Kayto Script is the second collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer. Today the resurgence of calligraphy has reached the summit, with social media as the vehicle, we are now familiar with many styles of calligraphy. One of the popular styles is brush lettering, especially the pointed brush calligraphy. Kayto Script is an exploration in pointed brush calligraphy. It’s an interpretation of modern brush calligraphy that combines cursive writing with the East Asian calligraphy flair. Kayto is made with a real brush and held perpendicular to the paper so the brush can twist and turn freely to follow the movement of the hand. This technique gives a natural gesture and energetic look to the strokes. Kayto has a unique rhythm of brush pressure to generate the thick-and-thin strokes... the beating heart of brush calligraphy. Instead of the mechanical thick-and-thin strokes like the regular calligraphy, Kayto is written with a lot of variety of pressure that is somewhat melodic but still conform with the discipline. The result is a script that feels personal and characterized with lively energy. And just like handwriting, every letter in Kayto script is crafted with many varieties of glyphs and ligatures to make an unlimited combination of personalized lettering. Because of its natural letterforms, Kayto Script is best suited to complement anything that is earthy or has nature as the ground. Erwin, the calligrapher, has used Kayto in many of his watercolor illustrations. Another ideas are wedding names on invitations or place cards, logo for any natural products, inspirational quotes, business cards and the list goes on... but in the end, if you wish for something personal and truly one of a kind then Kayto script the one you want. Also, Kayto offer a free version called "Kayto Doodles" designed by Adiet Pramudya.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

Gambler is a characteristic display type collection of 7 font styles with both clean and textured -making it total 14 fonts designed to play together. Gambler strikes with witty and elegant appeal combining vintage and modern elements. Gambler is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, prints on garments, restaurant menus, beer labels and so on, both offline and online. Gambler Script is a smooth contrasted script that comes in two weights and it is packed with plenty of OpenType features: Standard Ligatures and Contextual Alternates are automatically on and they help to keep the flow and connections smooth. From Stylistic Alternates you’ll find characters with pointed endings and some other small variations. For extra flair try Swash or Titling Alternates. Gambler Script is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Brush is a soft brush script with low contrast and large x-height. Gambler Brush comes with following OpenType features: Standard Ligatures and Contextual Alternates that are automatically on and that keep the connections smooth. For less uneven word picture try Stylistic or Swash Alternates. Gambler Brush is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Flare is a flared serif with sharp edges and wide characters Gambler Flare comes in two weights. Gambler Gothic is a rigid condensed sans serif that comes in two styles: Regular and Shadow. Gambler Gothic Shadow has a narrow lining giving a three dimensional expression to the font. Gambler fonts are designed to play together, in pairs, or all together but they also work great as themselves or combined with other Fenotype Fonts.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Proudly presents our latest product Cutterlakes & Camp Press fonts. these combine font with differente style between script & sans. insipired from nature, adventure and vintage typeface, its very great for logo, clothing brand, vintage looks, wedding, and more.

Monotype Modern, the first typeface produced by Lanston Monotype, was released in 1896, the same year the company introduced its hot metal typeseting machine. It is a Victorian variation on the vertically stressed, high-contrast Bodoni model.

Choir is a modern sans serif font. Each letter consists of three combined lines that connect together like a maze. This font is suitable for logos, business cards, magazines header, Flyer Titles, or large-scale oven artworks.

Changing is a lively font, loaded with many automatic interlock pairs that do their magic in OpenType aware applications. Its peculiar design and such choices for letter combinations make this a very dynamic, spirited and useful typeface.

Coreopsis is a family of fonts that combines mathematical precision with a hand-drawn feel. Versatile enough to be applied to an attention-grabbing headline, or to blocks of paragraph text. Coreopsis is available in three weights.

Named for Algonquin Round Table wit Heywood Broun, Heywood is bold, but playful. The simplicity of the letters combined with the shifting baseline make this the least formal and most fun of The Algonquin Collection of fonts.

A sharp, corporate font with a clean, modern machine-aesthetic. Suitable for forward-looking company brochure headlines, contemporary and futuristic movie posters, logos and more. Incorporates a full international character set and alternate designs for many letters.

Coppola is a brand new typeface that combines a little bit of Didot, a pinch of Art Nouveau, and a dash of Italian mafia. A-Z, a-z Numbers Alternates Ligatures Multi-language support Symbols Special characters

Gleamore is a decorative display font, looks stylish. The bold shape combined with the unique curve shape makes this font easy to read and looks beautiful. - Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Swash Ligature, Multilanguage

Gans Rasgos Escritura shapes (108 tails) was selected and freely interpreted from the vignettes catalog by Fundicion Gans published in 1920. You can combine these ornaments with your favorite fonts. We suggests the use of Pretoria Gross.

Zeogari is a classic style font that has a combination of serif and sans-serif forms, this font depicts a sense of love and loneliness, in addition, the Zeogari font has a bold shape with strong characters.

A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.

Infilto is a scribbled font, simulating hasty written letters. Comes with loads of ligatures for both double letters/numbers and the most common letter combinations... You will need to use OpenType supporting applications to use the autoligatures.

Katigert – is a rather friendly italic with a touch of measured severity, combines very sharp angles and bold shapes. The font works best for display. The font includes extended Cyrillic and Latin alphabets, punctuation marks and currencies.

Dirty Brush combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts

In spite of the fact that Portfolio's capitals are highly ornate, it is still very legible. Portfolio, in combination with its elegant lowercase, creates a prestigious presentation useful for Certificates, Wedding Invitations, Corporate Identities, Brochures, and Headlines.

Corinthian is the work of Colin Brignall, a clean sans serif which was inspired by Edward Johnston's Railway Type and Eric Gill's Gill Sans.

Silqa is distinctive display family inspired with art deco style. Unique family that combines cutoff letter shapes, swashes, geometry and jumpy ascender value is ideal for titles, headlines and product names – in every usage where originality is desirable.

Bhorgcust is script font with authentic calligraphy style, with elegant swashes combination letter script form, so many opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

True Rose is a decorative serif family. It contains seven weights from thin to black. Vintage retro style combined with simple Victorian ornaments makes the lettering look neat and clean, perfect for your heading, title, or branding projects.

Maxtield combines attractive curves with a fresh urban edge; delivering a stylish which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, social media post, or website font.

BENHARD is a display font with masculine characteristics suitable for old or modern styles, this font can be combined with a sans-serif font suitable for poster fonts, logos, headlines, titles on book covers, films, content and others.

Gromer is an exsperimental font adaoted from a combined groovy font and graffiti that maks it’s unique character as Display Font,this font is very suitable to use as your project design such as graphic template or clothing

Graigway is an art deco styled display font face in sans and serif. It has small caps and ‘halfcap’ alternatives included. There is an outline version with separate fillings for multilayering and color fonts with the layer-combination.

My take on a cocktail themed dingbat font. The lowercase and uppercase letters offer an assortment of glassware, bottles, and drinks while the numbers include accessories and garnishes that can be mixed and matched to create new combinations.

Introducing the "Stinko" font designed elegantly and simply, with a combination of bold, thick, and symmetrical. This font is suitable for your work needs. Web font Uppercase Lowercase Numbers & Punctuation Any Questions? just ask! Designed by hanief farandi

Header Maker combines rough and bold curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts.

Magic Bright is a stunning and comprehensive duo font (script and serif), ideal for giving your projects a branded but friendly feel. The two included styles can be combined together perfectly but are also beautiful on their own.

Handy Casual Condensed is an informal non-linking brush script that was inspired by hand lettering from 60's posters. This font combines a unique character with tons of Open Type features including ligatures, catchwords, stylistic alternates etc.

Groom is a a casual brush script refined and developed from handwritten letters. It combines dramatic though readable caps with more readable, smoothly connecting and more formal lowercase to give a script that is both confident and legible.

Introducing Alibabe Authentic Display Font, Inspired by Food Logo style and combination with Cute Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Moldr, a sans-serif with modular grid structure, inspired from handmade letter to industrial machine mold, Moldr come with 9 weights in complete family, Support many language with standard Adobe Lain 4 glyphs, world-ready and mark2mark support.

This font is very beautiful if we combine it into a design that wants to appear bold, bold and unique, there are several alternatives that you can use to make this font as support for your design project.

A Sans serif design that follows a continental style with design characteristics that combine condensed and open counters. The lowercase has tall ascenders. Family includes common capitals and alternate lowercase characters. FreeZone requires subjective display kerning and compensation.

A lined variant of Kallisto, suggestive of scan lines, speed and display screens. Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.