Semlor is a great display comic advertising big font, coming in regular and italic style. This font has multi-lingual and Cyrillic support. We hope you enjoy using this font.

The wood type lettering which was the inspiration for Hayfork JNL has been given a spurred treatment, and is now available as Spurwood JNL in both regular and oblique versions.

The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.

Manstromer is a dynamic handwritten font, written with fast movements. Comes with two fonts styles, regular and slant. Manstromer is suitable for branding, advertising, headlines, packaging design, and many more.

Picaflor Handmade is a fun handmade version with 8 styles and weights, it contains Light Regular and Bold and its 3D versions plus dingbats, perfect for fun or informal titles!

Norca is a typeface available in 4 types of styles, regular/clean, round, rough and textured. Available in all caps mode, suitable for designs with classic, vintage, and retro styles.

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

This font inspired by scary movie. You can this font for your journal logotype or something about scary or horror and maybe hardcore style. Let's try and have fun with this font.

Zanoix is based on text from an old horror poster. Comes with ligatures for both double letters and numbers. You will need to use OpenType supporting applications to use the auto-ligatures

Mundo Sans, by Carl Crossgrove for the Monotype Studio, is distinctive, approachable – and ready to tackle jobs both big and small. Its open counters and large x-height, which give the design a straight-forward no-nonsense mien, are softened by inviting calligraphic undertones. With 10 weights and a complementary suite of cursive italics, there is little outside the range of the Mundo Sans family. The light weights are elegant in packaging and brochure design, the medium are easy readers in digital blogs and print periodicals and the bold command attention in banners and headlines. Mundo Sans is at home in a wide range of sizes, and comfortable in everything from wayfinding to mobile apps. Mundo Sans takes on complicated branding projects with efficient grace. The family enables companies and products to express their brand seamlessly in websites, advertising, corporate messaging, packaging – virtually everywhere visible engagement is possible. A large international character set, that includes support for most Central European and many Eastern European languages, ensures ease of localization. Mundo Sans was originally released with seven weights. The family was updated with three new roman weights and their italics in 2019 that extend and diversify its range of use: a fine hairline weight, a book weight, slightly lighter than regular, and a demi that is subtly lighter than the medium. The design is also is a good mixer. It easily pairs with everything from refined Didones to stalwart slab serif designs. And if you need a more harmonious palette, look no further than Mundo Sans’ relative, Mundo Serif. The two designs harmonize with each other perfectly in weight, typographic color and proportion. Mundo Sans’ italics are true cursive designs, with fluid strokes and obvious calligraphic overtones. The flick of the down-stroke in the ‘a,’ the descending stroke of the ‘f’ and baseline curve of the ‘z’ add grace to the design and distinguish it from more mechanistic styles. Mundo Sans is a design with deep roots. It was originally drawn to pair with classic Renaissance book typefaces like Bembo® and ITC Galliard®. With a hint of diagonal stroke contrast and gentle flaring of strokes, Mundo Sans complements these designs with warmth and grace. Crossgrove says that Mundo isn’t meant to be showy or distinctive. It is intended to follow the tradition of sans serif designs that have a wide range of uses, enabling comfortable reading and clear expression. Crossgrove has designed a variety of typefaces ranging from the futuristic and organic Biome™ to the text designs of Monotype’s elegant Walbaum™ revival. His work for Monotype also often takes Crossgrove into the realm of custom fronts for branding and non-Latin scripts.

The six weight Organon Sans typeface is a stylish and feature-laden OpenType family which complements its sister Organon Serif, both components working in tandem to create an elegant, legible and thoughtfully designed suite of fonts which share similar cap & x heights, stem widths and ascender/descender values. Tapered stems give the Organon Sans fonts an attractively robust appearance.

The London Signature is an amazing Ellegant Signature font. It was made with perfect precision for every single curve that was build with a horizontal, vertical path & smooth. London signature script font which stylish natural handwritten font with beautiful curve in every single corner. This font is so fashionable & elegant and perfect for photography, branding, signature and logo .

A new romantic serif typeface with Baroque initial caps that can be incorporated to complement the standard set or be set together. Inspired by European architecture of the seventeenth century, the decorative initials fit comfortably with today’s illustrative typographic trends. The standard set offers classic tradition with contemporary touches that can stand alone in display or text sizes.

The font "TG APM" was designed by me for a boutique coffee shop. This font is used in the coffee shop's logo and draws inspiration from the sun and the moon. The sun represents daytime, while the moon symbolizes nighttime. The intention is to convey that coffee is available throughout the day, helping you stay awake and composed.

Is a blackletter typeface font that is inspired by gothic and horror style because it's shape is very unique and is perfect for any project that you will use with this theme. Features : Symbol Number Multilingual support Uppercase & Lowercase Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Its name, CrippledFont, might lead you to think that this font was missing important characters. It is not. Rather it is a letterbat font composed of crutches and canes. It is caps only, with the lower-case keys having an alternative set of capitals. It has an extensive set of accented letters that will support most European languages.

Zampichi simulates an old school video game or halftone print. Nine futuristic styles are delivered in gritty pixelated format. Dingbats such as cursor symbols, radio buttons, checkboxes and (surprisingly) cats replace a few of the least useful alternate symbols. Zampichi is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Bark Dones is a powerful and visually stunning font that reflects the sharpness, ferocity and horror of your soul. Bark Dones is ideal for use in various projects, from logo design, music, events, branding to web design and other printed materials. With its bold and impressive appearance, Bark Dones is the perfect choice for your work.

Calm Dawn is the perfect horror display font for headlines, movie titles, and posters. Its cool, creepy style will surely give your product or service an extra boost of a scare! Calm Dawn font includes : Standard Latin All Caps Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Named after its place of birth, Brunswick (Melbourne, Australia), this black display face builds upon the rich heritage of Cooper Black whilst minimizing the more cartoon-like aspects of the original and basing it on a very sturdy broad serif. With its solidity responding well to tight kerning, Brunswick Black features not only small caps but also petite caps.

Poster Linear Natural sans serif font is simple but looks very futuristic and very stylish, it adds to your confidence to make your designs look bolder and modern. Perfect for stickers, media posts, social media statuses, magazines, books, covers, game covers, banners, wall magazines, sports shades, and more, plus a few families you can incorporate into your designs.

Linotype Auferstehung is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.

Proudly Presenting, Gecko Moria a Horror Handdrawn Font. Gecko Moria is perfect for any titles, logo, product packaging, branding project, megazine, social media, or just used to express words above the background. Gecko Moria also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display. Norman Family contains 2 styles, Regular and Italic, both fonts have another version a bit heavier called Regular 2 and Italic 2.

Asteric Vintage is a retro-vintage font family with an amazing set of ornaments. It comes in 3 different styles: Regular, Rough, Display, and also presents 26 beautiful and luxurious ornaments . The Rough Style has a characteristic that resembles rust on each character, thus creating results that seem strong and hard. The Display Style is very suitable for display, every work created with it becomes luxurious, wrapped in a classic atmosphere. The Regular Style is a style that has a clean character but still carries a classic scent that is thick and unique. This style is very suitable for use in magazines, books, newspapers, etc.

The peculiarity of this alphabet is already its origin: the basic drawing was created by narrowing Roman capitals with corresponding lowercase letters. The goal was to create a monumental font for architecture and book covers. Surprisingly, however, Amor Sans has found its way into corporate identity, offices, magazines and packaging design. Its slightly narrowed, economical design predestines it for quick reading of shorter texts, which is why it is also excellent for theater posters and programs. Its moderate width proportions and rich selection of arrows and pointers are excellently used in public spaces. Amor Sans has a neutral expression that works harmoniously in any architectural style. It will serve as an orientation system in a medieval monastery as well as in a modern building, while remaining distinctive even in the dark. The family consists of ten cuts with many functions, such as small capitals, Cyrillic, several types of numerals, a number of ligatures and stylistic alternatives.

Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages. To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.

Modica Pro is here to expand upon the success and versatility of the original Modica typeface (2019). Modica has been compressed, condensed, narrowed, widened, and extended to a mega-family of 108 fonts that now includes small caps as well as additional language coverage. Modica Pro is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica Pro to task today? There are 108 fonts in this family, ranging from Hairline to Ultra weights across six widths in both roman and italic. A single variable font (included with the full family) covers all weights, widths, and italic angle with every increment in between to suit whatever style you prefer. Modica Pro has a character set that covers all Latin European languages. Key features: 1 Variable Font 9 Weights in Roman and Italic 6 Widths Small Caps Full European character set (Latin only) 650+ glyphs per font.

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design. Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.

Samo Sans Pro is a contemporary sans-serif typeface with a slight contrast of strokes, balancing between technical design and dynamic feeling. The Pro Version is based on the Samo Sans basic typeface, and it is extended by more styles, more glyphs, and other features required for professional typesetting. Beside the complete set of Latin, Samo Sans Pro includes Cyrillic and Greek glyphs as well. Each font includes alternate glyphs, small capitals, standard and discretionary ligatures, oldstyle/lining and tabular numerals, fractions, superiors/inferiors figures, set of arrows, dingbats and a wide range of typographic options applied by the Opentype features. The complete typeface family consists of 16 styles in 8 weights and their Italics. The type has a reduced height of caps and numerals and it has an optimal x-height, which makes it suitable for the typesetting of more extensive texts. It can be effectively applied in corporate identities or in a display typesetting.

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design. Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.

Although originally conceived as a magazine face – with strong serifs and open character shapes for good legibility in small sizes, and compact letter forms optimized for narrow columns and tight headlines – Marat evolved into a comprehensive family for general use. This specific construction and the round forms of the letters create an elegant, soft and friendly appearance. The typeface suits a wide range of typography, e.g. editorial, brochures, packaging and corporate design. In particular, in bold weights it works surprisingly well, which is not always the case with serif faces. Marat includes oldstyle and lining figures (both proportional and tabular), a wide range of language support and various OpenType features (e.g. ligatures, case-sensitive forms, fractions, superiors and inferiors). It is the perfect companion for Marat Sans, a clean and lively sans serif typeface. Marat has been selected by the Type Directors Club of New York to receive the Certificate of Excellence in Type Design 2008.

Low contrast and clean Roman Sans with capitals based on the classic Capitalis Monumentalis proportions with uniform and modern SmallCaps, with a subtle script touch on some curved strokes, that give it a less hard feel, more organic and friendly look. The design idea born on 2013 from Roman Schemme studies, where new version of Legan and other roman typeface projects was based on too. Orqquidea was developed in 12 sizes with 659 glyphs each enhanced with professional opentype features (aalt, ccmp, locl, subs, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, c2sc, smcp, case, dlig, liga, zero, salt, calt, ss01, ss02, ss03, ss04), plus a complementary Orqquidea Framed version with 226 glyphs and a Orqquidea Garden version that include floral ornaments and related dingbats with 102 glyphs. It can easily adapt to print and digital environments ideal for fashion branding and corporate purposes, magazine and book headlines and titles, cosmetic label design and even on contents with a modern and artistic air.

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than the setting of long running text, or books. Many traits in Benguiat's design are worth further notice. The thick stems of the roman weights have a very stately, solid presence. Their thin serifs have been finely grafted on, a masterful solution to the challenge of bracketing presented by Modernist designs. The italic weights have a very flowing, script-like feel to them, and the letters take the form of true italics, not obliques. The ITC Modern No. 216 family contains the following font styles: Light, Light Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, and Heavy Italic.

A 1940s film taken around Coney Island happened to show a sandwich vendor’s stand with its hand painted signs. The stylized Art Deco lettering inspired Snack Stand JNL, which is available in both regular and oblique versions.

A vintage set of die-cut letters and number by Village Toys (circa 1930s or 1940s) featured a playful, bold serif typeface. This is now available digitally as Toy Letters JNL, in both regular and oblique versions.

The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL, which is available in both regular and oblique versions.

Browsing through images of old wood type for sale, a Western type design with some interesting character variations made the perfect subject for a digital revival. Western Territory JNL is available in both regular and oblique versions.