Common use(s) of Comicraft's All-new, All-different SENTINEL font include FACTOR-X, X-MAN, GENERATION NEXT and X-CALIBRE. Possible Side Effects: This font should not be used if you are trapped in a world you never made or a world full of people that hate and fear you. Prolonged exposure to this font during an Age of Apocalypse may cause fatigue, muscle soreness, first degree burns and immobility. Contraindications in Homo Superior may manifest as an outbreak of large purple automatons. Interactions: Before using this font in either regular or bold doses, notify your doctor of any recent exposure to mechanoids, synthezoids or paranoid androids. Reprogrammed Sentinel has improved spacing and kerning, Western & Central European accents, alternate lettershapes, and a new Interlocking Mode with over 100 connecting letter combinations!

Take a look at Better Together, a four-font handwriting family, which was made to look great together in all possible combinations, but also work beautifully on their own. The family consists of: - Better Together Script - a charismatic script, which includes some double-lettered ligatures and alternates for several letters to make your texts look more authentic. - Better Together Condensed - a friendly, fun and quirky font which will give your project illustrative handmade feel. - Better Together Spaced - a specially spaced small font which will give your designs a handwritten feel and a modern aesthetic look. - Better Together Caps - a bold Uppercase font which is indispensable in all occasions where eye-catching headline needed. And one more thing! Each font includes cyrillic and international characters that support most European languages. Hope you like it!

Waghu is an abstract font that you can use for casual design purposes. It is also right for you to use it for formal design purposes, this font can adapt beautifully if you use it in your project. there are three alternatives thin, regular, and bold. makes it easier for you to combine them according to your needs. This handwritten font is perfect for children’s magazines, drink banners, games, posters, beverage, outdoor events, thumbnails, food banners, cheerful writing, film titles, quotes, titles, logos, and various kinds of projects you need, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

This font set is the second in a series from P22 Type Foundry based on the lettering styles of Frank Lloyd Wright. Created in 1931, the Exhibition lettering was intended primarily to accompany Frank Lloyd Wright's exhibition drawings and models. Many of the 72 Extras were designed to form continuous linking borders. Combinations of these geometric forms can provide endless variations of decorative elements in the style of Frank Lloyd Wright. Many of these images were based on Mr Wright's "Saguaro Forms and Cactus Flowers" illustration for an unused Liberty magazine cover of 1926. Other imagery in this set was derived from assorted geometric designs by Wright. Exhibition Regular, Light, and Bold have been remastered and now contain almost 400 characters including support for Western and Central European languages.

Base & Bloom is an experimental (but relatively organic) fusion of geometric monoline sans and high-contrast flourish didone. It was inspired by the lack of curious modern display sans as opposed to the uprise of contemporary serifs past couple of years. The idea was to incorporate flourishes not as unnecessary elements like swashes, but as a part of letter structure, which was an especially interesting task considering it was not a serif, which potentially could give more room for that. And after all, the idea pays off by generating many inventive letterform solutions. Base & Bloom has alternates for each letter (up to 11) so you can make endless combinations to find the perfect look. It is a bold choice for posters, album covers, identity and packaging, headlines, oversize typography, and editorial design.

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

A typographic revolution-Bronzetti has been a long term project for Greater Albion Typefounders, aimed at filling a large gap in the range of typefaces available today. The Bronzetti family of 22 text typefaces combines modern requirements for legibility and readability with the charm of traditional Roman faces in the spirit of those carefully constructed by small scale quality foundries such as the Kelmscott and Vale presses. In short, Bronzetti is traditional letterpress meets modern publishing, offering a real opportunity to make your material stand out from today’s ‘run of the mill’ crowd. The range of typefaces on offer includes five widths of type, as well as small capitals and italic forms and regular and bold weights. Try out Bronzetti today, make your work stand out from the crowd and join the revolution!

DIN 2014 Rounded is an extension of the industrial sans serif DIN 2014. It combines the softness and friendliness of the rounded endings with the seriousness and stability of the original typeface. Not a typical childish rounded font. DIN 2014 Rounded works well for medical or architectural topics, headings on the web or in periodicals, brand identity, packaging, and, thanks to the DIN proportions, for signage. DIN 2014 Rounded includes six styles ranging from extra light to extra bold, corresponding to the upright styles of DIN 2014, as well as a variable version. The typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh, Kyrgyz and other languages). Isabella Chaeva and Alexander Lubovenko worked on the rounded version. The typeface was released by Paratype in 2021.

Romanovsky is the font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman’s samples but a newly drawn typeface that differs from the original in many details. Romanovsky is a sans serif typeface with narrow proportions and noticeable contrast. It will be good for headings and display matters. Character set covers languages of Western and Central Europe and Cyrillic-based languages. It also contains around 20 ligatures of uppercase letters for the most frequent combinations. Designed by Vasily Biryukov. The bold weight was developed together with Olexa Volochay. Released by ParaType in 2013.

Platanos is bold, has a beautiful and unique leaf top style, it is a model of modern calligraphy typography, combined with the style of calligraphy writing. The Features of this fonts is; Swash Alternates Standart ligatures Stylistic Alternates Stylistic sets File font Platanos Include ; - Platanos OTF - Platanos Shadow OTF Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all european languages that are based on latin alphabet Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Hargloves is a modern sans serif font family. The overall design shapes taken from advance engineering technology themes in various industries like motorsports, biotech, games, architecture, robotics, and aerospace tech. A distinct visual characteristic of this font family can be found on 'G','O','P','Q', and 'R' letter. Each glyph design combined a geometric shapes and stylished ink-traps with parabolic curves. The design of the glyph curves taken from fast corner often found on motorsports circuit, when diagonal glyph shapes taken from aerodynamic in machine engineering and kinetic movement on sports. Hargloves consist of 12 font with 6 weight: From thin to Bold with each matching italics.It also contains extras 4 Icons designed specifically for sports entertainment. Hargloves support for most western languages and several opentype features.

Graftyne sans serif typeface with a unique personality. It comes in normal and display alternate, each with 7 weights variable. Graftyne sans serif typeface is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. graftyne is made experimentally following a futuristic style recipe with alternate characters made with inktrap and display that makes this font more stylish and varied. Graftyne is a variable font that has 7 weights from thin to bold. also includes alternates that are more varied with variables. Graftyne sans is a versatile font system, designed primarily for display uses with a need of visual impact. Feature : Alternate Ligature Discretionary Ligature Multilingual Numeral & Puctuation Wish you enjoy our font!

Shining Youth – Display Font by Prioritype Co. “Shining Youth” is a bold typeface combined with a hand-drawn sunflower graphic. With two styles, namely Regular and Clean to make it easier for you to change colors to make it look more alive. Great for design projects such as posters or merchandise. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

Rhodes is a modern geometric sans serif consisting of 5 weights ranging from Extra Light to Bold with matching true italics. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. Rhodes has been designed purposely to enable brands to appeal more emotionally to modern consumers. The balanced characteristic of Rhodes with unique details, such as the geometric form and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Rhodes includes a set of ornaments in regular and italic to be able to combine it with the glyphs and thus, to give your designs more exclusivity.

Postman is a typeface inspired by old documents, banknotes and leading product brands. It has cursive and elegant capital letters and its lowercase letters are actually small caps of geometric shapes as if they were made of metal and nailed with bolts. It is ideal for classic products that consider nobility and tradition among their virtues. It evokes classic products that lasted over time. Includes OpenType features, like ligatures, alternates, and more.

Rekusen is a modern and bold sans-serif display font that stands out with its cleanness. Perfect for branding, headlines, and editorial design, this font is sure to make a statement. The unique combination of thick and thin strokes creates a dynamic and eye-catching appearance that draws attention to your message. In addition to its stylish design, Rekusen also features a wide range of alternate characters and ligatures that allow for creative customization and increased versatility. With alternates and ligatures, this font provides endless possibilities for unique and impactful designs. And with support for multiple languages, it can be used across a variety of projects with ease. Whether you’re designing a logo, creating a poster, or crafting a website, Rekusen is a powerful tool that will help you achieve your design goals with style and sophistication. Its modern, clean, and versatile design makes it a perfect fit for any project that needs a touch of boldness and professionalism. What’s Included : - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Bambusa Pro is a sturdy expressive modern calligraphy family of 4 fonts: Regular, Bold, Basic and Ornaments. It owes its name to the bamboo pen that was used to draw all of the characters and swashes. The typical ink-strokes of the bamboo pen give Bambusa Pro a distinctively different appearance than dip pen calligraphy fonts like Salt & Spices Pro. Similarities between the two are a wide variety of long swashes that connect to the first and last letter of a sentence or name. But with Bambusa Pro this even goes for accented characters, and all upper and lower case letters. Together with five different connecting spaces you can create phrases that look as if the pen was never lifted from the paper. Like Stylist Pro all characters of Bambusa Pro connect to each other, both lower case and upper case letters and vice versa. Bambusa Pro Basic also is hand-lettered with a bamboo pen, but is a lot more straight forward. It combines beautifully with the connected styles Regular and Bold. On top of that Bambusa Pro Ornaments offers 100+ glyphs for additional designs possibilities. Enjoy! You will need an opentype savvy application to get the most out of Bambusa Pro.

Magiona Display - A modern classic serif font, perfect for creating bold & beautiful designs. Magiona Display is classic and sophisticated typography with 2 weights to captivate your next project. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it bold & beautiful. Features: • Full set of uppercase, lowercase letters • 55 Ligatures • 245 Alternates • Big range of numbers, symbols & punctuation • Characters with accents • Supports Multiple Languages • PUA Encoded WHAT’S INCLUDED: • Magiona Display – Regular • Magiona Display – Outline This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with Magiona Display! Feel free to use the #Dora Typefoundry tag and # Magiona Display font to show what you've done visit my Instagram : https://www.instagram.com/doratypefoundry/ Thank You!

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

The core design of Pepper family, designed by VIDI Visual Design Studio, is the fingertip handwriting style inspired by children’s writings on windows. This distinctive low-contrast typeface combines characteristics from neo-grotesque and organic models. Warmer than most Helvetica inspired typefaces, Pepper has organic shapes, playful strokes, rounded endings, and a generous x-height which makes Pepper easy to read. This family could be used well for food packagings, content aimed for children, book covers, branding, high-impact titles and small body texts, advertising, editorial design and more. What makes Pepper Sans Vol.1 competent and more spicy then some other fonts is that it contains a set of more than 900 characters for each of 5 weights that support many Latin-based languages, Greek and Cyrillic. As the weight decreases, the typeface gains impact with becoming elegant, giving titles in (Hair, Thin or Light) a breath of fresh air. We derived a typeface family consisting of Hair, Thin, Light, Regular, Semi Bold in this Vol.1 edition. Typeface features: • 5 weights: Hair, Thin, Light, Regular, Semi Bold • Latin, Greek & Cyrillic multilingual support • More than 900 characters for each of 5 weights Font Specs: • Created: August 2020 • Files type: .ttf

Drakoni Sans is a bold and rounded font that exudes a strict and angular aesthetic. Its clean lines and subtle curves give it a humanist touch, making it perfect for a wide range of designs. Designed with a vision of comic book headlines, Drakoni Sans is both playful and professional. Its bold and powerful presence commands attention, while its rounded edges and angled cuts add a touch of personality and charm. Available in four styles - Regular, Italic, Bold, and Bold Italic - Drakoni Sans offers versatility and flexibility for any project. Its clean and clear letterforms make it ideal for logos, headlines, and other display purposes. Whether you're looking to add a touch of softness to your designs or to create a bold and commanding presence, Drakoni Sans is the font for you. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

Minimal, modular, modern—at first glance, Materia shows a contemporary flair, combining pure, strong geometrical form with a subtle, distinct appearance. Actually, the design was inspired by lettering from the turn of the 19th to the 20th century that still can be found in the East of France. While its formal origins date back as far as this, revived e. g. by the constructivists into the nineteen twenties and later on by Dutch information designer Wim Crouwel in the nineteen-sixties, the visual language of Materia still speaks of the »future«. Following a minimalistic concept the font is formally built on a grid. Wherever optical curves are needed for a smoother, more comfortable shape of letters than a simple rectangular block, diagonals cut off the egdes – like a diamond is cut to achieve more beauty. Thus headlines and texts set in Materia are given a certain »egdy« feeling, whereas their tonality is still kept well-balanced, keeping concentation all on information in a nonconfomist way. Materia comes in eight styles, from elegant Thin to attention-forcing Ultra. Even a regular Italic is available, following the classic type-set-principle. Two of the styles are explicitly designed for display use, Shadow and Code. Both are ready for combinations with Bold or each other respectively, the layering of Shadow and Code e. g. allows astonishing effects or highlighting within the letters. For OpenType-users Materia is a real Pro, containing accented Latin letters for over 70 languages, small caps, old style, tabular and lining figures and special condensed titling all caps for cases in which space is all that counts. How useful all of the above mentioned is may be seen in the book David Lynch – Lithos, designed by Koma Amok, published in 2010 by item éditions, Paris, and Hatje Cantz, Germany, which was typeset completely in Materia.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

Skapa is all about creation (translation from Old Norse: "to create"). It's simply the font I always needed and wanted. A well balanced, modern with delicate round corners sans serif, comprised of 5 weights with matching italics. Great for varied graphic design projects and perfect for logos and headlines, print art, billboards etc. Extended support for Central, Eastern and Western European languages. OpenType layout features: Fractions, oldstyle figures, ligatures, slashed zero, superscript, subscript, numerator, denominator and combining diacriticals (Mark Positioning) plus tabular figures for standard figures ,oldstyle figures & currency symbols. Think. Design. Create.

Introducing Warsuck, a hand-drawn font inspired by the underground culture, and a blackletter font. Warsuck emphasizes the usage of uppercase letters as the main display but still includes lowercase letters. Strong, vintage, and aesthetic blackletter with extra alternates characters. This font is combining several styles in blackletter fonts such as Bastarda, Rotunda, and Old English to produce an experimental font. Great for displays, especially dark and vintage themes. You can use this font on t-shirts, tote bags, stickers, labels, logos, badges, banners, quotes, and short text. Thank you for your visits!

AZ College Brushed font was inspired from a combination of typical collegiate t-shirts designs and also the current wave of A&F t-shirt designs (rough painted look). This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. It is designed to compliment it's sister font; AZ College. Ideal for use as headline or sub-head text in you design. Note: This font is somewhat detailed and is memory intensive. It is not recommended to use, unless you have a powerful computer.

Tre Giorni, is a variant of the "Due Giorni" font with the possibility of combining between the two. This useful writing font is very expressive, fresh, agile and organic. It comes in two styles: Solid and outline (just a little shine) Each font contains 571 glyphs with many OpenType features: standard and discretionary ligatures, stylistic alternates, decorative characters, old-style figures, small caps, titles, case sensitives, and ornaments. Specially designed for creating eye-catching headlines, logos, packaging, greeting cards, advertisements and websites. It also has good readability for longer texts.

Ambrogio Script Inspired by Modern Vintage & Retro style and combination with old American traditional style. Ambrogio script that lets you handwrite. Ideal for logos, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. Multilingual Support To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternatives, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Thank you !

Taler is a serif typeface is represented by seven weights. It was conceived as a continuation of the sans-serif Nekst. In the process of design it became clear that it is a completely different typeface. The rectangular, slightly elongated serifs, the plastic stiffness, and the combination of different styles make Taler a true representative of contemporary. It's old-fashioned and modern, it's for a display titles and for plain text, it's rough and elegant — it's all present in design at the same time. The duality of it nature is it peculiarity.

Notte Alexia Serif & Script an old-fashioned font that has been rewritten in a modern style combined with unique ligatures and beautiful and attractive swirly, making this font even more energetic and paired with a very beautiful Script so that it looks more dynamic. Note Alexia Serif & Script,can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. Features: Stylistic Alternates Swashes Titling Alternates Stylistic Set Standard Ligatures Thank You Very Much.

Ring Netlike - Classic Serif Font Ring Netlike is a classic serif typeface called weiss roman. A unique modern font that is a mix of old and new. The Elegant curves also make for a unique logo or masthead. Ring Netlike comes with multilingual support also. The combination with the width of each letter forms a modern feel and is suitable for various magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Files Includes: - Uppercase & Lowercase - Numerals & Punctuation - Multilingual - Ligature - Alternative Fridaytype

Mangsi in Javanese means ink. We want to create a modern display typeface with an inked-like feel by combining clean modern serif strokes, brush strokes and the curved line made by the ink tank. Mangsi is a modern inked display typeface that unites the beauty of the old lines with the clean modern lines. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 170+ stunning and super easy to use alternates and ligatures. To get results like the preview just type M.3A.NGS.3I

Respect! Our tribute to hand lettering culture. This exuberant new script font family draws inspiration from the traditional craftsmanship of sign painting and brush pen calligraphy techniques. Our aim was to create a modern interpretation of brush script, which referenced old-school hand lettering but also adds some contemporary forms, terminations and swashes you might expect to find in street art. The slanted angles and curved steams are designed to give this font an active energy, plenty of attitude and a courageous/brave character. We recommend to combine Timberline with: Turquoise

Mogand is a contemporary serif typeface that combines a humanist writing style. Mogand family is very suitable for various design needs such as a display font for editorial design, packaging, branding, broadcasting purposes and for any project that requires a clean, modern font with a strong character. This 9-weight family includes oblique and support around 200+ languages as well as several sets of figures. This font provides advanced typographic support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols.

Gradiyla is a luxurious display serif font with unique character by combining geometric shapes with organic curvy details. It is a unique typeface for your individual personality. Inspired by old-style serif and contemporary serif fonts. The extreme contrast between thick and thin strokes gives a harmonic and stylish look. Elegant and sensuality didone serif enhanced by ligatures. Perfect for a wide range of uses. From greeting cards to magazines, wedding invitations, logos to websites, etc. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!