Kinfolk Pro is a font collection of six fonts. The main styles Rough and Smooth are extremely sturdy and bold brush fonts. As the name suggests the smooth style has clean, crisp contours and the rough version has the authentic strokes of a slightly dried out brush. Both versions have 606 glyphs and 4 alternate ornamented capital letters to play with, organized in stylistic sets. With Discretionary Ligatures and Contextual Alternates activated you can access elongated swashes by simply typing +1 (+2, +3, +4, +5) in front of any letter and =1 (=2, =3, =4, =5) at the back. On top of that Kinfolk Pro Rough and Smooth have some extra stand alone swashes that can be accessed via the glyphs panel or by typing _1, _2 ,_3 _4 _5. Kinfolk Pro Script is a fully connected script that goes together beautifully with the other styles. For the best connections, activate Discretionary Ligatures and Contextual Alternates. Additionally there is Kinfolk Pro Ornaments for extra swashes, ink blobs and interesting strokes. Kinfolk Pro Arrows and Kinfolk Pro Flowers both offer 230 glyphs to further juice up your designs. You'll need an Open Type savvy application to get the most out of Kinfolk Pro.

Stars & Love is a bold, cursive brush calligraphy font, influenced by retro script style with a friendly rounded look and flourished elegance. It features stylistic alternates, contextual alternates, standard ligatures and terminal forms (beginning and ending characters are a bit different) that ensures multiple options for you to choose from for your design work. This font comes in two instances, a Bottom Heavy and a Regular version. Being friendly yet elegant in its visual presence, Stars & Love is perfect for Love theme designs, premium packaging, stationery design, invitations, posters, logos, custom products and more. The Character set covers most Latin languages. Font Guide PDF Font presentation video For feedback, customisation or extra character request please email me at fonts@rolandhuse.com Font Features: • Latin character set: Uppercase & Lowercase A - Z • Stylistic Alternates (up to 3 Sets) • Contextual Alternates (Initial and Final Forms) • Standard Ligatures • Underline Swashes (Stylistic alternates for underscore) • Numerals & Punctuation • Accented Characters • Symbols (Currencies and basic symbols such as @ # % etc.) Please refer to the Font Guide pdf for more details. To access all features of Stars & Love such as stylistic alternates etc., it's highly recommended to use professional design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign or Procreate (via 'add text' feature).

Vintage Glader is a beautifully crafted script font that exudes a timeless elegance and sophistication. Designed with a fairly thick weight, this font makes a bold statement while maintaining a classic script style. Its well-balanced proportions ensure a consistent and harmonious look across all letters, making it both visually appealing and highly readable. One of the defining characteristics of Vintage Glader is its contrasting strokes, which add a dynamic rhythm to the text. This contrast not only enhances the overall aesthetic but also contributes to the font's excellent legibility, making it suitable for a wide range of design applications. Adding to its charm, Vintage Glader swinging ends on some letters, lending a playful yet refined touch to the script. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Vintage Glader fits in headlines, invitations, logos, posters, flyers, branding materials, greeting cards, print media, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Presenting the ✨The Malibre Typeface✨ by alitdesign. The Malibre Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Malibre Typeface" had a firm and trendy impression. The Malibre Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Malibre Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Malibre Typeface has a total of 721 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Malibre Typeface, we hope you are also happy when using The Malibre Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting the ✨The Bringa Typeface✨ by alitdesign. The Bringa Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like “The Bringa Typeface” had a firm and trendy impression. The Bringa Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Bringa Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bringa Typeface has a total of 786 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Bringa Typeface, we hope you are also happy when using The Bringa Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The careful balance between the emotional swings and shapes set in strong contrast such as the burly serifs, or generally vertical and orderly appearance within the Duwal Pro determine the special look of this Antiqua typeface. All characters of the Duwal Pro are designed to be open and accessible. The lowercase letters are designed with a large x-height, which is why they are ideal for small font sizes. Many striking details give Duwal Pro a defined and firmer appearance with increasing font size so it is also suitable for use in headlines and work marks. The deliberately constructed and emphasized design of the serifs give the font a strong position and at the same time force the reading direction. Using Duwal Pro in Bold weight, the serifs look clearly striking, the design language is concise and the typeface receives an additional sympathetic force. The Italic weight draws on the expressive but not intrusive design of the Regular, but appears sharper and is ideal for text passages. The font family contains italics, small caps, lots of ligatures, swashes, another format set, contextual alternatives and special characters as well as other open-type features which allow the use of Duwal Pro in 48 languages.

Fontoddler Font Family, This font was created with the personality, in mind, of my two-and-a-half-year-old granddaughter Chloe Bella. I believe strongly that fonts have personalities that’s why we refer to their members as ‘characters’ or to be more accurate, ‘glyphs’. This font is playful, bold, colorful in form and design, a bit irregular, a bit informal, a bit irreverent, a bit humorous, a bit sassy, and a bit independent just like my little one. When used in color Fontoddler sings. She’ll be writing and creating visual words in just the nick of time. At 2 she started recognizing many colors and identifying people, places, animals, and objects and now she’s recognizing letters. I can’t wait for her to understand that this font was designed and named after her. Fontoddler currently exists in 3 styles, Medium, Heavy, and Heavy Outline. Naturally Heavy and Heavy Outline are congruous, ie. They are fitting together. I hope you enjoy and use this 24th font family from Cozyfonts Foundry. It will fit well with greeting cards, signage, birthday parties, holiday occasions, invites, stationary, headlines, logos, posters, cartoons, animation titles, movie titles and even sports events and sports logos. Have fun with this one. Tom Nikosey

Say hello to new serif font, Holy Cream! Holy Cream is a font that takes you back to the trendy retro era. With a classic display serif style but with a modern feel, Holy Cream emphasizes the uniqueness and elegance of each letter. The bold, contoured serif design provides a strong vintage touch, while stylish and quirky alternatives add a charming creative dimension. When using Holy Cream, you will feel a touch of fun nostalgia, but also explore ongoing design trends at the same time. Whether you want to feature your headline in a print ad, poster, or other graphic design, Holy Cream delivers a trendy, retro vibe that grabs attention with its ability to adapt to a variety of visual styles. So, with Holy Cream, make your design speak in a stylish and unique retro style, captivate the audience and make an unforgettable impression. Here's what you get: Holy Cream Regular and Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu)

Presenting the ✨The Mietlor Typeface✨ by alitdesign. The Mietlor Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Mietlor Typeface" had a firm and trendy impression. The Mietlor Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Mietlor Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mietlor Typeface has a total of 735 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Mietlor Typeface, we hope you are also happy when using The Mietlor Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

I am pleased to present you an excellent futuristic font "Chipen" in unique graphic style! This font consists of regular, expanded, regular italic and expanded italic, these 4 fonts are encapsulated in one variable. With one font variable, this will cover 4 styles and cover all the weights between regular and expanded. If you are used to working with variable fonts it will give you more weight options, if you have never tried this variable font it will be an amazing new experience for you, take a look at this video snippet: https://youtu.be/jgqNPGeoVjc Chipen comes in bold and with a “RoundCube” cut, this is perfect for modern, Sci-Fi, and technology themes. Coupled with the stripe in the middle of the makes it appear more sporty. Not only that, this stripe can also display "Eighties" if you package it in a retro concept. Another strength of this font is the lowercase ligature, we present a lot of ligatures and one of them might be suitable for your logo brand. Finally, this font is a dynamic font with a variable concept capable of covering more 'weight', unique to appearing in various eras, exploring the world of retro and even science and fiction.

Bold, muscular, vaguely oriental, Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. The straight-forward, no-nonsense name tells us exactly what to expect: sans-serif letterforms based on wedge-shaped vertical strokes. The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. What is the opposite of "straight-forward" anyway? According to McGrew, Wedge Gothic was originally created for the Chicago Herald newspaper. The designer is unknown. A distinctive display face, useful when a strong and unusual statement is desired. Wedge Gothic ML features: 1. Glyphs for the 1250 Central Europe, the 1252 Western Europe, the 1254 Turkish and the 1257 Baltic Code Pages. Total of 335 glyphs. 2. OpenType GSUB layout features: pnum, ornm, hist & salt. 3. 66 kerning pairs. 4. Both tabular & proportional numbers. 5. Alternate bullets. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Quendel has been expanded to become Quendel Happy Family. Apart from the new Bold weight for easy distinction and emphasis, there are now four other very exciting variants, rendering different writing tools and writing materials. The basic form of Quendel was written with a Japanese bamboo tip and therefore embodies a form letter of natural flow. The new versions show other features that provide the feel of written scripts. While the styles Wood and Crayon include some alternate characters, Q Marking Pen and Q Fingertip, due to their apparently more complex enacted forms, do not need additional alternates without looking stiff or boring. The wood relief of Quendel Wood was created by a freehand wood relief drawn with oiled chalk. Quendel Marking Pen seems to be written with a felt-tip pen soon depleted. At the same time it is also reminiscent of the blooming effect, which we know from photography. The name of Quendel Fingertip suggests what can be seen - someone seems to have written with the finger in a grainy material. One would like to try it himself. The effect of broken lines which can be gained by writing with chalk as reflected in Quendel Crayon. Almost like parched sandy soil, the writing material seems to crumble.

Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design — a contribution to the tradition of grotesque typefaces. It is an attempt to improve both this genre’s legibility and versatility. Innova consists of two families: Innova and Innova Alt. The Innova family has rectangular dots. The Innova Alt family has round dots — making its personality a little friendlier. Innova is well suited for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc. Innova includes 16 uprights and 16 matching italics. It includes small caps, arbitrary fractions, and extensive language support. It includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Innova embodies the renewal needed for the traditional grotesques. It is a grotesque which is fit for the 21st century. In order to see whether you agree with this, please try the free Innova Alt Demi. For more information about Innova, download the PDF Specimen Manual.

In 2007 we shared our first pride together. More than 1 million people took the streets of Madrid for this huge celebration … seeing the diversity of people supporting love was incredibly touching. Gay Pride is a celebration of freedom, human rights and the right to love whoever we want. It’s a memorial for the battles, the lives lost and the pain suffered while fighting for a growing list of equal rights. But let’s not forget there are still places where LGTBQ community is repressed and persecuted. As Letter crafters we love seeing the signs people design for their different pride parades, and we wondered… Why don’t we create a collection of handcrafted lettering to share some love and to add a typographic realness to the party? Love Wins Font is a series of 60 phrases handwritten with expertise and love specially designed to celebrate diversity. The lettering was crafted with different calligraphic tools creating diverse aesthetics. You can use them to create your signs, t-shirts, stickers, poster, banners.. all you need is to spread love during your Pride Celebrations (or day-to-day life!).

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Vintage, country, distressed or just plain worn out. The Texas general store on the side of the highway that has been there since 1954 and they're still selling old fashion bottled soda. A renovation/excavation at a downtown urban construction site reveals the old ad on exterior brick. Barn Owl provides the headline in your project with the ultimate in aged retro visualization. It is a basic minimal font set which includes only uppercase letterforms. It is a headline font best used above 36 points in size. The first of our “Trifonictype” (Tin Sign is the 2nd) there are three components to the font, Barn Owl Outline, Barn Owl Fill and Barn Owl Shadow. These can be used in different combinations for different effects, copy and paste type then indicate a different font each time. Paste in the front or back in application to see effects in combination. Fill and Shadow could be used with irregular letter spacing for various effects. Outline could be used with just Shadow for a another effect. Use your photo manipulation program to overlay and change the transparency of your headline. There are a few extended glyphs and barn(ding)bats in the lowercase letter strokes indicated in a poster sample, these are found only in the Barn Owl Outline. Download PDF manual for complete showing.

Chalice is a new original Canada Type family inspired by two different engraving eras and locations: Medieval England and 19th century Russia. Chalice's construct is geometric at heart, though the wedge serifs and their contribution to the overall idiosyncrasies of the counterspace give it a spirit entirely different from usual geometric types. Chalice's personality is that of a knowledgeable advisor, clinical yet old-fashioned, aware yet unsurprised, secular yet serene, clear yet artistic, hungry yet redeemable. Chalice comes in 4 weights, light to black, that range in expression from a sobering wise whisper of confidence all the way to the bells and whistles of Judgment Day. Such flexibility in expression among the different weights of the same typeface of this kind is quite rare, and will be appreciated by discriminating graphic artists who require more than just another tombstone type. Chalice's character set comes fully loaded across all 4 weights. Two dozen alternates are built into the map, including unicase variations on the a and e, double-barred alternatives for A, E, F, H and S, and connecting versions of b, d, f, h and t. Such variety gives the user to subtly define the set type without overpowering it. Chalice comes in all popular font formats, and is available in single weights, as well as one complete affordable package.

OkayCursive began over coffee, in a local flower shop, where my wife takes a floral arrangement class. I discovered a book there, with old photographs from Paris of flower shop displays. What caught my eye in the background of one of these photos, was the hand-painted lettering on a sign. Inspired, I quickly sketched some of the letters on a napkin and stuck it in my pocket. I began to sketch more over the next few days, looking to construct a full-out cursive font with this distinct French look. I wanted my design to be creative & free flowing, but I also wanted it to be at least somewhat proper. So, I consulted some schoolbooks for reference on the correct cursive forms. After more drawing, I began to create the final vector art. Gradually, these ideas -- plus many hours of careful kerning and metrics -- came together to form OkayCursive. Use OkayCursive any time you want fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text -- go ahead and have fun with it. OkayCursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

A funny looking font with circular shapes and cutouts - both hippie and futuristic at the same time. I have completely redrawn all the glyphs, and introduced a lot of alternate and new letterforms to make a little more variety between upper- and lowercase (the original layout with all the "old" letterforms can easily be accessed by using the OpenType menus "stylistic Alternates" or "Stylistic Set SS01"). All diacritics and accents are totally new, and made large - in the style of the original dotted i. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Arturo is a brand new font family drawn from the original inspiration of an old alphabet in one of Dan Solo 's Dover Clip Art books. It has moved far away from those raw roots, however. Every character has been redrawn. For example, I had a light version that I never could get working. Arturo is based on that light style and called Arturo Book. The name comes from a good friend of mine in El Paso. He was the guinea pig upon whom I foisted off the beginnings of this style so many years ago. I did several marketing pieces for him using the raw drawings. I figured that he deserved to have the family named after him, at the very least. This is a normal font family for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

I’m happy to present you the Bohemian initials font family. Regular and Colored styles (Uppercase & Numbers) based on Codex Gigas originated in medieval Bohemia. The manuscript has been dated 1230. The elaborate initials are at the beginning of the main texts and their principal divisions. The painter was aiming to achieve a plastic depiction of the trailing vines of the initials, and he painted with solid colours. He used only four of the primary colours cinnabar red, blue, green and yellow, brightly toned, as well as white accents and contours. The trailing vines of the initial letters are painted in a decorative, advanced Romanesque style, already bordering on naturalism. The plant taken as the starting point is the acanthus, a thistle-like plant which grows wild in the Mediterranean countries. The decoration of the Devil’s Bible is not the work of an amateur. Scholars have concurred: it is book illuminations created in Northeast France and Southern England in the so-called Channel style which provided the starting point for the coiled trailing-vine shapes in the initials of the Devil’s Bible. --- You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- Please feel free to request any help you need: kaer.pro@gmail.com Thank you!

Phoenician/Canaanite The Phoenician alphabet developed from the Proto-Canaanite alphabet, during the 15th century BC. Before then the Phoenicians wrote with a cuneiform script. The earliest known inscriptions in the Phoenician alphabet come from Byblos and date back to 1000 BC. The Phoenician alphabet was perhaps the first alphabetic script to be widely-used - the Phoenicians traded around the Mediterraean and beyond, and set up cities and colonies in parts of southern Europe and North Africa - and the origins of most alphabetic writing systems can be traced back to the Phoenician alphabet, including Greek, Etruscan, Latin, Arabic and Hebrew, as well as the scripts of India and East Asia. Notable features Type of writing system: abjad / consonant alphabet with no vowel indication Writing direction: right to left in hortizontal lines. Sometimes boustrophedon. Script family: Proto-Sinaitic, Phoenician Number of letters: 22 - there was considerable variation in their forms in different regions and at different times. The names of the letters are acrophonic, and their names and shapes can be ultimately traced back to Egyptian Hieroglyphs. For example, the name of the first letter, 'aleph, means ox and developed from a picture of an ox's head. Some of the letter names were changed by the Phoenicians, including gimel, which meant camel in Phoenician, but was originally a picture of a throwing stick (giml).

Jackalope is a new original script font from LetterPerfect Fonts. The design is a hybrid of pressure-pen calligraphy infused with whimsy and curlicue terminals. Letterforms are free-spirited and edges are rough, simulating spontaneous writing on rough paper. In addition to the full ANSI western character set, Jackalope includes a full set of small capitals, both lining and old-style numbers, and swash lowercase alternate characters that can be used as terminal letters at the ends of words for additional flourish. The genesis and realization of Jackalope was also a hybrid process. In 1996, LetterPerfect commissioned type designer Kathy Schinhofen to provide pen-written source material based on her commercial handwriting style and specifically on a logo she had designed for its "Viva la Fonts" line of script fonts. This work was digitized by LetterPerfect’s Garrett Boge and later fonticized by former Hallmark Cards type maven Myron McVay who unified the design and contributed additional characters. The design sat unfinished for over 12 years until Garrett Boge revived the project in 2010 filling out the extended character set. Jackalope is released in two versions: Jackalope LP Regular, which is the base font for continuous text setting; and Jackalope LP Expert, which includes swash variants, small capitals, and old-style numerals which can be swapped into text for extra flourish and effect.

The Parisii was a small Gallic people settled in the current Paris region, which gave its name to the city of Paris. According to Caesar (53 BC.), their main town (oppidum) was Lutetia (Paris). Parisii was born of inspiration to be leafing through some old magazines on the terrace of a cafe in the beautiful city that is Paris. Parisi is like the city: casual, youth, romantic, free spirited and, at the same time, sophisticated, elegant and classic. The Parisi family font is a lovely and casual handlettering script, which is based on gestual calligraphy. Parisi has a slight bounce and intentional irregularity giving your words a wonderful flow. Fat and thin stroke in this font impresses the harmony. Parisi consists of 3 subfamilies: Regular, Italic and Condensed. This font includes Parisi font has OpenType features such as Stylistics and Contextual alternates, swashes, Standard and Discretional Ligatures, stylistic sets and ornaments that allow you to mix and match pairs of letters to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. This OpenType features may only be accessible via OpenType-aware applications, a Central European language support. Parisi looks lovely on wedding invitations, greeting cards, logos, business-cards and is perfect for using in ink or watercolour based designs, fashion, magazines, food packaging and menus, book covers and more!

Sabor is a voluptuous upright connected display font with mixed taste of script fonts. There were many inspirations for Sabor, but all started with a book from the 1950s about the battles of World War II. To that first sketches of a naive dense display typeface we, day by day, start to create a mixed style evolving some lettering concepts from 1950s, some calligraphy notions and the first display ideas. The feeling of this font is good to be used in many artworks, like logos, packaging, party invitations, layouts for t-shirts, magazine headings, and much more, since websites to and all kind of printed jobs. That font is not really a script, but, like the scripts we strongly recommends to use the caps only in the beginning of words and sentences, to contrast with the lower cases : it’s not designed for all-caps settings, so avoid that kind of use. This font has almost 700 glyphs and supports the most important Latin-based languages. We works hard in a tour-de-force kerning: over 12.000 kerning pairs soft adjusted handily. Its OpenType features include final forms, initial forms, special sets (upper and lowercase's), hundreds of contextual alternates ligatures providing letter-form variations and connections that make your designs really special, and ornaments (tails). Because of its high number of alternate letters and combination's, we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Sabor User Guide”, a pdf brochure in the Gallery section. Also available two sister fonts easy to use : SaborWords and SaborRasgosEscritura Sabor has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

IntellectaMonograms is an extensive collection of ancient intrincate monograms, of all kinds, mainly Victorian style. To better understand the recherché combinations in these fonts, please take a look at the pdf brochures in the Gallery section.

Danielle Smith describes her friendly, hand-drawn typeface family, available in roman and italic, as ‘non-élitist and accessible’. Originally created for a theatre project at Massey University, Dandy is reminiscent of Pablo Ferro’s hand-lettering.

The design of the typeface Flamingo by Dior Sirous was inspired by this beautiful bird, creating long slim lines with soft curves at the ends. It is best suited for display use in Art Deco style.

Talbot Type Kitami is a minimal, geometric, stencil display font, inspired by Herbert Bayer’s Universal Typeface, created at the Bauhaus in the 1920s. Each character is created from a single continuous stroke, or combination of strokes.

BluHead Studio LLC is pleased to announce the release of Churchward Chinatype by New Zealand typeface designer Joseph Churchward. This stylized brush script is intended for display use, but is surprisingly legible at smaller point sizes.

FractalCaps was inspired by the self-similar nature of fractal geometry. It's a strictly decorative font, without accented characters. FractalCaps shines at large point sizes, and would be a good choice for wild and wooly posters.

Pantomime is an original and unusual casual Roman Script. Designed for using at larger sizes and headlines I have spaced the fortnight, as I believe this is the most effective way for producing interesting word patterns.

Pen Gothic JNL emulates lettering made with a round nib lettering pen, and is loosely based on some text found on the popular 1918 song "Ja-Da". The font is available in regular and oblique versions.

Webbies contains a set of 94 web-related dingbats. Use them in your e-shop, personal website, forum or wherever else you please! Webbies is best used at (any multiple of) size 15pt without anti-aliasing.

Crunk was inspired by the creator's (at the time) teenaged hoodlum of a brother. The font Crunk is great for headlines and text and has served its creator well over the years since it was made.