Simple Crush is my down-to-earth-comic-font with no hassle! Well, actually Simple Crush might take you by surprise here and there - because there is no real rules to height, width, curves and thickness…or whatever. When it comes to Simple Crush, you’re in luck - because Simple Crush is legible and stands out as a strong comic font, ready for action…even though the mission is a party invitation, birthday, poster or products for kids and pets!

"Super Crash" is a Playful Display Comic Typeface. "Super Crash," a display comic typeface designed to infuse your designs with vibrant energy and lighthearted charm. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing, Marker O Type. Marker O Type is new signature font like a child's handwriting. The unique typeface brush also feels childish look similar like comic sans. Great for body text in comic book. A unique brush typeface with chill out. This font is perfectly made to be applied mainly in logos and various other formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

NYC Graffiti is translated into a lively comic letter-style that is highly engaging. GhostKid was inspired by a few graffiti murals tagged "iRAK", the four letters that ended up inspiring this uber-black typeface. GhostKid has now been expanded to a Pro version to include a Small Caps set, Unlimited Fractionals, Superiors & Inferiors, and Ordinals. GhostKid Pro achieves a wider appeal and a new sense of personality, taking its comic display typestyle to a whole new level.

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

Happy Boy is a handwritten sans typeface that has a rounded corner in each glyph. Inspired from speech bubble for comics, illustrations and kid writing. Happy Boy is perfect for comics, illustrations, cartoons and very suitable for speech bubble text. It is fun, easy communication and an eye catching style. You can use it for cover book, tagline, poster, branding, advertising, wallpainting letter, graphic design, and more. Happy Boy comes in 4 styles, regular, italic, bold and bold italic.

Delegat is a comic book lettering font inspired by handwritting of Frank Ching. The family includes Regular, Italic and Bold version. Delegat contains two variations for each letter and ligatures to swap out any two identical letters that appear next to one another for a pair that is slightly different. Delegat Extra can be used to disguise curse words in comics. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

It Had to Happen! Here Comes The World's Greatest Comic Book Font! It's A Collector's Item Classic! It's One of Comicraft's Greatest! You Wanted Our Silver Age Style Font -- last seen in the Pulse Pounding Pages of DC's SUPERBOY and Marvel's FLASHBACK titles -- and Now You've Got It! Three Thrilling Feature-Length Fonts! They're the Strangest Sans Serif Fonts of All! Proof Yet Again That This is Indeed the Comicraft Age of Comics! Etcetera, etcetera, etcetera, Blah Blah Blah...

Arae GT is all caps font created by the ably creative team, inspired by the look of comics and Japanese written text, Arae GT comes in regular and shadow line styles and comes with ligatures and a simple look, making this font very easy to use for your design needs. Arae GT is very suitable for text on comics. cover, company logo, unique and funny qoute, branding t-shirts, bags and so on. enjoy imagining designs.

Introducing Boxtoon, a lively comic font with a bold, modern-retro twist. Bursting with fun, it seamlessly blends the nostalgia of classic cartoons with a contemporary edge. Boasting 16 versatile styles, this multilingual marvel supports Cyrillic characters. Perfect for dynamic displays, comics, posters, book covers, and playful designs like t-shirts, games, and digital crafts. Embrace the whimsical charm that Boxtoon brings to kid's books and beyond—an all-in-one font for your creative adventures! **Uppercase

Presenting Million Boomer! A Smooth Handwritten Font. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Million Boomer looks stylish and unique on design projects. So, Million Boomer can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? 1. Million Boomer • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, alternate, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Extra Dingbat • Included 17 Dingbats. You can feature all with typing c_1 until c_17 A Million Thanks Colllab Studio

Presenting Just Moving! A Chic Handwritten Font with natural strokes. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Just Moving looks unique and so flow style on design projects. So, Just Moving can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? Just Moving • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, Many Ligatures, Alternates, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Extra Swashes • Included 10 Underline Swashes. You can feature all with typing c_1 until c_10 A Million Thanks Colllab Studio

Brim is inspired by antique woodtype and chromatic type from the 1800s. Its various styles stack together creating a variety of decorative combinations. Each style can be assigned its own colour, resulting in a rich assortment of eye-catching combinations. The font began as a handful of letters created for a logotype. It became clear that it would make an excellent display typeface, so it was expanded to include all uppercase letters, numbers, European accents and more. Warm and tactile, Brim produces punchy headlines and decorative titles. Perfect for posters, packaging and logotypes. The name Brim accurately describes the expanded outer edge designed to produce its distinctive outlines. This overlapping structure couldn’t function correctly in wood or metal type; however for digital typography this system produces a more efficient solution for colour type, both in design and smaller file size, important for web typography. Many thanks to Dave Foster, Toshi Omagari, & Terrance Weinzierl, who generously gave their time to guide the design of this typeface. For a flattened version, see Brim Combined

ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION A are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION C is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION C are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION B is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there’s a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION B are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what’s important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

A funky balloon type in three variants, Highlight, Shadow and plain old Vanilla. Guaranteed to bring a sense of playful fun to packaging, comic magazines, and merchandise.

“Bloody Terror” is a decorative font featuring letters like blood dripping. This font is perfect for Halloween moments, Halloween greetings, Halloween invitations, movie titles, comics, and more.

Sambi Lemon is an uppercase awesome font suitable for your many great project as branding, packaging, poster, comic, flyers, and more. Features: - Uppercase & Lowercase - Multi-lingual Support

Mr. Jenkins is designed to fill the void between the crazy, wacky and reckless comic style fonts, and the standard boring but very readable sans-serif typefaces. It makes for a distinctive bold headline, but is also quite legible at small sizes. It’s just off kilter enough to not take itself too seriously. A deceptively care-free font, each character was carefully drawn. The spacing and kerning of each letter and letter combination were painstakingly considered. Particular attention was paid to maintaining consistent optical weights and a spontaneous appearance. Mr. Jenkins is inspired heavily by humanist sans-serif faces such as Myriad and Lucida Sans, with its open apertures, and low contrast but almost calligraphic line weights. The lowercase a is single story in the italic face, but two story in the regular face. It contains uncommon features amongst many “quirky” fonts, including a full set of latin accented characters, lining and proportional figures, math symbols, standard fractions, foreign currency marks, contextual alternates, and even a few ligatures.

Hatchet Job - A Halloween Brush Font Unleashed onto an unsuspecting public this Halloween, Hatchet Job is a brush font inspired by the slasher and cabin-in-the-woods horror movies and comics typical of the 1970s and 80s. This textured all-caps design takes its visual style from old cabins, ghost ships and axe-splintered wood that can only spell danger! With a bold brush strokes and frayed edges, it offers the tools to leave your readers nerves in tatters! The Hatchet Job font family includes all-caps uppercase and lowercase characters, along with numerals, punctuation, symbols and language support. Also included are a complete set of alternative characters and additional paint marks, drips and splashes. Wingsart Studio Design Tip! The uppercase and lowercase characters work great when mixed in an alternating fashion, with shapes that combine to create a dynamic, un-hinged look that's perfect for the Halloween season. Add the alternatives and paint marks into the mix and you'll have yourself a title or header design that looks truly custom-made.

Welcome to my Geometry Pair. Introducing two fonts Forma & Structure that will make you happy. One of them is a compilation of shadow-based symbols like silhouettes. Another one has a rock of glyphs that don't repeat each other, but looks in the same style. Surprisingly they fit to each other and you can mix them in your works, be it print or web design. Make your graphic works more stylish that highlight your uniqueness from other. Just wonder people who loves funky design and who respect tiny details. Now you have opportunity to grab them both at the same time! There are all caps fonts kerned with microscope with multi language support.

One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled "m," filled in gaps in the most-used characters; even the number "4" is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.

Thick is the perfect font for all your fun designs and also for Halloween decorations. The main font file is equipped with ordinary characters, as well as more than 350 glyphs to support most Latin-based languages. Everything is made with the same brush, and everything is the same size as Thick, so you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs. Thick feature: - More than 350+ glyphs - Fully coded PUA for full access to all characters - 19 languages ​​support

Brown Chunkers is an unique serif based display typeface containing many alternates, swashes, ligatures that can make your lettering/logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind.

Feilla is a cute valentine’s handwritten font featuring lovely ornaments. This font is perfect for romantic-themed designs, especially when combined with pink or bright colors. It is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Meet the new Strong and Bold typeface from TBS. TBS GARTEK is a Display typeface It has a single weight ultra bold It come with multilingual glyphs. Good amount at Large Point sizes with combine with any suit typefaces, Headline, Logo font.

Introducing Winchester Blackletter Vintage Winchester Blackletter Vintage is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. MaulanaCreative.

Inspired by the shape of a 3.25" floppy disk this unicase font was designed from the combination of three square modules. Made in 1998 Disquete is one of the first projects of Buggy, founder of the Brazilian type foundry Tipos do aCASO.

Trick Pony is a typeface bastard that steals its characteristics from sans serif fonts and combines these with an ink brush appearance. The design is strictly reduced on the one hand, but on the other gets its handmade touch through varying stroke sizes.

No, rest assured - I am not ill. I just liked the letter combination of Symptomatic! Symptomatic is a messy connected brush script. Use if for your book titles, posters and product packaging. Comes with double letter ligatures and a whole lotta diacritics.

Windha is a modern and awesome signature font with extraordinary charm. This will change any design idea to be beautiful and perfect! Can be used as a logo, branding, or just writing. It supports multilingual languages, which you can combine into great designs.

Unique and funny are the hallmarks of a kenta font, this font is made with a wider width to make it look unique, and is combined with lazy hand strokes to make it look funny. suitable for use in casual themed graphic designs.

Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations plus historic ligatures, alternates and even a few ornaments.

Mexican Relics is a collection of over 100 dingbats in font format based on images found on a variety of clay stamps primarily from pre-Columbian Mexico. This font brings ancient artwork featuring fantastic animals and geometric shapes into the computer age.

Industria Serif is a modern serif with a geometric touch. A large family composed by 2 axes, 3 styles in total 54 fonts. This font gives you the freedom to create a full brand indentity More About Opentype Features: https://bit.ly/opentype-rsz

A set of vintage wood type printing blocks yielded the alphabet which was to become Chamfer Serif JNL. With its heavy vertical serifs and interesting character shapes, the design is unique when compared to the more familiar wood type offerings of the past.

DaMane Display combines the decorative design style used in the past and the minimal design used today. Simple lines, sharp and radius corners come together harmoniously in the letters. High contrast letters create an elegant visual perception. It has nearly 400 glyph sets.