Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.

Decorative font Shaltai was developed by young Russian designer Katya Galuyan. The letters slightly resemble rolling, falling and broken eggs. Egg-shaped appearance of the characters determines the name of the font. Shaltai Boltai is a Russian cousin of English Humpty Dumpty, French Boule Boule and Swedish-Norwegian Lille Trille. The font can be used for advertising and display works, children books and so on. Released by ParaType in 2008.

Designed by designer Tingnian Liu in 2015/10, Comic Book is a hand-drawn typeface specially designed for comic. Comic Book supports English, French, Spanish, Portuguese and German. It is a distinct choice for your comic book editorial challenge. Instead of adding rounded end to standard comic-type typefaces, Comic Book‘s squared ends were perfectly complementing the whole rounded style. It gives audience a cheerful feeling and makes them laugh.

Siestha is a stylish signature font with more than 90 ligatures and ending stylistic set that make amazing combination. It is perfect for any product like branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events and more. What's included: - Multilingual Support - More than 90 ligatures - Ending stylistic set - Support OpenType features --- Hope you enjoy with our font! Attype Studio

Fugel is a delicate and incredibly distinct handwritten font with beginning & ending swashes. Fall in love with its incredibly versatile style and use it to create spectacular designs! Fugel is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Fugel.otf - Beginning & Ending Swash - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Camar is a dynamic font that has sharp and pleasant edges, this font represents the word freedom and comfort in socializing and socializing.

Rendering JNL was inspired by European-style plastic stencils which emulate the block lettering with rounded ends used for years by architectural draftspersons.

Mondaine is a clean script font with a touch of lettering style. Have fun with a ton of special endings and contextual ligatures!

A sketched freestyle handwriting with curls, chunks, and skinny bits. The end result is as organic, natural, and inviting as grandma's apple cobbler.

Slightly grungy and blurred-edged combined with a thick stroke and a fat drop shadow. This font is eye catching in many ways!

Jess is an authentic stylish script font. This handwritten beauty is suitable for high-end, sophisticated branding or for simple, memorable Instagram quotes.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

TE Mona Tharwat Emara," a masterpiece of Arabic calligraphy crafted by the renowned Egyptian calligrapher, Tharwat Emara. This exquisite Ruqaa font seamlessly blends tradition with innovation, offering a timeless elegance that captures the essence of Arabic script. Tharwat Emara, a distinguished figure in the world of calligraphy, has lent his artistic prowess to create a font that is not merely a collection of characters but an embodiment of cultural richness. Each stroke of the pen reflects the heritage of Egyptian calligraphy, echoing the historical echoes of an ancient civilization. "TE Mona Tharwat Emara" stands as a testament to Emara's dedication to perfection. The font's graceful curves and meticulously designed letterforms pay homage to the classical Ruqaa style, while subtle contemporary touches infuse it with a modern flair. It is a harmonious blend of tradition and innovation, making it an ideal choice for projects that demand sophistication and cultural resonance. Designed with precision and passion, this font is not just a typographic tool; it's a work of art that brings the beauty of Arabic calligraphy to the forefront. Each character is a brushstroke of inspiration, contributing to a seamless flow that captures the eye and mesmerizes the reader. Whether you are working on a branding project, publication, or artistic endeavor, "TE Mona Tharwat Emara" adds a touch of timeless class. Embrace the elegance of Arabic script with this font, where every detail reflects the expertise of a master calligrapher. As you embark on your creative journey, let "TE Mona Tharwat Emara" be your muse. Elevate your designs, captivate your audience, and embrace the heritage of Arabic calligraphy with this exceptional font. Embrace the legacy, embrace the art – TE Mona Tharwat Emara awaits, a font that transcends time and tradition

Shueitai is a typeface that has been undergoing development for more than a century, starting from the days when Dai Nippon Printing Co., Ltd. (DNP) was still known as Shueisha. As Japan underwent rapid modernization during the early years of the Meiji era, Shueisha, believing that printing was a business befitting a modern civilized society, began operations with a focus on letterpress. Before long the company expanded into developing its own typefaces. In 1912 it completed a full range of Mincho type, in sizes from Sho-go (#0 size, 42pt) through Hachi-go (#8, 4pt), which it called "Shueitai" a new style that came to form one of the two mainstreams of Japanese typefaces and continues to have a significant influence on font design even today. The Shueitai typeface is distinguished by abundant variations matching the size of type and the changing demands of the times. Whether it is the spirited and powerful Sho-go, the delicate and flowing San-go (#3, 16pt), or the bright and solidly reassuring Shuei-Mincho L, all Shueitai typefaces share a vibrant brushwork that adds an expression of eloquence and a burst of brilliance to every printed word. Currently, Shueitai is composed of 17 kinds of fonts useful for various purposes. The world has witnessed vast changes in the environment surrounding the printed world, with the tran-sition first from letterpress to Desktop Publishing, and most recently to e-books. But no matter how this environment might evolve, the written word remains the basis of communication, and the importance of beautiful and readable typefaces stays unchanged. In preparation for the changes that will inevitably come during the future, DNP will continue to evolve the Shueitai designs from now on. Through its continual reinvention, Shueitai, a typeface consistently adopted at the vanguard of the industry, perhaps represents Japanese innovation at its very best.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders which help children to distinguish between letters; rounded edges on all letterforms help focus the reader on the individual letter shape; and modified characters (eg. a, g,) ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special needs use (eg a, d, b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia and primary school teachers, and are now released in response to hundreds of requests from publishers, designers and teachers to purchase them. They have been trialled in schools and learning institutions over an 8 year period, and are a favorite for use in both print and electronic product. The modern, clean aesthetic of the fonts ensures that their use can span beyond educational application.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders, which help children to distinguish between letters; rounded edges on all letterforms, which help the reader focus on the individual letter shape; and modified characters (eg., a and g), which ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special-needs use (eg., a, d, and b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia, and primary-school teachers and are now available in response to hundreds of requests from publishers, designers, and teachers to purchase them. They have been tested in schools and learning institutions over an 8-year period, and they are a favorite for use in both print and electronic products. The modern, clean aesthetic of the fonts ensures that their use can spread beyond educational applications.

Excessive photocopying, with extreme enlargements and reductions to magnify the imperfections, helped to rough the edges and give Not Sassure a non-digital quality.

Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

This rough and angsty font is perfect to add a punk edge to any project. It's asymmetrical and handwritten for the authentically angsty font.

Moonlight In Tokyo is an authentic signature script font. This handwritten beauty is suitable from high-end sophisticated branding to simple memorable Instagram quotes.

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

Brilliante is a geometric, uniform stroke, sans serif font with rounded end strokes. It is ideal for headlines, titles, branding, small blocks of text.

Characterized as inline display font family with childish manners, Scholle offers positive (Shadow) and negative (Regular) weights grouped by bouncing rhythm of its characters.

Rusulica Antique distinct aroma & flavor Rusulica Antique is a modification of the erstwhile script. With rough edges it has a distinctive appearance, rich aroma and antique charm. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica Antique has a high contrast. Its edges are rough and there is an alternate for almost every capital letter. The typeface’s x-height is bigger than usual and it is constructed at a 30° angle.

Aestero Futuristic Typeface Cutting-Edge Inspiration Aestero Futuristic Typeface, drawing from Gundam and sci-fi aesthetics, embodies a cutting-edge design for a bold display impact. Sleek Sci-Fi Elegance Named Aestero, this font seamlessly blends Gundam inspiration with sci-fi elegance, presenting sleek characters with a futuristic charm. Dynamic and Bold Presence Aestero commands attention with dynamic and bold letterforms, making it an ideal choice for projects seeking a strong visual presence.

A freeform linking script that uses OpenType programming to replace beginning and ending characters with uniquely designed variants. Also includes ligatures and an extended t-bar carefully designed to not collide with ascenders. (Note: Please view the image above for correct versions of the end and beginning letters, as they will appear in Indesign, Illustrator, etc. The Myfonts previews below are not Opentype savvy, and so these specially designed versions do not substitute themselves.)

Street Breaker is a graffiti font with sharp edges, making it a perfect choice for various street-themed projects. With its funky and dynamic style, this font adds an edgy and urban vibe to your designs. The sharp edges give it a bold and eye-catching look, ensuring your typography stands out with a distinct and rebellious flair. Bring a touch of street attitude to your projects with the Street Breaker font.

Funky Fusion is a graffiti font with sharp edges, making it a perfect choice for various street-themed projects. With its funky and dynamic style, this font adds an edgy and urban vibe to your designs. The sharp edges give it a bold and eye-catching look, ensuring your typography stands out with a distinct and rebellious flair. Bring a touch of street attitude to your projects with the Funky Fusion font.

Chyntia Oesman was built with OpenType features and includes beginning and ending swashes, numbers, punctuation, alternates, ligatures and it also supports other languages. Chyntia Oesman is an organic handwritten font suitable for branding, signatures, wedding invitations, promotions, product packaging and other needs. This font is modern, simple, but still original. You'll get a full set of lowercase and uppercase letters, numbers and punctuation, multilingual symbols, lowercase start and end swashes, extra ligatures and swashes.

Malibu Punch. I am loving this sassy script font! There are two versions: rough, with tons of texture, and smooth! I made it with an itty bitty brush and pretty watercolors. It's got loads of texture - check out those edges! Wobbly, rough watercolor edges! The capital letters work together, so it's like two fonts in one! The lowercase script is so sassy and full of attitude. Great for branding, logos, and quote art.

An elegant geometric linking script that uses OpenType programming to intelligently substitute "beginning" and "ending" characters with uniquely designed variants. The family also includes swash alternates that can be toggled on or off in the Opentype panel. (Note: Please view the image above for correct end and beginning letters as they will appear in Indesign, Illustrator, etc. The Myfonts previews below are not Opentype savvy, and so these specially designed versions do not substitute themselves.)

Thank you for visiting our item. Whitegone is a hand-scratched script font that gives a natural-looking impression that is perfect for those of you who want to use a signature font. Whitegone is very suitable for digital branding, advertising, name cards, product labels, printing t-shirts, greeting cards, invitation cards, etc. Whitegone has several ligatures, alternates, begining and ending swashes to give a sweet touch at the beginning and end of words.

Rapid Writing is based on the Rapid and Muscular Methods of writing, where the whole arm instead of the wrist is used to write. Copybooks and vertical writing fostered form at the expense of freedom. Speed and muscular movement have fostered freedom at the expense of form. This font is based upon form and movement and brings spontaneity and freedom to calligraphy! The font is full contrast, swashes, round forms, ligatures, contextual alternates and other surprises. OPENTYPE FEATURES • 34 Contextual Alternates • 32 Standard Ligatures • Several Stylistic Alternates (2 options for A-Z/0-9) • Ending Swashes (Each character (A-Z) has up to 12 swash endings) Not to mention the font has 710 glyphs. HOW TO USE THE ENDING SWASHES It’s very simple! Simply write the word+ > (greater symbol). For example: Typography> Typography>> Typography>>> etc. After each “>” you get a different ending swash for each character. So there are lot’s of different combinations and alternatives to suit your needs! The font also comes with a PDF Manual. If you have any questions, please get in touch at hello@eduardorecife.com

www.Stat-Type.com Complementary Type Family Stat Text Pro Stat Display Pro is an information design sans serif type family legible in circumstances of low visibility. Its large character set with multiple weights is defined by optimal size ratio, distinctive letter shapes, wide aperture and balanced counters. Stat Display Pro remains legible in unfavorable circumstances of distance, size, movement and similar. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four main (Light, Regular, Medium, Bold) and four secondary, negative weights (Light Negative, Regular Negative, Medium Negative, Bold Negative) which are accompanied by their corresponding obliques. Stat Display Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. With its distinctive letter shape detail it minimizes the possibility of letter shape confusion, while optimizing legibility with wide aperture and balanced counters. Its main intended use is information design, where it, with its characteristics, meets the requirements of wayfinding, infographics, table setting and much, much more. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

This font pair was crafted by hand under inspiration of old-fashioned typography on different vintage labels, packages, sighs and others. It’s will be a godsend for those who want to add vintage mood to design project. Collection includes Script, Serif and it’s variations like Regular, Rough and Aged. This pair perfectly cooperating with each other. Brokson can be used in different purposes: lettering and logotype, labels, t-shirts, product packaging, advertising and many others. In addition to the basic set, Brokson Script has beautiful alternatives of Uppercase characters, variations of the end for Lowercase and some ligatures. Also, there are two types of end-swashes and eight lengths of each style. Brokson Serif was designed as a secondary and additional font after Script, but in the process of their use I realized it also look great as a priority. Quick combinations for Opentype features: Uppercase Alternates - just add for example «2, 3, or 4» after Uppercase; End-letter - just add «2» at the end of the word; End-swashes (tails) - just add _1, _2, _3… or /1, /2, /3…up to 8, where number is length of tail. This combinations works only with activated Standard Ligatures option in Opentype panel (Adobe Illustrator / Photoshop). Multilingual Support Danish, Dutch, English, Estonian, Faroese, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Slovene, Spanish, Swedish, Turkish.

The Good Stuff is a handwritten signature script with a natural flow. This stylish font is a good choice for high-end, sophisticated Branding design.

Ink. Messy Ink. Imperfect letters. Baltazak includes uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. All lowercase letters include ending swashes.

Stoan is a rough, textured grunge font, based on the popular Spaza. Its characters are irregular and funky, with edges that disappear into the distance.