Gritstomper is a gritty, charcoaly, pencilly font. Quickly written, handcrafted and with sharpened edges. Comes with a full load of diacritics, double letter ligatures for the lower case and a boss-like attitude.

Dynamic Schematic is a natural handwritten font, written with fun and relaxed. It comes with 400+ glyphs, which also include multilingual languages. Dynamic Schematic is perfect for headlines, branding, quotes, and many more.

Quartro typeface is a reverse contrast display typeface, stylistic, and uniquely humanist sans. It's design influenced by modern typography and contemporary art. Quartro typeface comes in single-weight. Multi-lingual Supported (Latin Extended).

British type designer Rian Hughes created this display FontFont in 1993. The family has 5 weights, and is ideally suited for music and nightlife. It comes with tabular lining and proportional lining figures.

Lotustail is a handwritten font that includes many OpenType features. It also includes alternates and ligatures. This font also comes with numbers, symbols, punctuation and multi-lingual characters. It is also PUA Encoded.

Letters torn apart...did you say punk? Or did you say misprinted? Comes with 2 alternatives for each letter, and with kerning for both lower/lower, caps/lower, caps/caps and lower/caps

Swashy Newstyle Tattoo-Font Gangsterstyle. Bibiana is the Sisterfont to Tinka Babe Tattoofont. Bibiana is best for Tattoart like Tattooflash.Bibiana Tattoofont comes with many OpenType Features. Alternate Ends Alternate Caps Ligatures Extra swashes

Grischel Is a condensed serif font that comes with tall style for display purposes to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.

Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.

English1707 comes from combining two thick and thin and dashed lines. We can use this font for book titles, billboards, posters, logo designs, clothes, t-shirts, and can also be used for brands.

Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.

Besley Clarendon ML is our version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. Besley Clarendon ML represents a significant change from the slab-serif Antiques & Egyptians that had become so popular in the prior three decades. Like Caslon’s Ionic of 1844, it brackets the serifs and strongly differentiates between the thick and thin strokes. Besley Clarendon is also what today is considered a condensed face, as a comparison to the various contemporary Clarendons will show. Robert Besley’s Clarendon was so popular that many foundries quickly copied it, a fact that caused him to complain vigorously. The reason it was so widely copied is simple ó it was extremely useful. It provided the attention-getting boldness to highlight a word or phrase, yet at the same time was compact and easier to read than the fat faces and antiques of the period. It wasn't until sixty years later that the concept of a typeface family of different weights was developed with DeVinne and Cheltenham. Until then, Clarendon served as everyone’s all-purpose bold face. It can be used for ads, flyers, headers or even short text. Don't leave home without it. Besley Clarendon ML includes the following features: 1. Glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 353 glyphs. 158 kerning pairs. 2. OpenType GSUB layout features: pnum, salt, liga, dlig, hist and ornm. 3. Inclusion of tabular (std) and proportional (opt) numbers. 4. Kreska-accented letters.

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Martian Grotesk is a large typeface family originally designed for the screen which consists of a variable font with 2 axes of variation and 63 styles: Condensed to Ultra Wide, Thin to Ultra Black. Aesthetics The font style is characterized by some brutality and assertiveness. Overhanging terminals, a closed aperture, and an almost complete lack of contrast lead to this effect. Additionally, some elements of the letters are especially enlarged. This font gives any text the impression of being a “signature” style. Nevertheless, we still maintain the golden mean between its rebellious nature and readability. Perfect for web development We created Martian Grotesk for the web and digital project world. When laying out web pages, frontend developers are constantly faced with the fact that uneven metrics do not allow text to be evenly placed on some design element, for example, on a button. Instead, they have to compensate in some way, like making the top padding smaller and the bottom padding larger in CSS. This little deal really hurts. Also, if your project adheres to design system principles, you might be unable to stand a lack of systematic approach when working with fonts. We researched and calculated vertical metrics and set them up in a way that guarantees equal space above the cap height and under the baseline. This enables the text labels to be evenly placed on buttons, inputs, lists, and forms. In addition, we found a proper ratio of the letter heights, so, with commonly used font sizes—10, 15, and 20 pixels—the glyph heights stick to the pixel grid. As a result, the letter shapes become sharper, which reduces the load on the reader's eyes and simply looks much better. The typeface also comes equipped with OpenType and TrueType hinting, and Martian Grotesk appears legible on most platforms, even when being rendered in small sizes. When coupled together, all the above features make Martian Grotesk a reasonable choice for any user interface design. Roadmap Martian Grotesk right now is a work-in-progress product. The font is completely ready for professional use, however, many great features are still ahead! For example, support for Extended Cyrillic characters, and italics. Pricing Purchasing an early version of the font presents the opportunity to get it at a very attractive price! That’s because with every new version, costs will go up to reflect the additional value that comes with every release. But after purchasing Martian Grotesk, all its future updates are included for free!

Zakosten is a display corporate font that comes with a Monospaced Style. suitable for product, branding, social media, logotype and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Schema is a family of hand-drawn architectural lettering designed by Ethan Dunham. Schema comes in three weights, light, regular and bold. This font works well both in mixed case and upper case settings.

Pando Script is the a new brush script with inverted contrast and a lot of personality. Pando comes with many ligatures and alternates. We recommend to us it for headlines, labels, packaging and branding.

Monkey Hat is art deco with a fresh twist of graffiti, and on top of that a lot of funk! Comes with a good handful of ligatures to make the text even more playful!

Otago is a classic all caps Art Deco font. Clean, crisp and very, very legible. I took my inspiration for this font from a 1920's postcard. Otago comes with a bagful of diacritics.

An informal, rather bold typeface without serifs, Mushmellow looks like it might have been written with a marker pen. In addition to the plain and bold weights, it comes with outline and “cactus” variants.

Pro sotan is a rounded sans serif font family that comes with 9 weights and matching italics. This font is ideal for typing in documents, headlines, packaging, logos, advertisements, corporate identities and much more.

Socilo is a display font that comes with a rounded square style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Meshuggeneh means 'crazy fool' in Yiddish. The typeface before you is kind of crazy as well: it is 3D, twisted, with light and shadows in all directions. Meshuggeneh comes with all diacritics, oy veh!

The cover of the 1943 sheet music for the song "Jeannie" offered up a hand lettered monoline Deco sans with varying width letterforms. From this design comes the aptly-named Thin Line Deco JNL.

Sunday Smoothie is a handwritten font, this font Is perfect for lproduct packaging, product designs, label, photography, watermark, special events or anything. Sunday Smoothie comes with uppercase and lowercase letters, multilingual symbols, numerals, punctuation.

Bandolina is a fun, hand drawn typeface. Didone-ish, off-key, jumpy and full of happy glyphs. It comes with a bagful of quirkiness, a pinch of eccentricity and a full range of diacritics.

Rearviewmirror (no space) is a Pearl Jam song and it happens to be my favourite! Rearview Mirror is a handmade tall & thin font. It comes in a regular and bold style with their italics.

Foda FreeStyle is a display Arabic font with High contrast that will surly get your attention, comes in single weight. It can be used for headlines, sub heads, posters, advertising and other many purposes.

Letterink is a script font with an inky style. It's great for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and much more! It comes with punctuation, multi-lingual support, and PUA encoding.

Lambency is a modern script font with an elegant and natural touch. Every character comes with an initial tail and an ending tail. This font is perfect for wedding invitations, quotes, branding, logos, etc.

Each letter or character comes in two forms on this font: One as a complete disc, the other as a disc with a segment removed so the succeeding character can overlap the preceding one.

Monssla is a display font that comes with a block bold style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Crayon En Folie ('Pencil Madness' in French) is a straightforward pencil font, created with an extra thick black pencil. Use it for books, posters and packaging. Comes with a coloring box full of diacritics.

Neloqa is a display font that comes with a vintage inscription vibe. suitable for product, branding, social media, notes and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Paper Cutout Pro is a playful typeface inspired by paper letterforms cutout by scissors. It's imperfect letters create the feel of an authentic hand-cut school project. It comes in regular and round versions.

Bernhard Cursive ExtraBold is one of Lucian Bernhard's most expressive fonts which are worth to get preserved for now and times to come. An ideal font face for advertisements, posters, flyers, titles and subtitles.

Orange Melon, a bold script font that is suitable for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, large range of punctuation, symbols & numerals, also support multilingual.

Sleepy Head is a comic sans serif with slightly geometric curves, Perfect for anything that has the need for a casual display font. Comes with 5 different versions of each letter and multilingual support!

Medallion is a new and fresh font script that comes with a vintage and neat style. so this font can be used easily, even in mix and match with other fonts. so it can provide new alternatives and sensations for designers or craftsmen, in working on various projects. This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more! The following characters are ideal to make an attractive message, mix and match Medallion with a bunch of alternative characters to fit your project Medallion comes with 318 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software. Mail support: If you have any question, please contact me Via e-mail "unicodestudio@gmail.com" Thank You!

Introducing "Froza" - a dynamic and powerful display font that captures the essence of speed, intensity, and adrenaline in the world of racing. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!