Julio Cortázar (1914-1984) was a unique and unclassifiable writer inside the universal narrative. His creative trajectory was full of hits which couldn't find echoes in later works. SL Cortázar portraits that singular work through the brilliant creation of Facundo Nicolás Velilla. With particular sensibility, SL Cortázar describes the universe of obsessions in the author: music, women, politics, reading, revealing the edges of intense daily in this legendary rebel. SL Cortazar takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos

A beautiful geometric font for writing titles and sentences that are comfortable to see while reading, unique, simple, and elegant, making this font suitable for you to use in various needs of your design projects. flexible in its use, there are 3 options according to your needs This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

If you ever dream about light vibe, playful, easy going, cute, has some nature touch in it and still has a good read-ability font: it's time to wake up. Florentina is here. The "ink bleed", irregular line, it looks like you write it by yourself. Not mentioning that dreamy hand-drawn bonus... LOTS OF THEM. And it is support 22 languages as well. I hope it support yours. Happy designing! BONUS vector can be downloaded from https://www.dropbox.com/sh/fwgkzcecjy8tqsu/AADi06i-Hf0R49mtT8_DPMw8a?dl=0

CONCEPT/CHARACTERISTICS What is a child­like, naive wri­t­ing, acting not boring sta­tic, has enough personality/character and yet is easy to read? › Over­si­zed points › Slightly cur­ved, warm and fri­endly bars › Open, fri­endly forms › Orga­nic, lightly bat­te­red forms APPLICATION AREA The fri­endly, play­ful and warm cha­rac­ter of the font »Kiddy Sans« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font »kiddy Sans« with 8 styles & 366 gly­phs, inkl. accents & €

Subroyal was inspired by the official logo of the City of Montreal. The idea came to us while reading an article about a revised version of this logo that didn't have any original typography. We realized it was our civic duty to bring the City logo to life, and the result is a fairly romantic font that reminds us of the many parks around the island, its fragile snowflakes, and its electronic music scene. Voilà! Montreal has its first custom-made (non-official) font package.

This script font was inspired by a few manuscripts and letters written by French representatives or ministers after the defeat of Napoleon at Waterloo. It is an attempt to offer a typical handwritten script from this period. This font can be used variously as website titles, in the design of posters, fliers and greeting cards, as well as for menus, certificates and letters as a very decorative, elegant and unusual font. This font supports large sizes as well as small ones, remaining clear and easy to read.

OpenType Layout features: stylistic alternates, localized forms, uppercase-sensitive forms, oldstyle figures, lining figures, arbitrary fractions, superscript, subscript. Consolas is intended for use in programming environments and other circumstances where a monospaced font is specified. All characters have the same width, like old typewriters, making it a good choice for personal and business correspondence. The improved Windows font display allowed a design with proportions closer to normal text than traditional monospaced fonts like Courier. This allows for more comfortable reading of extended text on-screen.

Introducing my latest font Birdsong, a handwritten font which is very elegant and modern. Ideal for logos, branding names, posters, podcasts and so on. This is perfect for you all. Features uppercase and lowercase, numbers and punctuation, ligatures and swashes. Birdsong is multi-lingual. There it is! I really hope you enjoy it. Comments and likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

To see the “auto-mix” effect, go to the Webfont page. This typeface has been designed to demonstrate a hypothesis: consistency in letter form and style is not essential to fluent reading. The Neology fonts also include both plain constituents, Neology Deco (1920s-style minimalist geometric) and Neology Grotesque (similar to Helvetica etc., but with a small x-height). All fonts have both three-quarter and full cap-height lining figures. The plain fonts have stylistic alternates (“a” for Deco and “g” and “l” for Grotesque).

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Violant fonts are designed as a tribute to Queen Violant, wife of Jaume 1st, king of Aragon, a woman of strong character, who supported her husband in the conquest of Valencia in 1238. Probably, Violant read texts in Gothic letters, which at that time were subjected to a stylization process in Castile and Aragon. Violant family comes with 736 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates, a lot of ligatures and a generous set of ornaments to play with your texts.

Transitional serif font inspired by the italian’s lettering tradition, in particular by the street sign letters you can find around Florence. All elements are designed to be elegant and easy-to-read, even in a long blocks of text. -- The HT Fera Text is freely inspired by the typographical tradition of Florence's municipality and its streets. Letters shape, contrasts, junctions, stems, teardrops, they are all the result of careful research carried out on the Dante's streets, redesigned in a contemporary mood. -- hype-type.com / kidstudio.it

Introducing our newest font called Qojarun. With Arabic Style display fonts, you can easily give your designs a genuine Middle Eastern feel. This font features characters in an Arabic style, and goes well with a wide variety of design projects, from posters to logos and beyond. Elegant calligraphy Arabic letters are easy to read, just like writing in general. This download pack contains all the characters needed to translate your project into an Arabic theme, complete with the full character set, punctuation marks, and numbers.

Inspired by an old matchbook which read: "Chop Suey: Finest Chinese and American Cooking". Chop Chop recreates that matchbook printed feel with soft rounded edges on what one would normally expect to be a sharp and pointy typeface. The typeface has two versions of each capital form, one in the capitals and one in the lowercase positions. The Contextual Alternates feature auto-magically swaps every other character with the alternative version allowing you to easily type you message, while creating a little diversity as well.

Discover the perfect pairing for your culinary creations with the Crust and Crumbs Foodie Font Duo, featuring a harmonious blend of rounded sans-serif and expressive brush fonts. Whether you're a food blogger, restaurant owner, or a passionate home cook, this font duo is designed to add a delectable touch to your food-related designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Panopticon Signature is a very elegant and modern handwritten font which is for you to use for logos, branding names, posters, podcasts and so on. Panopticon is perfect for all this. It features uppercase and lowercase, numbers and punctuation, ligatures and has multi-lingual support. I really hope you enjoy it. Comments and likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

Sunday Gang is a handwritten font which is very elegant and modern for you to use and your design interests be it for logos, branding names, posters, podcasts and so on. This is perfect for you all. Features: 1.Uppercase & Lowercase 2.Numbers & Punctuation 3.Multilingual Support 4.Ligatures I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it's a new day it's a new font. So without any further ado, please welcome Kpop Vibes. series of Korean vibes typefaces. It's a sans-serif font with bold and strong vibes to catch up with today's graphic design trends. 2 Font Style: - Regular - Italic Kpop Vibes Features: - Uppercase - Lowercase - Numbers & Punctuation - Alternate Style - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.

PB Roman Uncial Vc is a font face designed for imitate Roman uncial writing style found in manuscripts from 4th to 5th century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined Roman numerals, abbreviations, I-longa, historical ligatures for "nomina sacra" and "notae communes") and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints.

Ambitious is the perfect choice for adding a cute and energetic twist to your creative projects. With its combination of uppercase and lowercase letterforms, Ambitious offers versatility and allows you to create captivating typography that stands out. Whether you're designing posters, children's books, social media graphics, or any other lively project, this font will infuse your work with a sense of joy and excitement. The font includes a comprehensive range of characters, including numbers and punctuation marks, ensuring flexibility and compatibility across various design applications. It also supports multiple languages, enabling you to communicate your message effectively to a diverse audience. One of the standout features of Ambitious is its PUA Encoding, which grants easy access to all the special characters and glyphs. This means you can effortlessly incorporate unique flourishes and creative elements into your designs. Embrace the playful spirit of Ambitious and let your imagination soar. Whether you're working on personal projects, branding, or any other creative endeavor, this font will bring a cheerful vibe to your audience's experience.

Abdo Rajab is the second version of the font FS Rajab which was designed by the type designer Abdulsamiea Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Regular, light and bold) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Geffroge Authentic is an elegant modern classic Sans Serif font. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 2 Font Style: - Regular - Italic Geffroge Authentic Features: - Uppercase - Lowercase - Numbers & Punctuation - Ligature - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Milchella is a luxurious and elegant Serif font. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 2 Font Style: - Regular - Italic Milchella Features: - Uppercase - Lowercase - Numbers & Punctuation - Alternate - Ligature - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

The Slatz Font Family is Vertical. It has a slender, consistent weight that is best used in limited, left to Right, space limitations as to maximize font height. Slatz font variations all have extremely clean edges and even the serif versions are crisply defined with a flat-pointed serif for an added unique character. The designed intent was for a tight kern, however evenly letterspacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, serif to sans serif, and regular to italic is seamless and the overall design coloring of words as sentences is well balanced and extremely legible. The Slatz Family fonts are matching members glyph to glyph yet there is a noticeable difference between the serif and sans serif members. The sans serif works in contemporary and vintage settings. The serif members work particularly well in vintage, period applications. The Bold and Drop versions of Slatz also fit the above descriptions and also work on their own.

PB Beneventan XIc is a font face designed for imitate Beneventan minuscule (also called Lombardic, Casinense, Langobarda, littera Longobarda, Longobardisca) from southern Italy found in 11th century manuscripts. All characters are handwritten by use ink and pen, scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) and historical characters (mediaeval abbreviations, ligatures, ancient punctuation). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1-14, Contextual Ligatures, Historical Ligatures, Standard Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Additional glyphs are mapped to Private Use Area codepoints. OpenType features automatically exchange some default glyphs by stylistic alternates and create ligatures for better historical appearance.

PB Roman Uncial IIc is a font face designed for imitate Roman uncial writing style found in manuscripts from 1st to 2nd century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined Roman numerals, I-longa, historical ligatures for "nomina sacra" and "notae communes") and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints.

Goodnight London is a Duo Font with a blend of 2 fonts, namely the Sans & Script font. A luxurious font, with thick and thin sizes with a combination of handwritten script fonts, so that it adds an elegant, luxurious and classy impression. This typeface is perfect for logos, branding, travel promotions, social media posts, magazine layouts, product packaging, quotes, or simply as a stylish text overlay onto any background image. 5 Style Font : Regular Sans Italic Sans Bold Sans Bold Italic Sans Regular Script Goodnight London Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Bronson is a sans serif family that comes in 7 weights. The Bronson font has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Bronson Features : Uppercase Lowercase Numbers & Punctuation Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Designed with an organic brush style, this font adds a touch of uniqueness to your projects. Although Snobbish is an all-uppercase font, its distinctive character sets it apart, allowing you to explore endless possibilities. With Snobbish, you have access to both uppercase and lowercase letters, numbers, and punctuations, providing flexibility in your designs. Express yourself in various languages, as Snobbish offers multilingual support, enabling you to reach a global audience. This purchase includes TTF, OTF, and WOFF font files, ensuring compatibility across different platforms and software. The font is PUA encoded, allowing easy access to all its features and ensuring a seamless design experience. Character Sets: Snobbish encompasses a wide range of characters, including symbols, accents, and special characters. Let your imagination run wild and create visually stunning compositions that leave a lasting impression. Unleash your creativity with Snobbish and elevate your designs to new heights. Whether you're working on branding, logos, invitations, or any other artistic project, Snobbish is the perfect choice for adding a touch of organic charm.

Introducing Serene Orchid a revolutionary new sans serif font! This modern and evolutionary font combines sleek, minimalistic design with the latest technological advancements to create a font that is truly one-of-a-kind. Serene Orchid font offers a wide range of stylistic sets, giving designers and creatives ample options to choose from. From elegant to edgy styles, this font can be used to bring any project to life. The design of this font is inspired by the natural evolution of design and typography. It embraces the latest trends while staying true to the fundamental principles of typography, resulting in a font that is both timeless and contemporary. The unique spacing and letter formation of Serene Orchid font ensures perfect readability and legibility for any project, and its compatibility with all major design software ensures ease of use. Whether you are using this font for brand identity, packaging, editorial design or anything else, this modern and evolutionary sans serif font is sure to make your projects stand out. Try it out today and see the difference for yourself!

Precious Sans Two is a complete reworking of the 2002 design which was only ever available in PostScript format. Over a decade later G-Type’s Nick Cooke decided to re-appraise the typeface, scrutinise the old letterforms and overhaul the family. Make no mistake though, Precious Sans Two is no rudimentary re-release; nearly every character has been redrawn, re-proportioned, respaced and improved. Precious Sans Two is now in cross-platform compatible OpenType format with extended Latin language support for Western & Central Europe, the Baltics & Turkey. The original quirkier glyphs (f, g, I) have been retained as an OT style set feature and the typeface now contains small caps and an extensive set of discretionary ligatures as well as both proportional & tabular figures. The character set is further enhanced with the addition of 20 directional single and double arrows in each of the six weights which range from Thin through to Black, all with accompanying italics. Precious Sans Two is a distinctively modern typeface, well equipped for advanced typographic use in print, web and digital publishing environments.

Phitagate is a signature script font with beautiful strokes. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, layout magazines, beauty products, business cards, weddings, quotes, or simply as a stylish text overlay onto any background image. 2 Style Font : - Regular - Italic Phitagate Features : - Uppercase - Lowercase - Numbers & Punctuation - Alternates - Ligatures - Swashes - Multilingual Support - Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

The Humorous is the perfect choice for adding a playful and energetic touch to your creative projects. With its combination of uppercase and lowercase letterforms, The Humorous offers versatility and allows you to create captivating typography that stands out. Whether you're designing greeting cards, posters, children's books, or any other cheerful project, this font will infuse your work with a sense of fun and happiness. The font includes a comprehensive range of characters, including numbers and punctuation marks, ensuring versatility and compatibility across various design applications. It also supports multiple languages, allowing you to express your message effectively to a global audience. One of the standout features of The Humorous is its collection of ligatures, which adds a touch of uniqueness and enhances the visual appeal of your designs. Additionally, the font is equipped with PUA Encoding, enabling easy access to special characters and glyphs. Embrace the joyful spirit of The Humorous and let your creativity soar. Whether you're designing for personal projects, branding, or any other creative endeavor, this font will bring a smile to your audience's faces.

Eurotypo BKL is a family of fonts inspired in on one of the most beautiful British Typography ever done. This version of Baskerville tries to reflect the taste of his fine style, compatible with the bluntness of the digital present. As many other designers and foundries, our intention has been to represent the atmosphere of Baskerville's style, than simply relive the shapes of its letters. Actually, capitals fits almost to a square proportions, lowercases are more open, ascenders and descenders are shorter, offering more space for enlarge the "x" high. The beauty of his letterforms can enrich headlines; this font can also be used as body text for its good legibility and accurate kerning. John Baskerville (1706-1775) was born 1706 in Wolverley, England. He was a great typographer and printer who published a remarkable edition of Virgil in 1757. His typefaces were greatly admired by Benjamin Franklin; He also has improved and developed many innovations in printing, paper and ink production. Baskerville’s typefaces are regarded as transitional types that represents the link between Old Roman Style and Modern Roman typography.

Office Typewriter SVG font is a monospaced typewriter font in two styles: Regular and Underlined, and two weights: Regular and Bold. It is a SVG font in which each glyph is an image (instead of a vector). This means the typewriter texture could be captured in an extremely realistic way. In addition, each glyph has 3 variations that appear "randomly" via contextual alternates. This makes it versatile and fun to use in modern and vintage designs alike. This font is also very legible at a wide range of sizes (although it looks better at small and medium sizes, as the image can become blurry at larger font sizes), and looks great in both long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. The Office Typewriter SVG font family includes: Office Typewriter font, in Regular and Bold weights Office Typewriter Underline, in Regular and Bold Office Typewriter Misprints, with assorted misprints, doodles, circles and underlines Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+

Mairy font family is a modern sans serif font family. Featuring 9 separate weights each followed by own true italics Mairy is positioned somewhere between rounded sans with humanist touch. In fact the humanist presence in Mairy is a little bit more than the usual doze adding more calligraphic elements mostly noticeable in italic weights but also very important in regulars. This symbiosis of Grotesk geometry with handwriting is well balanced regarding contrast and legibility so that at the end we have a highly usable font family. Light weights are very tender and elegant while the old and blacks are soft, friendly and full of vitality. The mid weights are just perfect with their medium contrast and excellent legibility. Mairy is very fresh font family and is surprisingly flexible when it comes to screen or print use – it is optimized for both even if the conditions are poor. Use it with OpenType compatible software and explore its true potential by accessing additional set of ligatures, alternates and multilingual support.

Bestigia is an elegant and chic Sans Serif font. This font is impressive and features an clean and elegant, professionally shaped font, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 4 Style Font : Regular Italic Bold Bold Italic Bestigia Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Bellarosta is a signature script font with beautiful strokes. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, layout magazines, beauty products, business cards, weddings, quotes, or simply as a stylish text overlay onto any background image. 2 Style Font : Regular Italic Bellarosta Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Swashes Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Now, more than ever, the world needs BenderHead. Why? – Because... it just does. Don't ask why, just take our word for it. BenderHead has its thicks and thins all mixed up. For you typographic aficionados, stroke weights and hairline weights aren't consistent, and many rules of typographic design were broken to make this font. We're sure there's a use for it... we've used it on CD covers and posters - and have seen it on a poster for the Zelda video game at Babbages. It's offered here for the first time through Altered Ego Fonts. I don't think we need to explain its history, its inspiration, or its historical reference to you... (we're not certain there is any.) Just accept it as it is, and use it profusely. Benderhead AEF features a full character set, including the Euro. It supports the following codepages: -Latin 1 -Latin 2 (Eastern Europe) -Western Baltic -Turkish AEF highly recommends the OpenType version for compatibility with future Macintosh and Windows operating systems. Not to mention they work better in Adobe InDesign.