Somes Slab Small Caps Extra-Light Display IMPROVED VERSION 2.0 + SWASH Somes Slab is a slab serif small caps designed by Ivan Yelizarow in 2019, inspired and named after The Matiu/Somes Island in Wellington, New Zealand. Its distinctive feature is a combination of wavy curves with slab serifs that makes it ideal for titling, headlines, subheads, spotlighting a short few-paragraph text that needs detachment. Best at Display sizes. Complete classification: Wavy Squircle Slab-Serif Small Caps Extra-Light Display.

Getone is an exotic font, based on the Sereno font made by the same designer. It has a modern touch which makes it to stand out, all the glyphs are designed "out of the box" to combine each other in harmonious way. Getone is coming in ten styles : thin, ultra light, light, regular, bold and italics. Is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design.

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, Bold, Black) in addition to three decorative styles: Shaded (3-dimensional), Inline, and Open. With its blocky letters and stable slab serifs, Warrior will add a bold, masculine look to your design. All members of the Warrior family support most European languages including modern Greek, and, of course, languages that use the Cyrillic alphabet.

Diablo Light was originally called Fabric and was issued by the Farmer, Little & Co. foundry in New York. We liked everything about this font except for the lowercase 'g'. So we changed the offending letter, but for purity kept the orginal as an alternate. We created a bold version of Diablo Light, with minor changes to accomodate the bolder stroke weight. Although the original design is over a century old, the style seems to have an up-to-date look.

Only One is a stylish, unique, handwritten family that is easy to remember. It’s great for unique branding, photo overlays, watermarks, business cards, invitations, wedding, photography, fashion, etc. This font is available in 10 styles: Thin, Light, Regular, Semi Bold, Bold, Thin Italic, Light Italic, Italic, Semi Bold Italic, Bold Italic. And most importantly: Only one is perfect for you. Thanks for checking out my store, and feel free to get in touch if you have any questions! thomasaradea@gmail.com

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

CastleType was commissioned in 1991 by San Francisco Focus magazine to digitize three members of the Standard family. This is a Continental lineale that was popular in Switzerland in the 1950s and later in the United States. A cousin to the classic sans serifs, Standard is an alternative that is considerably warmer and a bit more idiosyncratic. In 2008, CastleType released additional members of the Standard CT family to make it a complete typographic solution with three widths (normal, condensed, extended) of four weights each (Regular, Medium, Bold, and Extra Bold). Some of the original Standard fonts, particularly Standard Regular, appear to have been hastily designed (or perhaps too closely imitated Helvetica); these have been greatly improved in the CastleType versions with more harmonious proportions and other refinements. The three lighter weights of the Extended subfamily were designed from scratch based on the new Standard CT Regular and Standard CT Extended Extra Bold. More recently, four light weights (Light, Extra Light, Ultra Light, and Hairline) have been added to each of the three widths. The entire Standard CT family includes support for most European languages, OpenType features, arbitrary fractions, and a collection of geometrics, dingbats & fleurons.

Sabron Light is a very round font with the thickness at the corners rather than the side as in most typefaces. Serifs are swollen ends coming to a point.

"French Flair" is our latest font pair! With a graceful decorative serif and contrasting light and crisp italic, French Flair duo can be handy in any trending design project.

Pantra is a minimal and clear geometric sans. Pantra is clear, approachable, and effective in both headings and paragraphs and comes in 4 weights: light, regular, medium and bold.

Moderator JNL is a casual, light weight serif font that is perfect for headlines, short blurbs or display text. The font is available in both regular and oblique versions.

Sketchetik Fill – brother of famous Sketchetik – is a hand-drawn font in four styles: Light, Regular, Bold and Black. Sketchetik Fill is recommended for use as a display typeface.

According to the Dictionary of the Spanish Royal Academy, «canturía» is the exercise of singing, and a way of singing musical compositions. Canturiana Type (derived from «canturía») has a romantic and musical air, as well as a clear sensuality thanks to its sinuous construction. The curves seduce us, conquer us, hypnotize us and the letters acquire a resounding lightness, and a very earthly presence that is complemented by a certain aerial, spiritual expressiveness. Canturiana Type is inspired by Canterbury, a font designed in the 1920s by the legendary American type designer and engineer Morris Fuller Benton and published by the American Type Founders (ATF). Canturiana Type collects all this heritage and transforms it into a digital typeface perfectly functional and adapted to the visual communication of the 21st century. Its elegant art deco essence provides it with a unique and heterodox imprint that works in very different media, giving them distinction and depth. The creative process of Canturiana Type has gone through various mutations to a point where each episode of its creation has left its mark, a multiple imprint that makes it unique, singular in its essence and plural in its possibilities. For this reason, Canturiana Type expresses itself with several voices without any variation in its essence. A conceptual ambiguity that makes it truly versatile. Canturiana Type is a typographic choir, a complex entity that has infinite nuances and tones. Classic and cool. Disruptive and romantic. Literary and musical. Canturiana Type is composed of 5 weights, and has a large number of swashes, alternate characters, ligatures and various visual elements to make compositions as titles or for use in short texts. Canturiana Type has more than a thousand glyphs and offers a wide range of languages that use the Latin alphabet.

Another typical Art Deco font from Nick Curtis. Uppercase only, but with alternate letterforms in the lowercase positions. I have completely redesigned all the diacritics (which were way too flimsy for this robust design) before expanding the character set in the usual fashion. Nick Curtis says: "Back in the Olden Days of Graphic Design B.C. (before computers), type freaks used to wait in anxious anticipation for each new release of the Letraset catalog. The inspiration for this font, Premiere Lightline, was one such release, and probably help spur my interest in Deco designs. The original font was VERY light indeed, suitable only for use in large sizes. My version is beefier, and includes an entire lower case of alternate letterforms, making this (at least) two fonts in one. The name is the 40’s hep talk equivalent of “Cool!”". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hello Everyone.. Introducing a new Font " El Fonte Angelia " Beautiful Serif Type Family is inspired by the serif typefaces used in editorial media in the 70s and 80s.such as the soft and gentle shapes found in Cooper or the fluid, angled strokes in Windsor— mixed into one single design that features familiar, fresh, modern flavors. Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator. El Fonte Angelia variable allows fluid design across 5 weights The font broadens its use by supplying weights all the way from Light to Bold. The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance. El Fonte Angelia character set incorporates additional symbols, stylistic alternates, unique ligatures and case sensitive punctuation - producing a stable workhorse family ready to tackle projects of any size.The type family melds organic curves and gentle repetition into powerful and harmonious type. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic alternates offer a number of different characters that give your logo or business card a unique look. Check my other Font here : https://gilarstudio.com/ Thank you Regards, Gilar Studio

Eyadish is an entertaining, comic, and childish font. The name of this font is originally derived from two main syllables. The first one is "Eyad-" which refers to my first name and the second syllables is "-ish" which means characteristics of or relating to. Hence, "Eyadish" refers to the characteristics that "Eyad", the typographer, himself has and had during his childhood. I do like this font for its childish and comic shapes. I have decided to design this font trying to leave a humble and personal imprint regarding the magic and innocent world of all children. Frankly, it is my most favorable designed font. This font comes in two different weights with facilities for writing and publishing in different alphabets included in various Latin and Cyrillic texts and scripts. "Eyadish" is primarily designed to be fit with all prints of kids, children, and juveniles' products. It is major usage is in advertisements and publications. It is suitable for T-shirts, books' covers of children such as fairy tales and comic stories, advertisement light boards in malls, and titles in parental, childish, comic, and other related magazines. "Eyadish" also can be printed in many children's products such as garments, towels, shoes, socks, toys, pacifiers, diapers, exhibitions, festivals, books titles and contents, medicines' packages, kindergartens' signs, buses, comic and TV series, kids and children organizations and charities names, images, software, foods including milk cans, candies, chocolates, and other related products. The font is extremely and distinguishably attractive when it is used with various, and vivid colorful letters and words in posters, cards, and placards. "Eyadish" is specifically designed for commercial, educational, cultural, and social purposes related to infants, babies, kids, and children. The main characteristic of "Eyadish" Typeface is in its childish look that remains when anyone reads or types or even deals visually with its characters.

PMN Caecilia™ is the premiere work of the Dutch designer Peter Matthias Noordzij. He made the first sketches for this slab serif design in 1983 during his third year of study in The Hague, and the full font family was released by Linotype in 1990. The PMN prefix represents the designer's initials, and Caecilia is his wife's name. This font has subtle variations of stroke thickness, a tall x-height, open counters, and vivacious true italics. Noordzij combined classical ductus with his own contemporary expression to create a friendly and versatile slab serif family. With numerous weights from light to heavy, and styles including small caps, Old style figures, and Central European characters, PMN Caecilia has all the elements necessary for rich typographic expression. eText fonts - the optimum of on-screen text quality With our new eText fonts that have been optimised for on-screen use, you can ensure that your texts remain readily legible when displayed on smartphones, tablets or e-readers. The poor resolution of many digital display systems represents a major challenge when it comes to presenting text. It is necessary to make considerable compromises, particularly in the case of text in smaller point sizes, in order to adapt characters designed in detail using vector graphics to the relatively crude pixel grid. So-called 'font hinting' can help with this process. This, for example, provides the system with information on which lines are to be displayed in a particular thickness, i.e. using a specific number of pixels. As font hinting is a largely manual and thus very complex technique, many typefaces come with only the most necessary information. What is unimportant for a text printed in high resolution can result in a poor quality image when the same text is displayed on a screen, so that reading it rapidly becomes a demanding activity. Specially optimised eText fonts can help overcome this problem. An extremely refined and elaborate font hinting system makes sure that these fonts are optimally displayed on screens. Monotype has not only adopted font hinting for this purpose but has also thoroughly reworked the fonts to hone them for display in low resolution environments. For example, the open counters present in the letters C, c, e, S, s, g etc. have been slightly expanded so that these retain their character even in small point sizes. Also with a view to enhancing appearance in smaller point sizes, line thickness has been discreetly increased and x-height carefully adjusted. Kerning has also been modified. Don't leave the on-screen appearance of your creations to chance. Play it safe and use eText fonts to achieve perfect results on modern display devices. Many typefaces, including many popular classics, are already available as eText fonts and new ones are continually being published. The eText font you can purchase here are available for use as Desktop Fonts or Web Fonts. Should they be used in Mobile Devices such as smartphones, tablets or eReaders, please contact our OEM specialists at sales-eu@monotype.com.

English HU Cookie is a cute handwritten typeface that can be used to express any lively or active moment. The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe. There are 2 weights of HU Cookie : light, semi bold Greek Το HU Cookie είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή. Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα. Υπάρχουν 2 βάρη του HU Cookie: light, semi bold Cyrillic HU Cookie - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент. Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу. HU Cookie имеет 2 толщины: light, semi bold

English HU Crayon Doodles is a cute handwritten typeface that can be used to express any lively or active moment. The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe. There are 1 weights of HU Crayon Doodles : light Greek Το HU Crayon Doodles είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή. Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα. Υπάρχουν 1 βάρη του HU Crayon Doodles : light Cyrillic HU Crayon Doodles - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент. Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу. HU Crayon Doodles имеет 1 толщины: light

California Street is the perfect handwritten font: Sweet, innocent, light and charming, this one-of-a-kind typeface will add a unique charm to any design project! California Street font was created to look as close to a natural handwritten script as possible by including 64 ligatures. With built in Opentype features, this script comes to life as if you are writing it yourself. You can see it in the picture shown. A wide range of swashes (a-z) and alternates (A-Z, a-z) are included so that you can give your logo or name a custom, hand-calligraphy look. This font is available in 10 fonts in 1 typefaces : Thin, Light, Regular, Semi Bold, Bold, Thin Italic, Light Italic, Italic, Semi Bold Italic, Bold Italic and most importantly, California Street is perfect for you.

Used in advertising posters for the Soviet state foreign trade company named 'Soyuzchimexort' in the early 1980s. Digital version was made for ParaType in 2007 with addition of light weight.

Have you Enquired lately? It's time...so choose the thick lines and slightly uneven character placement of LD Enquirer...perfect for light-hearted scrapbook pages, journaling, greeting cards, and tags.

Neon Retro inspired by 1980’s and neon lights. Neon Retro offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

TD Beta is a bold and light sans serif typeface inspired by Futura and Helvetica. It is best used for headlines, titles, display, and even long paragraphs on digital collaterals.

Picaflor Handmade is a fun handmade version with 8 styles and weights, it contains Light Regular and Bold and its 3D versions plus dingbats, perfect for fun or informal titles!

Neon Absolute was inspired by 1980’s and neon lights. It offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.