Weglly Hauston is a modern sans serif font with a unique ligature and aletrnate style. A simple serif with special impression. Combaine with high contrast and slat style perfect for feminine logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more.

A freestyle serif typeface, some details of its letterforms are modelled after flat-nib pen calligraphy (serifs with slanting ends, cutting terminals). Three decorative calligraphic versions with swashes and connecting elements are incuded. For text and display typography. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.

Sarttori is a display font with the perfect balance between classic and modern, mixing serif and sans serif styles in a unique way. Its timeless appeal makes Sarttori a great choice for stylish and impactful designs. The font family includes 6 different weights, uppercase, lowercase, punctuation, ligatures and multilingual support.

Introducing, American Wonders - Font Duo! American Wonders is a package of two fonts containing signature script and bold serif. This versatile fonts that you can use for any project. This bold serif is strong and powerful while the signature script is soft and authentic hand writing. This font also support language!

Katelyn is a sans serif font that reflects a straight and perfect handwritten note. In being in the middle of a sans serif font and completely handwritten, it will bring and lightness and playfulness to any design. Included in the face is a set of Ornaments that enhances the youthful font.

Monest - Vintage Serif Font will look gorgeous on all your designs, invitation, poster design, book design, branding materials, logo's, t-shirt and all project design other. Monest - Vintage Serif contains standard characters, Lowercase, Lowercase Alternates, Uppercase, Uppercase Alternates, numbers, punctuation, ligatures and international glyphs. You will receive OTF, TTF files & WEBFONT.

Roble Alt is a variation of Roble. It is a Slab Serif Font, from a mix between Andes and Sanchez, following an harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble Alt is a family of 16 display fonts 8 weights plus italics.

This plain serif can be used for a variety of purposes. Good for headlines and larger text usages. Hulbert is a comical look at the Eutheric family. It is useful for those moments where no other font will fit. Eutheric is a serif style look at the Cooper type of fonts.

Beauty Feminine Serif on Bureau adapted from didot with a very narrow width and high contrast Serif. Our Goals was to make this font with double function which is Headline and Text. To achieve that goal we use all of our resource and start researching the archive and the typography history.

Ying is a new Serif typeface that has a little bit of Yang in it. This combination makes it a very versatile Serif font. Just give it a try and you will see. Ying goes together very well with Yang its brother-font. Yours working on the "Yong", Gert Wiescher

ALCHEMIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with celestial and boho decor. ALCHEMIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism.

Elliptical The squareness of curves. That was the elliptical – in more than one sense – notion being explored in the making of FS Hackney. The squareness of curves and vertical terminals to create a gentle, soft sans serif, with a little bit of magic. A momentary thought – “It doesn’t have to be like this” – provided the spur to explore the verticals and skeletons of letterforms beyond conventional type design limits. A 12-month gestation period gave rise to a font with a larger-than-usual character set, including non-lining figures, small caps and superior and inferior numbers. It’s a collection that speaks confidently for itself. Assertive It was the Hackney carriage – the black London cab – that gave this font its name, not the north London neighbourhood. Solid, dependable, effective and built to last, FS Hackney was honed to perform in all conditions. Cool, compelling lines and a satisfying overall simplicity lend FS Hackney its assertive air. Assured, versatile and effective; just like a black cab (but without the grumbling). Machined Over a string of meetings, Jason Smith and FS Hackney designer Nick Job worked out how to infuse Nick’s sketched letterforms with Fontsmith’s familiar geniality. “Nick is very meticulous and produces very clean design work,” says Jason. “Hackney is ideal for branding as it’s very clear and its quirks are sensible ones, not odd ones, that don’t distract from the message.”

This design incorporates different styles into a consistent look. A pinch of script, a little of geometric and some humanistic shapes as well create a very distinguishable sans-serif. It has an overall good feeling specially on the heavier weights that have intended contrast irregularities to create a 'cartoonish' look. On the intermediate weights the design will preform well on small font sizes because of its large counters, low contrast and large x-height, but as you go to the extremes you will see shapes full of personality that will pop out in large font sizes. The font is loaded with opentype features such as small caps, ligatures, alternates, old style figures, and much more. The italic version is deeply rooted in the calligraphic heritage of the Italics. This way the brush inspired strokes are emphasized as well as an overall calligraphic look. Far from being a mere slant, Mangerica Italic had every lowercase glyph redesigned as well as some uppercase, besides that, every glyph was optically adjusted to ensure not only aesthetics but functionality too.

Beauty Dina // Playful Script Font is a stunning font with a stylish and lovely font that features a varying baseline, smooth line, modern, and with a depth of love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, weddings, invitations, signatures, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, etc. We have a special font namely "Beauty Dina // Playful Script Font ". The font design looks simple without losing its elegance and warmness. The function of the font is to show that you have a modern spirit to serve high-quality products and services. We design this font with Open Type features to give an artistic touch to it. This font is also applicable for numbers, punctuation, and other languages. It is also a multi-functions font where you can use for a business logo, branding, wedding invitation, and anything you want. We have more great and artistic fonts. Just check my font collection by visiting Our Profile. Then, pick your most favorite font and use it to reach your goals.

Kimilove // Monogram Script font is a stunning font with a stylish and lovely font that features a varying baseline, smooth line, modern, and with a depth love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, wedding, invitation, signature, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, etc. We have a special font namely "Kimilove // Monogram Script font". The font design looks simple without losing its elegance and warmness. The function of the font is to show that you have a modern spirit to serve high-quality products and services. We design this font with Open Type features to give an artistic touch on it. This font is also applicable for numbers, punctuation, and other languages. It is also a multi-functions font where you can use for a business logo, branding, wedding invitation, and anything you want. We have more great and artistic fonts. Just check my font collection by visiting Our Profile. Then, pick your most favorite font and use it to reach your goals.

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

Inside, Whiffle is a standard, sans serif informal font. Outside, its surrounded by clouds.

Sandor is experimental serif font. Its fit for brand, titles, heading and display purposes.

Publio is small unusual and unique font family, characterized with sharp, triangular semi-serifs.

Classic Western-style slab serif font extended to include Cyrillic and Greek letter forms.

Broxa was designed with a flat brush and inspired by Roman Sans Serif Alphabet

This is the sans serif version of my Arts and Crafts family of typefaces.

Curly dotted and serifed alphabet perfect for adding a touch of quirk or whimsy.

Payson JNL is based on a vintage sans serif wood type from the 1800s.

Brand Law is a Serif Font Family. This font is designed by Hanif Arifinsyah.

A super elegant and serif font will make your next book cover stand out.

Dingbats based on authentical and historical pirate's flags and other devices in your universe.

Orcin Sans is a functional well crafted sans serif typeface available in 6 styles.

Melancholia is a subtle and beautiful sans-serif inspired by calligraphic letterforms. The name describes a feeling of deep sadness, an intense sensitivity to the world. The design of Melancholia is an attempt to introduce some of that wistfulness into the sans-serif form, a typographic classification that is often characterised by an austere functionality. Melancholia includes a set of true italics influenced by old-style serif italics, such as those found in Claude Garamond’s eponymous typeface, as well as a set of stylistic alternates and calligraphic-style swash characters.

Font breeding is much like animal breeding, where stallion and mare, or bull and cow, or boar and sow are carefully matched in hopes of yielding a robust and useful offspring. When typefaces RoundUp with fat, rounded serifs and WyomingSpaghetti with fat, squarish serifs were chosen to be parents, it was clear that their offspring would inherit large serifs. But to discover exactly what the offspring would look like, the pairing needed to be consummated, which was done with the “Blend Fonts” commend in Fontographer. The two styles of RoundWhy are the result.

Taler is a serif typeface is represented by seven weights. It was conceived as a continuation of the sans-serif Nekst. In the process of design it became clear that it is a completely different typeface. The rectangular, slightly elongated serifs, the plastic stiffness, and the combination of different styles make Taler a true representative of contemporary. It's old-fashioned and modern, it's for a display titles and for plain text, it's rough and elegant — it's all present in design at the same time. The duality of it nature is it peculiarity.

Bogue is a slab serif type family of 8 weights and matching italics. Bogue Slab comes with a lots of stylistic alternates that makes it very versatile in various uses like logos, editorial design, branding, web design, package design and much more. You can use it to create short powerful phrases and headlines and also use it in longer text like lead paragraphs and body texts. So if you are looking for a versatile slab serif font you have found it! Bogue Slab is a slab serif version of Bogue

Roland Bryon Display Ligature Fashion Serif There's beauty in the plain version Roland Bryon, even without all the extras, for a clean and elegant minimal serif. Any version Roland Bryon brings a touch of luxury and bespoke custom typography to modern logos, websites, social media quotes, wedding branding, and more. Thank you so much for checking out my shop, and please get in touch if you have any questions! Roland Bryon Features Full Set of standard alphabet and punctuation Serif Ligatures alternates PUA Encoded Glyph Chart for easy access Multilingual Characters Luhop creative