This handwritten font was designed with Ashley Sanderson at Flying High In First Grade.

Inspired by old French poster art. This typeface was cut from an old rubylith.

Tattoo? Crazy look? this naughty, works best for wild and crazy headlines or signage.

In both chunky and tilted/3D versions, this font gives a dose of fun!

This font I had, had only to wake up, sit down and draw it.

This font will have you feeling elfish! It's great for writing your Christmas invitation!

This is The Classic font of XX century. Based in a typeface created by

This is based on the handwriting of a teen girl- bubbly, round, optimistic handwriting.

This is font to help children read. The Diacritic Marks (Nikud) are 25% bigger.

This extremely scratched and decadent font is suitable for posters of rock or grunge.

This font was drawn with a round marker and is very bubbly and girly.

This beautiful hebrew swash font is for book covers, poster, titles and small texts.

This font enables users to spice up their seasonal greeting cards with Christmas symbols.

This font is a lot of fun and will definitely tickle your funny bone!

The beauty is in the subtle curves of this font. So clear so elegant.

This is what happens when you try to write with a bottle of sauce...

Ungap Blocks This font was designed by blocks, square glyphs, by Pedro Teixeira Foundry

This font was written with a calligraphic pen, loosely based on old-school calligraphy.

This is the sans serif version of my Arts and Crafts family of typefaces.

This font was designed to resemble the Indo-Aryan scripts of the Indian subcontinent.

This font was inspired by lettering found on old tradecards from the 19th century.

This Font is made for a Capture Function on an Web template. For Security.

William Caslon’s design as made regular by ATF at the beginning of this century.

Download this "Unique" font…it'll add a whole new twist to your scrapbook journaling.

This rough and dirty font is just perfect for your next horror movie poster.

This design is based on custom design work by DTP Types Limited in 1990.

This design is based on DelargoDT, the popular humanist sans from DTP Types Limited.

Brand Law is a Serif Font Family. This font is designed by Hanif Arifinsyah.

This high readable font family is highly suitable for headlines as well as text.

This font is more formal. It is stylish and perfect for your wedding journaling.

While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. Poultry Sign has two widths each with three weights giving the family six styles. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys, and to make this effect easy, included in the font is a contextual alternatives (calt) OpenType feature that automatically produces this result if your word processor supports this feature. To get text with all letters with big bottoms or all letters with with big tops, this feature must be turned off. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and V.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.