ATTENTION! See the newest version of Reina here. Reina Neue is now a family of 45 styles and it's also a Variable Font! Have a look. For the traditional version of Reina, you may stay here ;) --- Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide . Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe , Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results. TECHNICAL Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size. Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Reina Engraved Pro has the same features than the variants mentioned above. The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work.

Madison Street is a font family with 8 fabulously fun typefaces! Eliza Gwendalyn & Jim Lyles of Studioways have teamed up with Spencerian calligrapher Elaina DeBoard to create a classic pointed pen calligraphy font. From its ornamental monograms, to its variety of complimentary text styles, and to its Madison Street Pro, with its elegant stylistic swashes and OpenType goodies, there is a font for every designer. Enjoy the sleek Madison Street Sans, Serif or Script, paired with the Ornaments font, complete with ornate monograms, or use each typeface on its own! Madison Street Pro has all the OpenType bells and whistles. The Ligature feature automatically substitutes beginning and ending letterforms, as well as 100 ligatures. Turn on the Swash feature for elegantly sweeping swash lowercase forms. Enable Stylistic Alternates for even more variations. There are also 10 Style Sets to chose from. And many more OT features! Madison Street is a basic version of the Pro font, intended for users who do not have OpenType savvy applications. Madison Street Stylistic is also a basic version of the Pro font, intended for users who do not have OpenType savvy applications. It has stylistically different ascenders and descenders. Madison Street Swash is intended to be used with the basic fonts, Madison Street and Madison Street Stylistic. It has lowercase beginning and ending swash glyphs and cannot be used to set text by itself. Madison Street Sans, Serif, and Script are text fonts modeled after the handwriting of Elaina. They are intended to be complimentary to any of the script fonts. However, you'll need to set them at a smaller point size (about 1/3 the size) in order to get the preferred scale and weight. Finally, the hairline weight of the Madison Street script fonts is very thin, and at small sizes up to 40 pt, you may notice some breaking up when printing to desktop printers. To remedy this, we recommend outline stroking the text a small amount (.1 -.3 value). this should improve the output without adding to much weight overall.

Emulating real handwriting has always been an aim of font designers in the digital age. The standard mainstream scripts and doodles that were available for the longest time have not successfully reached that goal. A letter always looked the same wherever you placed it. Some workarounds, such as letter alternates and ligatures, were used in many fonts, but they were a bit inconvenient to use, and in some cases didn't work correctly because they had to be placed in separate fonts from the main character set. Not until now, with OpenType technology, have we been able to emulate real handwriting, by including multiple character sets in the same font and programming it for smart form changes through letter sequence counting. Secret Scrypt was the first Canada Type font to make it to the bestseller list in the summer of 2004. In early 2005 a New York restaurant chain picked Secret Scrypt to use on its menus and internal signage, but they wanted to look even more like real handwriting, where two or three instances of the same letter used in one word would automatically change and look different from each other. Using OpenType technology, Canada Type produced a Secret Scrypt Pro for that restaurant chain under the direction of Mucca Design in New York City. That initial version contained three different character sets in the same font, and some intelligent programming that determines the sequence of the letters and change their shapes accordingly. Now the retail version of Secret Scrypt Pro is available, with four character sets built into the font for even more variety on the real handwriting theme. Make sure to check out the Secret Scrypt Pro PDF in the MyFonts gallery for tips on using Secret Scrypt Pro. Secret Scrypt is perfect for menus, handwritten notes, theater programmes, charity organization posters, and any design that attempts to get close to people with the personal magic of real handwriting.

Funky decorative display typeface with a curvy eye catching character. Choowee can solve many graphical problems. Features and alternates add personality and let you create unique logos, rad graphic identitys and stunning headlines! Package design for food or any kind of products. Posters or music covers. Prints on sweatshirts or t-shirts. Children’s book-covers or comics. Features: ligatures, alternates, case sensitive punctuation. Support: cyrillic, cyrillic extended, latin, latin extended... 1000+ glyphs! Have fun!

For our latest Master of Comic Book Art, Roarin' Rick Veitch, we've created a Brat Pack of fonts worthy of a Maximortal! This is The One! This will make your Heartburst! If you Can't Get No Rick Veitch between 1941 and 1963, wipe that Swamp Thing off America's Best Greyshirt, because this font is nothing short of A Miracle, Man! It's Epic! Abraxas and the Earthman and your Army @ Love recommend it.

Standie Bold is inspired by Inspired by the 90's playful cartoon & comic books. This font comes in Regular and Italic. Each letter is modified so that the distance, width, and weight can give the beauty of the alternates given. This font can be used for modern and vintage designs and also can be easily paired with some graphic elements (Illustration, Photography) this font is perfect for, Logotype, Branding, Title, and Packaging.

Hottest Vibes Comic Display Font. With bold brush stroke, fun character with a bit of ligatures. To give you an extra creative work. Hottest Vibes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Hottest Vibes font. Cheers, Maulana Creative

A modern, high impact, display font - Northern Mount is the first in the four part collection of fonts designed by Chike Newman-Greaves. Starting life as a side project on his creative bucket list, and now with over 550+ glyphs, Northern Mount is the perfect font for a bold ad campaign, key artwork or comic book cover. Its high bars and long stems take inspiration from an Art Deco era, its lowercase letters - clean, minimal.

Aplomb was designed to fill the "contemporary fantasy" niche, hinting at Celtic magic overlaying a solid, legible contemporary font. Aplomb is intended for book covers, movie posters and advertisements, DVD covers, magazine pages, fantasy comic pages, in fact wherever contemporary and fantasy meet! The font comes in two styles - smallcaps and regular. Aplomb is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

DeLumary is a new unique and funny display font. This font adopts a bold, cute, firm, and trendy style. Very suitable to meet your various design needs that are trending now. With a style like this, this font will be suitable in use for comics, logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Willee Comic Display Font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Willee font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Willee font. Cheers, Maulana Creative

Walbert is a bold and bold new display font. This blocky font creates a brave and strong style. It is suitable to meet your various design needs that are currently trending. With a style like this, this font will be suitable in use for comic, logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Big Hug Weeny is a playful contemporary handwritten font, inspired by fun good old days cartoon in the late 80s and 90s. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a super cool touch to your designs!

Introducing of our new product **Scramble Storm** Horror brush Font is handmade Rough Brush Font with ligature and Multilanguage support. Can make it easier to convey the message in your design. use for awesome display, labeling, movie sceen, poster, movie title,quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, tags and so much more! Best for project that need horror vibes , horror poster, childrenbook, cartoon, comic etc

Calorie Suit is a clean and super sharp comic font. Actually the use of Calorie Suit is quite wide. I'd like to dare you to use this font for massive texts, even though the real force of the font is for one liners or catchwords. Originally drawn in hand, and then cleaned up beyond recognition - but keeping the characteristics of the original sketch. You may notice influences from graffiti here and there too! :)

The German designer Peter Huschka created Linotype Chineze, a family of typefaces that resemble the calligraphic strokes found in Chinese characters, in 2002. Using a variety of brush-like elements, Linotype Chinese imbues the Roman alphabet with an Eastern flair. Try out this font in a menu, a comic book, or on food packaging! Like this foreign feeling? Check out Sinah and Sinah Sans, two other Eastern-inspired font families from Huschka."

Don't we all have a silly habit? I've got mine, for sure! - like checking whether I remembered to bring my keys, immediately after locking the door...and then checking again like 2 minutes later! Silly Habit is my laid back comic font, easy to read and fresh enough for a design that needs an extra party to it! Comes with contextual alternates, which in this case means 4 different versions of each lowercase letter

Colcothar is a font based on a calligraphic alphabet I ofter use for my comic books, my film title sequences, or my notebooks. It made sense to turn it into a font, especially since it looks hand-written and quality fonts that look hand-written are sometimes hard to find. It will look great as a header for an article, for a logo, the title of a film… or for anything you think appropriate!

Mooseheart is derived from some hand lettering on a 1920s membership card for a fraternal organization. It is a slightly rough and casual sans serif at a gentle oblique angle, with a comic book feel. It has numerous alternate glyphs intended for use with OpenType features to help create the feel of hand lettering, and a robust international character set. The numerals are in a contrasting style, inspired by the original source material.

NorB Felt Marker is a variation of my NorB Marker font, It's handwritten text font witch you can use with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 8 weights: Regular Italic Medium Medium Italic Bold Bold Italic Heavy Heavy Italic

Welcome to the Jet Age! LIETZ Rathoga jumps right out of the covers of vintage Space-Hero comics and onto your flickering cathode ray tube monitor. Fight the evil Zombies of the Stratosphere with sharp serifs! Race the Rocketmen with narrow stroke widths and fast italics! Loaded with Ligatures for more firepower! Team up with Rathoga's brothers and sisters from the LIETZ font family and you will triumph over the hordes of evil! Power on!

Bestfriend Monkey is a fun and playful hand-lettered font, mixing modern calligraphy and contemporary art in the process of creation. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a super cool touch to your designs!

DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. The fonts contain a full complement of Latin Extended-A characters, and now include Greek capitals and small caps.

Introducing of our new product the name is Horror Vibes - Handmade horror Font and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc

Linotype Down Town is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The cheerful character of this fun font from German designer Critzler is perfect for comics or posters. The figures dance across the base line, swinging between thick and thin, big and small. Linotype Down Town is intended exclusively for headlines and short texts in at least 18 point.

Nasty Graffiti is a very cool graffiti tag font, inspired by California street art movement scenes mixed with horror and Halloween vibes. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a cool touch to your designs!

Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends. The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.

The beat is on, the piano plays the funky tunes and the rhythm guitars do their best to get the party started! The party starts with your design - use the Disco Jaw font if you are working with a theme that involves comic, kids, commercial, arts and crafts, posters ... anything that needs a fresh kick! Included are jumpy alternative letters, which makes your text look alive and kicking - and or course, there is multilingual support!

Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Smack Boom a Cartoon Font Smack Boom a Cartoon Font, Inspiring from playful bouncy cartoon style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Smack Boom font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Hello, Are you looking for a bold playful font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Voogle a Bold Comic Font Voogle a Bold Comic Font, Inspiring from Playful typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more. Voogle font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Once upon a midnight dreary, this Comicraftsman pondered, weak and weary, For a name synonymous with Mighty and Marvelous comics lore. Solid, Outline, Inline was the nameless font I'd crafted, I nodded, nearly napping o'er the work I'd grafted When suddenly came a tapping, As of someone gently rapping, rapping at my cubicle door. "'Tis some visitor," I muttered, "tapping at my cubicle door-- Calling out "EXCELSIOR!" Then an Amazing Vision beguiled my sad fancy into smilin', By the Spectacular decorum of the countenance it wore, "Though thy crest be shorn and shaven," he said, "thou art sure no craven, And thy font should not remain nameless here forevermore!" Eagerly I wished the morrow; vainly I had sought to borrow From comic books surcease of sorrow, letters that called out "EXCELSIOR!" Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking of the nominative neuter singular thing Like Some Silvered Surfer wandering from the Nightly shore-- The Vision shrieked, upstarting--"Tell me what thy lordly name is thus!" Quoth the Craftsman: "EXCELSIUS!"

Martin Wilke’s underrated yet influential deco classic from 1932 has both feet firmly planted in the high traditions of Western European calligraphy while carefully and subtly introducing some traits from the sweeping geometric/minimalist vision of the time. In a way, it was one of the representatives of the European anti-type typefaces of that era, when print media was searching for the elusive aesthetic balance between humanism and geometry. This typeface enjoyed some popularity in Germany for a few years, and went on to influence further type designs in Holland and Italy. After the second World War, the black hole that swallowed a big chunk of Europe’s print culture, new influences and technologies overtook the scene, and selective historical emphasis ensued, highlighting some of the era’s designs and overlooking others. Further selective picking in the digital era all but buried Wilke’s body of work - unfairly so, because he was just as important in German type history as Bernhard, Post, Schneidler, Tiemann and Trump. The original metal Wilke Kursiv came in one weight. This digital version goes a long way in expanding on that original offering. Now Wilke’s masterpiece comes in three weights, and with a full Pro treatment including swash caps, small capitals, five types of figures, automatic fractions, and plenty of other OpenType niceties. Each of the Wilke Kursiv Pro fonts comes with over 700 characters, and contains support for most Latin-based languages. Also available are three non-Pro fonts in each weight.

From the heart of the Blue Ridge Mountains, by way of Toronto, comes Martie's handwriting. Martie Byrd is a school teacher in Roanoke, Virginia, and a friend of Canada Type's Rebecca Alaccari. After years of admiring the cheer and clarity of Martie's handwriting, we asked her to write out full alphabets for some cool font treatment. The intent was to do three different versions of her writing in two different pens, then use the auto-magic of OpenType to determine letter sequences and rotate character sets on the fly when the fonts are in use. A successful endeavor it was. Take a look at the images in the MyFonts gallery to see the character rotation in action, along with a visual explanation of why Martie is not just another handwriting font. Unlike other available felt tip and ballpoint handwriting fonts, the regular and bold variations are style-based, not weight-based. They are the handwritten expressions of two different Sharpie pens: The fine point one (Martie Bold), and the ultrafine one (Martie Regular). The style-based variation considerably helps the realism needed in design pieces that take advantage of the contrast of two different handwriting fonts. Weight thickening in handwriting is an obvious mechanical effect that only happens with computers. Weight changing by replacing pens is what happens in the real world. Martie Pro and Martie Pro Bold each contain three different character sets in a single font. Language support includes Western, Central and Eastern European languages for all three sets. This translates into each Pro font containing over 750 characters. Add OpenType code and stir, and you have true handwriting fonts with versatility unavailable out there in anything else of the genre. A software program that supports OpenType features is needed to use the randomization coded in Martie Pro and Martie Pro Bold. Current versions of QuarkXpress and Adobe applications (Photoshop, Illlustrator, InDesign) do contain support for the randomization feature. But if you don't have one of these apps, you can still use the interchangeable Type 1 or True Type fonts and change the characters manually to achieve the appearance of true handwriting. The Martie fonts come in a variety of price packages, from the affordable single fonts to value-laden complete sets. All the proceeds from these fonts received by Canada Type will be donated 50/50 to two primary schools: One in Roanoke (where Martie teaches), and one in Toronto (where the 10-year old, real Canada Type boss goes). So next time a design project needs a handwriting font, do the write thing and use Martie to keep it real.

Elegant curly handwritten font, great fro your next invitation.

Fathir is made with a true real handwritten style. The font comes with three style of titling and ending swash. It is very easy to access the swash characters even if you don't use pro software. The sample images show you the possibilities. Fathir is perfect for branding, quotes, logo, invitation, packaging, business card, and more. I hope you love this lovely font. Regards, Abo Daniel

Ultra Heavy Weight Font Champion – that's Kotto Slab. Bold curves and catchy endings. You can always count on Kotto – quirky posters, creative projects or long texts. That doesn't matter. Easy to use and easy to pair with other typefaces. Matching italics and opentype features will make your work faster. Try it with sans and serif fonts, especially with Praho Pro – you won't regret it.

CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. CamingoDos Condensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.