Tomino is a dot serif, or a sans-serif decorated with dots. It's wide and clear, and works great in small and large sizes.

Originally designed as an experiment in monospacing (Illuminati Mono), Illuminati is a mixture of sans-serif and serif. The Italics have some cursive features.

Geopa is a fractional conversant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions.

Brilliante is a geometric, uniform stroke, sans serif font with rounded end strokes. It is ideal for headlines, titles, branding, small blocks of text.

Maesgo is a bodacious joculatory linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Great sans text font family for all your needs, text, signage, logos etc. Very elegant and suitable for classic as well as formal design.

Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.

Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.

Rugen is an urban all-caps sans serif that perfectly matches your branding project and more. FONT FEATURES Additional Accents 66 Languages Kerning Alternates

A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.

Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante and Juan Claudio Aznar de Polanco. These 17th and 18th centuries alphabets with their plentiful calligraphic flourishes represented a marked break with the harmonic and angular Renaissance Cancellaresca style. It was Morante who first introduced and popularized the use of the pointed quill in Spain, and although his famous text entitled “Arte Nueva de escribir” – first volume published in 1616 – contains alphabets that have much in common with traditional broad nib Cancellaresca calligraphy, most of the examples therein are outgrowths of the new models put forward by the Italian master Gianfrancesco Cresci. The writing’s swashes are complex and intricate, but at the same time they feature a profusion of defects. Many of them sometimes come close to ugliness. However, these pages contain an artistic essence that bears a relationship to the ironic and sometimes somber character of Spanish Baroque. That’s why the name of the font pays homage to “Dulcinea del Toboso”, the fictional beauty from Miguel de Cervantes’s ‘Don Quixote’, a work that reveals many of the period’s conflicts, such as the contrast between utopian ideals and reality, uncertainty and madness. But Dulcinea is far from being just a revival. Its forms are not careful tracings of the outlines of Morante and Polanco’s letters, nor are they attempts to reproduce them digitally. In fact, the author of the letters says that had the font been created that way it would have been too archaic to serve as acceptable contemporary typography. However, he believes that there are myriad interesting details that can be rescued and preserved, along with the playful spirit of the original. The work of designing Dulcinea consisted of combining original historical elements with the creativity and calligraphy of the font’s author in order to produce a modern typography that isn’t based on the same traditional sources as many recently created scripts fonts. Dulcinea offers attractive options for the setting of texts and headlines: abundant ligatures and swashes along with intricate alternate characters. It sophisticated forms make it an ideal option for women’s magazines, recipe books, lingerie products or perfume packaging.

Shtozer is a retro-themed display typeface based on designs of 1960s and 1970s and additionally inspired by Cyrillic ornate lettering Vyaz. It comes in 8 weights, with 5 width variations each, all accompanied with respective obliques - making 80 styles altogether. Shtozer is a font family with extensive language coverage including Cyrillic script. It also contains numerous OpenType features and alternate glyphs to vivify the typesetting.

Corona was designed by C.H. Griffith and appeared with Mergenthaler Linotype in 1941. It is a part of Griffith’s Legibility Group’, on which he began working in 1922 and which contains typefaces especially well-suited to newsprint. Corona is based on forms of the Ionic type, perhaps the first style designed specifically for newspapers. The font is relatively small but gives an impression of strength and modernity.

Tobi Greek Cyrillic is a typography based on Tobi (2015), now much improved with alternative ligatures and better than containing the Greek in capital letters and also in Cyrillic. Tobi Greek Cyrillic is a very cheerful typography, especially fun for children’s titles, juvenile children’s clothing comics, this typography was designed with a lot of love. Authors:  Rodrigo Araya https://www.behance.net/Rodrigotypo and Andrey Kudryavtsev.

Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive styles were revived, whereby I stuck as close to the original as possible. All styles contain even the weird-looking capitalized German double-s of which I am a strong opponent.

Morona is a beautiful, classy, and chic font with an elegant and minimalist design, making it perfect for creating stunning design projects, especially in logos, displays, fashion, wedding, lifestyle, and branding. This font contains numerous special characters, providing satisfying results. Moreover, Morona includes a wide variety of ligatures, allowing you to achieve a magnificent look on your posters, cards, logos, quotes, invitations, books, prints, packaging, and more.

MRK Argument is an elegant, modern display font. The main visual style is — deeper ink traps and shoulders. It gives an exceptional and luxury look that is perfect for modern elegant brandings and for headlines. A stylish & extraordinary font containing all punctuations and supports multi languages. This font is suitable for various purposes such as movies, posters, logos, labels, packaging, branding, editorial design, and any modern purposes.

Meet Byra! A new approach to a decorative typeface. This typeface has asymmetrical terminals (round), which means than has serifs, but not in every side of the letterforms. The mix between both classic and modern elements, as terminals and the inverted contrast, gives the typeface a strong personality. Byra contains two weights, regular and bold, it’s a display typeface and great for headlines, branding and editorial proposes

Abdo Line is a simple Naskh font for books and magazines. Accurate design and clarity of reading and writing space-saving, it comes in sixth weights: Thin, Light, Regular, Bold, Heavy and Black. This is an OpenType Font supporting Arabic, Persian, Urdu Languages and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives.

Poster Hand is an informal, casual script that echoes the hand lettering of those ubiquitous signs found all around us. From market stalls to menu boards, we are surrounded by the work of the unknown sign writer. The font comes in three styles, Regular, Italic and Reverse Italic and contains OpenType ligatures and kerning. Latin Extended A supports all western and eastern european latin languages.

Take a trip back in time with our unique color font family Syom! The rounded and inflated shapes of the letters embody the atmosphere of decades of the last century, while remaining relevant in modern design. Features: - Real 3D effect - Extras - Multilingual - Ability to adapt 3D letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters.

Fauna Pro is the second generation of its previous version. Now it is more futuristic with a strange sci-fi spirit. Fauna Pro has more solid contours and thick letters. It compares with futuristic thematic, including such elements like robots, spaceships, electronics, cosmos, planets, nature, and modern architecture. Font family includes 6 font styles: extra light, light, regular, medium, semibold and bold. Every style contains 266 glyphs.

Hendbras is handcrafted font duo created with a brush and ink, bold and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. This font ideal for use in watercolor design or lettering style bold hand, such as posters, wedding elements, t-shirt, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more.

A design experiment run amok! To some, the upper case A of this font resembles a diving helmet. If you put same on a guy in a gorilla suit, you have the really cheesy 50s sci-fi movie that gives the font its name. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Roicamonta font looks very feminine and delicate. Perfect fit for invitations, greeting cards and other printing where soft and elegant writitng is required. The design stems from Copperplate calligraphy and comes in two styles - upright and italic. This family consists of six font files overall, each file contains over 1200 glyphs. Complete with variety of swashes and fancy ligatures. All engineered and included in handy otf format.

Roadstar is a script designed in the style of the classic American advertising font from the 1940's-1950's. Roadstar is a retro brush-style script designed for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadstar comes with two styles that both contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.

Hot Cup Cake is a relaxed, fashionable and delicate script font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Hot Cup Cake font contains is supporting 66 languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu.

Here’s another offering based on the work of Alf Becker, long-time contributor to Signs of the Times magazine. This only comes from the 1940s, and is a light and bouncy single-stroke face that’s sure to pep up any project it graces. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This whimsical typeface is based on an untitled work by William Hugh Gordon in his 1931 book, Lettering for Commercial Purposes. If you are looking for a font to add warmth and quirky charm to a project, this is the one. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Calendar Blocks JNL was inspired by old-fashioned wood type used to assemble calendar pages in the days of letterpress printing. The A-Z keystrokes contain the dates 1-26. The lower case a-z keystrokes have the remaining dates 27-31, along with the split dates 23/30 and 24/31 and blank boxes. The days of the week are located on the 1-7 keys.

A 1928 poster for a café by German artist Karl Bauer informed the creation of this charming and expansive typeface. This font hops, bops, flip-flops and never stops, and is named after a fictitious café which offers cool jazz and fast service. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Ailre Heleris is an elegant script font with an expression of natural handwritten style that flows freely. Perfect for titling, long texts that need handwritten feel, branding projects, social media, wedding invitations, greeting cards, elegant packaging, headlines, posters. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features – some standard ligatures, alternates for lowercase letters (beginning and ending swashes).

Sacred Geo is a Dingbat font, containing the basic principles of geometry, perpendiculars, bisections, partitions of angles, curves joints aligned and asymmetric, thus the construction of the main spirals, construction of polygons as a square, rhombus, pentagon, hexagon, octagon and how to combine them into ornamental shapes. Discover the magical world of sacred geometry. Winner in the TL2012 International Biennial of LatinAmerican Typography, Tipos Latinos.

Lizie Slab is a slab serif, where the geometric construction is inspired by the 1930s design icons De Stijl, Gerrit Rietveld and others. Lizie Slab is designed for both print and digital use, and you will find it ideal for packaging, poster design, catalogs and exhibition design. The font supports a wide range of languages. This OpenType contains features such as fractions, proportional and tabular shapes.

Introducing "Chop Crap" - a lively and humorous handwritten font that combines boldness with a playful twist. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

No mystery here: this typeface is based on the not-often-seen Cooper Black Swash Italic, designed by Oswald Bruce Cooper. Swash variants are the norm with this font, but enabling Contextual Alternates will prevent collisions between the swash “tails” and letters with descenders. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Gush Kettle is a distinct note font made manually with a pen contains 50+ ligatures with two alternative. Gush Kettle is great for branding, posters, logos, invitation, writing and headings. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Thanks so much for checking out my shop and feel free to drop us a message any time and follow my shop for upcoming updates

The pattern for this delightful little font was originally released as Bernhard Heavy Antique Cursive by the Bauersche Geißerei of Frankfurt am Main and designed, of course, by Lucien Bernhard. Dippy, trippy, under the radar and over the top. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Dutch type designer Max Kisman created this display FontFont in 1991. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards, software and gaming as well as sports. FF Rosetta provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Brilliant Simple is a very Beautiful, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! Brilliant Simple is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. Thanks & Congratulations on the Design.