VISIA Pro - Our flagship Geometric Sans-Serif typeface, a perfect blend of elegant, minimal and premium design aesthetics at it's level best. A perfect typeface for logotypes, headlines, branding, marketing graphics, corporate identities, all web & print purposes. This pack comes with a total of 14 fonts: 7 Weights (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) 7 Weights of Italic versions (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) Each weight includes extended language support including Western European & Central European sets. A total of 258 glyphs are included.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Jarvis is a hybrid. Not a pure grotesque, not a humanist sans, but the best of both worlds. Its open counters and strong geometry, coupled with smooth curves and features give it a unique personality. Very legible even at small sizes, instantly recognisable at large sizes, it is an ideal candidate for corporate identity as well as print and digital communications of all kind. Its wide range of weights (from Thin to Black), extensive OpenType features, circled numbers, and extended character-set are the hallmark of the highest technical level.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

I proudly present Savant, a friendly headline typeface with an attitude. It’s got a slab serif touch and is packed with lots of nice typo-gems. The italic is a perfect companion for the regular. But beside that, it's powerful enough to stand its own ground. Savant is a good mixture of the playful and the classic. You can use it for fashion, food, magazines, packaging, corporate design- and other projects with an attitude. So show me what you’ve got! Savant Regular only is completely free in 2012, so download your free copy today!

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Black Asylum from KC Fonts is a handmade font that’s inspired by the title names of slasher horror movies of the 70’s and 80’s. Nothing else resembles it in the slightest, as it’s a font that demands respect, it’s a font that instills fear from deep within & it’s perfect for all of your horror needs! Black Asylum has an extended character set for multilingual support to scare the pants off of everyone worldwide!

Rulinover is a serif font inspired by adrenaline-pumping gothic horror movies and games. With that comes Rulinover as a supporting tool to support typography based on genres of horror adventure, challenge and dare in a particular game or film. And also supported by many alternative ligature and letter concepts that are useful in making logotypes or monogram styles. For that, Rulinover is also equipped with various languages such as Latin 1 & 2.

Neo Contact is the typeface used on the packaging of Marlboro cigarettes (Marlboro “Reds,” the main line of the brand). The typeface is bold and condensed, designed in the Egyptienne style. Egyptienne types were first designed in the 1800s, as type founders - especially in the westward-expanding United States - began to dream up newer, bolder styles of letters for advertising usage. During the 1800s, it became increasingly important for businesses to set themselves, and their products, apart from competitors. This desire has remained with corporations, as well as with advertisers and designers, into the 21st century. In addition to cigarette packaging, Neo Contact (as part of Marlboro’s branding efforts) can be seen on numerous items, including Ferrari’s F1 racers, and at Formula 1 race tracks. The letters in Neo Contact are filled with personality. Their forms display two distinct weights of line, and the serifs are made up of tiny, strict slabs. Ball terminals round out the design. Neo Contact is a complete font, with a complete western character set. Typefaces in the Egyptienne style preceded the development and distribution of larger, crazier wood typefaces, but also share many similarities with these descendents. More traditional, text faces in the Egyptienne manner are also available from Linotype GmbH (e.g., Adrian Frutiger’s Egyptienne F). On the opposite end of the spectrum, we offer interesting, personality-filled wood display types, like Ponderosa as well.

The ten font Turbinado™ Set was designed to be clear and easy to read with a friendly personality, ideal for advertising and packaging in both text and display settings. Included are three weights of brushed casual script, each with a dry version, two condensed all caps faces, another hand printed caps face and an Elements package with 100 brushed elements that include swashes, botanicals, shells, arrows, repeatable patterns and a few other doodads that play well with the fonts. Like our most recent release Fave, all of the fonts use the OpenType standard ligature feature to automatically differentiate consecutive lowercase letters and numbers, using separate glyphs rather than a single ligature so they can be set on a curve or colored separately, etc. They also automatically differentiate like characters that are separated by another letter when standard ligatures is enabled. The script fonts have alternate characters like swash glyphs for ends of words and a few ligatures too; single crossbar to unite the At and Att letter combinations etc. The two condensed faces also have a third set of less uniform glyphs that can be used to create a more quirky, fun and bouncy effect (see the ‘she sells seashells’ graphic above) when the discretionary ligature feature is on. The script fonts have 10+ lowercase t (and double t) crossbar alternates that can be selected from the OpenType glyph table manually, or you can enable the contextual alternates feature to automatically insert a bigger crossbar as the surrounding letters allow throughout a text box or document. Hello? Are you still there? :) And for those intrepid typographers who would rather fashion their own lowercase t to custom fit a specific design, all of the lowercase t ascenders and crossbars are also available separately in the glyph table, and can be combined manually.

Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.

The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.

Bound to rules, unbound in the usage. Hyper geometric, and minimal contrast. Circulo V1 is based on a font project I originally started because of a client I had. I wanted to create a display and text font for their product design brand, which is all about reducing the amount of necessary materials and production steps. Before I started the course at tipo-g it was called -“REDUCE“ and was more or less finished. The concept was based on the name. How far can letter shapes be reduced to their core geometric concepts and still be identified as letters? But in a way, it lacked a unique approach and was just a generic geometric Sans Serif with a lack of finesse. There was already a glimpse of characteristics visible which would later define Circulo V1. ‍ The high focus on geometric shapes was not of the same severity, and the angle on the stems was less intense. Those, as I call them, fake serifs turned out to be a significant factor in legibility and the characteristic of the font. Besides those changes and improvements, I decided to implicate a new feature to the concept, a condensed style. I quickly realised that it is impossible to keep my perfect circles and half-circles in this style without breaking my rules for the font. This „problem“ turned out to be the most crucial feature of the condensed set. Circular-based Letters will ignore the rules and boundaries of the condensed style and stay as they are. This feature allows the user to create a unique rhythm in their texts, and if you use the variable font, you can decide how intense this rhythm will be. In this situation, the user can choose which letters are allowed to keep their shapes and which will be put in their condensed corset. All, some or none of them, you decide.

Introducing space-bright COLORED hologram font. Soft color transitions combined with minimalistic clean glyphs. Ideal for modern web and print design. Excellent readability of glyphs for both the title and the large volume of text is preserved. Multi-colored modern family with different types of coloring - a highlighted gradient border of letters or fully hologram glyphs - a large selection of 11 ready-made font styles. Originality of the font will fit well into the fashionable logo, headline in the magazine or on the website, emphasize the trend of the product in branding and complement web advertising on social media. This font family is based on the Regular font Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works. 11 OTF SVG color fonts in the family Free Demo font to check it works. Gradient and hologram fonts Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Bat Ghost is a Halloween decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and other about Halloween.

A style example found within the pages of a vintage type foundry catalog inspired Case Lot JNL. The design is a classic early 20th Century sans with chamfered corners.

Seconda Round is a contemporary, legible, and versatile typeface. It is the round companion of Seconda. Unlike Seconda Soft, which has moderate rounding — the edges of Seconda Round’s characters are fully rounded. The Seconda Round family has been enriched by a collection of Outline and Shadow fonts, each with its own Fill font. Combine an Outline or Shadow font with its Fill font in an application that uses layers, to create a two-color version of the Outline or Shadow font. Seconda Round has 32 styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. The Outline, Shadow, and Fill fonts are not suitable for small size texts. The Fill fonts are only to be used in combination with their Outline or Shadow font. Seconda Round can be combined with any other member of the Seconda superfamily, extending the wealth of design options the Seconda superfamily offers. Seconda Round is well suited for graphic design, editorial design, and corporate identity design. Seconda Round’s Outline and Shadow fonts will add flair to any design project. For more information about Seconda Round, download the PDF Specimen Manual.

Introducing Koondim, a retro condensed font with a classic retro-inspired design. This font is perfect for various special projects, such as branding, packaging, logos, and more. With its OpenType feature, Koondim comes with 54 alternate styles and 38 ligatures that add a stylish and unique touch to your design. Koondim font is a versatile choice for any designer looking for a retro, condensed style with a touch of modern sophistication. The beautiful alternates and ligatures make it easy to create a customized look and elevate your designs. Plus, its multilingual support ensures that your message can be communicated clearly to a global audience. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

ALS Direct is an open and dynamic typeface with clear-cut letterforms that make it instantly readable. It lends text a neutral, yet agreeable and modern feel. Direct has nine font styles convenient for the purposes of navigation signage. Regular-style letterforms are rather wide, because direction signs are likely to appear before readers at an angle, so the type needs to withstand perspective distortions. And as signs and boards may vary in size, Direct was developed to include several width variations. Condensed fonts can be used where horizontal space is limited, allowing you to keep proper height and readability of the characters. A signage typeface must be easily readable from some distance away and have simple letterfoms with clear-cut features to quickly identify characters. Designing a type for a potentially wide range of purposes calls for a universal approach. If not destined to be used for navigation in a particular building, it shouldn’t incorporate any peculiar elements to agree with certain design or architecture. All of the above determined our choice of a sans serif with large apertures and definite features allowing readers to instantly recognize letters. Descenders are made compact not to interfere with the line below. And the low contrast between thick and thin strokes renders all elements equally perceptible. The x-height is significant, close to the cap height, which inhances readability of the lowercase type. There are two reasons why directions must not be set in all caps. Firstly, lowercase letters are more diverse and include ascenders and descenders identifying some of the letters in the line. And secondly, having learned to read, people recognize word shapes rather than individual letters, which makes lowercase text more readable. With Direct being a signage typeface, first to be developed were its width variations, and different weight styles and italics were added later. Another thing to be kept in mind was that signs often use dark background colors, and black type on a white background appears smaller than white type on a black background. Direct is the first Cyrillic typeface created for navigation purposes. Before that, designers could use the Cyrillic version of Frutiger (Freeset) developed by Adrian Frutiger for the Paris Charles de Gaulle International Airport, and a number of other, mostly body copy, neutral sans serif types. However, signs and boards were dominated by Arial, which Direct would be glad to replace offering elegance and lucidity of form instead of type bluntess. Direct was designed as a signage typeface, but its neutral style and clear-cut letterforms suggest various other ways of application.

Mally is a family of humanist fonts, sans serif with 32 styles, variable with 08 normal and condensed weights and their respective italics, with 594 characters in each font, offers alternative characters, was conceived as a variable font encompassing various weights and widths. Characterized by its excellent readability even in the smallest sizes, with a contemporary design it has a wide support of Latin languages.

Roselates is a modern script and sans font duo. With light script and thin condensed sans stroke, fun character with some of ligatures. To give you an extra creative work. Roselates font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text. Make a stunning work with Roselates font. Cheers, MaulanaCreative

Rabbet is based on the handwriting of Maine furniture designer and maker, Aaron Fedarko. It's friendly, bold, condensed, and slants left. Rabbet's special feature, besides loads of boyish charm, is a load of handwritten fractions as discretionary ligatures. Whether you're curious about woodworking (a rabbet is a type of joint), or you just want a cool, maybe slightly rebellious font, Rabbet is ready to do the work.

Mothman Legend is a grunge spooky font, inspired by 90s horror movies. It will be perfect for your horror and Halloween-themed needs! You can use it for anything ranging from t-shirts and clothing, to your book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a cool touch. Try it to create fabulous designs and feel the gothic and Halloween vibes with it!

A 1967 ad for Aurora “Monster Scenes Custom Builder Kits” featured the drippy, gooey hand lettering long associated with science fiction and horror movies. The letters in the ad were auto-scanned and additional characters were completed with the end result being a horror-themed font with sharper angles and lines instead of drips. This is now available as Monster Movies JNL, which is available in both regular and oblique versions.

LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves C is just the berries. B & C can be overlayed for a two color effect.

Introducing Void Reaver, a chilling masterpiece perfectly blending the themes of crash and horror. This unique typeface is meticulously crafted to evoke an unsettling and edgy atmosphere, making it an ideal choice for various applications. This font is your go-to choice for infusing a dark and mysterious atmosphere into a variety of creative projects, from social media graphics to website design. Elevate your designs with a font that leaves a lasting impression and invites exploration into the realms of crash and horror.

Sariah is a beautifully simple handwritten typeface, composed of clean lines and exaggerated ascenders. It is perfect for a sweet note, a photo caption, an address label, or a graphic print.

Nameh is a single weight sans-serif headline font designed by Naghi Naghashian. It is a condensed big title font. This font is a contribution to modernize the Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Nameh supports Arabic, Persian (Farsi) and Urdu. It also includes proportional and tabular numerals for the supported languages. Nameh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Nameh was developed for multiple languages and writing conventions. Nameh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Fox Kitty is a cute and fun color font. This font is your go-to for crafting cute greeting cards that express affection and warmth. Whether you’re a designer, a social media influencer, or someone with a penchant for creative expression. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/ 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺

Introducing incredible COLOR ANAGLYPH font. Unique font family with anaglyph stereo effect - a novelty in the field of color fonts. Inspired by global trends in contemporary design with a touch of retro 90s, electric music and minimalistic purity of glyphs. Truly a reflection of modern POP culture. Font is ideal in entertainment design. Night club poster design, fashionable business card, website title, magazine illustration - there are countless options for using it. Font family has two thicknesses - bold & regular, 3 types of stereo effect, 2 font colors with stereo effect (black and white). Font consists of letters of the same height without division into uppercase and lowercase glyphs. This font family is based on the Regular & Bold fonts Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works. 36 OTF SVG fonts in the family 2 thicknesses: Bold, Regular 3 types of stereo anaglyph effect 6 font colors with stereo effect Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you see all fonts in black and not in multicolor in the tab “Individual Styles” - all fonts are working and have passed technical inspection, but not displayed in multicolor they, just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Catalog Sheet JNL is the digital version of an extra condensed serif typeface from the 1892 MacKellar, Smiths & Jordan type foundry specimen book. The font is available in both regular and oblique versions.

Proudly present Mildstones - Modern Bold Sans, created by ikiiko. A contemporary bold condensed sans serif typeface created to breathe life into headlines with its eye-catching presence. Mildstones attracts attention and takes any design project to a new level with its striking and fashionable look. Each letter in Mildstones has undergone meticulous design in order to convey a sense of power, assurance, and beauty. The font has a sense of verticality and compactness due to the condensed proportions, which also make it easy to fit into small places while keeping outstanding readability. The Mildstones experience is more than simply a font. It has been meticulously designed to be a dependable and powerful typographic in terms of both aesthetic and readability. This type is very suitable for making a headline news, sport advetorial, logotype, branding, poster, magazine layout, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Hand drawn typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set the fillOne and fillTwo over the background style to get a full, tree color mode. Mr Cyrk has only uppercase characters with alternate glyphs in place of lowercase letters. You can have one style for $18 or all of them for $30.

Office Space JNL is based on “Condensed Edina” from the 1921 Miller & Richard type specimen book and is available in both regular and oblique versions. This spurred serif Art Nouveau monoline font is a milestone – marking the 1900th font design released by Jeff Levine Fonts since its inception in January of 2006.

Morris Fuller Benton's 1935 offering from ATF, entitled Raleigh Gothic Condensed, inspired this ultracompact masterpiece. Benton's alternate characters are included in several lowercase positions, to add a little Art Deco sparkle to this versatile workhorse. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Encorpada Classic, designed by Eduilson Coan, brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is an elegant choice for your type library. The family has three widths – compressed, condensed & normal, support for more than 40 languages and opentype features.

Introducing Prosa GT is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose.

Livery Stable is a revival of an old classic font from the 1800s. Much research was done to recreate the original versions of Livery Stable which include regular, black, condensed and shadow lined versions of this font. Also look for the Horse Head symbol placed on the Less-Than and Greater-Than keys.

This Art Deco-inspired face is based on the Baltimore Type Foundry’s Tourist Extra Condensed. Graceful and elegant, this typeface’s compact design also packs a lot of information into very little space. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.