10 years later, one of the first geometric typefaces in our portfolio and a popular favorite of yours is rising to a whole new level! We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few. Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next. Today, a type family of 22 styles, this geometric sans solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist. These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek. Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more. Overview: • Font family of 22 fonts • 10 weights • Languages - Full support of Extended Latin; Extended Cyrillic; Greek • Entirely refined design and metrics • Glyph count - 1288 • Variable fonts - 2 fonts OpenType features: • Small Caps • Standard Ligatures • Discretionary Ligatures • Contextual Alternates • Stylistic Alternates • Stylistic Sets • Case-Sensitive Forms • Ordinals • Localized Forms • Lining Figures • Proportional Figures • Tabular Figures • Oldstyle Figures • Subscripts • Scientific Inferiors • Superscripts • Numerators and Denominators • Fractions • Roman figures • Extensive mathematical support • Navigation symbols

Rebel mind - Sans Serif Condensed Font Family - Multilingual supports Rebel mind is a modern Sans serif condensed font family. With 6 styles and multilingual supports, you can easily use the sans serif font feature in many areas. You can enhance your projects from body text to big headlines, from classic to modern and bold styles, you can develop your projects. If you are looking for a condensed sans serif font, this font many meet your needs. Ideal for posters, newspaper, movie title and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. If you have a question, please contact me. Have a good time.

The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in wartime Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and gild them. Instead, they were cut in perspex and gilded. To sit comfortably within the long and narrow vertical space available beneath the chapel’s stained glass window, extended letterforms were used with many vertical serifs omitted and with lengthened horizontal serifs. Some twenty years later, the missing upper-case letters were drawn together with the lowercase letters and Frieze, the font, was born. Subsequently, additional weights and styles were added to create a font family of six styles.

Here is a sans-serif built up on an old-style design framework especially perceptible in the italic. It is the conjunction of contradictories feelings: pointed / soft, classical / modern. The smaller the typesetting, the better it works.

Vivala Line is a real italic, and it was inspired by old Polish children's books with its charming hand drawn lettering titles. Fields of application are posters, magazines, packaging design, books, corporate design up to consolidating reading.

This font is about fleeting vision, touch of moments. some letters may be illegible, but their shapes arouses emotions. sometimes in design emotions are more important. our brain can uncode the letter shapes.It includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. The font has bold texture. Thanks and have a great day, Haksen Studio

Headbrush is a bold script font with brush effects on each character. Those effects make this font unique and different. You can use this font for making an awesome logo, apparel projects, signature, album covers, posters, labels, branding, magazines, social media, & advertisements, but Headbrush also works great for other projects. Headbrush has many OpenType features like ligature, alternate and also multilingual support.

Introducing Rose Pink, a fun and exciting font suitable for any creative project. From product packaging to logos, this font is the perfect way to express your creativity with a bold style and playful look. The whimsical and flowing curves of this font also can help create a sense of lightheartedness in your design. project. Thank You and Happy Designing!

Introducing, Briberra - Realistic Rough Bold Script! Briberra is hand lettering script font that contain stylistic alternate, swash, etc to create your own customized design. You can using this font for quotes, t-shirt design, or whatever you want. This font is support multi language. Support PUA. PS: Type underscore + number (from 1 to 5). Or copy Brib_3erra in preview bellow.. Thank You!

Hello! Retrofield is here! With a cute, playful and bold looks, Retrofield bring happiness for both of writers and readers. If you want to write something fun, happy and cheerful, we suggest you to use Retrofield. Hope Retrofield can boost the appearance your text. Enjoy this font in your children book, birthday card, fun poster, comic book, and any other arts. :)

This font is about fleeting vision, touch of moments. some letters may be illegible, but their shapes arouses emotions. sometimes in design emotions are more important. our brain can uncode the letter shapes.It includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. The font has bold texture. Thanks and have a great day, Haksen Studio

Meet Ardin, a wedge serif that merges letter characteristics of traditional serifs with textures and styles found almost exclusively in modern sans-serif typefaces. The result is a bold design that feels distinctly classic, powerful, and handcrafted. With Ardin, you can make your projects (logos, product sheets, marketing materials, business cards, websites, etc.) look sophisticated while feeling both approachable and fresh.

Claytonia is a bold script typeface which is simple yet casual. Made by hand written with many opentype features that you will like. This font is perfect as a logo, quotes, apparel design, wedding invitation, and many more. You can play with the ligatures, stylistic alternate, swash, etc to create your own customized lettering. This font will also support multi languages.

Buthick is a unique decorative display font. This font is characterized by being bold and conveys a pleasant image. This font also has a modern feel with a sans serif outline. You can use this font in both modern and retro designs. This font is suitable for trendy packaging label designs, unique desired logos, poster designs, fashion and many more.

Inspired by wildlife, Fort Yukon is a bold and authentic vintage family font. This will inspire any design project that needs a vintage style. This font family is composed of 14 styles which perfectly complement each other. You can use them to create a logo or use for your business, branding, t-shirts, book covers, stationery, marketing, blogs, magazines and more.

Meet the successor of our bestselling design kit 'Chameleon': Perron. The concept of designing multiple contrasting designs under the same name was first introduced by Fontforecast in TyfoonSans and TyfoonScript. Two font families that were designed to complement each other. And that's exactly what this new release does. With the three designs in Perron, which means 'platform' in dutch, you will be able to take your design projects where ever you want them to go. This flexible kit consists of 7 fonts in three basic designs, and when combined Perron No1, No2 and No3 reïnforce each others charm. This offers great potential for creating lively layouts for many different projects, e.g. invites, menu's, magazines, brochures, packaging, greeting cards, T-shirts, etc. Perron No1 is a serif display font with large and small Caps. This font requires an Opentype savvy application to reach its full potential. Turn on contextual alternates and beginning and ending characters are replaced by their alternative versions, as you type. Stylistic sets and swashes offer even more variations. Perron No1 comes in two versions: No1 and No1 Shade. They can be used separate or layered for a colorful or shaded effect (if your application allows you to stack text frames). Perron No2 is a charming handwritten font, with slightly rough contours, that was added for an extra personal touch. It comes in regular and Italic. Perron No3 is a clean, tall and very skinny font family. It has large and small Caps and comes in three weights: Light, Regular and Bold. Because of its clean appearance No3 adds a modern touch to the design kit.

German designer Erbar drew the Candida typeface for the Ludwig & Mayer foundry shortly before his death in 1935. The typeface was released posthumously in 1936. An italic designed by Walter Höhnisch was published the following year and a reworked version was produced in 1945. Bold weights followed in 1951. Thanks to its clarity and readability in small sizes, the Candida family remained popular in the digital age.

ID Grotesk is a contemporary typeface that combines modern design with a classic feel. Its unique inktraps add an intriguing touch, enhancing both aesthetics and legibility. Suitable for various projects, ID Grotesk is a versatile choice that brings a fresh twist to traditional typography. ID Grotesk boasts a comprehensive collection of 14 styles, including Thin, Light, Book, Regular, Medium, Semibold, Bold, and their corresponding italic variants.

One More Typewriter font is a monospaced typewriter font in two styles: Regular and Italic, and two weights: Regular and Bold. This makes it versatile and ready to use in modern and vintage designs alike. This font is also very legible at a wide range of sizes and looks great in both long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

The design of Grosser* is inspired by the northern european modern architecture with it's rational shapes. The font was born for posters and to be used on large formats, the geometric shapes and the solid structure makes it a very good choice to do posters and graphics where you need an extra bold font with sharp lines. *Grosser (Größer) is a german word, which means "bigger/larger".

Mango Swifter is a fun and playful display font that's perfect for logotypes, headlines, and product packaging. It's bold and eye-catching, and it will add a touch of personality to any design. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

German type designer Christoph Kalscheuer created this display FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as sports. FF Maverick provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with tabular lining and proportional lining figures.

Saint Onki is a natural brush font with 4 styles that will give a casual impression to your design. With stylistic sets and original handmade quality, your design will stand out more. You will get Saint Onki Regular Saint Onki Italic Saint Onki All Caps Saint Onki All Caps Bold Saint Onki Swash Hope you like it with this font. Have a great day and happy buying.

Love Ready is the perfect font to express yourself. It's playful, fun, and crafty - just like you! With its quirky letterforms and bold style, Love Ready is perfect for everything from product packaging to letterheads. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You.

Kafina Serif Font, Kafina is a beautiful display font, designed with a modern and bold style. It's suitable for branding, logo, and many other designs. Features: Accents (Multilingual Characters) 12 Ligatures 114 Alternates Numerals and Punctuation (OpenType Standard)

Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

From cartoons to ad helpers to embellishments and ornaments, Letterpress Pieces JNL is another collection of vintage imagery from the pre-computer era of printing and advertising.

Caros Soft is the rounded version of Caros. Caros Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros Soft is a versatile type family of 18 fonts. Caros Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Artico Soft is the rounded version of Artico. Artico Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Artico Soft is versatile type family of 18 fonts. Artico family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Artico Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Artico is versatile type family of 72 fonts. Artico family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) and 4 widths (Extra Condensed, Condensed, Normal & Expanded) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Gradia is a serif font in the form of a unique & elegant typographic design. very suitable for making your choice of design work from invitation cards to magazines, logos, branding, signage and many other creative projects. Gradia features OpenType 765+ glyphs, also has 270 character Alternates, 116 Ligatures that are perfect for various uses, and is also equipped with multiple language support. What is included: Gradia Regular Gradia Regular Italic Gradia Light Gradia Light Italic Gradia Bold Gradia Bold Italic To access these OpenType features, you will need Opentype-enabled software such as: Adobe Illustrator, Word, CorelDraw, Photoshop, Indesign and many more. Check out Bagoni Type which is a great pair for Gradia.

The Ctoxina family is growing. Due to the success the author decided to add an outline version of the font. The typeface is now available in 6 different styles: light, light italic, regular, italic, bold and bold italic. The Atoxina family is designed especially for the burgeoning market of starships and other space cruisers. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters.

Going back in time, Locomotype presents Bradia, a classic style font that brings out a vintage and old-fashioned feel. Available in three weights: Light, Regular and Bold. Discrectionary Ligatures feature is also included to enhance some letter pairs when applied to typographic designs. Bradia is a stylish and versatile typeface perfectly suitable for a wide range of applications, especially headlines and short lines of text, posters, packaging, logotype, in both print and digital media.

Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster

Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

I made Davina for display purposes and it can be used for logos with a vintage style, for flyers, brochures, leaflets and more. If you like a logo with a semi-vintage style, thick, unique and clean, it means you have to buy and use Davina! This font also has Multi-Lingual support and more than 15 Ligatures.