Mulidey come with 200+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Inspired by the elegance and sophistication of Hollywood's Golden Era, Oscar is a lyrical nod to the pinnacle of cinema achievements, the Academy Awards. Its slim, graceful features are accentuated by undulating triple waves. Delicate yet study, it will handily support messages both solemn and joyful. Use Oscar when you wish to convey a sense of celebration and prestige, a reference to the era of Art Deco and the 1920s or, a feeling of grace and ceremony.

Keista Heather brings her own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Whether it's for the web, printing, motion pictures, or anything else – Keista Heather would look spectacular. This font is PUA coded which means you can access all the cute glyphs and swashes with ease! It also has many special features including alternate glyphs and ornaments.

The great display font. The great -This font is perfect for modern projects, quotes, shirt designs, websites, branding, children's designs, svg designs, blogs, logos, invitations and more! The great - includes alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor.

I am inspired by imagery that technology has rendered obsolete. I treasure anachronistic packaging and design which has somehow evaded obliteration by focus groups.I especially admire the packaging for A&P coffee brands Eight O'Clock, Red Circle and Bokar whose eccentric yet elegant typography harkens back to an earlier, less complicated era. The font Bokar is my nod of appreciation to those robust and full-bodied blends spared from the bland, tasteless scourge of corporate branding.

Vowels produce 'end-characters'. These are used whenever a string of symbols start or end. Consonants make 'middle-characters'. Numerals are zero-width characters. these can be used whenever you feel like it, they will float above and below the string of symbols. Puncuation adds extra spice. Hold down 'shift' and you get the individual symbols mirrored. (very useful with the vowels.) Check my website for a more graphic representation and play, for gods sake, play!

Introducing Heroid, the typeface that’s as powerful as a superhero! With its bold and daring letterforms, this font is guaranteed to make your design stand out from the crowd. Heroid comes in both regular and bold, so you can choose just how much of an impact you want to make. And with a selection of alternate caps, you can customize your design even further, making it truly one-of-a-kind. This typeface is so strong, it could punch its way through a steel door! So why settle for a plain, boring font when you can have Heroid, the typeface that’s as heroic as you are. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.

Based on Burghal Design's popular typeface BabyDoll, Fauntleroy is a graceful, childish figure of a font, full of innocence and good-fellowship.

A very contemporary design can be used in any application from headlines to text. Angular serifs give this design a strong base.

Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.

Scoreboard JNL emulates illuminated scoreboards and is based on an alphabet found in an old clip art book of sports-themed alphabets.

Based in Maria Consuelo Roman's handwriting, Mimi's Hand Connected is a very spontaneous font. It could be used in any informal project.

Medallion Ornaments is a collection of 185 circular ornaments based on plants, creatures, flourishes, geometric shapes, and ornate designs from historical sources.

Developed at ParaType in 1995 by Alexander Tarbeev, based on TextBook, 1987, by Emma Zakharova. For use in advertising and display typography.

Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

Oldhand is based on an original handwriting of an elderly gentleman. I worked it over carefully to keep the handmade, authentic touch.

Based on the blobby lettering printed on the sheets of plasterboard (drywall) used in a garage conversion during the summer of 2004.

Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.

Gans Italiana is a comprehensive family of wood type inspired typeface based on the same font by the extinct spanish Gans Fundicion.

Cherry Hill Regular is based on a late 20’s font modernized for the digital age- but still retaining it’s nostalgic glory!

Ornamental font based on examples from the book Miller & Richard "Specimens of Printing type". Collected ornaments belong to the Art Nouveau style.

CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.

Lineatura is a simplistic sans serif caps only typeface with dynamic character width. All its styles are based around the same skeleton.

Contains 36 magical seals based on the Lemegeton of King Solomon NOTE: this font comes with an interpretation guide in pdf format.

Pentangle is a complete font freely based on the eight characters used for the title of the 1967 folk/jazz/rock album.

Diamondwood JNL is based on examples of vintage wood type with condensed, elongated diamond shapes containing the various letters of the alphabet.

The Stroke typeface is based on a broad nib pen theory taken to its extreme, using idealization of computer-generated pen stroke.

Cross Stitch Delicate is based on upper case characters 21 stitches tall and contains the characters A-Z and numbers 0-9.

JH Farid font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..

The Ivan Zemtsov font is based on the lettering of Russian mailartist Ivan Zemtsov, and features both the Latin and Cyrillic alphabets.

Heck Italic is based on captions, labels and legends appearing on 19th-century maps and natural history engravings by J. G. Heck.

Based on some vintage metal type initial monograms, Long and Thin Initials JNL reproduces this condensed spur serif design in digital form.

This design is based on custom design work by DTP Types Limited in 1990 with associated Small Capitals and Old Style Figures.

Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.