The Sync font family is a layered system for chromatic typesetting. With its stylistic variety it enables a wide range of eye-catching combinations with colors and patterns. The very first sketches were inspired by some hand-painted characters on a weathered beach sign at the French Côte d’Argent and currently the font family comes with a total of 28 single fonts. The primary font »Sync Base« is a powerful, condensed Sans Serif. Sharp cut edges, narrow wedge-shaped counters and low ascenders and descenders make the compact character of the typeface. In perfect sync with the primary font, the family includes the retro styles Lines, Engravings, Stripes and Shadows and the texture styles Invisible and Jungle. Each one of them with multiple fonts. As all Sync fonts have the same metrics, they can easily be layered in different colors to create the desired effects by using graphic applications that allow utilizing layers. Sync fonts work especially well in larger sizes and were designed for large display purposes, covers, branding, packaging, headlines, editorials, advertising, posters and the like. Check the gallery for examples. By the way, the graphics in some of the visuals come from the Linotype »Picture Yourself™« collection designed by Karin Huschka and Peter Huschka. Sync & enjoy!

Ranch Hand JNL is a tall, condensed wood type with slab serifs. The font is somewhat bolder in weight than Nostrand JNL, but like its counterpart, fully captures the spirit and flavor of Nineteenth Century advertising, fliers and notices.

A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction. The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.

Mystyline is a modern thin line condensed font inspired by hipster aesthetics. The letters are decorated with lines and dots. Mystyline is suitable for contemporary typographic posters (event design, movie posters, advertising, music production, photo overlays), hipster design etc.

Gothic Love is a modern serif font with elegant wavy details. The font is created in condensed proportions with high serifs. The font is suitable for the design on the theme of fashion, feminine branding, mysticism, gothcore, punk, surrealism.

A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler who did many fonts for Mackellar.

The second volume of the Robbins Music Corporation's "Hollywood Song Folio" features the word "Hollywood" lettered in a condensed block style with inline, strongly reminiscent of sports or college-themed typography. This was the inspiration for Winning Team JNL.

Introducing Cozee, a quirky tall and narrow handwritten font with stylistic alternates! This modern condensed sans serif is fun and skinny - ideal for creating minimalist illustrations, cricut projects, kids books, branding projects, custom home decor, and so much more.

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.

Inspired by brutalism and horror movie designs, the Stressed font is made with random pen strokes, giving this font a brutal/unbalanced feel. suitable for use in graphic design, especially with horror themes such as movie posters, and Brutalism graphic design.

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

Aeolus Pro is a second attempt at writing a monoline style. Completed after many design transformations. And here (as in KhamaiPro) attempted to provide a different visual design with style as Staccato: (dashed line) Rail: (double line) Tribe: (triple line) and finally a New style Shadow. Also (Bold, BoldItalic) has the advantage of involving between styles… (Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) for example: …you have a text frame with some text or one word or one letter with Bold or BoldItalic style with e.g. (color blue), if you duplicate the text frame or duplicate the Layer (as is, without shifting position - text) and you make changes ONLY (the Style* and color of text) in second text frame, would have the effect of filling the gap at the following styles... *(Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) you can see the presentation of the photo “Multiplex”. This series of 20 fonts with 624 glyphs each is composed and includes true italics and supports Latin, Greek and Cyrillic.

Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Browar is a display Grotesk typeface which has Latin & Cyrillic scripts. It comes in 1 weight and it contains 416 characters. Browar includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines, game ui as well as for editorial design.

Alexer Pro is a modern font family based on Alexer font family. Language support: Latin (including Vietnamese), Cyrillic, and Greek. It comes in 12 weights, 6 uprights, and matching italics. Each weight includes 1300 glyphs, alternates (G,I,t), and OpenType features. This family is ideally suited for packaging, headlines, advertising, and corporate identities. Perfectly for web, signage, and editorial design.

Madani is a sans serif font family with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Madani is also included full set of: uppercase and lowercase letters 18 weights multilingual characters numerals punctuation Wish you enjoy our font. :)

Raavi™ is an OpenType font for the Indic script Gurmukhi, used to write Punjabi. Raavi is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Design Director) and Apurva Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Gurmukhi (Punjabi). NOTE: An OpenType-savvy application is required.

Megna is a sans serif font with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Megna is also included full set of: uppercase and lowercase letters 9 weights multilingual characters numerals punctuation Wish you enjoy our font. :)

Makani is a sans serif font family with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Makani is also included full set of: uppercase and lowercase letters 9 weights multilingual characters numerals punctuation Wish you enjoy our font. :)

Mightyline- Ultra Condensed font and Come with ligatures collection, It's Perfect for logo, name card, magazin layout,headers, or large scale artwork.

Diamondwood JNL is based on examples of vintage wood type with condensed, elongated diamond shapes containing the various letters of the alphabet.

Based on some vintage metal type initial monograms, Long and Thin Initials JNL reproduces this condensed spur serif design in digital form.

Malaguena Stencil JNL was derived from hand lettering found on an Art Deco-era piece of vintage sheet music for this familiar tune. According to Wikipedia: “Malagueña is the feminine form of the Spanish language adjective malagueño/ malagueña, ‘pertaining to Málaga’, a Spanish port city.” Additionally: "Malagueña", is a song by Cuban composer Ernesto Lecuona; written in 1928 it was originally the sixth movement of Lecuona's Suite Andalucia, to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum corps standard and has been provided with lyrics in several languages.

Nadsat is a unicase display typefaces with a condensed, art deco styling. Best suited for short texts or display settings, the lowercase and capital letters can be combined to offer more layout possibilities. The typeface also includes a series of ligatures and alternate characters for even more layout options.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces.

With twelve different weights CaseStudy No1 is a new flexible type family that has a condensed technical style. Its different stroke thicknesses offer a wide variety for magazines, books, advertising, etc. For each weight the designers Jakob and Meißner have also made additional alternative letterforms, logos and symbols.

Wilder is a condensed handwritten sans serif with both uppercase and lowercase characters. It has a generous x-height with big elongated counters and low set bars which gives Wilder a unique look. Great for packaging, print, and display use. You can also use it in shorter paragraph texts.

Patagon is a contemporary Woodtype Sans typeface especially designed for fresh, high impact sentences with a mix of flavoured features. Its upper-case Opentype ornamental alternate glyphs provide great elegant textures adding versatility to the three weight family: condensed, regular & extended. Mix them up for a really cool design!

A condensed neo-grotesque typeface with a quirky personality. Cargi contains 9 weights, obliques and a variable version. Low contrast and clean forms create legibility at small sizes, but display uses are where the real character of Cargi comes out to play. 319 glyphs to support 100+ languages.

THD Praxim is a modern, condensed style, sans serif font that comes in four weights – thin/regular/bold/heavy. The font is perfect for header & subheadings, editorial, display, brand & identity, campaigns, apps & web. It has a clarity & confidence which can communicate a range of messages through different media channels.

Pleasure is the work of German designer Holger Seeling, a condensed open sans serif typeface featuring a shadow behind each character. Its geometric forms are flexible and best used closely spaced. Pleasure reflects no particular time or setting and is therefore ideal for a wide variety of headline applications.

Hells font is made with ultra condensed width and has a strong aesthetic value when used in the right design. Having a regular style and a compressed width adds to the aesthetic of this font. It is suitable for use in graphic designs for posters, flyers, or large designs.