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  1. Hoffelized by Cititype, $12.00
    Hoffelized embodies fun, quirkiness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout.
  2. PR Nouveau Ornaments 01 by PR Fonts, $10.00
    This is a set of ornaments inspired by the art nouveau style. Frames, corners, rules and flowers are included.
  3. Courier 10 Pitch by Bitstream, $29.99
    Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.
  4. Lugatype by Tkachev, $-
    This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.
  5. Ermia by GFR Creative, $82.00
    Ermia Monoline Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative
  6. Kids Font by Edyta Demurat, $16.00
    This is a fun, multi-lingual font made for children's publications. Perfect for books, magazines, posters or various gadgets.
  7. FinFang by !Exclamachine, $9.99
    Make a splash, or perhaps a crash, with this energetic typeface. FinFang is immediately readable, but loaded with character.
  8. Behetem Lachok MF by Masterfont, $59.00
    This classic title font has a wide proportion and minor contrast to make it the ideal choice for headlines.
  9. Andhira by GFR Creative, $24.00
    Andhira Monoline Script Font I hope this font is interesting to use in your design projects. Thank you GFRcreative
  10. Worthy Yank by GFR Creative, $24.00
    Worthy Yank Brush Script I hope this font is interesting to use in your design projects. Thank you GFRcreative
  11. Yello Cat by GFR Creative, $52.00
    Yello Cat Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative
  12. Love Cake by Rixdesigns, $14.00
    Use this font for your beautiful awesome projects. You will get: Lower Case and Uppercase Letters, Numbers, & Extended Punctuation
  13. Balone Kids by GFR Creative, $65.00
    Balone Kids Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative
  14. KG Counting Stars by Kimberly Geswein, $5.00
    The uppercase letters have no stars and the lowercase letters have stars. This provides 2 unique options for titles.
  15. Victoria by Balpirick, $15.00
    Victoria embodies fun, quirkiness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout.
  16. High Speed by GFR Creative, $52.00
    HIGH SPEED Racing Font I hope this font is interesting to use in your design projects. thank you GFRcreative
  17. Avnei Gad Hakuk MF by Masterfont, $59.00
    Carved in stone or wood? this old looking typeface will be great for signage, posters and short texts too.
  18. Hata MF by Masterfont, $59.00
    As personal as a handwriting can be, the ink drops add much of genuine touch to this childish script.
  19. Compact Hebrew MF by Masterfont, $59.00
    This font family is your best choice when you want to effortlessly make your brochure or signs stand out!
  20. Rabbit On The Moon by Hanoded, $10.00
    This font is ideal for cartoons, greeting cards and children's books, as it has a happy 'feel' to it.
  21. Micrograma MF by Masterfont, $59.00
    Geometric forms make this elegant industrial font family a great companion for titles, invitations and signs, indoor and outdoor.
  22. Questa Grande by The Questa Project, $-
    Questa Grande is a serif font family. This typeface has ten styles and was published by The Questa Project.
  23. KG Luck Of The Irish by Kimberly Geswein, $5.00
    This quirky handwritten font is unicase and unique. The 4-leaf clover can be accessed via the bar key (|).
  24. Racing Hard by GFR Creative, $54.00
    RACING HARD Racing Font I hope this font is interesting to use in your design projects. thank you GFRcreative
  25. Racer Sore by Forberas Club, $18.00
    Racer Sore is modern handwritten. Recommended to use this font for display, comic, poster, sport template, and many more.
  26. Wakefield by Galapagos, $39.00
    A gentle breeze caressed his face as his body took on the easy posture of a dancer on break. Flickering sparklets of light sprinkled the glass-smooth surface of the aqua liquid on which he floated. His mind wandered; he was only days away from his scheduled departure date. This day was no different from a hundred other days he had spent melded to his windsurfer, skittering along the breadth of the modest lake, soaking up the sun's rays and forgetting about the entire rest of the world. Lake Quannapowitt, and the town of Wakefield, Massachusetts, were familiar to Steve, a long-time resident of the picturesque New England town. This is where he grew up; this is where he married and lived for many years; and this is the place he was preparing to leave, not one week hence. Not generally prone to nostalgia, it was in just such a state he nonetheless found himself once Zephyrus retreated, as was his custom, periodically, while patrolling the resplendent lake. Steve was going to miss the lake, and he was going to miss the town. How many hours of how many days had he spent exactly like this, standing on his motionless board, waiting for his sail to fill, and staring at the lake's shores, its tiny beach, the town Common with its carefully maintained greenery, and equally well-tended gazebo, the Center church - its spire shadow piercing the water's edge, like a scissor-cut the better to begin a full-fabric tear? Yes, he was going to miss this place - this town which all of a sudden had become a place out of time, just as he was about to become a person out of place. Once this idea struck him, he couldn't shake it. He was transported back in time four score years, now watching his ancestors walk along the shore. Nothing in view belied this belief - not the church's century old architecture, not the gazebo frozen in time, nor the timeless sands of the beach, nor the unchanging Common. Everything belonged exactly where it was, and where it always would be. This, he decided, was how he would remember his hometown. And this is when it occurred to Steve to design a typeface that would evoke these images and musings - a typeface with an old-fashioned look, reflected in high crossbars, an x-height small in size relative to its uppercase, and an intangible quality reminiscent of small-town quaintness. Wakefield, the typeface, was born on Lake Quannapowitt in the town for which it was named, shortly before Steve moved away. It is at once a tribute to his birthplace and a keepsake.
  27. Quirkley JNL by Jeff Levine, $29.00
    When a type design job needs a bit of snap, yet needs to remain unconventional, think of Quirkley JNL. Its name speaks volumes - a bold, quirky sans serif - great for headlines and display work.
  28. Western Sans JNL by Jeff Levine, $29.00
    Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.
  29. Grandes by Creativework Studio, $9.00
    Grandes is a bold script font, grandes is perfect for design illustrations on t-shirts, logos, product brands, Use it to add that special vintage touch to any design idea you can think of.
  30. Ames' Weathered by Greater Albion Typefounders, $16.00
    Ames’ Weathered is the ‘antique’ accompaniment to our Ames’ typeface families. It has that ‘tumbled’, weather knocked about look. Just the thing for posters, headings and signage where there’s a need to suggest age.
  31. Merden Graffiti by WAP Type, $20.00
    Merden Graffiti is new font from WAP Typefoundry, strong feel character set. To create the beautiful combination, just mix the uppercase and lowercase then mix with the alternative glyphs.Merden Graffitis insfire from graffiti style.
  32. Molenilo by Nurrontype, $15.00
    Molen is a reverse contrast display font with unique characteristic. It would make your project different than any others. Each glyphs was create to make a harmony. It's gonna be enlighten your work, definitely.
  33. Zarlino by Patricia Lillie, $29.00
    Zarlino is an original typeface in the Blackletter style. It does not solidly adhere to any of the historical Blackletter classifications, but draws from all of them, with some characters owing more to the Roman than the Fraktur. Zarlino Delux includes three complete sets of upper case, ranging from the simple to the embellished to the even more embellished, two complete sets of lower case, and two more sets of embellished alternates for selected lower case characters. These alternates are available through Stylisitic Sets in OpenType aware applications. For use in non-OpenType aware applications, Zarlino Delux comes with a set of separate, standard fonts, one for each style. These standard fonts are also available for individual purchase. Zarlino was named by my cousin, a musician. Gioseffo Zarlino was a sixteenth century composer and musical theorist. Among other things, he offered detailed advice on the setting of words to music. With its blends of the old and the new, the simple and the ornate, Zarlino is suitable for many uses, from the elegant to the aggressive.
  34. Jazz Script by Fenotype, $35.00
    Jazz Script is a groovy font family of two weights of the Script, a vivid set of Caps and Extras to spice up your designs or create custom letters with extra swashes. Inspired by 50s and 60s American lettering but polished with sharp but smooth vector expression Jazz Script is a powerful tool for creating iconic headlines, packages, or logos. Each Script version contains more than 750 glyphs and is equipped with several OpenType features to easy up your access for all the goodies: turn on Swash, Contextual or Titling Alternates or manually select from the Glyph Palette from even more Alternates to compose elegant word images. Jazz Script also has plenty of Automatic Ligatures that keep the text flowing and then there’s Proportional Oldstyle for more bouncy numerals. Jazz Script Family has four versions: #1 is regular, #2 has inline and #3 and 4 have different styles of carefully designed printed texture on them. For the very best price purchase the complete set that has all versions of Jazz Script and go wild with the flow!
  35. Rifton by Halbfett, $30.00
    Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -
  36. Genteta by Typephases, $25.00
    In the tradition of the stock cuts that printing type foundries offered as metal, these spot illustrations remind you —for their look and technique— of vintage publications like victorian age newspapers and magazines. Similar to their counterparts in the Whimsies, Absurdies, Ombres, Bizarries and Whimsies series, the Genteta is another collection of little people in funny and absurd situations, recreated in black ink, from imagination and with no reference or models, and then carefully digitized. The Genteta trio of dingbats includes more than 150 new images. Their vectorial file format means you can use them at any size with no loss of quality. Every Genteta dingbat offers ready-made images for a variety of creative projects. They can be used as they come or easily customized in any graphics program. At small sizes they are ideal spot illustrations with a whimsical touch; at large sizes they can bring a whole page, a spread or even a big poster to life. Use them in creative projects including, but not limited to, flyers, brochures, book jackets and editorial illustration.
  37. Samaritan Tall by Comicraft, $49.00
    Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's Astro City dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing really. See the families related to Samaritan Tall: Samaritan &
  38. Mosquito by Monotype, $29.99
    Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime. Mosquito represented a sort of recreation," says de Berranger. "When I grew tired of working on one design I could work on the other and then come back to the first, full of courage and desire!" Mosquito is built from simple, straightforward shapes, but its distinctive stroke terminals and slight oblique weight stress distinguish the design from more conventional sans serif faces. The relatively large x-height and open counters add to the legibility of the design. The capitals are straightforward (with just a hint of Peignot), while the lowercase has a softer, more inviting demeanor. "I drew Mosquito with the hope that it would be pleasant to look at and to read," says de Berranger. "I think the end result is almost feminine." Mosquito comes in three weights, with complementary italic designs and a suite of small caps, old style figures and alternate characters."
  39. Backstroke by Eclectotype, $50.00
    Normal and upright italic script fonts line a well-trodden path; left-leaning fonts (or "rightalics" as they're confusingly called), on the other hand, are a rarity. Here at Eclectotype Fonts we don't like to do things too conventionally, so here's Backstroke, a laid back script with a unique voice. With contextual alternates for start and end forms of certain characters, swash versions of L, Q and Z (surely the most used initial caps!), and a handful of stylistic sets, Backstroke is a restrained script. Stylistic sets are: 1. the start forms of i, j, m, n, and p are used always instead of only at word starts. 2. lower case ascenders get a whole lot loopier. 3. alternate versions of G, N and Y. 4. swash L, Q and Z. 5. swaps the default Polish script lslash for a more familiar version While fonts that lean the wrong way may be a bit more difficult to fit into your layouts than boring old regular italics, they will reward you with their individuality. Why not give it a go?
  40. Maus - Personal use only
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