In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Introducing Fadetho, a display font that captivates and brings elegance to each of your projects. With a relaxed and elegant theme, Fadetho is the perfect solution for creating charming and creative looks. Fadetho’s excellent features make it an attractive choice. With the available ligatures and alternates, you can combine beautiful characters and create unique and classy typography designs. Not only that, Fadetho is also multilingual, allowing you to reach an international audience and adapt this font to multiple languages. This gives you flexibility and expands the potential of your project. The elegant style and touch of elegance in every Fadetho lettering make it the perfect choice for projects that require a special feel. Let this font add an exclusive touch to your designs. Choose Fadetho as your loyal partner in creating stunning and classy looks. Get this font now and let its beauty and elegance inspire your creations. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Boutinela Script is modern calligraphy script font, every single letters has been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project, example: invitations, greeting cards, posters, name card, quotes, blog header, branding, logo, fashion, apparel, letter, stationery and more! Boutinela Script come with 740+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Boutinela Script : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-25 Character Variant Contextual. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email: jamalodin11@gmail.com. Thanks for your visit :-)

Mather Laord is the perfect hero font for those who want to create powerful and unforgettable hero branding. Its sharp and pointed serif exudes a sense of strength and precision that is perfect for heroes who wield swords or are ninjas. The font’s 143 alternate characters for uppercase and 34 ligatures offer a wide range of options to create unique and memorable typography designs. Not only does Mather Laord have a stunning appearance, but it also supports multilingual characters, making it a versatile font that can be used globally. Whether designing a logo for a hero-themed brand, creating merch for your favorite hero, or designing a poster for a hero movie, Mather Laord can help you create an impactful and unforgettable design. So, if you want to stand out from the crowd and make a lasting impression on your audience, Mather Laord is the perfect choice for your next hero design project. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft Bodrum Stencil is a stencil serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Stencil is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give "Bodrum Stencil" a harmonious and sensible appearance for both texts and headlines. Bodrum Stencil provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Stencil 14 Regular” forms the central point. "Bodrum Stencil" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Stencil is the perfect font for web use.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Yolk is an Eggcentric Sans Serif Typeface consisting of nine weights in both roman and italic. Essentially, this is a geometric sans typeface that has been inspired by the shape and proportions of an egg. With its bottom-heavy glyphs, Yolk has an unusual personality – it’s not too awkward to be off-putting, and it’s not too uniform to be associated with the myriad of generic geometric sans fonts that are available. Yolk has a distinctive presence in its upright form, while the italics exude a more flamboyant nature. When combined, your typographic results will be pleasing and perhaps a little quirky too. This 18-font type family achieves a good balance of personality, versatility, and usability. Small Caps are available at the click of a button, then add Stylistic Set 1 to achieve Petite Caps. The petite caps harmonise with the regular lowercase forms, so that you can create unicase-style typography too. All Latin-based languages are covered within the 1000+ glyphs of each Yolk font. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Petite Caps, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 1,000+ glyphs per font.

Yekow is a typeface with a Japan Style motif, making it ideal for projects that require a distinctly Japanese and Asian aesthetic. This font’s elegant and unique design will add an authentic and appealing vibe to your work. The Yekow font family includes a wide range of characters inspired by traditional Japanese characteristics, combining beauty with a contemporary touch. Each character is rich with delicate and vivid features, creating an enticing environment and exuding Japanese culture’s charm. You may add a genuine and distinctly Japanese ambiance to your advertising materials, posters, websites, and other projects by utilizing the Yekow font. This font will make an immediate impression and capture the attention of potential customers. Make your project stand out by using Yekow as the main typeface. With its rich detail and distinctiveness, this typeface provides a spectacular visual experience. Get on Yekow and take your designs on a memorable cultural tour. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Many sport publications missed typefaces designed especially for sport communication conditions. We usually see only mechanically slanted or other synthetically destroyed standard typefaces. I want to fill in this space and create a system of fonts, that will be used primarily in sport. It is usable for many prints - logotypes, magazines, catalogues, posters etc. Elasticity of glyphs reflected an adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs „o, c, e“ per poor reading conditions. Softness of lowercase is at uppercase balanced in bottom arches, that are subtly kicked-up. Numerals are an important component of sport communication, so this font offers expressive design, different from numerals of book typefaces. Every font has 9 kinds of numerals. Character case contains over 1000 glyphs, sport icons and othes signs creating the sport feeling. The font name, Akceler, represents acceleration, which is characteristic attribute of this typeface. It’s suitable for display and text usage, too. To see more please visit the PDF specimen. ■24 styles (2 alternatives, 3 grades of dynamics, 4 weights) ■over 1 000 glyphs per font ■9 kinds of numerals ■icons of sport equipment ■8 stylistic sets ■8 kinds of arrows ■23 OT features ■support of latin languages

Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers and Futura Black. Careful consideration of each letter's construction, relative to all characters, lends Idiom a decided sense of cohesion and sophistication. The included non-traditional 'weights' (Medium and Bold) are completely blacked out, creating entirely new letterforms that exhibit a very stark, contemporary sense. Increasing the versatility of the Idiom family, a selection of OpenType features allow access to a set of contrasting linear punctuation forms, unconventional ligatures, case-sensitive punctuation and more. Features include: Basic Ligature set including 'f' ligatures (ae, oe, fi, fl, ff, fh, fj, ft, fa, ct, st, rt, ot, ta, sa, mi, si, vi, su, oc, oo, ru, ib) Alternate characters (M, W, T, ß, _, $, @, (), {}, [], /, \, |, -, –, —, +, -, ±, ≤, ≥, , «, », and more) Case forms (shifts various punctuation marks vertically to a position that works better with all-capital sequences, in this case the numerals or letters with ascenders) Slashed zero Full set of numerators/denominators and superscript/subscript Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Awardos is a complete solution for awards, badges and all kind of certificates. This font allows to mix various borders, laurels and icons to create a very unique badges. To quickly create an unique badge, type any number, any uppercase character and any lowercase character, for example 0Aa, 5Gk, 9Kl, 7Fr etc. To add starfield, start with a symbol (!"#$%&'()*+,). Glyphs included: 12x starfields - characters: ! " # $ % & ' ( ) * + , 16x borders - characters: 0 1 2 3 4 5 6 7 8 9 : ; < = > ? 36x laurels and outer elements - characters: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z À Á Â Ã Ã Ä Å Ç È É Ê   12x crown icons - characters: a b c d e f g h i j k l 12x cup icons - characters: m n o p q r s t u v w x 12x number one digits - characters: y z à á â ã ã ä å ç è é ê It is not required to use a symbol from every category. For example only laurel with crown icon can be used, or only starfield with the cup icon. Awardos Inverse is an inversed version. The outline borders are still included, used symbols are: [ \ ] ^ _ { | } ~ ¢ £ ¤ ¥ ¦ § €

Visible is a dynamic typeface family designed by CFCG @andinistas. Visible Script has narrow horizontal spacing between lowercase, while Visible Script 2 has generous and wide horizontal spacing. Mixing both styles you will achieve italic designs loaded with speed and strength to communicate aggressiveness, nervous and sanguine temperament. Visible Caps contains capital letters derived from the font's writing, but drawn aggressively and slanted 15 degrees to the right. This type of visual characteristic is typical of very fast and nervous writing that is performed with emotion without sacrificing harmony. a monolineal and condensed version is the Visible caps 2, allowing for significant horizontal space saving economies. Used Visible Caps 1 and 2, become much more than just an expressive and functional artistic tool. In short, by combining their expressive writing or Visible Caps & Script lettering styles, they make words and phrases appear to be written with a brush and ink-filled calligraphic strokes and with eye-catching qualities, their design is the perfect choice for distinctive headlines and brand identities. for music, movies, video games and more. A special thanks to the Venezuelan artist for his impressive illustrations @franciscomarin_artistaplastico ENJOY more than 1100 glyphs: + Visible Script: 398 glyphs + Visible Script2: 221 glyphs + Visible Caps: 222 glyphs + Visible Caps2: 298 glyphs

To obtain maximum pleasure in working with Hangulatin, please use the typeface as follows: 1 Open an OpenType-savvy program 2 Select the "Hangulatin“ typeface. 3 Copy the following test text into your document: HEL LO WORLD ! THE QUICK BROWN FOX JUMPS O VER THE LA ZY DOG . If this fails to bring about the desired result, please make sure that you are using an OpenType-savvy program and that usage of the OpenType features is activated in that program. Standard graphic programs are suited to that purpose. The same applies to Microsoft Word starting from the 2010 version upwards.To have fun and success with your new typeface, please write all words in the format shown in the sample text, i.e. all syllables need to be written in capital letters and separated from one another using spacecharacters (for single letters leave 2 spaces). If, however, a desired syllable is not to be substituted, proceed as follows: Please check + to see whether it is a word from the English language; + whether the word has been spelled correctly; + whether the word has been subdivided into syllables correctly; + whether the syllable has been terminated with a space character (allow 2 spaces for single letters).

Dearly Rose Script is a modern calligraphy script font, every single letters has been carefully crafted to make your text look beautiful. With modern script style this font will be perfect for many different project, example: invitations, greeting cards, posters, name card, quotes, blog header, branding, logo, fashion, apparel, letter, stationery and more! Dearly Rose Script come with 540+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Dearly Rose Script : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-17 Character Variant Contextual. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email: jamalodin11@gmail.com Thanks for your visit.

Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. 1. In a font, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. 2. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. 3. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . 4. Spread thoroughly the page, serve and enjoy . If you like natural, switch to Bridona, your pages will thank you.

Presenting The Longlight! An Elegant Calligraphy Font with some alternates and ligatures. This font made with the perfect combining of each character. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, The Longlight looks elegant and stylish on design projects. So, The Longlight can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, The Longlight also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, gg, gg1, ii, jj, ll, ll1, mm, nn, oo, pp, ss, tt, tt1, pp, and yy. WHAT'S INCLUDED? 1. The Longlight • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. The Longlight Alternate • Included some alternates: f, g, i, j, l, p, s, t, y, and g. A Million Thanks Colllab Studio

ขอแนะนำ Pariphoom แบบอักษรอันโฉบเฉี่ยวและทันสมัย เหมาะสำหรับงานออกแบบหลากหลายประเภท ด้วยอักษรแบบ sans-serif condensed และมุมโค้งมน แบบอักษรนี้ให้ความสมดุลที่ระหว่างความเป็นทางการและความเข้าถึงได้ง่าย ชื่อปริภูมิมาจากภาษาไทย แปลว่า “Space” และเช่นเดียวกับชื่อของมัน ฟอนต์นี้สามารถให้พื้นที่มากขึ้นในงานออกแบบของคุณ ไม่ว่าคุณกำลังสร้างสื่อสำหรับสร้างแบรนด์ พัฒนาแคมเปญการตลาด หรือออกแบบเว็บไซต์ Pariphoom มอบความยืดหยุ่นและความอเนกประสงค์เพื่อให้ได้รูปลักษณ์ที่คุณต้องการ Pariphoom มาพร้อมกับรูปแบบที่แตกต่างกันถึง 18 รูปแบบ สิ่งนี้ทำให้คุณมีตัวเลือกมากมายและมีความยืดหยุ่นในการใช้งานในหลากหลายบริบท นอกจากนี้ ฟอนต์นี้รองรับหลายภาษาสำหรับภาษาต่างๆ มากมาย แต่นั่นไม่ใช่ทั้งหมด Pariphoom มาพร้อมกับฟีเจอร์ Opentype เจ๋ง ๆ เช่น Small Caps และ Tabular ซึ่ง Small Caps เป็นวิธีที่ยอดเยี่ยมในการเพิ่มความหลากหลายให้กับงานออกแบบของคุณโดยใช้ตัวพิมพ์ใหญ่แทนตัวพิมพ์เล็ก ในขณะเดียวกัน Tabular ก็สมบูรณ์แบบสำหรับการสร้างตารางและจัดตำแหน่งตัวเลขเพื่อให้ดูเป็นระเบียบมากขึ้น โดยรวมแล้ว Pariphoom ทำให้เป็นตัวเลือกที่ยอดเยี่ยมสำหรับนักออกแบบที่ต้องการสร้างผลงานการออกแบบที่น่าจดจำและมีประสิทธิภาพ Introducing Pariphoom, a sleek and modern typeface that is perfect for a wide range of design projects. With its condensed sans-serif design and rounded corners, this font offers a unique balance of professionalism and approachability. Derived from the Thai language, the name Pariphoom means "Space" and just like its name suggests, this font can give you more space in your design. Whether you're creating branding materials, developing marketing campaigns, or designing websites, Pariphoom offers the flexibility and versatility you need to achieve your desired look. Pariphoom comes with 18 different styles. This gives you plenty of options to choose from and the flexibility to use it in various design contexts. Additionally, this font offers multi-language support for a wide range of languages. But that's not all – Pariphoom comes with some cool Opentype features such as Small Caps and Tabular. Small Caps are a great way to add variety to your design by using small capital letters instead of lowercase letters. Meanwhile, Tabular is perfect for creating tables and aligning numbers for a more organized look. Overall, Pariphoom making it a great choice for designers who want to create memorable and effective design projects.

Presenting the ✨Brolike Typeface✨ by alitdesign. Inspired by cassette music album covers in the 70s and 80s, a retro font was created in a calm and simple style but still gives an interesting and unique impression. Besides that, combined with a dynamic stencil style, the Brolike font becomes more stylish, especially if the design to be made uses swash on alternative fonts to create, for example, lettering or a logotype that is designed to make your design cool and different. Brolike font is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). Brolike font has a total of 746 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making the Brolike font, we hope you are also happy when using the Brolike font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Introducing "Citrus Shore," a cool and chic modern handwritten marker font that embodies a refreshing and vibrant aesthetic. With its lively brush strokes and contemporary style, Citrus Shore brings a burst of energy to any design project. Whether you're creating invitations, branding materials, or social media graphics, this font's playful and dynamic character adds a delightful touch of modernity. Its versatility and undeniable charm make Citrus Shore the perfect choice for those seeking a trendy and captivating typeface that leaves a lasting impression. With its expressive and authentic appeal, Citrus Shore ensures flawless communication across borders. Supporting a wide range of languages, from English to Spanish, French, and more, this font guarantees your message is effectively conveyed. What sets Citrus Shore apart is its inclusion of over 400 alternate letters and ligatures, offering endless creative possibilities for stunning and original typography. From captivating logos to distinctive headlines, this font breaks free from the ordinary, infusing your designs with a touch of individuality. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Citrus Shore - Playful Marker Font Includes: Over 400 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

Rosamund Cyrillic Script Font is an inky brush script with heavy downstrokes, and skinny loops, and upstrokes. It was made with my favorite brush pen and retains a playful handwritten look for all your designs and will be perfect for use in your projects, be it logos, signatures, labels, packaging design, or blog headlines. Also, it will look great in mugs, cards, gorgeous typographic designs, stationery, and much more. Rosamund Cyrillic Script contains a full set of uppercase letters and 2 full sets of lowercase letters, (standard and alternative), and 17 ligatures. Use alternate lowercase and double-letter ligatures to create a perfect hand-painted look in your creations. The Cyrillic part of the font includes a full set of gorgeous uppercase and lowercase letters, ligatures, numerals, a large range of punctuation. Rosamund Symbols is a font with over 50 unique, hand-drawn doodles and illustrations that can help to make your design awesome. A different symbol is assigned to every uppercase and lowercase standard character so you do not need graphics software just simply type the letter you need. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended. Thanks!

ITC Don't Panic's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

Hope Sans™ takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman. The result is a sans serif family that is lively, inviting and deeply customizable. Its basic sans serif forms create engaging text, while a roaring collection of swash designs, alternate characters and ligatures make it a natural for attention-grabbing display typography. Hope Sans has been selected by the judges of the 22nd Annual TDC Typeface Design Competition to receive the Certificate of Typographic Excellence. The middle weights of the family are easy on the eyes and shine at smaller sizes and in blocks of text copy. Their friendly vibe also translates well to web and interactive design projects. Spacing is open, counters are large and Hope Sans’ range of six weights can provide just the right design for virtually any need. Headlines, subheads, banners and navigational links are naturals for its lightest and boldest weights – either with, or without, the swash letters. “Hope Sans is a paint box,” says its designer, Charles Nix. “In its basic form, it’s a sturdy grotesque, capable of setting text in a cool and relaxed way. But a bit of accenting with the alternate forms easily creates an entirely different mood and meaning. And for those that are willing to really mix with it, the variety of alternate characters can build truly unique typographic statements.”

Gigafly™ is a contemporary high-contrast sans-serif display typeface designed for branding and impactful posters. The family features very modern and sharp design language, opening a world of lively compositions full of strength, energy and movement. Its playful contrast makes it stand out from the crowd and gives it a unique type of cheerful elegance. Gigafly features lots of stylistic alternates, allowing to create a collage-like, dynamic compositions by mixing the styles and weights of the letters. To make things even more fun, the family contains a set of quirky icons that will inject even more personality into your designs (do not miss out on the super cool manicules!). The family is very powerful, extravagant, playful, yet it manages to keep its elegance - it can be more calm, measured and simple when needed as well. It has a vibe of modern, crisp sans-serif as well as fashion magazine type didone. The full family consists of 15 styles - 5 weights in 3 different optical sizes for headlines, display sizes and big posters. The family offers a 2-axis variable (weight and optical size) font that contains every style and gives even more flexibility and versatility. Each font features 1400 glyphs, including uppercase, lowercase, icons, tons of alternates, as well as other OpenType features such as stylistic sets, case sensitive forms, lining and old style figures, basic fractions and superscript/subscript, slashed zero, currencies and symbols.

Stoilen is font duo family serif typeface made with the desire for a quality, elegant, classy font that can still be used for all design needs. Wrapped with a modern yet unique character with a style. with so many alternate variations that are so unique but still elegant, it will add to the impression that this font is so luxurious for your design. Stoilen is ideal for design, logo design, blog graphics, style quotes, wedding stationery, art prints, additional design, packaging, social media, magazines, fashion, creative branding, editorial design and web designing. Features a Latin character set of more than 500 glyphs covering various languages, and includes advanced open type features such as standard and discretionary ligatures, positional numbers, style alternatives, and so on. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this has given PUA Unicode Fonts (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Features : Lowercase and Uppercase Stylistic Alternates & Discretionary Ligatures Numerals & Punctuations Accented characters Multilingual support Don't forget to check out other cool fonts in our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

The gaming world is loaded with so many cool logotypes that never see the full font light of day. The PowerUp family finds its origins of inspiration in the Super Mario Bros. logotype, and been expanded upon to create its two unique styles and extruded shadow typefaces. PowerUp celebrates the geometric sans serif stylings of the original logotype, both in its condensed and heavyweight forms, and gives them the full character set they deserve. It's fun and functional. Each font includes a full standard character set with expansive international support of latin based languages, and 2 weight/width styles and three shadow styles. This highly stylized family is ready to electrify design urges, both digital and beyond. Here's what's included with the PowerUp Family: 480 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 styles: Regular, Black, Shadow, Black Shadow One, & Black Shadow Two. Layered Black & Black Shadow Two can be scaled down to 62% to match inspiration logotype. Here's why the PowerUp Family is for you: You're in need of a dynamic geometric font with extruded shadow layerable fonts You're a huge Super Mario Brothers fan You're a gamer, obsessed with all gaming related things You are looking for a techno style font family with Condensed AND Uber Black styles You just like to collect quality fonts to add to your design arsenal

Huai and Huai Thai marks the first professional typeface release by Potch Auacherdkul and represents the culmination of research into the duality of influences between handwritten, vernacular Thai lettering and Latin typefaces. The result is a warm, expressive typeface that doesn’t abandon the human hands and the language that produced them. With Thai script, there are two different terminal styles—the Loop terminal style, associated with the original forms of Thai glyphs; and the Loopless, which has evolved to best coordinate with Latin sans serif typefaces. In recent years, this Thai Loopless style has continued to influence and even change to become ‘more Latin.’ One would go so far as to define these heavily Latin-influenced typefaces as Thai Latinized. This curiosity with shifting influences, turns the idea around and explores what would happen if the vernacular Thai scripts actually influenced their Latin counterparts instead. An Inversion of Thai Latinized is the result. The street signs of Bangkok, local vernacular writing, quick, fluid strokes… these influences form the DNA behind the Huai Thai typeface. Refining and systematizing those natural, handwritten strokes into a Thai typeface and then using those solutions to serve as the pioneer proportions behind the development of its Latin script companion was the product. Huai adopted the essence of these Thai glyphs into the Latin and uniquely embraced the contemporary writing system (and soul) of the Thai people in its letterforms.

Berimbau is a whimsical narrow hand-drawn typeface. It’s stylish, versatile and loaded with amazing OpenType features that do their magic in OpenType savvy applications. Its sprightly swashes and twisting stylistic alternates (say that 3 times fast!) play together to deliver a really cool contextual feature that, in a push-button way, substitutes the first letter in a word with its left swash version and the last letter with its right swash version (please type a space before and after the words).The feature also applies stylistic variants to some of the intermediate letters. Which button to push? The Contextual Alternates one! If you're not a one-click-way-person you can pick your preferred glyphs through the glyphs palette. There you’ll find at least 4 variations for each letter: left swash, right swash and 2 regular forms that correspond to the upper and lower case keys. Some letters also have a 5th variation that acts as stylistic alternate. This font is conveniently packed with the ‘access all alternates’ functionality, so when you click on a glyph at the glyphs palette you’ll see all variations available for it, making it easier to choose the one that will fit better. A bold weight was made to provide that extra-strength when a bit of… boldness is needed. Please note that it doesn’t have the advanced OpenType features (but is still very charming!). Yet, both weights have a handy set of ornaments for added yumminess.

LunchBox Slab is the pair of LunchBox, a uniquely hand-drawn typeface that gives numerous customizable options and a fully authentic look. The serifs in LunchBox Slab are simple blocks, with bulbous terminals on curved letters, which creates a unique effect. Identical to its pair behind the scenes, LunchBox Slab’s OpenType features allow access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps LunchBox as well as stylistic alternatives. It gives special letter combinations a unique interaction, giving your design a unique and personalized look without spending hours creating it and outlining your text. Included are also a set of swashes that also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold. LunchBox Slab Ornaments includes nearly 200 different graphics, flourishes, frames, catchwords, text breaks and arrows. If you do not use OpenType but are using a program that includes a full glyph panel, you will be able to manually access each of the style variations you want. Enjoy!

ITC Don't Panic 's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

The most exciting new feature of DynaGotesk is the Vintage Italics stylistic set, which activates the decorative forms. It includes the looped "w", curved ascenders and descenders of many lowercase letters. These can significantly change the feel of a poster or invitation. DynaGrotesk may look like a revival of an old typeface, but it is not. It uses only some historical reminiscences, sharp edges and curved shapes, but it’s completely original design aimed at ease of use. The bigger the size, the more evident and pronounced are the spicy details. In smaller and even smallest sizes it’s appearance is qieter, very well suited even for long portions of text. DynaGrotesk was created in 1995 with the use of Multiple Master interpolation. But the MM fonts never achieved the desired application in industry, so designers returned back to single fonts. Over the following decades, the font was modified several times as an old house, and the present re-animation includes the Variable font format. Since its first release in the mid-nineties, it is widely used in all areas of graphic industry from small publishing to international corporate identity. The warm character of DynaGrotesk derives from early sans-serif typefaces, those which appeared before Helvetica. All 60 styles contain common OTF features like Small Caps, various sorts of figures, ligatures, Cyrillics, Greek, and full Latin diacritics. Perfect for branding systems and corporate identities, lettering, as well as cultural posters and catalogs.

Edison, is it Victorian or is it Art Nouveau? While this typeface may be found in Petzendorfer’s Treasury of Art Nouveau Alphabets, I believe the decorative spirals are more Victorian than “New Art.” To me, they looked tacked on, rather than organic -- with the industrial mechanics of a coiled spring, rather than the tendrils of a growing plant as the philosophical wellspring. Originally released by ATF in 1894 as Houghton, this typeface was re-released shortly thereafter by Bauer and Berthold in Germany as EDISON. Please do not make the mistake of thinking the font we offer here is no better than freeware fonts in cheap rip-off collections. This font has a set 218 characters and represents many hours manipulating the bezier curves to produce acceptable results. Available freeware fonts are often little more than raw scans with little accuracy of letterform. The muddy line intersections are a dead give-away. Frequently all you get is the alphabet itself. No numbers, no punctuation and don't even think about diacriticals. The font we offer represents a tremendous value. Considering the hours of work involved, I have no business charging so little. I could make better money cooking hamburgers or bagging groceries. But we want very much to encourage you to purchase and enjoy these fascinating historical typefaces and are making it as easy as possible for you to do so. So please encourage us and order Edison today.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. Carol Twombly designed this Caslon revival for Adobe in 1990, after studying Caslon's own specimen sheets from the mid-eighteenth century. This elegant version is quite true to the source, and has been optimized for the demands of digital design and printing. Adobe Caslon? makes an excellent text font and includes just about everything needed by the discriminating typographer: small caps, Old style Figures, swash letters, alternates, ligatures, expert characters, central European characters, and a plethora of period ornaments.

Frescito is a modern sans-serif typeface that embodies a fresh, cool, and street-smart aesthetic. Designed to be both balanced and versatile, its clear and legible monoline style is designed for branding and advertising in editorial and digital design. Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts Inspired by the energetic spirit of the city and its vibration, Mans Greback set out to create a typeface that would stand out against vivid moment; a type that would work in a traditional café just as well as for contemporary merchandise. The result is a font that combines the best of both worlds: an air of freshness and modernity with an unpretentious, timeless and classy appeal. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing our UPDATE "Holiday - Script Handwritten Font" Two years ago we created a script handwritten font that we named Holiday, we didn't expect, hundreds of designers have use the Holiday font, this is really cool font. And today, we've been working hard to make this Holiday font even better, it's the best script handwritten font we've ever made, we've named it Holiday2. Holiday2 - Script Handwritten Font is a handwritten script font with a simple and classy style, this font is great for your next creative projects such as branding, watermark on photography, signature or signature logo design, quotes, album cover, business card, and many other design project. From business cards to photo watermarks, Holiday2 is here to elevate your work to the highest level. However, we still included our old Holiday font, we created Holiday2 to be easier to read and of course with a better design and clean. Holiday comes with uppercase letters, lowercase letters, lowercase alternative letters, numbers, punctuation, ligature and multi lingual support To use alternative end text is just block end letters and select alternative letters on glyphs option. it may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. we hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

An authentic style of feminine handwriting with a pencil Who still writes by hand? And who still writes nicely? What constitutes beautiful handwriting anyway? In Marleen Script nearly 100 stylistic alternates for individual letters and more than 400 ligatures are included. With these options it is finally possible to convincingly simulate the effect of true handwriting with a typeface. So, the form of the single character seldom repeats itself since it is mostly replaced with a ligature; and, with each combination of characters the result is a slightly different form of the individual character. Type set in Marleen Script appears remarkably similar to a text actually handwritten with a pencil. The characters of Marleen Script have intentionally been digitalized as a bit loose and irregular. Stylistic alternates are available for many of the letters, some even with various alternates to choose from, in order to produce a font with a very lively appearance. This typeface also fills a completely different kind of gap: finally, a ”typically female“ font. Spirited capital letters, the tendency toward loops and the obvious inclination toward the left are all common characteristics of ”female scripts.“ The original for Marleen Script was created by Marleen Baumann from Augsburg in the spring of 2010 using a sharp pencil on rough handmade paper. In spite of irregularities, this font is aesthetical. Although most people rarely put forward an effort with their handwriting, in Marleen Script one can see the desire for an attractive form.