The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. Caslon Black was designed by Dave Farey in the ITC library.

Odile is a text typeface with bracketed head and bracket-free bottom lower case serifs, a quality that counters rigidness most traditional slab serif typefaces possess. This contemporary design draws inspiration from an experimental typeface named Charter originally designed by the American book and type designer William Addision Dwiggins. It consisted of an informal lowercase alphabet, a narrow seemingly non-inclined vertical letter with script attributes, featuring non-joining letterforms. Dwiggins’ contemplated Charter as the italic companion to Arcadia, Experimental No. 221. The Charter project progressed sporadic stalled during the Second World War and came to a halt in 1955. Charter remained incomplete and was never commercially released. Assessing Charter’s whimsical design, its fragments were rethought and developed into a comprehensive text family. Odile Upright Italic reveals recognizable similarities shared by Dwiggin’s Charter and defines the design approach for the family. The steep calligraphic outstroke and low junctions off the stem as in the upright italic “n” or “r”, for example, are gradually lessened in the italic and moved up for the roman weights. The six optically balanced weights range from the delicate Light to stark Black, accompanied by display variants with feminine flair and ardent Ornaments. Two sorts of Initials, one amplified with interweaving swashes, the other more restrained, both are clearly derived from the Upright Italic. This mid-contrast serif offers a wide range of tools for text and display typographies with a palette of strict to playful. This family shines in magazine, book and display use. The graceful serifed type harmonizes perfectly with Elido, Odile’s sans companion. Sans and serif share the family array and OpenType features in perfect tune. Odile offers an extensive character set, numerous OT features including roman and italic Small Caps, five sets of numerals, alluring ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant “s” for the Upright Italic.

P22 ST.G Shrift is a font series based on the type designs of Stefan George with an italic version designed by Colin Kahn. Stefan George (1868-1933) was a German poet who led the revolt against realism in German literature. All of his works were privately published and the typefaces that were used reflected his neo-classic and anti-industrial (progessive) aesthetics; oftentimes consisting of his own hand lettering designs. The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante's Divine Comedy. The ST.G Shrift Fonts contained in this set are derived from 3 known variations of the original roman typeface, St.G., found in various books published in Berlin in the early 20th century. ST.G Shrift One contains the most idiosyncratic characters, while ST.G Shrift Two uses more familiar characters as well as a redesign of characters including the t and the k to be more in keeping with modern san-serif designs. The OpenType version of the roman contains both one and two and expands on them by including central European characters, small caps, and small caps titling figures. The Small Caps titling figures are derived from the first version of the typeface. Below is a features list (accessible through the type palette in Adobe programs) and their functions: ST.G Shrift Opentype Features: Small Caps: Changes Lowercase to Small Caps Titling Figures: Changes Uppercase to Titling Caps, and Small Caps to Small Caps Titling Figures Contextual Alternates: Changes Character Set to match ST.G One and changes Small Caps to Titling Small Caps Ornaments: Changes < > and ? (greater, less and bullet) to ornaments ST.G Shrift Italic is an art nouveau version of the roman. The OpenType version includes central European characters, small caps, titling caps, titling small caps and ornaments.

BLT Balfour : Art Deco Revival Font Balfour is a modern Art Deco typeface revival. Built from historic references in architecture during this time period, Balfour exudes class and elegance, yet still honors the style with unapologetic bold geometric forms. Pay close attention to the letterforms B and R, and how their extreme x-heights play off of the elongated strokes of C, D and G. Unique features throughout the character set make it less predictable and more unique than any Art Deco typeface before it. The geometry of this typeface plays from one letter to the next. Fill and Outline styles work well in headlines, logos and large type. The Line style is effective at all sizes and can be used in combination with other styles to achieve visual hierarchy.

Paper Works is a font created to enhance each design with a touch of bold, unique and decisive style. Paper Works is made in a handwriting style so it is suitable for use in product design and display titles. Paper Works also includes 2 different styles, including Regular and Outline, which are made to give different styles but still have the same character. Paper Works are included in the display font category so Paper Works can be used for any designs that have a cheerful, elegant and strong impression. It will also be very suitable when used on titles, logos, product posters, websites, menu books, books, and many designs that can be explored using document fonts. it will look very beautiful and easy to remember and very easy to use.

Hello! Introducing a layered display font — Maggie's Luck. It's a vintage style bold typeface with layered feature. Maggie's Luck Font has five "fonts-layers" for more convenient recoloring. This font has a multilingual support (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

An Art Deco condensed display sans font with 8 styles, +800 glyphs, +100 ligatures, +30 languages and many opentype features. It is perfect for poster designs, magazines, book covers, logotypes, headlines, newspapers and press. It's bold, daring, modern, geometric and covers a good range of weights from light to block.

Valgan is a bold, slanted, all-capital display font designed to energize sport-themed apparel and related content. Its dynamic style exudes power and motion, making it perfect for team logos, jerseys, posters, and event branding. Versatile and contemporary, Valgan ensures your designs command attention and convey the spirit of competition.

Bulk Weight JNL is a stripped down version of Inline Square JNL (based on 1930s sheet music hand lettering) with the inline removed. What is left behind is a thick, bulky, ultra bold lettering style suitable for attention-getting headlines. Bulk Weight JNL is available in both regular and oblique versions.

WyomingStrudel takes a bold version of WyomingSpaghetti and adds an internal decoration that resembles an exaggerated split serif. The WyomingStrudelInsert style contains only the ornament. It is intended to be used in layers with WyomingStrudel, either covering up the ornament or giving it a different color than the background color.

Lieur is a minimalist, geometric, sans serif font suitable for logos, label designs, or even just plain body text. It comes with 2 styles, Normal and Italic, and includes Light, Regular, Medium, Bold, and Black weights to give you great possibility to harmonize the look and feel of your text.

Geeeki Soft is a playful semi serif font, it's cute yet nerdy, stylish but dorky. Bold and chunky, it's a unique headline grabber, so it's the perfect match for style magazines, fashion brands and whimsical websites. Find your inner super-geek! Now softer, rounded and bouncier geeeki is available too!

Giraffe is a wide and bold rounded serif in two styles. Giraffe occupies a large space and is best used as display type to convey a confident look. Giraffe comes with a set of Stylistic Alternates for letters C,G,J,R,S, a, c, f, g, r, s and $.

The 1955 British edition of the sheet music for Frank Sinatra's hit "I'm Walking Behind You" had its title hand lettered in a sans serif design straight out of the Art Deco era. This bold, condensed type style is now available as Top Tune JNL; in both regular and oblique versions.

Nicko is a bold and friendly typeface. Nicko has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Nicko for any graphics that require a sleek look with a elegant flair.

The Great Mammoth is a bold and vintage type with high contrast character. They have a rough character with handdrawn touch. The Great Mammoth have 2 style : regular and oblique. It's very suitable for vintage, retro and adventure theme design such as logo, branding, badge, label, t-shirt, merchandise etc.

Inspired by Typoart’s Minima, Tablica which comes in three styles - Regular, Italic, Bold - fills ideally narrow columns, charts and tables. Since all numerals are monospaced, you can sum up all numbers of a table. Though this is a condensed sans serif family, it offers a high legibility even in small degrees.

Boardley Script is a script-style display font in two layers, Boardley Script was the result of an exploration of mid-century American and European bold script lettering for advertising. is an attractive contemporary typeface drawn from scratch with brand-new, more vigorous detailing — and layerable variations for chromatic use.

Wakel is a Bold display font that consisting on bilingual scripts, Latin and Arabic. The Arabic script was built based on the Naskh style. Wakel has approachable, fashionable and humanist look with low contrast and attractive curvature terminal. Wakel is great for large display projects, branding, package designs & much more!

Bohemaz is a typeface inspired by the Art Deco typography from the 1930s. It contains 4 styles - Thin, Light, Regular and Bold - Latin, Greek and Cyrillic alphabet, diacritics from Western, Central and South Eastern Europe and many decorative ligatures. Bohemaz is both classic and modern, so it can be widely used.

Designed in six styles from Regular to Bold including Italics and Obliques, Pedigree covers a large range of editorial and advertising applications. Suggesting it’s usage is really up to the designers’ expertise whether it be used for web or print media. Try using the MyFonts “Preview Pedigree as a webfont”.

Kraft Stencil is a bold, display typeface that takes a new approach to vintage crate stencils. Utilizing octagon shapes as the backbone, the aim was to develop modernized stencil fonts. The font family comes in three weights, and each style consists of the different edge finishes of the character sets.

The cover of the sheet music for 1930's "Walkin' My Baby Back Home" features the title hand lettered in a bold sans serif with the slightest flair of Art Nouveau styling. This design is now available as Evening Walk JNL, which is available in both regular and oblique versions.

Summer Fruit is a fresh & modern playful font. It has a bold cute style and will add an upscale to all your designs. This Font is perfect for many different projects such as logos & branding, birthday parties, stationery, kids, posters, advertisements, product packaging, product designs, special events, and much more!

Oh Chewy... a sweet bold script font with alternates and lovely swashes. It has fat strokes and smooth edge, that's great for food branding, retro style, and eye-catching logo. Feature: Uppercase Lowercase Numeral & Punctuation Special Character (Standard Multilingual) Stylistic Alternates Stylistic Set (SS01 & SS02) Swash Access All Alternates PUA Encoded

Hello, this is Baligo, playful font family! Baligo is a quotable font that have 3 weight style. Comes with light, regular and bold this font will make your project more bright and cheerful. This playful font is very suitable for quotes, branding, children books, and more. Baligo also support multi language!

Breaknight is a bold, italic style display font, with a futuristic twist keeping the simplicity and unique shape. Breaknight can be used in various projects, such as product branding, logos, apparel greeting cards, sneakers, billboards, video graph, magazines, sports, and many others. give it a try you will definitely find more,....

Holista is a casual calligraphy writing style, in a consistent bold-thin cursive. Beautiful and pretty font. This calligraphy font can be use for weddings, cosmetic product, photography logo, magazine, business cards, watermarks, etc. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic alternate(ending), Ss01(ending), Ss02(beginning) Ligature, Swashes, Multilanguage

Stuttgart Gothic is based on early 20th century hand lettering samples developed by Ernst Schneidler at the Stuttgart School of Design. It is a very bold style in the gothic tradition, but with additional characters for modern users. It is at once both quintessentially gothic and uniquely modern and decorative.

Fanhen Black font is our newest font. Blackletters have long been used in the design of posters, invitations, and packaging to provide a bold and classic look that exudes style and elegance. as well as this font when you use it will cause that effect in each of your projects.

Bitline is bold swirly font. comes with more alternate style each glyphs and ligature. The font is unique and modern vintage look. This is an adaptable font. Suitable for any project types, from magazine header, wedding invitation, branding design, poster or flyer header design, until logo tagline and so much more.

Asia by Superfried is an ornate, display typeface inspired by trips throughout the continent. Its distinct, bold style has been designed to evoke the curves and beautiful intricacy of Asian typographic characters and patterns. Asia has been featured on Creative Boom and named font of the day by Creative Bloq.

Fun Play is A Fun and Playful display typeface family with 5 wights variant; from Light to Bold. Comes with many features; Multilingual Support, Ligatures, Stylistic Alternate and more. Each character represents a child's joy. ‘Fun Play’ can be used for branding, packaging, headline and all styles of children-related design.

Ghiberti is a contemporary interpretation of the bold Florentine lettering style used with marble inlaid and bronze cast inscriptions of the fourteenth and fifteenth centuries. The font, consisting of caps and small caps, was designed by Paul Shaw and Garrett Boge in 1997. Ghiberti is part of the LetterPerfect Florentine Set.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Rusty Nail is a carefully hand-made uppercase only typeface with a full Central European character set which comes in two styles, Regular & Bold. It was created for a liquor company where hand-made letters were part of the corporate design. It’s perfect for labels or lettering with a "used look".

Kemading is a retro serif font that has a vintage, cute, fun and bold feel. Comes with four styles, regular, italic, outline and outline italic. Kemading's design is unique and energetic, making it perfect for adding a touch of fun nostalgia to logos, crafts, posters, branding, stickers and many other projects.

Meoru Gend is a display font that presents superhero strength, courage, and modernity in every action. With a strong, bold, and futuristic style, this font is the perfect solution for creating action-packed and epic gaming experiences. In every letter, Meoru Gend brings life to your display with electrifying energy. From bold, sharply contoured typefaces to seamlessly blended modern elements, this font will bring immense visual power to your game projects. Meoru Gend offers not only impressive styles but also creative features that enrich your work. With the available ligatures and alternates, you can create unique and interesting variations of your style. Also, with multilingual support, this font can be used in multiple languages to reach a global audience. If you’re looking for a strong, bold, modern, and action-packed font for your game projects, Meoru Gend is the right choice. With benefits that include an impressive look, futuristic style, and creative features such as ligatures and alternates, this font will quickly catch the attention of your potential customers and bring you an extraordinary gaming experience in no time. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Introducing Arekoy Font: A Playful Game-Inspired Display Font Are you in search of a bold, impactful font with a touch of gaming fun? Welcome to the world of Arekoy! Key Benefits: Arekoy is the perfect solution for various projects that require a strong theme and a bold style. With its striking characteristics, this font ensures your message stands out in movies, games, product titles, or any grand event. What Makes Arekoy Unique: Entertaining Game Style: Arekoy is designed with an entertaining game touch. Every character exudes the spirit of adventure and excitement. Four Different Style Families: Arekoy font comes in four distinct style variations: Regular, Outline, 3D, and Blurry. This provides you with the flexibility to convey various nuances in your designs. Multilingual Support: Arekoy supports multiple languages, allowing you to reach a global audience effortlessly. With Arekoy, you’re not just getting a font; you’re obtaining a tool to infuse creativity, boldness, and fun into every one of your designs. Download the Arekoy Font now and witness how your designs transform into something extraordinary! What’s Included : File font All glyphs and standard Iso Latin 1 We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support Thank you for your purchase!

The Planetype Font Family is Modern. It has 6 Font Styles: X-Light, Light, Medium, Inline, Bold, & X-Bold. Each style has a consistent weight with a square serif of equal weight to its vertical and horizontal strokes. Planetype™ for short or Planet-Type font styles all have extremely clean edges and are sharply defined. There is a standard kerning applied, however evenly letter-spacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, weight to weight, and X-Light to X-Bold is seamless and the overall design coloring of words and sentences is well balanced and extremely legible. The Planetype Family fonts are matching members glyph to glyph. This family works in modern, contemporary and vintage settings. The Planetype Medium matches the outer weight of Planetype Inline. Their are several unique Glyphs that set the character of this family, such as: Caps B, M, Q, R, X and Lower Case a, e, k, r, z to begin with. The numerals and dingbats also have several unique glyphs that flow with the family Style in every matching weight. These characteristics lend well in designing logos, brands, and even monograms. Starting with Planetype X-Light the designer has a command of the clean lines yet expressing Modernism and a touch of Architectural structure. Planetype Medium & Planetype Inline are a dynamic duo giving a positive/negative readability.