype options), adds extensive international character support, redrawn and respaced glyphs, a new Regular weight for better weight flow distribution, and many other additional glyphs. (Note the the new weights differ slightly from the old of the same name, so may change the appearance of existing files.)

Klapt is a geometric sans serif family that is soft on the outside and sharp on the inside. This family of four weights, includes an extended character set supporting most Latin languages even Vietnamese! Klapt, which can be bold or very elegant, is well suited for designs ranging from branding and corporate identity to editorial design and also web design. It is great for display purposes especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com. Need extended Cyrillic support? We've got you covered https://www.myfonts.com/fonts/seventype/klapt-cyrillic/

Inspired by pop art and handmade touch, Light Fun is a bold display font that gives off a "light" feeling. Light Fun is playful and fun, but still serious enough for a corporate environment. This typeface is perfect for use in posters, branding, and product packaging. It screams creativity, suitable for a logo, a poster, a product packaging project and more. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations, works on PC & Mac Download Light Fun now and use it in your next project!

Badiya is designed by Lebanese designer Nadine Chahine as a modern and slightly modulated Naskh. The design has open counters that enable it to be used in quite small sizes.The resulting effect is that of a clear, legible, and modern text face. Badiya is especially suited for print in magazines and corporate communication. It combines well with Frutiger Arabic and Janna as a text face with a matching headline. The Latin companion to Badiya is Syntax which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages.

Selektor Slab is small font family created as logical extending of the Selektor font family. Inspired and after that designed with the charm of technical letters, it contains a few letters with specific endings that gives Selektor Slab peculiar impression. Global overview of Selektor Slab says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Available in 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as additional OpenType features.

introducing our new product, the name is Govandi Adhiwan Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Designed with powerful OpenType features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design.

ISO GPS framed font for producing geometrical tolerances and other ISO GPS specifications in different documents types such as CAD, word processor documents, spreadsheets or slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017, ISO 1660:2017 and ISO 17863:2013. Includes recently added symbols such intersection plane indicators and collection plane indicators. Fully compliant with ISO 3098 series and ISO 7083. Use this in conjunction with the IMA ISO GPS No Frame font to cover all ISO GPS specification indications. Single user licence is provided with this font. Contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multiuser licences, site-licences or corporate licences.

Groteska is a modern & minimal sans-serif typeface inspired from some popular swiss design typefaces, having traditional grotesque oriented type characteristics while being clean & minimalist by nature. The typeface comes with a total of 14 fonts spreading between 7 weights featuring 7 uprights and matching italics for each weights. Handcrafted and designed with powerful opentype features in mind, each weight includes extended language support including Western & Central European sets. Groteska is a perfect typeface for graphic design, web, print and any display use. The typeface could be perfect choice for logo / logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design.

Jantur Type is a simple geometric sans family with charming curves and natural flow. variable font technology, and its axis weight range spreads from thin to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot in Paris the early 19th century. Salient is not a historical revival but a contemporary reworking, using fewer pen-derived forms especially in the lower case. This gives it a cleaner edge. Instead of ball serifs, it uses lightly flicked stroke terminals. It is suitable for both text and headline, and the wide range of weights make it a versatile choice for books, magazines, reports, posers, packaging and corporate identities.

Facundo is based on both simple geometric shapes and our hit Trend's uppercase glyphs https://www.myfonts.com/fonts/latinotype/trend/ yet subtle nuances make it stand out among its peers. Facundo may look familiar but has a modern and fresh feel, giving your designs a friendly, and at the same time, renewed and singular appearance. Facundo comes in 7 weights, plus matching italics, well-suited to meet any corporate, brand identity or web design needs. The font contains a set of 715 characters which support over 200 languages that use both Cyrillic and Latin scripts. Facundo was designed by Paula Nazal and Daniel Hernández. Digital editing and review by Rodrigo Fuenzalida.

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Einhorn is a peculiar typeface. Difficult to classify, this upright, bold, script-like semi serif typeface was designed in 1980 by Alan Meeks. Meeks was inspired by the art nouveau period, and may have been trying to liven up the design scene. In 1980, typefaces like Helvetica and Univers were ubiquitous, and the digital revolution was still years away. Experimental faces like Einhorn helped fill the gap for creative designers looking for untraditional choices in which to set headlines and advertising work. The merit of pioneer display faces like Einhorn have never lessened; Einhorn still sets a mean display text, and works great in logos and other corporate ID solutions.

Introducing Lubeck Display, new generation Typeface with 3 Weights. Lubeck Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Lubeck is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Three Weights. Light, Regular and Medium Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters.

Nofela is a Handwritten Brush Script font. This another collection of script is perfect for your next personal branding project, excellent for your business. Nofela have a smooth edges, so this font gives an authentic handcrafted feel style. Nofela is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc sans-serif, legible, geometric, clean, sans, modern, display, grotesque, corporate, branding, magazine, contemporary, text, headline, elegant, sans serif, grotesk, advertising, classic, swiss, poster, logo, editorial, technical, logotype

INTRODUCING THE GEMINI TYPE FONTPACK, an industrial-strength OpenType font bundle inspired by and optimized for dimensional type. Chank Co is proud to introduce the new “Gemini Type Fontpack,” a collection of ten fonts available for use on your desktop computer or web pages, but also optimized for use as exterior cast-metal signage in bronze or aluminum in collaboration with Gemini, a family-owned industry leader in the wholesale manufacture of dimensional letters, logo and plaques based in Cannon Falls, MN. Gemini collaborated with Chank Co to assemble a line of fonts that would work well as dimensional, cast-letter signage for use on the sides of buildings, in stores, and other public spaces. The fonts included in the “Gemini Type Fontpack” are reinterpretations of previous Chank Fonts, now optimized for dimensional signage display, but then also repackaged and presented for your use as an OpenType desktop computer font collection: GT-Adrianna DemiBold GT-Adrianna Bold GT-Adrianna ExtraBold GT-Fairbanks GT-Forward Thinking GT-Hydropower ExtraCondensed GT-Kegger GT-Shopaganda GT-Shopaganda Condensed GT-Timeless Geometric. This is a multi-purpose collection of heavy-lifting fonts to convey your message strong and clearly, full of legibility and clarity, but also displaying personality and distinction. You can purchase and download these fonts in OpenType format for your desktop computer right now via MyFonts. Get it today and you'll also get a great introductory special sale price. These exclusive typefaces are also available as dimensional letters, manufactured by Gemini in bronze or aluminum, from 6" tall up to 18" tall, with a variety of finish options, for use in public signage and wayfinding systems. Gemini manufacture their products in 20 plants through out the US, Canada and Mexico, and all their products are backed by a lifetime guarantee. Chank Co is excited to offer these ten strong, industrial font designs in durable cast metal format via Gemini. ----- More about the fonts in the Gemini Type Fontpack: GT-Adrianna DemiBold, Bold, and Adrianna ExtraBold Clear, invisible, no-nonsense, multi-purpose. A versatile sans-serif heavy-lifting font family. GT-Fairbanks Vintage, silent film, speedball, old-timey, old-fashioned, retro. Based upon the lettering in the 1914 silent film, “The Good Bad Man.” GT-Forward Thinking Futuristic, semi-serif, clean, distinctive, contemporary, idiosyncratic. A font for tomorrow and the future. GT-Hydropower ExtraCondensed Extra-condensed, compressed, strong, rigid and concise. GT-Kegger Strong, sporty, collegiate, athletic. Nothing says “GO TEAM” quite like a big, bold slab-serif font. GT-Shopaganda and GT-Shopaganda Condensed Industrial, geometric, constructivist, propaganda, oh there’s so much to love about the strength and clarity of these two fonts. Based on Chank’s Liquorstore and Nicotine fonts, which have been married and unified here, with a few new twists and turns to their letterforms. GT-Timeless Geometric Bauhaus, anyone? The geometric and minimalist alphabet here is about as clean and straight-forward as a semi-condensed sans can get. ----- All of the fonts in this package are available individually, or save money when you purchase all ten of them as a collection. Download this digital font package from MyFonts today and you'll receive both OpenType and TrueType formats in your download for your desktop computer. Webfont format is also available. (If you'd like to use these fonts as cast-metal letters for exterior, architectural purposes, visit the Gemini website to learn more about how you can find a signage retailer near you.)

The most exciting new feature of DynaGotesk is the Vintage Italics stylistic set, which activates the decorative forms. It includes the looped "w", curved ascenders and descenders of many lowercase letters. These can significantly change the feel of a poster or invitation. DynaGrotesk may look like a revival of an old typeface, but it is not. It uses only some historical reminiscences, sharp edges and curved shapes, but it’s completely original design aimed at ease of use. The bigger the size, the more evident and pronounced are the spicy details. In smaller and even smallest sizes it’s appearance is qieter, very well suited even for long portions of text. DynaGrotesk was created in 1995 with the use of Multiple Master interpolation. But the MM fonts never achieved the desired application in industry, so designers returned back to single fonts. Over the following decades, the font was modified several times as an old house, and the present re-animation includes the Variable font format. Since its first release in the mid-nineties, it is widely used in all areas of graphic industry from small publishing to international corporate identity. The warm character of DynaGrotesk derives from early sans-serif typefaces, those which appeared before Helvetica. All 60 styles contain common OTF features like Small Caps, various sorts of figures, ligatures, Cyrillics, Greek, and full Latin diacritics. Perfect for branding systems and corporate identities, lettering, as well as cultural posters and catalogs.

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface that comprises nine weights and five widths of precision engineered OpenType. 40 fonts, 32,668 characters and 24 OpenType features. Hot on the heels of the popular Neo Sans and Neo Tech range, and his first typeface release Scene, Soho represents three years of work by Lester. As a type designer I'm preoccupied with finding ways in which I can address modern problems like good legibility in modern media, and create fonts that work precisely and efficiently in the most technically demanding of corporate and publishing environments." Slab serif typefaces are enjoying something of a renaissance, offering versatility whether for corporate identity, product branding, text or display use. With 40 weights to choose from Soho gives designers endless possibilities from the ultra chic lines conveyed by the lighter weights to the rock solid statement made by the heavier weights. Soho is cross-platform compatible. The Pro version provides extended language support for Central European languages. Used in conjunction with software applications that support OpenType many useful features like "stylistic sets" can be leveraged -- in which a wide variety of alternative characters can be introduced at the click of a mouse button giving one font several "tones of voice" from conservative to cutting edge. The wide range of glyphs includes ligatures and small caps."

What comes to your mind if I say Architype, Geometric, Gaelic, and Uncial? An impossible combination of features? An unrealistic setup of tastes as weird as your music list? Or some part of a joke told by your favourite comedian? Just chill and stick to the idea that is possible. Gallos combines the conceptual historical elegance of the Uncials with the practical rationalism of the Geometric style. Moreover, this typeface is composed by two sub families: Gallos Uncial and Gallos Architype. The letters “M”, “N”, “W”, “a”, “m”, “n”, “r”, and “w” differ between these two models. The first one is related to both: The Uncial script aspect displaying the leaned “a” with a closed bowl, and the classical geometric style depicting more conventional uppercase and lowercase letters “m” and “n”. The Architype one is inspired by Paul Renner’s Architype model, thus the leaned “a” has an open counter, the “r” is composed by a stem and a dot, and the rest of the mentioned letters were built using square rational features. Both models are connected by classical Uncial features such as the curved stroke “e” and curved shaft “t”, and with Gaelic vibes which can be seen in uppercase and lowercase letters “K” and “X”. Also, the curved descender “g” and “y”, alongside the curved stem “z” connect really well with the rest of the system and provide more uniqueness to the Gallos type family. Without further ado, we say to you: let’s make Uncials popular again!

Introducing, Fright Maiden - A serif typeface font with bold and horror feel. This font has unique shape, very suitable for horror, thriller and spooky theme design. This font also perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, novels, labels or any type of advertising purpose. Features : altermate and ligatures numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Kruger is a Horror font ready to be splattered on your design projects. Inspired by horror movies. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

This font is named "Halloween Party". This font was intentionally made to add to the excitement of the Hallowen event that will soon arrive. This "Halloween Party" font is very scary because there is blood on it. This font is perfect for adding to the excitement and mysticism of your Halloween event. In addition to Halloween events, this font can also be used as a movie title, book title or something else that is horror, can also be used to write quote words, tell mystical things, or as a horror and mystical pickle invitation card, and others.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Sheepdog is a whimsical handwriting font originally created for use in greeting cards and to combat the propagation of ! Use it to your hearts content.

Freunlaven JNL is a wild and partying font with a name inspired by the nonsense verbage often uttered by Jerry Lewis in his comedy classics.

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

HU Blackout is a typeface for titles that feels like letters are trapped in a square and has a constant and very narrow inner space. It is composed of three types of family typeface to increase usability.

A simple little typeface for all things technical. A faux monospaced, semi-serif with rounded corners that you will never forget. The name comes from a British slang word that means "tech-savy person". Or simply "nerd".

Spookyman is a halloween Font. It has spooky, mysterious, horror, classic. It’s a great font for events, halloween, fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Westin Black is a great alternative to Cooper Black. Heavily influenced by clarendon typefaces, Westin Black also has a slight humanistic touch. It comes with open type features like old style figures, tabular figures and some ligatures.

A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.

With this nice, rounded-corner handwriting font that is like comic, slab style; sweet and radiant logos, texts and every kind of graphics, editions and printings like magazines, brochures can be created. Text printouts look pretty smart.