Fer is a sans-serif font for body text, not lacking in its own distinctive voice. The aftertaste of reading the text set in Fer is like reading the letters on old rusty plates somewhere in Southern Europe, hence the name (Fer means iron in French). Being a modern system that includes a variable font with weight and optical size axes, Fer combines the features of geometriс sans serifs and old sans serifs with closed apertures. The typeface contains three sets of styles: for captions, text and headings, — with the weight ranging from regular to black. Fer was created with the idea to unite nations. The Latin character set supports all European languages, most African languages and Vietnamese. Cyrillic has support for all living Cyrillic languages and some obsolete characters too. The font also supports the Greek language. Additionally, the character set includes currency signs of all supported languages’ countries, old style, lining, tabular and proportional figures as well as numbers in squares and circles. Lastly, the font has lots of localized letterforms and stylistic sets. Fer was designed by Dmitry Goloub for Paratype in 2020–2023.

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde Gothic, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Open Type features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.

Mullen Hand is the fresh digitization and expansion of a Jerry Mullen metal typeface called Repro, originally published by ATF in 1953. The connectivity of certain letters in the original type was limited by metal technology, but this new digital version is updated to resolve those issues with. Two- and three-letter ligatures take care of the r, s, x and z connections. These ligatures are programmed in the 'liga' feature of the OpenType version, so they automatically activate in programs that support advanced typography. Casual, tall, and elegantly friendly, Mullen Hand's even strokes and confident connections embody the spirit of contentedness and reassurance sought by today's appeal designer. It accommodates a variety of applications, from posters and signs, to book and music covers and product packaging. Mullen Hand comes in all popular formats. The TrueType and PostScript versions come with 2 fonts, one of them containing the ligatures and some alternates. The OpenType version combines both fonts into one, and includes programmed features for localization, alternation and intelligent substitution. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

About the design Spitzkant is a serif typeface family that is characterized by strong contrasts. Pointed, sharp serifs and edges contrast with round and fine forms, making it very individual and expressive. This makes it particularly suitable for branding, editorial, packaging and advertising. The high-contrast display version has been complemented by a lower-contrast text version, making Spitzkant in combination suitable for both strong headlines and extensive body text. An allrounder that can be used for many purposes. Variable Font The Variable Font contains 3 axes: weight, oblique and optical size – all in just one file. Features With over 850 characters, it covers over 200 Latin-based languages. It also has an extended set of currency symbols and a whole range of open type features. For example, there are alternative characters as Stylistic Sets, Small Caps, automatic fractions and many other features. Ligatures Especially the extensive selection of ligatures (standard and optional) is a special feature which was an important part during the design process. With over 95 different ligatures there are many possibilities to give headlines and logos an individual touch. Get the usual version of the Spitzkant family here: https://www.myfonts.com/fonts/julien-fincker/spitzkant/

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester. Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. Ardella Edges three subfamilies appear as - X01, X02, X03 These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs. Full European latin based language support. Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase. Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

Lecturia is a modern humanist sans serif typeface. Ascending dynamic movement characterizes the structure of it’s characters -- the stylistic alternates emphasize this impression. The family comprises eight weights from the most delicate "Hairline" to the strong "Bold" -- each upright and italic. Using the variable font, the intermediate levels can be controlled fluently. The forms and proportions of Lecturia have been selected to be very legible as body type for longer texts. Lecturia ist still legible from a great distance or under unfavorable conditions. In large sizes as a heading, the font is very eye-catching. The shapes of the individual characters follow the "humanistic" form language of modern faces. In addition to ligatures for problematic letter combinations, it contains stylistic alternates for some characters that make the appearance even livelier. Small caps provide a restrained opportunity for emphasis. In addition, Lecturia offers several sets of numerals: proportional standard figures, lining figures, proportional oldstyle figures, non-proportional tabular figures, superscripts and subscripts, numerator and denominator to represent fractions, circled numbers. The very good legibility of Lecturia makes it the ideal typeface for information systems -- a selection of directional arrows is included.

This Arabic typeface is one of Parachute’s most involved text typefaces. For the first time -back in 2010- a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today. It comes in eight weights and includes Latin. Based on the DIN Text Pro superfamily, Parachute® released -in collaboration with designer Hasan Abu Afash- 2 new versions. DIN Text Arabic is the basic Arabic version which includes Latin and supports all variations of the Arabic script such as Persian, Urdu and Pashto. The second version DIN Text Universal is the most advanced DIN superfamily ever. It combines the powerful DIN Text Pro with DIN Text Arabic bringing the number of glyphs to 3320 per font. It is also enhanced with 30 advanced opentype features and kerning for all languages. Altogether it supports hundreds of languages, proving to be an essential tool for corporations which operate internationally. The whole family consists of eight weights from extra black to hairline. DIN Text Arabic is featured in the recent book Arabesque 2 by Gestalten.

Yesterday Night is a lively handwriting font that captures the essence of an active and cute brush style. This handmade calligraphy font is perfect for fashion projects, adding a sense of energy and excitement to your designs. The font family's handbrushed appearance brings an authentic, personal touch to your creative work, making it feel warm and approachable. The Yesterday Night font family includes four engaging styles to suit various design needs: Regular: A balanced and energetic style for everyday use Regular Italic: Adds a playful touch and a sense of movement Bold: Offers a bolder, more assertive presence for impactful designs Bold Italic: Combines the strength of bold with the flair of italic Built with advanced OpenType functionality, Yesterday Night ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font offers extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all the characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Ultra System; A modern exploration of 8 fonts, each carefully designed to naturally compliment one another. With 6 clean sans fonts and 2 textured script fonts, Ultra System gives you a variety of ways to combine and arrange each font, allowing you to create striking & modern typographic designs. This typeface collection consists of 8 fonts; Ultra System Script • A textured, bouncy & flowing marker script font containing upper & lowercase characters, numerals, and a large range of punctuation. Ultra System Script Alt • This is a second version of Ultra System Script, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Ultra System Sans • A wide, bold sans font containing uppercase only characters, numerals, and a large range of punctuation. Ultra System Sans Line One • A thick outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Line Two • A thin outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Italic • Italic variations are included for all 3 Ultra System Sans fonts. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you, but if you need any help accessing then please feel free to drop me a message. Language Support • All Ultra System fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Anteri Signature is a beautifully crafted handwriting font that exudes a cute and feminine charm. With its cursive calligraphy style, this font brings a delightful touch to your creative projects, making them feel personal and inviting. Ideal for personal branding, stationery, greeting cards, and social media posts, Anteri Signature is a versatile font that adds a heartwarming and elegant touch to your designs. The font is characterized by its swash alternates, allowing you to create a truly customized and unique typographical experience. Use underscore _ anywhere in a word to make a swash. Example: Love_letter Features available when downloaded: Use multiple underscores to make longer underlines. Use % at the end of any word to make a swash letter. Example: Scrap__book% Write # before or after any word to make a tail letter. Example: #cuteness# The Anteri Signature font family includes four high-quality styles to suit various design needs: Regular: The perfect balance of elegance and playfulness Bold: A stronger, more assertive presence for impactful designs Italic: Adds a touch of whimsy and flair to your text Bold Italic: Combines the assertiveness of bold with the expressive nature of italic Built with advanced OpenType functionality, Anteri Signature ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Hello! Do you need letters that look like they are drawn with a brush so that your creative work shines and stands out? We present Bechamel, a family of script fonts designed to be combinable with Bechamel Roman. BECHAMEL SCRIPT was hand drawn to design words and phrases in logos, packaging, posters, envelopes and greeting cards. BECHAMEL SCRIPT has high expressiveness because its energetic set of letters are meticulously drawn with calligraphy and lettering. In addition each of its incredible cursive letters give you the possibility to add a central vein to change the color, enhancing its impressive artisan splendor. These are the possibilities you receive by acquiring BECHAMEL: A) BECHAMEL-SCRIPT & VEIN: Cursive letters with carousel effect and OPENTYPE contained in: 26 Uppercase letters, 26 Small letters, 10 Numbers, 3 Fractions, 31 Punctuation marks, 77 Signs for languages belonging to Western Europe, 113 Signs for Central European languages. 20 Lowercase wipes, 13 uppercase alternatives for WORD START, 44 lowercase alternatives for HALF of word, 20 lowercase alternatives for WORD FINAL. NOTICE: Alternatives appear by clicking on glyph panel in Adobe Illustrator, Inkscape or Photoshop CC. B) BECHAMEL-WORDS: 57 words with capital letters underlined and combinable with BECHAMEL-SCRIPT 1, 2 and 3 ideal to connect and decorate your designs increasing expressiveness and authentic handwritten look of your ideas C) BECHAMEL-ORNAMENTS: 30 wonderful drawings made up of stars, borders, waves, hearts, dots, arrows, bow ties, etc., all specially coordinated to accompany your composite designs in BECHAMEL-SCRIPT and BECHAMEL-WORDS. Well, I hope that my work will be useful and above all that you have fun with it. If you have questions write to me that I will be happy to help you: • INTAGRAM: instagram.com/andinistas • BEHANCE: be.net/andinistas • FACEBOOK: fb.com/carlosfabiancamargoguerrero • TWITTER: twitter.com/andinistas

Entropic Brush is a striking fat brush font that boasts a wild and rustic charm. Its decorative display style makes it perfect for logotypes, headlines, and other eye-catching design elements. The font's heavy, oak-like strokes and thick brush texture give it a bold and distinctive character. Ideal for projects that require a strong, natural presence, Entropic Brush is a versatile font that adds a sense of raw energy and untamed beauty to your designs. Its unique aesthetic makes it a great choice for branding materials that need to convey a sense of rugged, organic elegance. With hundreds of swashy and decorative alternates, Entropic brush is sure to give you a customized appearance – like a truly hand-drawn paintbrush design. Use characters _ ¤ # after any word to make a swash. Example: Spline_ Sonic¤ Brush# Use multiple _ ¤ # to make swashes of different lengths. Example: Superhuman______ (Download required.) The Entropic Brush font family includes four high-quality styles to suit various design needs: Regular: A bold statement with a natural, rustic appearance Bold: An even heavier presence for more impactful designs Italic: Adds an expressive, dynamic touch to your text Bold Italic: Combines the assertiveness of bold with the energy of italic Built with advanced OpenType functionality, Entropic Brush ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Minimal, modular, modern—at first glance, Materia shows a contemporary flair, combining pure, strong geometrical form with a subtle, distinct appearance. Actually, the design was inspired by lettering from the turn of the 19th to the 20th century that still can be found in the East of France. While its formal origins date back as far as this, revived e. g. by the constructivists into the nineteen twenties and later on by Dutch information designer Wim Crouwel in the nineteen-sixties, the visual language of Materia still speaks of the »future«. Following a minimalistic concept the font is formally built on a grid. Wherever optical curves are needed for a smoother, more comfortable shape of letters than a simple rectangular block, diagonals cut off the egdes – like a diamond is cut to achieve more beauty. Thus headlines and texts set in Materia are given a certain »egdy« feeling, whereas their tonality is still kept well-balanced, keeping concentation all on information in a nonconfomist way. Materia comes in eight styles, from elegant Thin to attention-forcing Ultra. Even a regular Italic is available, following the classic type-set-principle. Two of the styles are explicitly designed for display use, Shadow and Code. Both are ready for combinations with Bold or each other respectively, the layering of Shadow and Code e. g. allows astonishing effects or highlighting within the letters. For OpenType-users Materia is a real Pro, containing accented Latin letters for over 70 languages, small caps, old style, tabular and lining figures and special condensed titling all caps for cases in which space is all that counts. How useful all of the above mentioned is may be seen in the book David Lynch – Lithos, designed by Koma Amok, published in 2010 by item éditions, Paris, and Hatje Cantz, Germany, which was typeset completely in Materia.

Beautiful Moonlight is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes. such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Introducing a new font - an old biker. It is a multilayer vintage typeface with 5 styles. The font contains stylistic alternatives for uppercase and lowercase letters. Numbers, punctuation and multilingual characters for each style. The font design is inspired by gothic, biker and rock culture.

Wofisty is a display font that comes with Retro-Fun Style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism. Can be installed on applications such as adobe family, affinity, or Ms. Office.

James Paul is a versatile display font based on the designer's handwriting. The letterforms are legible even at small sizes. When set bigger, this bold script reveals hairline ink trails that add rhythm to its lively forms. James Paul contains alternate glyphs and ligatures.

California Sans designed as a beautiful easy reading text face also works great in Headlines. It also has a matching drawn Italic which makes a great combination for all your needs. Even as a stand alone Italic font it works in so many designs.

This roly-poly, rollicking display font is based on a design from the 1946 book Blue print text book of sign and show card lettering by Charles Louis Henry Wagner, who seems to have had an aversion to combination words (like blueprint, textbook and showcard).

The cross appears globally even reaching the remote corners of the earth. Primitive man used it as an emblem as did many following civilizations. Associated with reverence and spiritual power, the cross is represented in many forms. Cross Ornaments contains a total of 106 ornaments.

Nymphe is a monoline typeface based on the form and character of an art nouveau illustration from 1907. It's somehow old fashioned but has modern influences that are reflected in irregular serifs in combination with decorative elements. Nymphe is best at sizes above 7 pt.

Rauda font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a display, sans serif, geometric typeface, with sharp angles that provides a strong and solid appearence. Rauda consists of 8 styles. Each containing glyph coverage for several languages.

Rossie Kelly is a handmade font. You can use these fonts for various purposes such as making realistic handwriting, for promotions, or other purposes that will make your design more real as handmade. This font also contain alternates to each characters, along with ligatures.

ATC Arquette, is a best-selling geometric sans-serif font created with minimal ornamentation to adhere with accessibility and visibility guidelines, and be as visually legible as possible. Contains 400+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. ATC Arquette was released in 2018.

Ziggy Sans is my debut font, a straightforward headline typeface. It was devised from simple sketches and came together fairly smoothly, but very slowly. Each letterform is comprised of only two shapes for maximum consistency, and every letter combination has been painstakingly kerned by hand.

Inspired by Karl-Heinz Lange’s Publica, Bravura Pro is a versatile humanist sans font family with a slight calligraphic touch which makes it ideal for private correspondence as well as for body texts in magazines and books. All styles contain small caps and oldstyle figures.

Caffe Lungo is a beautiful set of handmade fonts. Lungo is very legible, very clear, but has that authentic ‘handmade’ look. Caffe Lungo comes in three weights, each with its own Italic style. I also added ligatures for the g_j and j_j letter combinations.

Little Apple is a cute and tall sans serif font. It is both friendly and fun and can be used for various creations that require a neat touch. You can combine the uppercase and lowercase to get more natural lettering. Little Apple support multi language.

Schattig was designed by Alexis Carrillo, published by Aisiv. Schattig is ideal for titles, booklets, and old photograph-style designs, the font contains Basic Latin and Latin-1 (ISO 8859-1) characters, along with 53 different ligatures for more realism to your titles and designs.

Awry is a cute and quirky handwritten font that elegantly dances on the edges of organized precision and captivating disorder. With its unique design, ‘Awry’ breaks free from the confines of traditional typography, inviting you to explore a world where imperfection becomes an art form.

Auckland Script is a bold script that contains Uppercase, Lowercase, Numerals, Accents, Punctuation, 5 sets of alternates, Ligatures, Swashes, and also Underline. You can use it to make logos for branding, as well as for apparel design, and quotes. This font also already PUA Encoded.

Mrs Berry is a hand drawn typeface designed for one of our books. You can use it as a regular monochrome typeface or layer different styles to achieve colorful combinations. Mrs Berry has upper and lowercase characters and supports both Latin and Cyrillic scripts.

Zornale TITLE is a family of four fonts that can be combined with the rest of Zornale family (text and caption). These fonts have been designed with precise kerning and full OpenType features: Old-style figures, swashes, stylistic alternates, ligatures and case-sensitive forms.

This all cap, bold, sans serif font features one face that slants backward ("Back") and one that slants forward ("Forth"). Use in combination to create headlines and designs that call for a sense of speed, motion and power. Uppercase and lowercase letters are the same.

Introducing a vintage label font named Junk Food. This strong typeface is perfect for lettering on vintage style posters, t-shirts, greeting cards, logo etc. This font family contains 6 fonts including effects fonts: Regular, Shadow, Shadow FX, Texture, Texture FX, Shadow And Texture.

German type designer Matthias Jordan created this display FontFont in 2000. The family contains 4 weights and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. It comes with proportional lining, tabular lining, and tabular oldstyle figures.

About this font family Musnad Serif Is Old South Arabian typeface for desktop applications ,for websites, and for digital ads. Musnad font family contains two types: Rigular and bold. The font includes a design that supports Latin, Arabic, and Old South Arabian language systems.

An upright condensed formal script. Athellia is right at home on packaging, labels, Menus, Headlines, invitations, and title design. NOTE: MyFonts does not display contextual alternates so many of the ‘o’ combinations do not display correctly here but do with open type alternates activated.

Chromota is a modern sans-serif typeface with asymmetric glyph design. The family consists of 2 styles, a regular and a rounded, each with matching italics. It contains an extended Latin glyphs set and a basic Cyrillic set. Chromota is great for logos, branding, headlines.

Carimbo is probably one of the most handy dirty fonts around. It works well with most projects, creating that stamp-like effect, without being too much distressed. It has 2 uppercase variations, so you can combine letters without repeating them in the same word.