East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

Brexit now has its own typeface. Brexit the type family is made for being slanted one way or another, to offer stylistic choices and expressions, like for or against, or remain or leave. Because Brexit is international, the letters are made to support many languages. The name is given to mark the British withdrawal from the European union. Brexit is an elongated display typeface in three styles. It is a sans serif with contrasts in stroke and shape. Brexit supports languages with latin characters and ligatures as well as Greek and Cyrillic. The italic and contra italic are extremes that can be used to contrast each other or versus a standing regular. Sometimes complex concepts are best communicated in single words, and the typeface Brexit is made for that and more. The typeface works well for clear messages, shop displays, poster work, menus, signage and other purposes where you want to have impact.

About Royalis: Royalis is an expressive and extravagant serif typeface family. It is characterized by a high contrast and dynamic features in the details, such as long terminals or deep inktraps. Royalis is available in three versions: a display version in six weights, a corresponding condensed version also for display applications, and a text version for body text in four weights. It also comes with all the corresponding italics. This makes Royalis versatile, especially for editorial, packaging, branding and advertising. The wide range of weights and possibilities allows Royalis to be used variably. The thinner weights are characterized by their elegance, while the thicker weights captivate with their powerful contrast. They complement each other like the three musketeers once did. Be it the charmingly elegant Aramis, the sober strategist Athos, the powerful ruffian Porthos or the charismatic d'Artagnan, who led the group. Features: The Royalis family has a total of 32 weights, from extralight to black with matching italics, as Display, Display Condensed and Text versions. With over 1027 characters, it covers more than 200 Latin-based languages, with a whole range of Open Type features. There are alternative characters as stylistic sets, small caps, automatic fractions - just to name a few. Arrows and numbers: In particular, the extensive selection of arrows and numbers should be mentioned here. Thanks to Open Type features and a simple system, the various designs of arrows and numbers can also be easily "written" without first having to select them in a glyph palette.

Tex Writer is a custom handmade / handwritten Serif typeface with a simple and casual personality making it perfect for text typography, logotypes, marketing graphics, branding, package and advertisement design and anything in between. Extended Character Sets Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. What You Get This typeface comes with 14 fonts having 7 weights + 7 italics (Light / Regular / Medium / SemiBold / Bold / ExtraBold / Heavy).

Burpee is a basic condensed sans typeface, designed for headlines that needs be powerful and punchy, Burpee is inspired in sports, looking for a visual impact that get the attention.

A condensed tall upright font with lowercase small-caps. Basically designed for movie posters. May also be used for a variety of tight-fitting type designs, from packaging to captions.

Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.

There's nothing too fancy about Pool Deck JNL, which is based on an older typeface design. It's your basic sans serif condensed type style with a few unconventional letter shapes.

Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

Minty March is an adorable handwritten font that is perfect for cards, invites, birthday invitations and more. This condensed, serif also works well when combining it with a script font.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Moftein Sough Is a condensed serif font pairing with playful dingbat to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio

Dionisio, a CastleType original, takes its inspiration from one of the overlooked treasures of the CastleType library: Ransahoff. The latter is extremely condensed and very elegant. I particularly like its hairline slab serifs and cross-bars. I decided to use it as a starting point for a new design, but to make the proportions more classic and to make it more sensuous with gentler curves and bracketed cross-bar serifs. The result is very Bodoni-like, but less extreme and more contemporary looking. Meanwhile, Dionisio maintains a hint of Ransahoff with condensed letterforms and very fine serifs. Dionisio brings together the best of both, making it the perfect choice where a slender, sophisticated typeface is needed. Dionisio is available in two widths: normal and condensed, five fonts each. Includes an extensive character set and OpenType features.

Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.

Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks. Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings. The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.

Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

A New Condensed Sans Serif font are prepared special for heading, title, and typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Darien Modern Condensed Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Darien font Ready with All characters Wish you enjoy our font. :)

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and Lisa Schultz. Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants. Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

Inspired by the streamlined lettering of trains, cars and advertisements from the 1930s and 1940s, Silver Streak is a font family that combines Art Deco elegance with refined craftsmanship and modern features. Silver Streak's contrasting strokes and tastefully rounded corners conjure an era of refined, vintage elegance. An extravagant palette of 25 weights — from gracefully tall and thin to commandingly wide and heavy, along with a variable font for unlimited options between — provide unforgettable branding possibilities for luxury items ranging from jewelry, clothing and perfume to the sleek badges of high performance sports cars. Features: Five widths from Compressed to Extended Each with five weights from Light to Heavy Complete family includes a Variable font for precise control of weight and width Support for 223 languages, including Western & Central Europe, Russian Cyrillic, Serbian/Macedonian, Ukranian and Vietnamese Alternate hook-cornered capitals (accessible as Opentype Discretionary Ligatures) Alternate round-topped A in two versions, each with international accents (accessible as Stylistic Alternates)

A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.

Nought is another slab serif typeface, It is a display font with vintage and condensed look that perfect for branding projects, advertisements, product packaging, product designs, label, header, and any projects.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

Hyperbole is a condensed futuristic display typeface, suitable for writing headlines and drawing posters. This font is strict, cosmic, bewitching. It contains alternative styles for latin letters and extended latin letters.

Clean, crisp, rational, familiar, modern… serifed. Positype Scotch reaches back to history just enough to produce something warm and easy on the eyes. No corners were cut, no quick tricks… this type suite was drawn for specificity: Text, Display, and Deck… ALL in 3 widths that now include Condensed and Compressed. Each unique, each inter-connected, each part of the whole. Scotch Text is offered in 6 weights with matching true italics. Drawn for economy and an easy read, the family is a workhorse for long-passage text settings. 4 sets of numerals, well-proportioned small caps, and a plethora of extras round out each font. Scotch Display is not just a thinner version of Scotch Text wrapped in a higher contrast. Display sports shorter ascenders and descenders, a unique footprint, great contrast, and a more folded, calligraphic italics. Display subtly oozes sophistication and provides an attractive, exhuberant companion to Scotch Text. Scotch Deck rounds out the offering by choosing to be specific to its offering. Deck utlitizes traits and proportions shared between Text and Display, but alters its overall mass to balance out the needs for settings that require subheadlines, callouts and other similar uses. Essentially, something not so high-contrast and not so stress dense that works great for middle-sizes.

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

Arpa is a display sans and condensed font family. The source of inspiration of this typeface is “wheat-barley”. This typeface has three styles. Extensive Latin language support and features multiple weights.

Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.

Lamoreli is a strong rounded face that provides high impact in a non-aggressive way. It is suitable for display, titling and headlines. It retains integrity even when considerably expanded or condensed.

The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.

Deckhouse is a tall and condensed typeface with small serifs. It has an authentic hand crafted feeling and works wonder for packaging, lettering, invitations, cover and other types of display design projects.

Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.

Cattle Drive JNL is based on some examples of a classic condensed wood type. Lettering of this period lends itself well to themes of Western life, carnivals, circuses or classic broadside posters.

Discover the complete Eastman type family: Eastman Grotesque and Eastman Condensed! Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.