6,740 search results (0.085 seconds)
  1. Atlantis - Unknown license
  2. Adventure Subtitles - Unknown license
  3. Fatty - Unknown license
  4. Roxanne - Unknown license
  5. SF Old Republic - Unknown license
  6. Dreamcolor - Unknown license
  7. Cauldron - Unknown license
  8. Chocopop - Unknown license
  9. Bach - Unknown license
  10. Treglonou - Unknown license
  11. DF Temple - Unknown license
  12. Hominis - Unknown license
  13. Chicagogo - Unknown license
  14. Cranberry Gin - Unknown license
  15. Champlin - Unknown license
  16. DS Rabbit - Unknown license
  17. Sagebrush JNL by Jeff Levine, $29.00
    Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.
  18. Ranch Land JNL by Jeff Levine, $29.00
    Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.
  19. LTC Winchell by Lanston Type Co., $24.95
    Winchell is the only identified typeface designed in Buffalo, NY prior to the formation of P22 type foundry. It was created by Edward Winchell of the Matthews-Northrup Printing Works and released by the Inland Type Foundry in 1903. The Winchell typeface was also made in Wood by the Hamilton Manufacturing company in the mid 20th Century. The Winchell typeface is a Clarendon styled slab serif that clearly has the look of a pre-modernist design. E.E. Winchell’s Arts & Crafts tendencies show through in this design
  20. Clarenwood JNL by Jeff Levine, $29.00
    Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.
  21. Roadway by PintassilgoPrints, $24.90
    Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.
  22. Interna by Volcano Type, $19.00
    A font that's a sans on the outside and a serif on the inside. Inspired by fonts like Rotis, Clarendon and a little Avant Garde, Interna has a slightly vintage feel to it.
  23. Mailart Rubberstamp by K-Type, $20.00
    The Mailart Rubberstamp font was inspired by rubberstamped envelopes and artworks by Mailartists Jonathan Stangroom, H. R. Fricker and Flea Art, and the typeface Clarendon Condensed. Mailart Rubberstamp now has an additional Bold weight and complimentary Obliques. The typeface has also been updated with subtle outline improvements, a bigger repertoire of European accented characters, and more consistent, slightly tighter spacing; increase the tracking to recreate the more relaxed, rustic appearance of the earlier version. The fonts are derived from the individually rubber-stamped letters on printed and collaged envelopes received from mailartists, and the typeface Clarendon Condensed.
  24. Coney Island by Solotype, $19.95
    This is based on a mid-Victorian Connor's foundry font originally known as Manhattan. One of several old faces known in America as "French Clarendons", in Europe as "Italians", and, wait for it, in France as "American".
  25. Western Wood Type JNL by Jeff Levine, $29.00
    Inspired by a sample of a vintage wood type supplied by a fan of Jeff Levine fonts, Western Wood Type JNL is a traditional Clarendon-style condensed typeface from the era of letterpress and the Old West.
  26. Westin Black by Miller Type Foundry, $19.00
    Westin Black is a great alternative to Cooper Black. Heavily influenced by clarendon typefaces, Westin Black also has a slight humanistic touch. It comes with open type features like old style figures, tabular figures and some ligatures.
  27. Minsky by Solotype, $19.95
    The Bruce Foundry in New York gave this Italian Clarendon the catchy name of Ornamented No. 1529. The original had a top right white shadow which we eliminated. Additionally we improved the color of several of the characters.
  28. Claire News by Monotype, $29.99
    Claire News is a clear choice for text, especially for newspapers and books. The Claire News font family has a resemblance to New Clarendon but there is a greater contrast in strokes and serifs have more defined brackets.
  29. Egizio by Linotype, $29.99
    Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font is a popular choice for newspaper headlines.
  30. Skelett Antiken NF by Nick's Fonts, $10.00
    You can pack a lot of letters into a single line with this face, originally released as Clarendon XX Condensed in 1859. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
  31. Egyptian Oldstyle by Solotype, $19.95
    Here's a wide, very light version of the widely known font P. T. Barnum (or French Clarendon, if you prefer). We have used this to good effect as secondary lines on old fashioned stationery. Reads well in very small sizes.
  32. Country Western Script by FontMesa, $30.00
    Country Western Script is a new font based on the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version includes Greek, Cyrillic, Central and Eastern European characters sets. Keeping with the original theme from 1859, Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac Type1 versions of this font do not support Greek, Cryillic, Central and Eastern European characters sets.
  33. Black-Out by Wordshape, $25.00
    Bohemian Modern slab stencil display font Black–Out is a result of three things: the need for a distinctive ultra-black display typeface, an admiration for slab-serifs and Clarendons, and the love of systematic stencil type. Fusing all the desires together resulted in Black–Out. What was the inspiration for designing the font? Slab serifs + Clarendons + systematic stencil type = Black-Out! What are its main characteristics and features? It is a massive chunk of type, contemporary in nature while also harking back to the sun-drenched Modernism of California of the 1970s. Usage recommendations: Display type for use in materials that are meant to evoke a range of emotions.
  34. Freehouse by Device, $39.00
    Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.
  35. Square Dance by Solotype, $19.95
    Animated types like this one have been around for fifty or more years. They certainly add a sense of liveliness to a headline. This one trades upon the "wrong way weights" of the old French Clarendon. Think of it as Barnum with Bounce.
  36. DT Augustina Slab by Deveze Type, $29.00
    DT Augustina Slab is an original Clarendon's style slab serif font family of 98 styles including 7 weights, 7 widths plus Italics. There is no such a big choice of Clarendons with a wide range of styles on a market. Super wide range family will satisfy almost any request. Ultra Lights and Light styles will add elegance and lightness to your headlines, especially with using Italic swashes. Regulars, Mediums and Semi Bold will make your text blocks readable and stylish. Combine with Italics and Small Caps for sub-headers and highlights to get an incredible result. And finally Bold and Extra Bold for massive and heavy text headers. Strong, stable and reliable. The whole family has been working well in almost any type of a project: Websites, Apps, E-Books, Books, Magazines, TV broadcasting, Packaging. The family has an Open Type Features like a Ligatures, Italic Swashes, Small Capitals, Case Sensitive Forms, Tabular Figures, Old Style Figures, Tabular Old Style Figures, Circled Figures, Black Circled Figures, Fractions, Superscripts, Subscripts, Stylistic Sets, Localisation forms for Moldavian / Romanian, Catalonian and Turkish.
  37. Fort Courage JNL by Jeff Levine, $29.00
    Fort Courage JNL is a bold slab serif wood type in the French Clarendon genre, taking its name as a tongue-in-cheek reference to the cavalry fort populated by a number of post-Civil War misfits in the 1960s television comedy "F Troop".
  38. Flax by Wilton Foundry, $29.00
    Flax Regular lives in a somewhat unusual space... it is not a normal “handwriting” font, nor is it a formal script, or a rounded italic. Flax is a slightly more formal handwriting script that is extremely legible and useful- it can stretch from invitations to packaging, to menus, to brochures to ads. The rough hand-drawn finish gives Flax some of its unique character. This is almost unnoticeable in smaller point sizes while clearly visible in display sizes. While Flax is slightly formal, it has a very friendly presence - mainly from the unpretentious rounded characters and rough finish. Flax is available in Postscript, Truetype and Opentype for Mac and Windows. You will enjoy putting Flax to work!
  39. Covington Cond - Unknown license
  40. Krome - Unknown license
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