Olean is modern handwritten font, with including a lot of alternates and ligatures. Great for headlines on posters, packaging and advertising.

Boink Dropshadow is a variation on my ITC Boink font. This is a great font for headlines & fun to design with.

Pudgie is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

Tabloid Press JNL is one of a number of classic typefaces re-drawn from screen captures of actual vintage newspaper headlines.

Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Use Cigar to get attention. Use it for headlines, advertisements, magazines, brochures, book covers, corporate design, presentations, websites, signs, event announcements, and for other things that need attention. For more information about Cigar, download the PDF Specimen Manual.

AEONUS is a gothic font, an attempt to combine a wide-edged and pointed pen, while giving the font a readability that many gothic fonts lack. Angular shapes made strictly in 45 degrees and straight lines give the font a touch of futurism. A gothic, futuristic font that retains readability and makes a unique impression is the goal that was followed when creating the font. Aeonus also conveys the spirit of the occult and something dark. Aeonus is good for prints on clothes, posters, packaging, tattoo, merchandising, large headlines, logos, product design, and any other large font compositions.

Hiroshima Gyoshi is a handwritten font inspired by ancient Japanese calligraphy. The thick and random strokes look very prominent and play with negative space. You will feel the rhythm in irregularity. it is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Hiroshima Gyoshi will look spectacular

Linotype Laika is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by Dutch designer Mark van Wageningen, who based its forms on those of a sans serif font but gave them wavy, irregular contours. They look almost as though they lie just under the surface of a pool and the movement of the water gives them their undulating appearance. The dynamic Linotype Laika is especially good for headlines in larger point sizes or shorter texts in point sizes of 14 or larger.

This simplified blackletter typeface shares some geometric characteristics with a line of typefaces popular that were especially popular in Germany during the 1920s and 30s. Their forms may have originally come about after a desire to mix the classical Fraktur" forms found in typefaces like Linotype Luthersche Fraktur or Fette Fraktur with more modern sans serif typefaces, like Basic Commercial or Futura. ITC Honda's letters are rather narrow and angular. The type can be used for a number of headlines or logo purposes, and is best legible when set large. A similar typeface in our library is Linotype Gotharda."

SK Nomerok is an elegant geometric font with a minimalistic design. A unique pattern of symbols in a compartment with a strict classical design creates a strong and reliable structure, ideal for modern design. The sharp and angular letters of SK Nomerok are easy to read both on the screen and when printing. The geometric elements of the font are complemented with unique details, which adds to its originality and attractiveness. This font is perfect for branding, headlines and decorative text, adding modernity to any project. The font is multilingual and supports both extended Latin and Cyrillic character set.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

Linotype Cutter was designed by Georg John in 1997. As the name suggests, the font looks like it was cut out of black cardboard pieces. Each letter has a irregular rectangle black background and they combine to form heavy rows of letter elements. The strong contrasts of the font make it good for short headlines or initials in larger point sizes and combines well with almost any text font. Georg John made a second version of this theme called Linotype Schere (scissors) it is a companion typeface where the conturs of the letters are even rougher in its form.

Timothy Donaldson creates letterforms anywhere using anything: he is just as happy making letters with pens and brushes, many of which he makes himself. Applying his personal commitment to the beauty of hand-drawn letterforms to modern type design methods has ensured that his fonts frequently reveal the presence of a joyful creativity behind the design. Airstreams alphabet is composed of consciously irregular handwriting characters and the overall tone is set by the emphasized vertical strokes. The erratic Airstream with its cheerful, unconventional character is intended for shorter texts and headlines and should be used in point sizes 10 and larger.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

HS Alnada is a modern OpenType Arabic Typeface. It is a modern Kufi / Naskh hybrid and keeps the balance between its construction and calligraphic angular cuts. This typeface supports Arabic, Persian, Urdu and Kurdish variants and it is available in five weights: light, regular, medium, bold and black. They are refined with enhanced legibility and are ideally suited to advertising, extended texts in magazines, newspapers, book and publishing, and creative industries, meeting the purposes of various designs for all tastes.

Based on drawings of Medieval versals (capitals used at beginning of verses in manuscripts) by Frederic W. Goudy. Works beautifully as initials with Goudy Text Oldstyle. Uppercase only, no numerals or punctuation; several letters have alternates. Framed, inversed caps are also included. This version of Lombardy Capitals is purposely less regular and clean-cut than some available to maintain a more hand-drawn look similar to the irregularities that would be found in a Medieval manuscript. The alternates help contribute to that look.

CRR NTN regular and outline, is a futuristic font family. It works well as an identity logo type and 3D work. Together using the outline and the regular font, you can create endless combinations.

Ardy Mass is a hand drawn and scanned type face available in italic, italic outline, regular & regular outline. Ardy Mass was drawn at a small scale with a fine nibbed black permanent marked pen.

Cartes has a bit of a strange origin story, as far as fonts go. It’s a combination of ideas from 1920’s advertising and hand-painted letters from the 1500s. The typeface was designed to flow with elegance and speed yet retain a sense of the handmade. The serifs flow with indentations implying movement and terminate with inky globules that lend your copy a sense of gravitas. This typeface can be used for headlines, short texts, posters, logos, headlines, headlines in big sizes or just as easily for ad text. At large sizes, pen strokes can be seen that give the typeface a touch of humanity and vigor. At smaller sizes the type is still unique, but readable.

A Modern Strong Display Font that perfect for technology, sport, racing, action design project. A new Display Font that we created special for Headline, Title and more stand out typography needs, with extra outline that will add your variations. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for futuristic style and modern feels so enjoy to create any project that will show your main idea out. Varien Modern Strong Display Font ready with: Any options to get creative variations (combination of Outline Characters) Preview as a inspirations that you can do with Varien font Ready with All Uppercase characters Wish you enjoy our font. :)

Manchette is an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

Thug Rose is a bouncy hand-lettered script font. This smooth hand-lettered script font is suitable for logos, headlines, branding, etc.

The American nineteenth century display form as handed down through ATF and the composing machine companies, largely for use in newspaper headlines.

ZarBrush Gothic is a "speedball" font inspired by showcard lettering done with a loaded red sable brush. Perfect for text and headlines.

Beautiful Sky is a handwritten signature script font. This authentic script font is suitable for logos, headlines, branding, apparels, Instagram quotes, etc.

Jubilant is an extended, geometric, curveless sans serif font. The font is ideal for headlines, titles, branding or small blocks of text.

Estilo is a very elegant headline typeface in a 30s style with plenty of ligatures for better design possibilities and includes Greek.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

Takeshimura is a funky brush font with a very strong character. Very cool if use for logos, headlines, brandings, posters, apparel, etc.

Noteworthy is an all caps, bold, contemporary, sans serif font. It is ideal for headlines, titles, branding and small blocks of text.

JH Farid font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..

Ten Ton Truck is a heavy, but very legible font. Works very well with massive text, as well as headlines and such.

A Sans font family of five weight for headline and text use, with old style numerals and small caps, and extensive kerning.

CA Kink was originally created for a book cover. Mostly suitable as a headline font and for all kind of "space" themes.

Inspired by many hand-lettered European package designs. This script face is suitable for logos, casual headlines and designs calling for attention.

Corvinus Skyline is an elegant retro 1920/30's looking font great for headlines in magazines, posters, signage and other design projects.

A linear modern typeface suited for branding & advertising projects. The variations in weight give great contrast when used across body copy & headlines.

Suprapower™SE is a wide typeface for poster, packaging, headline, and titles. It is an update to the Suprapower™ typeface.

Archiva Regular - Archiva Italic - Archiva Bold - Archiva Bold Rounded - Archiva Wide Rounded - Archiva Dropline - Archiva Stencil - Archiva Worn - Archiva Outline is the eighth font family created by American Graphic Designer Tom Nikosey. Tom specializes in lettering, typographic design & illustration for branding and trademarks. New from CozyFonts Foundry. Archiva was designed to maximize limited horizontal space reserved for text, type, or headlines, titles and label wording. The Archiva Family is perfect for Labels, headlines, ads and especially signage. The 9 members of the Archiva Font Family maintain a consistency and likeness to each other in form and dynamics but yet each member of the family has it’s own individual personality. Archiva derived from the word archival or place where records are kept. Archiva is the Greek word for Archive. The x-height and organized glyph consistency enables the user to keep files organized and clean much like an archive. Caps and numbers work extremely well together also. There are over 300 glyphs contained in each of the 9 variations of Archiva© by CozyFonts and they work in over 70 Languages. Please visit my website or Google Tom Nikosey for more info on his illustrious career. CozyFonts is Tom's intro into the world of font design.

Introducing La Coffee Font, a sleek, cool and professional handmade font that is perfect for adding a unique touch to your branding, logos, or your instagram quotes. It includes uppercase, lowercase, numbers, symbols and with Latin extended character support, it is versatile for a variety of creative endeavors, while exuding a rustic charm. La Coffee will look great on invitations, packaging, slideshows, logos, headlines, lettering, posters, branding, inspirational quotes, headlines, magazine layouts, website designs, advertising, invitations, packaging designs, book covers and any other creative endeavour. What's Inside the Product? - Weight of the Font: Regular The Font Kit comes packed with: - Big Letters (Uppercase) - Small Letters (Lowercase) - Numbers & Symbols - Multilingual Support Here's a sneak peek at the characters supported: - All the letters from A-Z (uppercase and lowercase) - All the numbers from 0-9 - All these special characters - !"#$%&'()*+,-./:;=?@[]^_`{|}~ ¡¢£¤¥§¨©ª«­®°±²³´¶¸¹º»¿ˆˇ˜–—‘’‚‛“”„†‡•…‰‹›⁄€™− - And a range of international characters like ­á â à ä å ã æ ç é ê è ë í î ì ï ı ñ ó ô ò ö õ ø œ š ß ú û ù ü ý ÿ ž  À Ä Å Ã Æ Ç É Ê È Ë Í Î Ì Ï Ñ Ó Ô Ò Ö Õ Ø Œ Š Û Ù Ü Ý Ÿ