Flame rider. It is a layered font in a vintage biker style. Suitable for illustrations for T-shirts, alcohol labels, logos and corporate identity. The font has 8 font styles: upper and lower case letters, numbers, punctuation marks and multilingual characters for each style.

ABOUT THIS FONT High swift is a sporty & dynamic style display font that designed for modern corporate branding, copy ads, and much more. Recommended for a high-performance brand. FONT FEATURES - Additional Accents - 65 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer

Designed at ParaType in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both text and display matters.

Secreta is a modern typeface with a geometric touch using "CAP" modes. It comes in 4 weights: Light Regular, Bold and Extended Bold. Each weight includes extended language support. Perfectly suitable for graphic design and any display use for web design, signage, corporate and editorial.

This font was designed for CREALAB, a Shanghai-based Innovation Design Company. As the company’s slogan - "catalyzing ideas" - corporate identity focus on crossing technical expertise and personal creativity. It displays a solid square background - inspired by scientific symbols - and a fresh rounded creative attitude.

Kayla Sans is a sans-serif display font and works best in display applications, such as headline, magazine, posters, product branding, corporate branding, signage, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Alexer is a modern font family. It comes in 12 weights, 6 uprights, and matching italics. Each weight includes alternates (G,I,t) and OpenType features. This family is ideally suited for packaging, headlines, advertising, and corporate identities. Perfectly for web, signage, and editorial design.

This typeface design was influenced by the British Rail corporate type introduced in an old lettering instruction book published in Japan. Of course, the only clue to this typeface is the lettering instruction book at hand. Therefore, this typeface is based on the British Rail corporate type introduced in an old lettering instruction book published in Japan, and I have expanded the design variations. I started with the Bold design first. Then I designed Light, Regular, and Black in that order. Light and Regular are intended to be used as the text type, while Bold and Black are intended to be used as the base for logotypes, headlines, and other eye-catchers.

Sticky Pops is a fun handwritten script font, created by Jonathan S Harris in 2020. This style of lettering looks awesome on clothing, posters, signage/display signs, and just about anything to do with media.

AZ Plug Italic font is inspired from a combination of original early 1900’s Edward Penfield and Franz Hazenplug poster art. This font is designed for use as a worn and antiqued headlines or subheadlines.

These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long s.

The hand lettered title on sheet music for 1915's novelty song "Gasoline Gus and His Jitney Bus" by Byron Gay and Charley Brown offered up the lettering style which is now Nouveau Arts JNL.

PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

Baro is a powerful, fun and expressive font, great for loud, cheerful and super-fat headlines and packaging for odd novelty toys. With its bold and distinctive stylized geometric forms, it is ideal for logos, heavy machinery and wacky party invites. Baro had its beginning in a handful of rigidly geometric uppercase letters from an unidentified 1960�s or 70�s era press-down lettering font, which in turn was possibly a revival of a 20�s era Art Deco font. The exercise quickly expanded into a complete typeface with 300+ characters, including several catch words (word glyphs), stylistic alternates, discretionary ligatures, multilingual support and both lining and old style numerals. Baro maintains much of the characteristic geometric rigidity of the original handful of letters, but � With the addition of just a little bit of flare, a bit of cheerfulness breaks through, like a wink and a smile on the face of a fat and otherwise stern policeman.

Known sometimes as “utopia”, “journey” other times, but also named with name´s place where one wants to go, “Ithaca” home of Ulysses. Typographic Cartesian coordinates are usually two, from the skeleton, the narrower, to the black, the widest. Nowadays, Maese Patau had traveled a road made by four Cartesian axes of typographic geography. A road from thick to thin, from expanded to condensed, to offer us a new family, a larger and extensive series than the traditional family. 48 “relatives” in a pure neo-grotesque font, with a large “eye” that makes it especially suitable for display. Solid hinting in small sizes due to it´s pure and simple basic forms. The jazzy cursive, available in all weights, looks as a simply slanted letter, but when works in conjunction with its regular version, generates an outstanding typographic game. As usual, Maese Patau offer us a extensive typeface in weights, extensive on supported languages, and all kind of OpenType´s capabilities.

Ruttar Signature, is a signature script with natural flow & style. This font has a natural looking ligature for the OpenType feature, making the font appear as close as possible to natural handwriting,Ruttar Signature is perfect for all projects such as, logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, special events or whatever. Ruttar Signature Comes With 679 Glyphs and OpenType Features are also added to this font. Ruttar Signature has given PUA encoded (fonts with special code). This font comes with language support: €Š‹ŚŤŽŹ‘’“”–—™›śťžźˇ˘¦§¨©Ş«­ÍÎĎĐŃŇÓÔŐÖŘŮ ÚŰÜÝ®Ż±˛´·¸Ľ˝ľżŔÁÂĂÄĹĆÇČÉĘËĚĀ ŕáâăäĺćçčéęëěíîďđńňóôőö÷řůúűüý˙¢àèêùˆ˚ąş»š The Features includes: Stylistic Alternates, Swashes, Ligatures, Stylistic Set. You can pick the alternate for all style. If There Any questions, Please Let Me Know, Your support and suggestion is needed, And I am Happy To Help You. Thanks For Looking,Hopefully Useful,And Good Luck For You.

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

Best Deals | Signature Typeface, is a signature script with natural flow & style. This font has a natural looking ligature for the OpenType feature, making the font appear as close as possible to natural handwriting,Best Deals | Signature Typeface is perfect for all projects such as, logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events or whatever. Best Deals | Signature Typeface Comes With 353 Glyphs and OpenType Features are also added to this font. Best Deals | Signature Typeface has given PUA encoded (fonts with special code). This font comes with language support: €Š‹ŚŤŽŹ‘’“”–—™›śťžźˇ˘¦§¨©Ş«­ÍÎĎĐŃŇÓÔŐÖŘŮ ÚŰÜÝ®Ż±˛´·¸Ľ˝ľżŔÁÂĂÄĹĆÇČÉĘËĚĀ ŕáâăäĺćçčéęëěíîďđńňóôőö÷řůúűüý˙¢àèêùˆ˚ąş»š The Features includes: Stylistic Alternates, Swashes, Ligatures, Stylistic Set. You can pick the alternate for all style. If you want other files that are not here, please let me know at malindocreative@gmail.com. I will be happy to help. Thanks For Support, Hopefully Useful.

Ico Weather is a set of 115 symbols depicting weather, temperature, weather forecast and astronomy. To name a few, there are sun, clouds, rain, snow, thermometers, wind socks, tornados, volcanoes, weather warnings as well as symbol for raining fish. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Weather is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect solution for LCD style typography. Ico Time is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ingenious Groovy font is a type of display font that emerged in the 1960s and 1970s during the psychedelic era. It features bold, curvy lettering with an exaggerated cursive style, incorporating elements such as swirls, loops, and curves. The Groovy font is designed to give off a sense of retro vibrancy, and it is often used in advertising, music covers, and other whimsical design projects. The font is available in a variety of colors, including bright yellow, orange, and pink, adding to its playfulness and funkiness.

Jeff Levine's collection of stencil fonts based on original source material has grown by one with the addition of Term Paper JNL, a bold sans serif based on a stencil lettering guide from the 1950's.

The Art Nouveau hand lettering on the sheet music for 1915's "I'm Glad It was Only A Dream" served as the inspiration for Melodie Nouveau JNL, which is available in both regular and oblique versions.

Reload is a rectangular industrial geometric display typeface available in four flexible and distinct weights. Features include: Slashed zero Romanian s accent language feature Extended language support *Requires an application with OpenType and/or Unicode support.

Introducing of our new product the name is Spoongky a Horror Font, Spoongky inspired by Bouncy horror style with a fun theme very good for horror, scary, spooky and halloween theme design. FEATURES : Uppercase Lowercase Number Punctuation Multilingual

Hi this is Bigstyles our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

Gulim™ features plain strokes similar to sans serif designs, and works well for on-screen display such as user interfaces. This Gulim font file is 5.2 MB in size. Gulim is a trademark of Microsoft Corporation. Gulim Character Set: Latin 1, Korean code page 949

Hi this is Junlyne our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

ABOUT THIS FONT Avergent is a simple display sans font that designed for modern corporate branding, copy ads, and much more. FONT FEATURES - Additional Accents - Stylistic Alternates - Cyrillic Support - Ligatures - 95 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer OS COMPATIBILITY - Mac OS - Windows

Bestan is inspired by the typography of the ship's steel containers and industrial-based business branding. Added a slight touch of futuristic vibes to make Bestan appears as a fresh game-changer, either for corporation purpose and also modern urban vibes to your visual graphic design stuff.

Yo-ho-ho. Vintage label font Yo-ho-ho. This is a vintage pirate style layered font. Good for for illustrations for T-shirts, alcohol labels, logos and corporate identity. The font has 6 font styles, Uppercase, lowercase, numbers, punctuation and multilingual characters for each style

Just two capital letters from a sign inspired Box Lunch JNL from Jeff Levine. The restaurant - an early 1950s favorite in Miami Beach, Florida specialized in fried chicken meals and other delights of the day - long before the big corporate chains took over the local landscape.

Unleash the power of modern typography with Olystar, a captivating font family meticulously crafted on the foundation of the beloved Olyford font. Olystar boasts 5 exquisite weights and more than 400 glyphs in each style. This family is perfect for logotypes, advertising, packaging, corporate identities, and more.

Clear, simple and multipurpose. We present Cordillera, a new sans serif designed for corporate use, which mixes classic proportions, geometric and neo-grotesque characters. Its alternative characters will allow you to go from expressive titles to neutral texts easily while maintaining the harmony of the system.

Hi this is Brotusse our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

Ela is the typeface I originally designed for the business of my second wife and mother of my two sons, her name is ­ of course ­ Michaela. Ela the typeface is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design.

Kamaru Sans is a sans-serif display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.