Rinstonia is a signature style typeface. Rinstonia is a beautiful script font that is such a pleasure to work with! The perfect flow and easy signature style works perfectly on invitations, blog headers, branding, art quote, book / cover title, and so much more! Rinstonia typeface comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate and 5 Stylistic Set (ss01 - ss05). Typia Nesia Studio Malang - Indonesia

Agis is a modern geometric sans-serif family by Cloud9 Type Dept's Jani Paavola. The whole family consists of 5 weights from ExtraLight to Bold. The range of styles provides legit options for title, headline and body text. Suitable for branding of any form. Agis fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as small caps, fractions, oldstyle numerals and ligatures.

You may already have guessed it...Litter Funk is experimental typography. Some letters are fat blocks, others have stars, stripes or dots, some are funny and funky while others are plain weird - but all in all, they leave a really nice confusing effect when used. Due to the contextual alternates, each letter comes in 5 different versions, and automatically cycle as you type. Well, the font was fun to make - I hope you have fun using it! :)

Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as the perfect application for this typeface, however using it in magazines and other editorial will definitely add more style. A variety of included ligatures and alternatives will also make Stereonic a perfect choice as the base for logotypes.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details. Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimizing contrast and readability. However, you can also use them to fine tune the mood of your graphical composition. Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!

Polate Soft is an altered modified from the form of the original “Polate” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Polate Soft” is a prominent, eye-catching and unique typeface. It comes with 6 weights with 5 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Worker is a versatile family of geometric fonts with a sturdy industrial feel. It has a vintage flavor and conveys a professional and technical look. It has 5 styles with matching slants and a generous language support. Worker works very well in branding and headlines, but also renders peculiarly well in short strings of text. This design has great personality having the power to create a whole universe of meaning resorting only to a few letters.

Salacious is my soft/rough all-caps font, inspired by both comics and grafitti. The weight and width of the letters varies a bit. Not in a disturbing way, but more in a lively and organic way. I've added 5 (slightly) different versions of each letter (which automatically cycles as you type!) The letter shapes are a bit rough, due to the fact that they are handmade, and all corners are rounded, which gives a nice soft look!

Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea of legibility, the typewriter. A compromise between the rigidity of its ancestor and the expectations of the digital age, ITC American Typewriter retains the typical typewriter alphabet forms, lending the font a hint of nostalgia. ITC American Typewriter™ font field guide including best practices, font pairings and alternatives.

Moutarde is French for mustard. At home we don’t eat that much mustard, as it is a condiment that goes well with burgers and hotdogs. We eat Asian food a lot, so our hot sauce of choice usually is sambal. Moutarde is a good name for this fine, handmade font. Moutarde font is a rounded, easy to read, display font that comes with all the condiments - including a set of alternate a’s.

Grow and Glow - A Playful Display Font, a whimsical display font designed to infuse your designs with a sense of joy and playfulness. There's some connected letters and some alternates that suitable for any graphic designs . This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Zold is the first font designed by EMME Grafica. It's a simple, statuesque, architectural, eye-catcher, tough yet elegant font, particularly suitable for titling, subtitling, branding and typographic amusements. The solemnity of Zold does not affect the the elegance of the curves of the font, but gives it the right visibility and temper, like that of Zold, the surly character who will be the antagonist of a multimedia project currently under development at EMME Grafica.

Gart Sans is a grotesque font that preserves the characteristics of early 20th-century grotesques, primarily used in advertising. The main features of this font include a pronounced contrast, narrow proportions, and light, smooth forms combined with modern design solutions. Compared to geometric or neo-grotesque fonts, Gart Sans distinguishes itself with its attention to detail. As the font weight increases, it acquires a more pronounced character, expanding its usability from headlines to extensive text settings. Gart Sans consists of 5 styles, 630 glyphs, encompassing an extended Latin character set, basic Cyrillic characters, ligatures, numeral sets, and much more.

Introducing "Fendgy - Classy Display Serif Font". Fendgy-Classy Display Serif Font is an elegant and refined typeface that exudes a timeless sophistication. With its meticulously crafted letterforms, this font embodies a perfect balance between classic charm and contemporary design. Its graceful strokes and distinctive serifs make it an ideal choice for luxurious branding, editorial design, and upscale packaging, imparting a sense of refined exclusivity to any project. What's Included? 1. PUA Encode 2. Uppercase, Lowercase, Numerals and Punctuation 3. Ligature Collection 4. Stylistic Alternate 5. Installed on Mac and Windows 6. Language Support : Western Europe 7. Multilingual Support Enjoy Our Font!

Swish is a contemporary geometric font with two 3D orientations that create an alienating effect. The direction is shifted around the center of the horizontal axis. The font is inspired by the change of perspective that the artist Escher used in his drawings. It is a complete Latin font in which all the accents are present. The unique thing about this font is that it is also a stencil letter. The Swish font is designed to work in any printed and on-screen contexts, including logo design, brand identities, websites, packaging, posters and headlines. Optimized for latin based languages. Leon Hulst for TypeFaith Fonts.

Y’all ready for this? Now starting for Insigne: the new serif Mirantz. This rookie all-star plays a precise game every game, cutting at all the right angles to leave your reader impressed and ready to see more. You can always count on Mirantz to lead with solid mechanics and a clean style, but don’t be surprised when the face keeps it real with a little individual flare and creativity. This personal touch is nothing short of elegance in every appearance. So what makes us love this rookie above the other great players in the field? Contrast, for one. Mirantz brings more contrast to the game than most serifs out there. The serifs on this face have a crisp, sharp wedge that naturally draws the reader’s eye. You can’t help but fall in love with its clean, natural style. Mirantz also features a tall x-height and regular proportions that can play a number of positions on the page and still stay strong through the last half of the copy or even the final period. Mirantz is a solid powerhouse player, containing a complete set of small capitals and nine weights from thin to bold. It can play well both down low and up top with its subscripts and superscripts and can move your reader’s eye easily across the copy with its titling capitals, condensed and extended variants, and open style figures. With its options covering more than 72 Latin-based languages, look for this newcomer to have international success in the near future. It you haven’t set your draft picks for this next round of projects, think hard before passing up Mirantz. A capable serif like this one is a guaranteed asset to any team of fonts. Production assistance from Lucas Azevedo.

Cortex was designed for Shanghai Word Expo 2010 / A.A.D.I Pavilion corporate identity: signage, corporate communication, graphic design (a 120 pages monography), promotional items, etc. It was inspired by the pavilion "slanted" architectural concept, and had to fit the famous chinese "YOUYUAN" typeface as well. This is a both very clear and dynamic typeface.

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Can't decide whether you're feeling archaic or modern today? Try Fidelma. Fidelma is drawn entirely with straight lines, no curves, giving it a rough but still readable look.Includes four fonts: Regular, Bold, ExtraBold, and a nifty set of Drop Caps.

I used a technical pen to the trace the letters in an alphabet learning book for this font. Of course, I drew several letters by freehand as if I were practicing, and included all of them together as a Stylistic Set.

Jadran drew inspiration from holidays in the 80's, spent on the Adriatic coast. This all caps display face supports all European languages and comes with several illustrations. Jadran font is an homage to a cult children's magazine named 'Ciciban'.

Introducing Antreg Slapoy - A handwritten brush font with authentic dry brush strokes drawn on paper. Perfect for logo design, poster design, social media, typography quotes over photos, book covers and packaging designs. International support for most Western Languages is included.

Summer's almost here, so it's time for some mango smoothies! Mango Smoothie is a tall, all caps, hand drawn font. A little shaky, a little uneven, but with a big taste and some creamy glyphs. Comes with multi-language support.

Disclover came about when I was doodling on a pad of paper. I was thinking about contemporary font designs, and disclover came to mind. The original sketches were scanned and then re-drawn in Illustrator. The name is just made up.

This roughly hand drawn font was created to give that loose scribbled effect look and to imitate a typically hand written style. Designed and produced by Paul O'Connell of POCT, it is a typeface purely for fun to experiment with.

Ignorant was actually drawn on a grid. But due to the loose strokes of the pen, Ignorant has a lively look. I was thinking products for kids, packaging, organic products or something alike that needs a slightly rough and handmade font!

EightZeta is a hand-drawn font designed by Bartek Nowak. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The typeface is influenced by early Italian-French serifs such as Garamond, Jenson, Griffo. The font has clear serifs and slightly sharp shapes. It has a modern character. The font has a uniform texture typical for this type of serif. This font family is well suited for the decoration of solemn and graceful materials. The font has a nice and appropriate italics. Wolfgang is legible and easy to read at small sizes. The font family contains 6 styles The font is equipped with a Variable file. Supports languages ??of central Europe Contains old style figures There are several alternates in the font The font has more than 1000 kerning pairs

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch designed for printing use, Kabel is a carefully constructed and drawn. The basic forms were influenced by the Ancient Roman stone-carved letters, which consisted of just a few pure and clear geometric forms, such as circles, squares, and triangles. Koch also infused Kabel with some elements of Art Deco, making it appear quite different from other geometric modernist typefaces from the 1920s, like Futura. Linotype has two versions of Kabel in its library. Kabel has a shorter x-height, with longer ascenders and descenders, making it a bit truer to Koch's original design than the second version, ITC Kabel, which was designed by Victor Caruso. This version, also known in the United States as Cable, has a larger x-height, shorter ascenders and descenders, more weights ,and a diamond shaped i-dot. Typefaces in the same oeuvre include Avenir Next, ITC Avant Garde Gothic, Metrolite, Metromedium, Metroblack, and Erbar, just to name just a few."

Kasuga Brush is a contemporary script with eastern influence and authentic brush drawn character. The script offers two variants. One is slightly distressed along the character's edges while the other is painted with a dry brush for interesting texture. Sixty-four optional ligatures add a realistic, hand-drawn effect and ensure that no two letters in a word repeat.

These Op-Art-looking little balls and gems appear 3-D without the help of any special graphic filters, which makes them perfect for use with flat colors or one-color print jobs. 72 characters.

Lebensjoy was used by the Co-op chain stores in Sweden for a nationwide fortnightly flyer (called Livsgldje = Joy of Life) during 1993 and 1994. They wanted a simple but still lively and active letterform.

FM Easter Pro consists of 26 hand-lettered Easter greetings like Happy Easter, Easter Joy, Easter Greetings etc. All the words and phrases are original and handwritten - a high quality calligraphy for your holiday projects.

Vulcano is the mesmerising creation of Salvador –Tori– Alimbau, the one-type-man who gave us this maze. José Manuel Urós took months to devise a negative-positive system for these characters. Hypnotic, charming sophisticated.

Hot Grinches Font exudes playful charm and whimsy, making it an ideal choice for vibrant and lively designs. With its lively characters and distinctive style, this font adds a touch of fun and character to any project. Perfect for conveying a sense of joy, Grinched Font is particularly well-suited for children’s themes and pairs seamlessly with lively color palettes. Elevate your designs with this cheerful and spirited font that brings a dash of personality to any creative endeavor.