Operandi is geometric sans family available in 6 weights inspired with vintage posters design from period between two great wars. Unpretentious family guided by simple design solutions – slightly wide by its character, decently recognizable, fully capable to lead any project – Operandi offers combination of functionality and visual balance that should be enough to recommend it as right choice. From Light to Black, packed in extended Latin character map, Operandi also contains a few OpenType features such as Ligatures, Fractions and 2x Stylistic Sets – one for complete uppercase alternatives and one for “a” and “g”.

Multilayer Roman font with 8 levels, inspired on ’70-80s, it wears sharp edges and compact proportions, with a way fresh contemporary retro volumetric style, ideal for branding & packaging, logotype, headlines, covers, sign letters, label, ticket design, and even 3D lettering. It contains a variety of design resources like stylistic alternates, sensitive case adaptations, old-style numbers, fractions, ordinals, ligatures, localized forms, all of them are accessible via character set panel. Design period: 2019 & 2021. Release: 2021 Graphic interpretation: Pedro González Concept: Bruno Jara Development: Peggo Fonts Foundry.

Ampmosphere, a picture font, contains instruments and components from a 60's rock and roll band. After a friend's request to create a guitar graphic, I decided to start a set. Over time, more instruments were added along with amps, tubes, lights, etc. The glyphs are great to use individually or combined. 65 detailed glyphs in all... A - Z upper and lower case; 0 - 9; comma, period and forward slash. Upper case A, B, C and D are the separate strings for the stringed instruments a, b, c and d.

Can you imagine the delight that the printers of the Incunabula era would have had if they had such a tool as this font with a hundred and fifty glyphs of decorative capitals. The printers of that era were lucky to have more than a handful such delights. These Decorated initials and drop caps are all based on early period exemplars, dating to prior to 1525, from a wide range of printers such as Thomas de Blavis to Günther Zainer. Every Proportional Lime Font comes equipped with a complete character map.

The Vision font is a display font with a temper. Has a bold and cheerful personality. Ideal if you want to add a new experience to your work.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Sweetheart Script revives handwriting from the mid 20th century with a lot of bounce and personality. Use it in casual settings where you need a bit of flair!

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

Linguista is a gorgeous monoline script, full of personality and curves. It features a natural flow that makes it perfect for any project that requires a handwritten feel.

Kasper was designed by Franco Luin in 1995. It is an informal script typeface and its playful, dynamic characters are perfect for greeting cards and other personal correspondence.

A Hand-drawn font loosely based on Dan’s handwriting. Full of personal charm and interesting upper & lowercase characters, numerals and a large range of glyphs(Including Greek & Cyrillic).

Grand Pix is a font family designed for the limitations of the old days low resolution monochromatic screens. Even with few pixels, it brings together legibility and personality.

Meet Bebigel! (Say "bɛ'-bi-gɛl," with a hard g). Bouncy and fun, but also a strong Clarendon slab serif in four weights, supporting Latin and all Cyrillics. Great for branding, titling, packaging and signage — wherever strong letters with big personality are required. And if you need a little less personality, just turn on Stylistic Set One ("Butch it up!") and find simpler versions of the more ornate letters. Dedicated to the great Robert Love and made with love in The Ampersand Forest.

Skratchbook is a new handwritten font from the sketch pad of designer Tom Nikosey of CozyFonts. The family exists in 3 versions, Regular, Italic, & Back Italic. This font is a casual, coarse style meant to be used for personality and spontaneity. It's style conjurs anything from quick grocery lists to Halloween Party invites. It maintains amazing legibility in small sizes and it's true personality is revealed the larger it is set! Hoping this font finds your voice! Skratchbook, New from CozyFonts Foundry.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

Fincastle Sans JNL is an all-caps titling font in both regular and oblique versions. It's clean, legible monoline design complements any layout from ad copy to personal stationery.

Detention JNL is simply the hand printing of its designer, Jeff Levine. Its uses range from personalizing notes and messages to a graffiti look or as "legible grunge lettering".

Riceball is a clean, cute, and adaptable handwritten font that can be used for various designs! Its authentic vibe will add a personal and realistic feel to your designs.

This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)

It's legible, it's handmade and it has a lot of personality...with a twist of organic freshness it is guaranteed to make that next project of yours stand out!

Weisshorn Brush is a new brushed textured font which includes extra swashes. Perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm.

Alma Mono is a monospace typeface with a friendly personality. It comes in five weights and its rounded ends convey a more friendly atmosphere then a more mechanical monospace.

Amalfi a hand written pointed pen font that is filled with personality. The font comes with upper and lowercase characters in both Roman and Cyrillic, numbers, marks and punctuation.

Eshajori is an elegant and soft serif font. The primary challenge in designing this font was finding a balance between complexity and simplicity, while ensuring it could be used on both computer screens and in print. Another challenge was achieving harmony between the characters, punctuation, and numerals, creating a visually appealing and playful visual vocabulary overall.

Neon is an experimental, retro display typeface designed by Superfried. Neon features two styles which can be toggled via shift. As the name suggests styling for the typeface started with classic neon signage, but quickly took a new direction of its own leading to a very distinct and versatile display face. Neon has been featured in Computer Arts magazine.

Handmade Dropshadow JNL was modeled from lettering found on a vintage silk screened metal sign used for point-of-sale marketing. Before the advent of computers and modern techniques, silk screens were hand cut using material called frisket and knife tools, and the lettering reflected the human inconsistencies of cutting these lettering into the template surface for transfer.

Hugh Whyte, best known for his geometric computer graphic images, created these designs to encompass a variety of today's modern attitudes. These illustrations can be used imaginatively in book jackets, brochures, logos, posters, or wherever bold, creative imagery is needed. 'Attitudes' includes many striking and fanciful images from cats, masks and robots to a skull and crossbones!

This font was inspired by the original "Punchado" font; and this evolved font is named the "Punchado Punch". The "Punchado Punch" font features similar sharp edges and measured right angles with a greater impact of design . The theme of this font is perhaps best suited for: science, science fiction, engineering, mathematics, future, video games, gaming, computers, etc.

The Book of Kells is a handwritten Irish text which dates back to the 8th century. Kris Holmes and Janice Prescott digitalized some letters from this book and some from a Grotesk font in the style of Frutiger. A computer filled in the blanks and the designers then gave the font its finishing touches by hand.