The Declaration of Independence was authored by Thomas Jefferson, but his is not the classic handwriting on the engrossed copies familiar to most Americans. That belonged to Timothy Matlack, an early patriot who fought in the Revolution, sat as prosecutor at Benedict Arnold’s court martial, and also penned copies of a number of documents for then-General George Washington. Matlack’s script was compact but legible, perfect for the first and most famous of American documents. Now you, too, can write that way. Please note: The font does not include any of the signatures from the Declaration of Independence.

Breuer Text is a simple geometric sans with relaxed curves and slightly condensed proportions suitable for moderate lengths of body copy. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs for a warmer read. Breuer Text offers the distinct aura of technical precision in a personable tone, ideal for instructional copy or safety warnings. Its basic structure and conservative letterforms maintain a level voice without turning robotic or sterile. Pair with the two-font Breuer Headline family for a simple and complete editorial type system. Breuer Text includes Small Caps, Old Style Figures and Tabular Figures.

Decavision is a display font and is applicable for any type of graphic design, web & print, t-shirts, posters and logos. It’s not intended for text use or at small sizes. A font inspired by Division Of Laura Lee’s icon which was created by Shelby Cinca. The icon itself is inspired by early floppy disc copy-protection and Japanese fighting robot decals. Håkan Johansson picked up where the icon left off and created a corresponding font-family. The font focuses on simple shapes and the copy-protection tab detail to create a pleasing futurist display font.

Mr Jones was originally conceived as a family for print design consisting of a sans and a headline. The lowercase are wide for legibility at small sizes while the caps are narrower to save space and keep an even balance of negative space when used in body copy. The overall widths of certain characters have been adjusted to almost extremes to keep an even balance of white space around each letter. He works well in body copy, but will need decreased tracking for larger settings. He comes with small caps; proportional, oldstyle, and tabular figures and discretionary ligatures.

Every single character in Nipey is unique! Meaning that no characters is a copy of another. All accented characters therefore are hand-drawn and unique. For example, the letter "ñ" is not a copy of 'n' with a diacritical tilde - and this goes for all accented characters, as well as the ordinary ones! Besides that, Nipey has got autoligatures for doublelettered lower- and uppercase, as well as numbers. But that's not all! Nipey also has got a full set of alternate lower- and uppercase letters! Talk about a unique font, huh! You will need to use OpenType supporting applications to use the autoligatures.

Galano Grotesque is a geometric sans in the tradition of Futura, Avant Garde, Avenir and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Galano Grotesque aims to be a universal weapon not only because it works great in headlines, short and long copies but also because of its subtle neutrality. It comes in 10 different weights with matching italics and is equipped with a set of powerful opentype features including alternative glyphs, fraction, arrows, ligatures and many more. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. During the design process of the alternative glyph shapes of Galano Grotesque, the interest of creating a standalone version emerged rapidly. This was the birth of Galano Grotesque Alt. Not only because of the legible and unique character created by the alternatives, but also because this could be the small copy embracing stylistic companion to Galano Grotesque. In addition to the alternative glyphs, the height of descender and ascender was increased, supporting structure and rhythm. When finishing Galano Grotesque Alt, it turned out to not only work great in small and long copies but also to be a great performer in headlines and short copies. I'm proud to introduce: Galano Grotesque and Galano Grotesque Alt.

Z-Rex looks like the copies I was getting from a lousy copier before I threw it out. You might think it has been eaten by a T-Rex, or maybe it looks like swiss cheese blech.

A circa 1900 type from the foundry of W. Grauneau, Berlin. A great utility face as it works well as the "plain" face with other decorative type of the same era. Reads well in paragraphs of copy.

Chloe is a very dramatic script with high contrast between the up- and down-strokes. It is not really useful for long copy, but very good at short captions or as a decorative part of your layout.

Stinky School Book was created to letter the adventures of a particular Mr. Stinky the Elf, but you can use it for that informal look when used for body copy or as a display face for headlines.

Chive Turkey JNL is a solid version of Jeff Levine's inline font, Toucan Tango JNL. This bold and sassy sans serif has the great retro look of hand lettering and can really add some punch to ad copy.

Monia is a modern grotesque typeface family designed as a copy and display typeface. With its range of twelve weights, true italic weights, it offers a wide variety of design possibilities such as posters, magazine, corporate or packaging.

Kiddie Blokz JNL is a limited character set font in three styles: Regular, Lined and Block, emulating the look of toy blocks for themes with a juvenile motif. For a companion font to set regular copy, use Roughshod JNL.

A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler who did many fonts for Mackellar.

ABOUT THIS FONT Vectro is a casual and clean condensed sans font designed to make powerful corporate branding, copy ads, logotype, and much more. FONT FEATURES - Additional Accents - 66 Languages - Kerning SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer

The Liberty font was designed by William T. Sniffin and released in 1927. This script is very fine, with a light color. Liberty can be used on stationery and packaging and is also suitable for short pieces of copy in brochures.

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where there is not much copy but pages must be filled.

TAN ANGLETON is an elegant combination of serif and serif-italic. They are classy and the perfect match if you needs something modestly stylish. Its high legibility makes it versatile to be used as a display type or body copy.

County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions. An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.

This began life as a European font that was copied in the United States by Bruce's Type Foundry in 1885. It was caps only and had a fine line "three-D" shadow. We scrapped the shadow, added a lower case, and voila!

Flannel Shirt BB is a body copy font that's warmer and cozier than most-- perfect for curling up with a laptop on a blustery New England "Nor'Easter". Flannel Shirt BB comes with four wintery weights, and has a hefty compliment of special characters.

Iverse is a monospace font that come with 2 (two) different type of styles, Regular and Bold. The sans serif based structure is clean and versatile and perfect for body copy and display. Suitable for codings, captions, description details, layouts, and posters.

Out with the old in with the BOLD. Raifin is a messy, gory and fantastical piece of work which shoves two fingers up at conformity. A title font, a copy font, a bonkers font. An experimentation of the rules, or lack thereof. Enjoy!

Remedia is a simple linear typeface with a wide range of font weights, from a hairline Ultra Light to Extra Black. Legible in body copy and a great starting point for a unique logo, Remedia is a creative typeface for everyday uses.

Cast and Crew JNL is a condensed monoline font that lends itself well to any text project where more copy needs to fit into a limited space. A perfect example of this is a movie poster's cast, director, producer and other acknowledgements.

Cowboy Stories celebrates a landmark innovation for dingbat fonts. 

It's a 2 color layered-dingbat. 

Its complementing character set provides just the right amount of Spaghetti Western charm. 

 Need assistance spinning a memorable fireside yarn? Grab your trusty spittoon and a copy of Cowboy Stories.

RSVP Brush is a fresh, bold, confident brush font. The bigger the better... great for posters, signs, a headline or a small block of copy. Versatile and quirky. Turn on Contextual Alternates in supporting programs so multiple letters do not repeat. Big. Bold. Brush.

ABOUT THIS FONT High swift is a sporty & dynamic style display font that designed for modern corporate branding, copy ads, and much more. Recommended for a high-performance brand. FONT FEATURES - Additional Accents - 65 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer

A solid calligraphic letter designed by John Matt in the middle 1960s. The typeface did not see use until Compugraphic copied a set of the sketches in the late 1970s, naming the result Garth Graphic in honor of Bill Garth, late president and founder.

Story is a modern magazine typeface equally suitable for large pieces of text, headings and everything in between. It includes four styles. Body copy set in it looks modest and relaxed and is highly readable, not in the least distracting your attention from the article.

This font began life as a metal type called Duerer, from the Boston Type Foundry about 1890. A wood type maker copied it, and that's where we got it (in Guadalajara, Mexico, already! Some people travel to see the sights; we travel to collect type.)

Plz Script is a warm and friendly script font that can be used as body copy or for headlines. Great with Architectural Lettering or Plz Print. It can also be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

The Swipe Write letterforms are casual yet also look neat in a paragraph block of display copy. Available in both Regular and Solid styles, it is a powerful font that can be used for, posters, T-shirts, signage & design projects with a freehand and artistic feel.

Wood Condensed Grotesk JNL is a more condensed version of the type style found in Wood Type Grotesk JNL. The font was a popular sans used for large posters or broadsheets as well as newspaper titles where more copy needed to be fit into limited space.

ABOUT THIS FONT Avergent is a simple display sans font that designed for modern corporate branding, copy ads, and much more. FONT FEATURES - Additional Accents - Stylistic Alternates - Cyrillic Support - Ligatures - 95 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer OS COMPATIBILITY - Mac OS - Windows

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.