Midnight, Pacific Coast Highway. You're driving home alone at night and your battery's dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there's an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil's Elbow gas station has put the frighteners on you. Is that Satan's face glowering at you through the mist, or something far worse? ⁠The only way to handle this font is with one foot on the gas pedal and one foot on the brake. Originally designed by John Roshell for GAMBIT titles, this sharp font has appeared on vampire & rock magazine covers, Star Wars & Star Trek merch, and the logo for the INHUMANS comic & TV show!

Introducing, Yolien Font. A retro, cute, and modern inspired by the flowy freeform lettering of the '60s and '70s. This font has a unique shape where every corner is smoother and more rounded. Every curve is designed based on an authentic and natural style. Yolien is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more.

Hasan Alquds Unicode is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supported all scripts that used Arabic glyphs compatible with Unicode 4.2. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Introducing, Burgundy - Curly Sans Serif with a bunch of alternates! Burgundy is a sans serif based typeface that have curly and elegant looks with a bunch of alternates that will make your presentation or logo even more stunning and stand out! This font is so fit for wedding invitation or celebrations. Burgundy also support Multi Language and already PUA Encoded! Features Uppercase & Lowercase Number & Symbol Multi language Alternates for each characters PUA Encoded

Based on a vintage set of kitchen labels, Jams and Jellies JNL is a font containing 52 of the most common names for jams, jellies and preserves as well as a blank label for creating your own flavor choices. Note: While this font may be used in many commercial advertising applications, any manufacture for retail sale of a complete set (or portion thereof) of these labels requires a special license from the font's author.

Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.

Jukotha is a casual retro from the san serif font family that carries a vintage theme, this font is designed with care so that it can produce a blend of letters and become a sweet and elegant word but still natural. by using this font, your work will become stronger and more extraordinary. This font is suitable for various graphic promotion media, banners, posters, logos, typography, hand lettering, packaging, t-shirts, labels, and much more.

Big Band JNL is a classic Art Deco typeface in every sense of the word. Large, bold and innovative in its sectional construction, the font is based on a lettering example found in a 1941 Speedball® Lettering Pen instruction book. The basic alphabet was used for the model, with a new set of numbers and additional characters created by Jeff Levine in order to make this font fully functional in today’s digital designs.

The Vtg Stencil series of fonts from astype are based on real world stencils. The UK No. 76 design was derived from authentic stencil plates from Great Britain. UK No.76 comes in four flavours – the Regular style and the Alt style with alternate and shorter forms of the letters M, W and the figure eight. Since summer 2015 both styles are now available in a Rough version with an extended glyph randomizer. PDF Specimen

This dotty delight, with its exceptional x-height, is based on handlettering presented in one of Hal Martin’s many Idea Books for Signmen, Artists and Displaymen, published in the 1930s. The ball terminals on several letters in the original alphabet have been enlarged to punctuate the page with dancing dots, suggesting the game which gives this typeface its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Leighton is a four-weight serif font family that was created in 1993 by Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for ITF’s Red Rooster Collection. Its designs are loosely based on the typeface Lectura, which was designed in 1966 by Dick Dooijes for the Amsterdam Foundry. Leighton is a conservative, demi-serif font in a Dutch style. It is ideal for upscale corporate projects and excels at any size.

Iova Nova is based on Jowa Script, designed by J. Wagner in 1967. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. The resdesign includes the modification of the numerals which originally had capheight size. Besides, we complete the character set to cover Western and Eastern Europe including Turkey and Romania. The font contains more than 300 characters. Iova Nova is a young, fresh and casual design.

Bitumen is a sticky, black, and highly viscous liquid form of petroleum. When I created this font, it reminded me a bit of asphalt, hence the name. Bitumen is a handmade font based on Schmallfette Grotesk by Walter Haettenschweiler and Haettenschweiler font. The font was made with a Japanese brush pen, hence the bold lines. Bitumen comes in two styles: the regular, fat display font and a lighter version - both with italics.

This willowy wonder is based on Morris Fuller Benton’s Stymie Obelisk, one in a series of typefaces he designed for American Type Founders in the 1930s. An obvious choice when real estate is at a premium, its classic forms will add just the right amount of punch to any headline it graces. Both versions include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Nautica is a new script typeface based on Copperplate’s ductus. High in contrast, it is a very original type with a strong character. With over 1000 glyphs and extensive language support, Nautica offers full professional typographic features. Ligatures and swashes are more inspired by brush pen strokes. Nautica provides three weights and one set of useful icons and knots to improve your graphics. Nautica works very well with Turquoise ; check it out.

Moranga is a contemporary, serif, retro-style typeface with a strong personality. Its design is a mixture between Café Brasil's flowing, organic shapes and elements from 70's popular fonts such as Cooper and Souvenir. Moranga, in 5 weights and matching italics, is the perfect choice for headlines, display use and high-impact or friendly designs. Moranga contains a set of more than 400 characters and supports over 200 Latin-based languages.

Alea is based on the drawings of Maria Balle. The floral, organic look of these bastard script initials will play well together with nearly all Didone designs and will give them a special note. Alea works perfectly with the Adana fonts also available from astype. The Opentype features Superior, Inferior & Numerator will activate the filling objects. Use these features on a new layer and choose your color to get up to three color layers.

Graffiti Bomerang is a bold display font that captures the rebellious spirit of street art. Its thick, uppercase letters feature jagged edges and unique embellishments that evoke the look of spray-painted graffiti. This font is perfect for creating eye-catching titles and headlines for urban-inspired designs, music posters, and other projects that require an edgy and daring style. The font’s bold and unapologetic personality is sure to make a statement.

At first glance, Typewriter Sans JNL seems to look like the pantograph lettering of an engraved sign or the rounded-end lettering from an architect's templates. It might also be mistaken for plastic pin-back lettering used on some bulletin boards. In actuality, the design is based on examples of an electric typewriter ball element with a sans font named "Dual Gothic", suggested for use "in credit reports and other financial applications".

Casablanca is a decorative sans serif font family. It was designed and produced in 1997 by Steve Jackaman (International TypeFounders). Jackaman loosely based the designs on the Carlos Winkow typeface ‘Electra’ from the Spanish foundry, Nacional, circa early 1940’s. Casablanca has a clean, Art Deco, jazz, and/or noir film feel. It sets nicely at any size, and brings an air of bold mystery to the projects it is applied in.

Alleghieri was developed from several different examples of late Renaissance lettering. While it is based on a style which is clearly intended for quick, easy writing, we've preserved many of the unusual character forms and elaborations to give it a lot of personality. The result is stylish and unique, with a real feel of the Renaissance, but great readability as well. The full version includes a large selection of variant character forms and special characters.

PT Orden™ was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. Orden is a genuine Cyrillic typeface, it contains antique Cyrillic letter forms such as d, z, N with a diagonal stroke, symmetrical Y ,× and Ù, rare in modern typography. Another specialties: one alphabet and old style figures. Lower case consists of upper case letters except for some alternative variants of the capitals. For use in advertising and display typography.

This elegant monocase design is based on a nineteenth-century offering from Britain’s Stephenson Blake Foundry named "Fry’s Ornamented No. 2". Stylish, witty and debonair, it will add grace and charm to any project. The font features bracketed fleurons in the greater than and less than positions, and no math operators. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Albe Sans is a font family that began life when I was struck by a full-color back page ad in a 1935 copy of Better Homes & Gardens. I loved the readability and general cleanliness of the design. This font is drawn from memory after that experience. It is loosely based on Palton for proportion, but heaviily modified (not to mention, Palton is serif): Lower case numbers, Euro, ballot box in the section slot.

Australis Swash is a new variant that adds to the family of Australis Pro and it brings a touch of whimsy and mannerism to the shape of the cursive letters. Its purpose is purely playful because Australis Swash has some useful Opentype features as standard ligatures, discretionary ligatures and contextual alternates to use them in headlines or as a base for brands and lettering in general. Designed by Francisco Gálvez Pizarro in 2013.

Bavaroir looks like a techno party in the throne room of Neuschwanstein: grandiose, original and still high-tech, modern, stylish and chic? anything but lifeless. The design experiment was to create a sans serif based on ?dropping endings?. Something between elegance and protest, Bavaroir coquettishly hides its edges. Although pretty narrow in design, Bavaroir still flows easily, openly and well readably, even in very small sizes. Bavaoir was designed for the URW++ FontForum.

Ivan Bilibin was one of the best artists and designers of the Russian folk art movement of the early 1900s. His posters and his illustrative work are exceptional, and like many of the artists of the period he did a lot of hand lettering in various old-fashioned and modernistic interpretations of traditional Russian folk calligraphy. Our first Bilibin font is based on his lettering from an illustrated folk story by Alexander Pushkin.

Dunelm is a typeface that was inspired by the type used in an English book from 1636. The typeface used in the book was unique and the goal in creating this font was to emulate the printing feel of the 17th century. The authentic ink-blotted and imperfect feel of the letter-pressed type was preserved with care. For best effect, this font should be used at text and smaller title sizes.

It don't mean a thing if it ain't got that swing, and it's easy to get into the swing of things with this bouncy little number, based on another offering by the irrepressible Ross George. Bright, bouncy and a little sassy, Nellie Kay will save the day, no matter what the occasion. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due to the rounded edges it has a very soft / warm look and feel. It comes along with varius OpenType features such as table and old style figures. Oblivian Grotesque as an extended character set that support Central and Eastern European as well as Western European.

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!

Duck Duck is a display font in which each letter has been handwritten, giving it an authentic and original character. It exudes a varied and extravagant style, and with its daring and sophisticated letterforms, Duck Duck attracts attention and gives projects a touch of nonchalance. It is ideal for creative projects such as posters, invitations or branding materials, where a striking and distinctive text finish is sought that stands out. Remastered in 2022.

MS Reference Sans Serif font is a special font containing the WGL character set and a range of symbols and icons. The WGL Pan-European character set provides support for Western, Central and Eastern European languages including Greek, Cyrillic, Baltic and Turkish. MS Reference Sans Serif is based on the Verdana fonts created by Matthew Carter and hinted by Thomas Rickner. The MS Reference Sans Serif font is distributed under license from Microsoft Corporation.

Proudly present Sageyl Typeface created by Sealoung, A serif modern and classic typeface that his own unique style & modern look. It loops and swoops in a delicate dance that is never boring. Use this dainty serif as a memorable logotype or header and pair it with something contrasting and clean. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Sherika is a cool and authentic sans serif font family. Seven weights plus matching italics. Simple geometry with nuance that adds warmth. t’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc. 14 styles: 7 uprights and matching italics. 232 glyphs. Latin based languages. OpenType features, including ligatures. Variable Font Includes. If you need help or advice, please contact me by e-mail "seniorsstudio@gmail.com" Thank you!

Decima – condensed geometric Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). Decima Pro – an upgraded version of Decima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Six more alternate styles have been added to the original six styles. Typeface is released in OpenType format with some OpenType features.

Chatnarong Jingsuphatada is a Thailand based typeface designer of foundry Typesketchbook. In 2014, he has created Orev, a type family that consists of 18 fonts, including 9 weights available as normal and oblique style. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Orev font family supports multiple languages and is available as both webfont and desktop font.