Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin to Black with matching italics, resulting in a total of 28 fonts. The standard version is ideal for editorial design, tiles, books, magazines, corporate design and all types of publications. The Alt version—due to its display features, asymmetric shapes and contemporary appearance—is well suited for logotypes, branding, packaging, and use on web and Tv. Emy Slab contains a set of 440 characters that support 208 different languages.

Flexo is a geometric sans typeface, with humanistic warmth. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. Flexo has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. Flexo in use: 1 2 3 4 5 6 7 8 9 10 11 12 13. For more information about Flexo, download the PDF Specimen Manual.

Didonesque Ghost is a family of 10 fashionable fonts that will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 – giving each weight a ghost-like appearance by means of their hairline stems and serifs. This extreme contrast gives Didonesque Ghost a very stylish appearance which is intended for use in display purposes at very large sizes – posters, signage, branding, corporate identities, headlines, advertising, wedding invitations and the like. See more detailed examples here . Key features: • 5 Weights in Roman and Italic • Small Caps, Petite Caps, Contextual Alternates, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 750 glyphs per font.

ISO GPS symbols without frames for producing ISO GPS specifications in documents such as CAD drawings, word processor documents, spreadsheets, and slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017 (without frames), ISO 1660:2017 (without frames), ISO 14405 (including all size modifiers), ISO 1302 (surface texture symbols) and ISO 8062 series (castings). Fully compliant with the ISO 3098 series and ISO 7083. Use in conjunction with IMA ISO GPS Frame font to create the full range of ISO GPS specifications This fonts is sold with a single user licence, contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multi-user licences, site licences or corporate licences.

Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast. It is mainly designed to work in titles and short runs of text. Its contemporary look makes it perfect for corporate branding as well as for advertising work. It is also well suited for user interfaces and low resolution display devices. The font includes the basic Latin part of Univers Next and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Introducing our new product the name is Gabiant Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Designed with powerful OpenType features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

Mozzart Sketch is a decorative version of Mozzart Sans, slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia. Mozzart Sketch is a decorative hand-sketched font for headlines and short texts, and also very readable in small weights. All glyphs were carefully hand drawn, with marker as a tool, then traced and digitized. The family contains: 5 Weights, 3 Condensed and 1 Oblique versions of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... perfect for profesional designers and very useful for artistic things, catalogues, music... and many other sensual and beautiful things. Enjoy!

Igna Sans is a humanist functional typeface, with a contemporary style, designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is highly legible when used in a large body of text and well-suited for headings, display use and short text. Its angled strokes and rounded forms give it a smooth feel and make it look friendly and expressive. The Igna Sans family comes in 7 weights, ranging from Extra Light to Black, with matching italics plus alternative glyphs. The font contains a 430-character set that supports 206 different languages.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Many of my typefaces like Narziss and Mommie and also NewLibris or Verse are rather feminine. With Motora Sans I wanted to be the opposite. Masculine with a smell of gasoline and sweat. Technical and angular. Strong and self-confident. The weights are laid out in the usual way I create my families. 9 weights up to a strong UltraBold, all with italics. What was the inspiration for designing the font? A typeface you would long for in a men's magazine. What are its main characteristics and features? Legible constructed sans serif with German industrial and heritage. Usage recommendations: Corporate branding and magazines and other publications.

Leonardo Sans is a modern sans serif with a geometric touch. It comes in 10 weights, clean and modern caps, thereby creating more variability. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. 10 Weights (Thin, UltraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black, Heavy) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it. Check out Newgate which is a great pair for Leonardo Sans.

Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print and on screen. The italics maintain the rational forms, with only the essential structural changes. With 12 weights, the family is ideal for publications, digital media, corporate systems, branding, as well as your band’s gig poster. Abrade is equipped with extended language support, including Extended Latin, Greek, and Cyrillic. Features include: stylistic alternates, small caps, figure sets, and lots of OpenType features to keep designers happy.

Vayu(air) Sans is light typeface family. The complete family design comes with 9 weights and 9 matching italics. The fluent functionality of Vayu(air) is created keeping in mind contextual and stylistic alternatives. Which perfectly suits all areas of graphic design such as branding, identity design, especially digital use. It works great for web, corporate as well as editorial design. The standard numerals set encompasses figures and symbols, numerators and denominators, plus fractions. Approach of this typeface is to introduce light weight family. Thin master weight is 5 point size. Designed keeping in mind all kinds of scales and purposes of design aspects.

Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression. Global overview of Selektor says it's a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Contain 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as well as additional OpenType features.

Inspired by pop art and handmade touch, Light Fun is a bold display font that gives off a "light" feeling. Light Fun is playful and fun, but still serious enough for a corporate environment. This typeface is perfect for use in posters, branding, and product packaging. It screams creativity, suitable for a logo, a poster, a product packaging project and more. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations, works on PC & Mac Download Light Fun now and use it in your next project!

Badiya is designed by Lebanese designer Nadine Chahine as a modern and slightly modulated Naskh. The design has open counters that enable it to be used in quite small sizes.The resulting effect is that of a clear, legible, and modern text face. Badiya is especially suited for print in magazines and corporate communication. It combines well with Frutiger Arabic and Janna as a text face with a matching headline. The Latin companion to Badiya is Syntax which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages.

Selektor Slab is small font family created as logical extending of the Selektor font family. Inspired and after that designed with the charm of technical letters, it contains a few letters with specific endings that gives Selektor Slab peculiar impression. Global overview of Selektor Slab says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Available in 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as additional OpenType features.

introducing our new product, the name is Govandi Adhiwan Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Designed with powerful OpenType features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design.

Vintage, printed look Mozzart Rough typeface from Posterizer KG Type Foundry is one of two decorative versions of Mozzart Sans font family (slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia). Mozzart Rough contains: 2 Weights, 2 Condensed and 1 Oblique version of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... Along with all of this, you will also discover extra added unique ornaments and symbols. It will be helpful for users to create realistic letterpress pages. Enjoy! Because of its complex outlines, Eveleth may process slowly in some applications.

ISO GPS framed font for producing geometrical tolerances and other ISO GPS specifications in different documents types such as CAD, word processor documents, spreadsheets or slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017, ISO 1660:2017 and ISO 17863:2013. Includes recently added symbols such intersection plane indicators and collection plane indicators. Fully compliant with ISO 3098 series and ISO 7083. Use this in conjunction with the IMA ISO GPS No Frame font to cover all ISO GPS specification indications. Single user licence is provided with this font. Contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multiuser licences, site-licences or corporate licences.

Groteska is a modern & minimal sans-serif typeface inspired from some popular swiss design typefaces, having traditional grotesque oriented type characteristics while being clean & minimalist by nature. The typeface comes with a total of 14 fonts spreading between 7 weights featuring 7 uprights and matching italics for each weights. Handcrafted and designed with powerful opentype features in mind, each weight includes extended language support including Western & Central European sets. Groteska is a perfect typeface for graphic design, web, print and any display use. The typeface could be perfect choice for logo / logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design.

Jantur Type is a simple geometric sans family with charming curves and natural flow. variable font technology, and its axis weight range spreads from thin to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot in Paris the early 19th century. Salient is not a historical revival but a contemporary reworking, using fewer pen-derived forms especially in the lower case. This gives it a cleaner edge. Instead of ball serifs, it uses lightly flicked stroke terminals. It is suitable for both text and headline, and the wide range of weights make it a versatile choice for books, magazines, reports, posers, packaging and corporate identities.

Facundo is based on both simple geometric shapes and our hit Trend's uppercase glyphs https://www.myfonts.com/fonts/latinotype/trend/ yet subtle nuances make it stand out among its peers. Facundo may look familiar but has a modern and fresh feel, giving your designs a friendly, and at the same time, renewed and singular appearance. Facundo comes in 7 weights, plus matching italics, well-suited to meet any corporate, brand identity or web design needs. The font contains a set of 715 characters which support over 200 languages that use both Cyrillic and Latin scripts. Facundo was designed by Paula Nazal and Daniel Hernández. Digital editing and review by Rodrigo Fuenzalida.

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Einhorn is a peculiar typeface. Difficult to classify, this upright, bold, script-like semi serif typeface was designed in 1980 by Alan Meeks. Meeks was inspired by the art nouveau period, and may have been trying to liven up the design scene. In 1980, typefaces like Helvetica and Univers were ubiquitous, and the digital revolution was still years away. Experimental faces like Einhorn helped fill the gap for creative designers looking for untraditional choices in which to set headlines and advertising work. The merit of pioneer display faces like Einhorn have never lessened; Einhorn still sets a mean display text, and works great in logos and other corporate ID solutions.

Introducing Lubeck Display, new generation Typeface with 3 Weights. Lubeck Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Lubeck is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Three Weights. Light, Regular and Medium Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters.

Splatterpunks - A Halloween Brush Font Introducing a fresh terror this Halloween, Splatterpunks is a hand-drawn brush font inspired by the blood-soaked pages of horror comics from the 1970s and 80s. This textured all-caps lettering evokes a spine-tingling tension that will leave your readers on tenterhooks. With a creeping, stretched look like that of a surprised cat, it offers of set of diabolical tools worthy of any horror fan! The Splatterpunks font family includes all-caps uppercase and lowercase characters, along with numerals, punctuation, symbols and language support. Also included are a complete set of alternative characters and additional paint marks, drips and splashes. Wingsart Studio Design Tip! The uppercase and lowercase characters work great when mixed in an alternating fashion, with shapes that combine to create a dynamic, almost unhinged look that's perfect for the Halloween season. Add the alternatives and paint marks into the mix and you'll have yourself a title or header design that looks truly custom-made.

@andinistas presents an update of Panamericana in 2019, a typographic family worn out and expressive with 10 fonts perfect for short writings with cursive and stained calligraphic look. Panamericana works perfectly in headlines or logos of a film because its different thicknesses of corrosion and textures guarantee striking messages on t-shirts, stickers, skateboards, magazines, printed quotes, packaging, headings and all the designs you can imagine. Panamericana works best by exchanging and mixing letter by letter among its 10 fonts. In this way, you will take advantage of its corrosion levels by mixing the 3 uppercase, lowercase and ideal calipers for the beginning, middle or end of words, phrases or short paragraphs. Each empty and full Panamerican area was designed with care, care and attention and that is why its more than 2000 glyphs were carefully planned in 10 fonts designed for maximum performance in compositions that need scruffy and creative visual properties.

Direct mail designers rejoice! Finally, a font family made just for you. Created to be as in-your-face as possible: for use as a primary headline; for dates and phone numbers; and for coupon heads and price points. Tired of kerning numbers for your coupons and prices? Then you'll love this font! All of the kerning has been done for you. (No more spacey 1's!) Designed for a tight kern - just track it in on larger sizes. Instead of standard weights, this font was designed to fit different width needs. Have a long headline, but your client wants it in one line and tall? Use the extra-condensed. Need something really bold for a phone number or price point, but you don't have much height available? Use the fat. And there are two more widths for those in-betweens. And to top it off - you can get them all in an oblique as well.

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface that comprises nine weights and five widths of precision engineered OpenType. 40 fonts, 32,668 characters and 24 OpenType features. Hot on the heels of the popular Neo Sans and Neo Tech range, and his first typeface release Scene, Soho represents three years of work by Lester. As a type designer I'm preoccupied with finding ways in which I can address modern problems like good legibility in modern media, and create fonts that work precisely and efficiently in the most technically demanding of corporate and publishing environments." Slab serif typefaces are enjoying something of a renaissance, offering versatility whether for corporate identity, product branding, text or display use. With 40 weights to choose from Soho gives designers endless possibilities from the ultra chic lines conveyed by the lighter weights to the rock solid statement made by the heavier weights. Soho is cross-platform compatible. The Pro version provides extended language support for Central European languages. Used in conjunction with software applications that support OpenType many useful features like "stylistic sets" can be leveraged -- in which a wide variety of alternative characters can be introduced at the click of a mouse button giving one font several "tones of voice" from conservative to cutting edge. The wide range of glyphs includes ligatures and small caps."

Introducing, Fright Maiden - A serif typeface font with bold and horror feel. This font has unique shape, very suitable for horror, thriller and spooky theme design. This font also perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, novels, labels or any type of advertising purpose. Features : altermate and ligatures numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Kruger is a Horror font ready to be splattered on your design projects. Inspired by horror movies. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

This font is named "Halloween Party". This font was intentionally made to add to the excitement of the Hallowen event that will soon arrive. This "Halloween Party" font is very scary because there is blood on it. This font is perfect for adding to the excitement and mysticism of your Halloween event. In addition to Halloween events, this font can also be used as a movie title, book title or something else that is horror, can also be used to write quote words, tell mystical things, or as a horror and mystical pickle invitation card, and others.

Steak and Cheese - a Savoury Font Collection Packed with flavour, Steak and Cheese includes following: • Brush - Two weights of a connected Brush Script with Contextual, Swash, Titling and Stylistic Alternates • Pen - Three weights of a connected monoline Script with Contextual, Swash, Titling and Stylistic Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners • Condensed - A bold and tight condensed Sans Serif with rounded corners. Steak and Cheese fonts are designed to work together - in pairs or more. Steak and Cheese is great for branding, posters or any display use. All fonts are PUA encoded and have a wide language support.

Axial Cut is a sans serif typeface (Latin Extended-A), a contemporary and rounded evolution of geometric fonts for screen, but this time the letters are built on an axial axis that results in trapezoidal counter-shapes, joints with reduced antlers and rounded corners that correct optical effects in small sizes to make the typography more legible, and at the same time, in large sizes it shows its original shapes. The Axial Cut typeface family is made up of four weights: Light, Regular, Medium and Bold, each with 785 characters. I have taken particular care with the metrics and dimensions of each letter or sign, with a very careful and precise kerning configuration to achieve the For maximum readability, these are fonts with slightly higher ascenders than capitals and short descenders to make it more compact. The editing possibilities and unique designs with these complex typefaces are very wide, the fonts have a complete set of uppercase letters and a lowercase set with alternative characters as well as lowercase letters and numbers in different positions (lowercase, denominators, numerals, and uppercase) that They also work as automatic fractions, they also incorporate small capital letters and three sets of alternative numbers (Normal, Old style numbers, Square numbers), etc. Discover other alternative signs, characters and Open Type functions in the PDF: Specimen & The Cheat Sheet.