Hello everyone, this time we would like to introduce a sweet calligraphy font that we just made with passion and enthusiastic, this font comes with a touch of lovely font. Introducing this sweet calligraphy font called "alisha | Sweet Calligraphy Font", this lovely font comes with uppercase letters, lowercase letters, multilingual support, numbers and punctuation. This sweet calligraphy font is suitable for you to use as quotes, instagram posts, invitations, magazines, cards, product packaging, headers and whatever your imagination. This is the file you get on the download page: - alisha.otf - alisha.ttf note : to use alternative end text is just block end letters and select alternative letters on glyphs option. it may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. we hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

The decorative font "SchoolType" came straight from our school notebooks. We painted these letters in our notebooks, but now they can be printed on a computer. All uppercase Latin letters have the same width, which is ideal for designers. As always, we offer you a font with support for many languages. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Hey guys! Meet our new font "Honey Vineyard"! It's time to pick up on the wedding trend of script-style fonts, and Honey Vineyard's sophisticated and stylish design is perfect for announcing your elegant wedding. A unique wedding font featuring flourishes of creativity and a graceful design won't leave anyone indifferent. This font includes stunning swashes and ligatures that will make your design even more attractive! Some commonly used letters have multiple swashes, while some rarely used letters have none at all. We also would like to note that when creating this font, a purely calligraphic approach was used. This means that all the letters are not the same: some letters are much thicker and some are thinner, as is the case in real calligraphy! The font also includes the Cyrillic version.

RARE BIRD SPECIMEN III Rare Bird Specimen III is a graceful hand by Karla Lim of Written Word Calligraphy. This all lowercase font feels both modern and feminine. While uppercase letters are still lowercase in shape, they are larger and read as caps. OBSERVATIONS Specimen III has a dancer-like form; supple and lithe. Willowy letters are nimble and lissome, content alone or paired with a stronger, more masculine specimen. DEFINING CHARACTERISTICS Opentype programming, formal title and preposition word art, 7 alternate lowercase t cross-strokes, Roman numerals, old-style numerals, seamlessly semi-connecting calligraphic letters, realistic double-letter ligatures, in and out-stroked letters at the beginning and end of words where appropriate, basic Latin encoding. POTENTIAL SIGHTINGS Bridal + baby shower stationery, logo design, gourmet food packaging, clothing labels.

Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early 1980s, then cast as foundry type on Jim's own Thompson typecasting machine. This alphabet exhibits classic semi-italic text tension, with sqaurish minuscules and hybrid renaissance majuscules. Jim's unique sense of restrained but attractive typo-calligraphic creativity puts on quite a show here. Fellowship was updated and remastered for the latest technologies in 2013. It comes with plenty of built-in alternates and ligatures. Its glyphset contains over 420 characters, and supports the majority of Latin-based languges. 20% of this font's revenues will be donated to the GDC Scholarship Fund, supporting higher typography education in Canada.

Tabac Slab was created by combining several contradictory influences, the result of which is a universal linear font. The combination of brisk serifs and refined calligraphic details in the structure of the characters serves to create an original concept that mixes influences from both book and advertising graphics. Serifs aid legibility in long texts, while small drawn details realise their full potential in sizes of twenty-four points and larger. The basis for our Egyptienne was Tabac Sans, with which Slab logically forms a harmonic duo. The addition of bracket-less serifs caused the typeface to thicken and become solidly anchored on the lines, giving a firm answer to all typographers who like to complain about the slight exuberance of grotesque fonts.

Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

A calligraphic script font Millettre is the last member of the trilogy of types designed by Lyudmila Mikhailova. First two fonts Milanette and Milafleur were released earlier. The font is based on author's lettering artworks which she did for many years for companies who produced greeting cards. The characters of the font have rough contours simulating lettering by a pointed pen on a rough paper. The character set covers standard Western, Central European and Cyrillic code pages. The default version of the font is presented by disconnected script, but connected variant is also included and organized as an alternative stylistic set. The font also contains some initial, finial and alternative forms of letters. Recommended for use in advertising and display typography. Released by ParaType in 2011.

The German poet, painter, calligrapher and type designer Emil Rudolf Weiß originally created this eponymous typeface for the Bauer Foundry of Frankfurt. Long known and loved by metal type enthusiasts under the name "Weiss Antiqua," this design was inspired by typefaces from the Italian Renaissance while still distinctly reflecting the artistic and poetic personality of its twentieth-century designer. Weiss has tall ascenders, sharp apex points, and a low-slung midsection on the caps. The italic moves like a classical ballerina. Weiss is one of the earliest contemporary serif types to have italics based on the chancery style of writing. The Weiss family works well for warmly legible text typography; and it's also an original choice for refined headline and display graphics."

Typeface designer and Letraset type director Colin Brignall created the font Romic. The character of the strokes as well as the serif forms give the font its calligraphic look. The placement of the serifs, on the upper left and lower right of a character, also distinguishes this typeface and allows the figures to be set very close to one another. The dots on the i and j do not hang in the air, rather, they are connected to the rest of the letter with a light, serif-like stroke. The elegant and lively Romic font is legible even in smaller point sizes. It is best used in middle length texts and headlines and wherever an individual and sophisticated image is the goal.

Valeria Script is an experimental font, calligraphy based, with attractive results. Go for Valeria Script Cola pen for more ink explosion!

Introducing Nightingale calligraphy font. Nightingale have a 631 glyph, Nightingale works well in Logo, poster, title, header, clothing and many more.

Story font is an experiment to convert the script-style calligraphy into bitmap format. Made alongside Tale fonts, with different design.

Contains 42 arrow designs pointing up, right, down, and left totaling 168 arrows.

Salt&Spices Pro is a welcome addition to the ever popular modern calligraphy genre. Digitizing the many handwritten samples into a fully functional connected script was done with great precision, carefully guarding the authentic look and feel of vintage dip pen calligraphy. Salt&Spices Pro is a very versatile 9 font family, consisting of 3 casual styles: Regular, Bold and Shadow. With 587 glyphs each, they offer great flexibility in customizing words and phrases to suit your personal taste. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 3 calligraphic family members 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added. They all have 435 glyphs and match very well because they were designed using the same vintage nib. Each of the styles can add great variation to your designs and they supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project.

Beautiful Calligraphic font and also a readable font.

Pasto is a fun and charming display type family of two styles with four weights each. 'Print' is a textured irregular stamp style, and 'Sharp' is a straightforward soft-edged type with clean strokes. It is clean, playful, and expressive, with a lightweight structure and fairly aired inner space. Pasto is perfect for display use and intended for medium and large settings. Still, it can be used in smaller point sizes for short sentences or words, providing a softer, delicate look. Pasto has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, these alphabets are automatically replaced to avoid the same letterforms and textures appearing next to each other, creating a more spontaneous look when typing. This OT Feature is available for all the Sharp and Print styles. Some of Pasto's features are ligatures, stylistic alternates, numerators, fractions, special characters, currency symbols, and a glyph coverage that ensures extended language support.

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

Emily Bonza Script is a sweet calligraphy writing while maintaining its elegance. This will increase your design stand out! Emily Bonza Script is the perfect typeface for all your types of projects, such as advertising, branding, graphic design, quotes, wedding designs, logos for online or offline businesses, photography, and more. Make your business more beautiful! Emily Bonza Script: - Multilingual - Alternative - PUA encoded - Ligature - Very easy to use in any software (Include Hints) - Does not require special software installation. Compatible with Windows and Mac OS. Supported by Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. If you have any questions, don't hesitate to contact me via email. Thank you so much for finding and enjoying it!

Eternal Ego is a blackletter font with a unique and different style, with a touch of vintage design will create a unique design. Eternal Ego Perfect for for many creative products such as logos, tattoo design, t-shirt prints, street wear, headlines, tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more. What's Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only.

Inola Hand Lettered Font in modern calligraphy style. It resembles actual handwritten letters that can make a great font for branding, logo design, and graphic identities. Inola includes ligatures and stylistic alternates for some letters and floral symbols to include in your designs, find them all in the glyphs panel. Inola Hand Lettered Font is perfect for logo design, branding, art prints, wedding cards and invitations, packaging, business cards, greeting cards, posters, magazines, social media, home decors, stationary, blogs, and website design, and more. Inola Hand Lettered Font contains all uppercase and lowercase letters from A to Z and numbers from 0 to 9. Latin Extended letters are supported together with other bonus characters.

About this font family Round Foundational is a beautifully drawn hand lettering font made digital and captured in a typeface for anyone to use. It is one of the basic styles of calligraphy that students should learn and is perfect for creating beautiful greetings cards, wedding invitations, certificates and official looking documents. Features 1 weight based on a four nib width Multi language support Ligatures to improve style Capital spacing to help create original look Alternative characters that allow customisation To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released August 2022

Marlina Melvin is a modern calligraphy font with handwritten, sophisticated flows. It is full of hearts and glyphs. It is perfect for branding, wedding invites, and cards. Marlina Melvin includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Also it includes: -short lowercase beginning and ending swashes -lowercase ending heart swashes, which serve to connect two words or letters (This is so perfect for invitations, monograms) -long lowercase beginning and ending heart swashes. The font has a smooth texture, so it would be perfect for all types of printing techniques you can do embroidery, laser-cut, gold foil, and is ideal for cutting. Marlin Melvin supports 162 languages.

Linotype Salamander is a part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Michael Struller, the font seems to be composed of strokes and curves jointed together to form characters. Yet Salamander also looks like a handwriting font, in part because of its slight lean to the right. The font contains four basic weights, from regular to demibold, and two particularly heavy double-weights. Linotype Salamander is a light and lively font, particularly good for short texts of point size 10 and up or, in its heavier weights, for headlines and displays.

Patricia Pothin-Roesch's Saussa typeface began life as brush-lettered artwork for fruit salad packaging in France. After the key letters had been painted, Patricia Pothin-Roesch switched to digital tools to create the final font. True to its roots, Saussa is a real advertising face, perfect for point-of-purchase displays. Even its name is consistent with its intended area of application: Saussa sounds a lot like the word “sauce.” Saussa is an informal script; its outstrokes function almost like serifs, and the capitals have a lowercase structure. The feelings this typeface conveys are due to the hand of its creator, Patricia Pothin-Roesch, an experienced brush-letterer.

Our Righteous Pro was inspired by the all-capital letterforms from the deco posters of Hungarian artist Robert Berény for Modiano. Grid based and geometric in execution, the font is highly readable at a wide range of point sizes, ideal for display and print. Unlike that of its original inspiration source, Righteous has both a full lowercase and a SmallCaps set as well as an extensive figures set to increase flexibility and ease of use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

A script designed by Diego Giaccone and digitized by Alejandro Paul. A beautiful and sophisticated rough calligraphy for in packaging, cards, etc.