Kuunari Rounded is the rounded version of Kuunari. it is a structured square sans type family of 42 fonts. It has three widths and seven weights in both upright and italic versions. The base form is a round-cornered rectangle, and this form constructs the glyphs throughout the fonts. Kuunari Rounded is a straightforward sans serif. It doesn't make any fuss about itself; it just does the job proudly and confidently.

Moby is based on a grid of squares and has four different variations – from sharp corners to rounded with two steps in between. The letter is playful despite its grid and has the most common punctuation marks making the moby usable in most western european languages ... and even usable for Icelandic texts. The letter is named after my dog, the cutest Barbet (French water dog) in the world.

Introducing Reggy A unique and attractive display font that consists of 5 weights from thin to black and variable format. Sharp corners combined with rounded dynamic curves create a fun and happy impression. Reggy is suitable for packaging design, logos, header text and branding, creative, entertaining design themes to instantly grab the audience's attention. The stylistic alternates allow various shapes to give your lettering idea a well-looking look.

Bebas Neue SemiRounded is the Bebas Neue with rounded corners. As you know, Bebas Neue is the most widely used free font recently. This semi-rounded version is the new style for more widely use. The basic theory and proportion are same as Bebas Neue but rounded shape gives a warm, soft and natural impression. A bit more rigid than Bebas Neue Rounded. Available at an affordable price.

Neckar takes its name from the German river. Its rounded corners and classic geometric proportions ensure that your graphic piece will stand out. The Neckar family is available in 6 weights ranging from Thin to Black, and includes 2 different subfamilies: Neckar and Neckar Poster. In addition, thanks to the "inline" version, Neckar is ideal for designing high-impact graphic pieces. Neckar includes small caps figures (symbols, letters and numbers).

Introducing The Rufly, a retro-inspired font that evokes 1950s to 90s nostalgia. This font is perfect for creating vintage-themed designs and giving it a touch of nostalgia and personality. The Rufly features a soft, solid design with curved corners and a unique letter shape. This font also includes a variety of alternative characters and ligatures, allowing you to create many different looks with the same font.

Crossfit is a new headline font family, designed by Anita Jürgeleit at TypeThis!Studio. It’s suitable for big sizes and titles, such as big movie posters, advertising or editorial headlines. Matching topics might be adventures, sports, strong nature and all kind of challenging life events. Its bold stability transformes your creation into a non questionable design. It is bold, clear and also friendly thanks to its rounded corners. www.typethis.studio

Hem and Haw SRF is another Ray Larabie original for Stella Roberts Fonts. Rebuilt from Ray's former freeware design "Stitchen", the lettering looks as if it were stitched into fabric. The font now is more complete with foreign characters and additional accents, punctuation and currency symbols. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The Bernound is an amazing typeface which comes in three weights. The clean weight comes with rounded corners and a slim shape that presents a minimalist impression. The outlined weight has a fancy feel when displayed on its own, and the rough weight has a vintage, rustic, and grunge look. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.

A font inspired by the oriental flavours of Japan, Nanami a confident font with clear, clean lines which are well defined without being obtrusive. The distinctly sharp edges slice through empty space like Samurai swords, proudly wearing curves and corners like a Samurai wears their traditional ceremonial armour, and just as fierce. If Nanami isn't quite floating your boat why not check out its counterparts Nanami Rounded and Nanami Handmade.

Introducing Dinfest Bold, a retro-inspired font that evokes 1950s to 90s nostalgia. This font is perfect for creating vintage-themed designs and giving it a touch of nostalgia and personality. Dinfest Bold features a soft, solid design with curved corners and a unique letter shape. This font also includes a variety of alternative characters and ligatures, allowing you to create many different looks with the same font.

Eden Light, originally designed by the American type designer Robert H. Middleton in 1934, was commissioned by Publish magazine for a redesign in 1990. When I found a specimen of Eden Bold a couple years later, I decided to digitize it also. Subsequently, I created a Medium weight. Very squared and compact with thin slab serifs, Eden includes support of all European languages that use the Latin alphabet.

Luengo is a modern geometric sans serif font family. Rounded corners give a natural and overall home-felt feel with an accessible air and an elegant touch. Luengo is for display purpose, but it also looks great in longer copy, making this family of 5 weights perfect for a range of uses such as brand identities, packaging and editorial. Luengo offers ligatures and alternatives with manual kerning and spacing.

The result of reducing elements of letterforms to only its necessity in lowercase is mostly influenced by the ideal of Aerodynamics. The true intention behind the design of Cobe is to construct a fluid typeface while maintaining a strong structure of uppercase that possessed distict forms, shapes and corners, resulting in an eye-pleasing texture when forming a sentence. Cobe comes in 9 consecutive weights with italics and standard features.

Blauth—a versatile and contemporary sans serif typeface—comes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters. Its small x-height gives it an elegant feel that reminds us of classic typefaces. Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Symbah is fun, a carefree hand drawn typeface with a child-like spirit. Made with a brush and ink, and then converted into a digital format for you to enjoy. The design is fresh, organic and produced purely by hand and brush, a technique not replicated by digital methods alone. Symbah is full of personality and is ideal for projects that need creativity with an imaginative, and unique feel. Details include manual edited kerning and spacing, ligatures and case-sensitive punctuation.

My Bonny is a handcrafted font that has several interrelated characters. My Bonny has an opentype feature that will automatically convert each character into a ligature. so that it becomes a unique character. My Bonny has a bold yet playful style that is easy to read and apply to all design projects such as poster designs, apparel, logos, quotes, album covers, books, business cards, product designs and many more. more design projects. We made this font look cute, memorable and easy to use.

2030 font is inspired by the typography of the early 20th century, the Futura of Paul Reener, Cassandre and Charles Loupot’s works and, on a broader level by modernism and art déco mouvements. Geometric, with classicals proportions, this typefaces is a re-interpretation, in a actual form, of the alphabets from this period. The lines are straight, but the letters are easy to read and nice to watch thanks to optical corrections. Build with 9 weights of 700 glyphs, italics and small caps.

Artscript was Sol Hess's "attempt to convert into rigid metal the graceful penmanship of the ancient scribe". This type of script is more common in digital from but when originally released in 1948, it required special handling to avoid breakage. Extensive alternates were added based on original Hess drawings and additional sources. Both versions are combined into the Opentype version along with an expanded Central European character set as well as ligatures, Swash/Alternates, fractions, superior/inferior numerals and ornaments.

Billie Ashley Handwritten Font is stylish calligraphy font. We made this font with manual handwritting. Billie Ashley is modern script handwritten style. Billie Ashley perfect for branding, signatures, wedding invites and cards, and anymore projects. Billie Ashley Handwritten Font includes all glyphs uppercase , lowercase, numeral, punctuation, mulitingual and ligatures. What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Letraflex is a bold retro-inspired typeface with a slightly futuristic style. The family is based on old computer lettering and Magnetic Ink Character Recognition, with a little contemporary twist including ink traps. Letraflex layered fonts provide users with a wide range of choices for any design project. This family is an excellent pick for eye-catching designs, including Headline, Poster, Branding, Logos, Concert, and any other heavy design! Take a look at this video to see Letraflex in motion!

The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

Jam jars; Warhol’s “Tomato Soup”; chalk lettering and baseball. Those were the triggers to make this soft chancery cursive turned into a script font. Brand is thought mainly for packaging but can be used in magazines and invitations also. It can be easily converted into a logo when using it and its features. Pro styles are loaded with the most complete sets of alternates, ligatures and ornaments; while Std styles are smaller versions of the font, with no decorative alternates.

Blue Goblet Ornaments are the ornament complement to Blue Goblet, a fun and whimsical brush script. These lively and cheerful ornaments can be resized and rotated easily without any loss of quality and can easily be converted to outlines and modified. Combine them to form unique compositions or insert them into text to add some excitement to your designs. Please see the sample .pdf to see all 48 ornaments in action. Blue Goblet Ornaments is a collaboration between insigne Design and Portland Studios.

This typeface was inspired by the popular typeface Machine but is not intended to be a copy of that font. It uses straight lines with circles converted to octagons. The Masheen family offers a variety of overlay possibilities to produced multicolored lettering. MasheenConvicted and MasheenFlag can be layered over MasheenBold to produce letters with two colors. The two overlay styles can be placed over MasheenCollege to produce bi or tricolored lettering. Examples are given in one of the font posters.

Blame is a strong font family and sophisticated sans also serif Each font in the family can stand on its own, dynamic and authoritative in their own right. Bison includes ten all-caps fonts: a weight (clean and rough version), two outlines, four italics. - Blame Sans Clean and Rough Regular - Blame Serif Clean and Rough Regular - Blame Sans Clean and Rough Italic - Blame Serif Clean and Rough Italic - Blame Sans Outline Regular and Italic - Blame Serif Outline Regular and Italic FEATURES : a weight / Italics / Outlines / Numbers & Punctuation / Extensive Language Support USE Blame works great in any branding, logos, magazines, films. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project. Thanks for having a peek at Blame. I hope you enjoy it and feel free to take it for a spin below! As always, if you have any questions just send me a message! I’m glad to help :) Haksen

Dolly Pro is a book typeface with a flourishing flavour. She’s suitable for classical book type setting as well as for more contemporary magazine designs. The family consists of four fonts: Dolly Regular is neutral and useful for long texts. Dolly Italic is narrower and lighter in colour than the Regular, and so it can be used to emphasize words within Regular text. Dolly Bold is also useful in emphasizing words within Regular text. It also works well as a display type. Dolly Small Caps is intended for setting whole words or strings of characters. With its relatively low contrast, Dolly is perfectly legible in really small sizes. When Dolly is applied in bigger sizes, such as book covers, more crispy details will show up. These four fonts provide a good basis for most of the problems of book typography. Dolly Pro fonts have Underware’s Latin Plus character set, supporting a total of 219 languages.

Calligraphica was designed because there are very few inline fonts, and even fewer inline calligraphic fonts. The original forms were written with a split pen in a single stroke. The minuscules have a rougher look and the capitals have a smoother shape to imitate hand written calligraphy with more formal, decorative initial caps. The Calligraphica family contains 6 fonts: Calligraphica Regular and Italic are the regular upright roman true italic version of the font. The ascenders on this font are a bit higher than the capital letters--this is standard for most fonts. Calligraphica LX Regular and Italic are similar to the first 2 fonts except their ascenders are longer and reach high above the capital letters--giving these fonts a taller appearance. Calligraphica SX Regular and Italic are similar to the first 2 fonts except their ascenders are shorter and are the same height as the capital letters--giving these fonts a shorter appearance.

Style and Grace personified - say Child Momsky. This typeface has two main styles, Regular and Italic, that are designed to work elegantly in unison and apart. The serif has a boldy different ' f', which sets it apart from regular serifs.....as Child Momsky likes to stand out from the rest. A regular 'f' is included in its alternates, and a extra font style with a regular f is included for projects that require a more staid elegance. The Italic style is dreamy, sultry and light-footed - a perfect partner for the more serious serif. Use them together or apart for stylish, stand-out type designs and projects. For those of you who do not have access to Opentype Software, such as Canva Users, a separately available 'extra letters' font set will be available for purchase soon. Language Supported : Danish, English, French, German, German (Switzerland), Italian, Low German, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Swedish, Swiss German. Enjoy

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

A quirky handwritten headline font with doodley artwork by Cultivated Mind. This font collection includes three weights (Regular, SemiBold, and Bold).

This font is characterised by a sleek shape.There are two versions, regular and black. Included: -Uppercase and Lowercase -Number and Punctuation

Limbus Sans Double Vision is a psychedelic approach on the Limbus Sans Regular created in 2023 by Lukas Gerber of LukerType.

Fertigo Pro Script. Fine connected type with a lyrical calligraphic touch. Don't forget to have a look at the regular version.