Landmark is a modern bold font that mix rounded and square angles.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Introducing The Loud & Proud Bobby Jones Font Collection Inside you'll find 16 quirky handcrafted fonts, oozing with personality, ripe and ready to take center stage within a variety of creative and fun design projects. If you're looking to grab eyeballs with an ad campaign, a logo design, apparel, printed stationery, and all that other good stuff, then worry not. Bobby has you covered. We all come with imperfections and Bobby is no exception! His outlines are slightly off, his corners are irregular, his straights aren't straight, but he's cool with it. In fact, he's too busy strutting his stuff. - What's Inside? Each of the fonts listed below boast multilingual glyph ranges and their own individually handcrafted outline style! (16 fonts in total!) - Bobby Jones - The original Bobby.J - Bobby Jones Soft - A rounded version of the above - Bobby Jones Condensed - The thinner and leaner sibling to Bobby Jones - Bobby Jones Condensed Soft - A rounded version of the above - Bobby Rough - A high-res textured version of the original - Bobby Rough Soft - A textured version of Bobby Jones Soft - Bobby Rough Condensed - A textured version of Bobby Jones Condensed - Bobby Rough Condensed Soft - A textured version of Bobby Jones Condensed Soft Designed a little over five years ago, the original Bobby Jones Font was my first ever product. This new and improved version has been entirely redesigned from bottom to top. Holding dearly to the punch that the original had, while adding a whole lot of extra power. I hope you enjoy the Bobby Jones Family as much as I do and have, and as always if you have any questions or comments, please do not hesitate to get in touch. I'd love to hear from you. (tom[at]tomchalky.com)

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

Frank H. Atkinson was a popular Art Nouveau sign painter in Chicago, Illinois. He designed signs for the Cadillac Motor Car Co., Chicago Academy of Fine Arts and the department store Marshall Field. Oddly enough, he even designed signs for other sign painters. In 1908 he published a book, Sign Painting, which sold well. French Plug, a bold, rounded, all-cap design in an American Art Nouveau style from that book. It has a relaxed, easy-going informality that is useful for ads and flyers. It also would have fit very nicely with many French posters of the period.

Veronika Luxurious is a Glamour Luxury typeface. with beautiful letters and a touch of elegant appearance. plant it firmly in a modern design. It is a careful collaboration between beauty and function. Designed specifically for logo-themed projects, the font itself features many alternative and binding options, perfect for creating elegant, chic lifestyle designs, such as logos, titles, branding, web design and book designs. Veronika Luxurious displays both uppercase and lowercase letters, supports Latin-based languages. It holds two weights, Regular and Bold. each offers something different and they are all made to work together in harmony.

Here’s an edge-tattered, slightly distorted typeface that was developed from hand stamping using ink. You’ll find it ideal for both display and text situations where legibility is a big concern. This version holds up in very small sizes. Replica Rough SG Regular and Bold are now available in the OpenType format. This OpenType version includes stylistic alternates, discretionary ligatures, small caps, petite caps, ornaments and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Stiana font is a venetian serif in modern design. The general idea was inspired by beautiful masterpieces of Nicolas Jensen and William Morris. Stiana holds fine, balanced readability of venetian serif, and both 21st century trends. Letterforms are expressive and bold enough to use font as display, but it also fits nicely for text. Stiana supports Western Europe, Cyrillic and Greek languages. Stiana is surely a good choice both for screen applications and print media. Its multipurpose spreads over package design, logos, headlines, body texts, stationary and back labels. Also very good for books and magazines.

Death Stroke is a organic slab serif typeface which is purposely made for headline, display or logotype. It comes with illustration & logo extras. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Illustration extras Alternates & ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. PLEASE READ THIS: To use alternate charactter/swash you have to use opentype. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Isabella Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Isabella Script features 420+ glyphs and 169 alternate characters. Including OpenType Stylistic alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Isabella Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

The Rock is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, The Rock is ideal for logos, apparel,T-shirts, Hoodie, quotes, product packaging, or anything which needs a typographic turbo-boost. The Rock Regular is the standard version of the font. Perfect for titles and logos. The Rock Swash is if you need a cool underline under your text or a splash of paint. This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font. Language Support - We've added in a great deal of extra characters to support many different languages. Commercial/Extended License - This is in your design arsenal for life! Use on end products for sale is permitted with the standard license. Ligatures - Even though this is a capital letter, it is equipped with Ligatures.

Sarmytos is a modern calligraphy font with characters dancing along the baseline and with an elegant touch. Opentype features with stylistic alternates, ligatures and multiple language support. Sarmytos can be used for various purposes.such as logos, wedding invitation, heading, t-shirt, letterhead, signage, labels, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Sarmytos is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and happy designing :) Enjoy!

Are you waiting for Autumn? I’m pleased to introduce my new handwritten floral font Autumn Embrace. Autumn Embrace comes in three styles: Floral, Regular and Extras. Autumn Embrace Floral is an elegant, decorative, feminine font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. Autumn Embrace Regular is a modern calligraphy font. It's perfect for design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more. Autumn Embrace Extras is a symbol font (includes 52 hand drawn elements). You can use these characters either separately or in combination with Autumn Embrace Regular and Autumn Embrace Floral (or any other fonts). The symbols are perfect for creating your own logo, greeting cards, photo overlays, scrapbooking, writing letters and just for fun :)

Funky Yard - SVG Groovy Font + Extras. Presenting this latest hand drawn font. Funky Yard is a groovy display font with 2 styles, namely: Solid and Brush. There is an additional hand-drawn in the font file to further vary your design. Great for merchandise design, posters, branding, covers etc. *Note: To access extras, just type: underscore + underscore + numeral (1-15). Standard ligatures activated. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual & Ligatures. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks :)

Milana Script is sweet calligraphy font. This font is casual and pretty with swashes. Can used for various purposes such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and more. Milana Script features OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Milana Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. If you need help or have any questions, please let me know. I'm happy to help. Thanks & Happy Designing!

Mordane is a modern script calligraphy, dynamic and pretty with swashes. Can used for various purposes. such as the title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Mordane features Open type feature, including initial and terminal letters,ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later rsions. Mordane is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Welcome to Quaint Garden! I’m pleased to introduce my new handwritten floral font Quaint Garden. Quaint Garden comes in three styles: Floral, Regular and Extras. Quaint Garden Regular is a modern calligraphy font. It's perfect for design projects, social media, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more. Quaint Garden Floral is a smooth, decorative font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for invitations, branding, packaging, magazines, florist shops, social media, restaurant menu, greeting cards, headers and many more. Quaint Garden Extras is a symbol font (includes 62 hand drawn botanical elements). You can use these characters either separately or in combination with Quaint Garden Regular and Quaint Garden Floral (or any other fonts). The symbols are perfect for creating your own logo, greeting cards, photo overlays, scrapbooking, writing letters and just for fun!

Mortyni is a modern calligraphy font, with characters that dance along the baseline with an elegant touch. It includes OpenType features with stylistic alternates, ligatures and multiple language support. Can be used for various purposes.such as logos, wedding invitation, heading, t-shirt, letterhead, signage, labels, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Mortyni t is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and happy designing :) Enjoy!

Greetings! Introducing Mustopha, the brand new Arabic font, inspired by Latin classic handwriting and Arabic letters called 'hijaiyah'. The letterforms designed by a combination of Carolingian typography which visualizes a humanism feel and the Arabic calligraphy that mostly showing decorative with the long-swash of the letters. Feel the humanism with this font, neat, elegant, and luxurious with an extra set of alternates characters and Arabic symbols as a decoration of your typographic design. Musthopa created to bring back the classic typography (specifically cursive typography) between the many styles of design trends. This beautiful font also designed to be versatile that you can use this font for many themes, not only Islamic or Arabic. Perfect choice for poster, logo, branding, greeting card, wedding, apparel, cosmetic labels, packaging, Book cover, short body text, quotes, and many more! Fonts Featured : Uppercase Lowercase Numbers Symbols Stylistic alternates SS01 - SS05 Ligatures Extras

**Richard & Caroline** is a classic font with a modern style, so it adds a luxurious feel to this font, there are many ligatures and alternates that you can use for your design, and this will make your design more stunning and stand out. This serif font contains a number of ‘lowercase’ (A, E, U, I, O) and Uppercase Alternates characters. this can be accessed by enabling ‘stylistic Alternates’ in any software that supports OpenType. all ligatures and special characters are also accessible via the Glyphs panel. it is available in most Adobe & Affinity Designer software. **NEW UPDATE - RICHARD & CAROLINE FAMILY** what’s included: - Richard & Caroline Thin - Richard & Caroline Extra Light - Richard & Caroline Light - Richard & Caroline Normal - Richard & Caroline Thin Italic - Richard & Caroline Extra Light Italic - Richard & Caroline Light Italic - Richard & Caroline Normal Italic - Added Many Ligatures - Added lots of Uppercase Alternates - Support 75 Languages If you have any questions, please contact us

Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters, added optional catchwords, extra shapes, shadows, dust and arrows. Here is a lead to get the most out of Newcastle: Use ‘Discretionary Ligatures’ in the OpenType section of your layout program of choice to turn frequent short words like ‘and’, ‘of’ or ‘from’ into catchwords. Choose ‘Styleformat 01’ to make them vertical. Keep ‘Contextual Alternates’ activated to make consecutive letters look more realistic (the second letter will be replaced automatically by a slightly different looking version). Want to roughen the look of your design even more? Add the dust hidden in the ‘Extras’ style by typing underscore, emdash, endash or hyphen. This font is vintage fun - let’s party!

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

Merhat is a modern and experimental font, distinguished by its geometric and condensed structure with slightly rounded corners. Optimally simplified with distinctive accents. The font is expressive and unusual. perfect for graphic designs with an intriguing style.

Z-Rex looks like the copies I was getting from a lousy copier before I threw it out. You might think it has been eaten by a T-Rex, or maybe it looks like swiss cheese blech.

A simple little typeface for all things technical. A faux monospaced, semi-serif with rounded corners that you will never forget. The name comes from a British slang word that means "tech-savy person". Or simply "nerd".

Designed by Robert Hunter Middleton in 1928, Delphian is one of Middleton's most handsome display typefaces. The Delphian face has many uses, from book titles to corporate identity material, where a modern, yet classic look is desired.