Andinistas.net presents Makeup Script. Expressive hand-made typography to design sentences with high textured impact; has 4 creative tools. Our priorities are continually updated and we prefer to use the elevator since taking the stairs is a very long process. If you see a long text, you close it and look for something shorter. For quick calligraphy you need to consume hours and hours of learning, discomfort and effort. Think of calligraphic words or phrases to write about a photo no matter how expressive it may be. Try to write quickly with signature style for logos, labels or packaging for clothes, suitcases, shops, malls, department stores, etc. Do you want to be able to calligraphy well? STUDY. Do you want to be a calligrapher? PRACTICE. Want to produce good ideas? PUSH YOURSELF. If you practice for hours every day, those hours will turn into years, but for many, to think in years of study and practice is too long, since most want everything instantaneous and few want to cultivate skills related to calligraphic patience. Makeup was born in the midst of this type of reflections about countless themes about art, beauty and calligraphy. All the ideas that revolve around makeup parade through its insightful and solitary design, lover of instant and fast writing for graphic design related to food, household goods, fashion, etc. CFCG. teamwork by Carolina Suarez & Illustrations by Eder Salas. In that order of ideas Makeup offers the following tools: • Makeup Script (238 glyphs): It is a script with vibrant fleeting strokes that form capital letters, lowercase letters, numbers and character sets and extended punctuation for Central, Eastern and Western Europe. • Makeup Alternates (238 glyphs): Offers new script possibilities, different from uppercase, lowercase, numbers that work at the beginning or end of words, in a way that your design will look more real and calligraphic. • Makeup Swashes (238 glyphs): These are tiny script letters that reinforce the idea of fast binding between handwritten letters that will fill your design or concepts with power and expressiveness through multiple textured contours. • Makeup Extras (80 glyphs): Here you'll find over 70 exciting, hand-crafted decorations that are ideal for underlining your ideas written in Makeup.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.

Introducing Salma Pro, a modern and sleek sans-serif font that boasts a new design and a strong character. As the successor of the previous version (Salma Alfasans), Salma Pro is an extended version that offers an abundance of features, good legibility, and a wide range of styles, making it perfect for any project. Crafted with great passion and conscientiousness, Salma Pro's unique design is a work of art. You will see beautiful details in every letter, making it perfect for branding, logos, and other design projects. Whether you're using it for headlines or body text, Salma Pro's good legibility ensures that it looks great at any size. Why you need Salma Pro in your font collection: Versatility: With 1400+ glyphs and three different widths to choose from, Salma Pro offers a wide range of styles and features, making it the perfect choice for any project. Reliability: This font is designed specifically for professional designers and offers superior functionality and quality. You can trust Salma Pro to deliver consistent and high-quality results. Unique Design: Salma Pro has a unique and authentic design that will make your work stand out. It's perfect for branding, logos, and other design projects. Good legibility: The font is designed to be highly legible, both at large and small sizes, making it a great choice for both headlines and body text. Language support: Salma Pro supports Latin Extended, Cyrillic, and Greek languages, making it a great choice for projects with a global audience. Multipurpose: It can be used for various purposes such as branding project, logo or logotype, promotion, e-pub, website, mobile app, and many more. Time-saving: With its abundance of features and styles, Salma Pro will save you time and make your job easier. Compatibility: Salma Pro is very compatible when used as a logo and branding projects. Because it has beautiful and authentic details. Passion and conscientiousness: Salma Pro is created with great passion and conscientiousness, giving you the best design result. In conclusion, Salma Pro is a must-have font for professional designers. Its versatility, reliability, unique design, and wide range of features make it an essential tool for any designer. Don't wait any longer, get your hands on Salma Pro now and elevate your design work. Upgrade your font collection today and experience the versatility and power of Salma Pro. Features: Small capitals Tabular and proportional lining figures Tabular and proportional oldstyle figures Scientific inferior and superior characters Numerator, denominator, and fraction characters Circled and squared numbers Standard and discretionary ligatures Arrows, triangles, squares, and circles symbols 16 stylistic sets Contextual alternates Slashed zero And many more advanced typography features. Language Support: Salma Pro supports Latin Extended (including Vietnamese), Cyrillic, and Greek. Suggested Uses: Salma Pro is ideal for branding projects, logos and logotypes, promotions, e-books, websites, mobile applications, and more. This versatile font can be used in a wide range of projects to elevate your designs and make your work stand out. ------ Alifinart Studio alifinart@gmail.com alifinart.com Instagram | Behance

Introducing vintage label font duo named Muscle Cars. These two fonts has an additional characters and multilungual support (check out all available characters on previews). Bold and Script fonts has two styles: Clean and Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Kianda typeface was created as a non-classic, sport logo typeface. Now it has only one style with Latin and Cyrillic uppercase, numerals and punctuation. Almost every letter have 3-4 alternates, which allows you to feature stylish text for your logo. Also this typeface works good with short slogans, packaging and more.

Louis L. Lemoine created the font Linotype Spacera in 2002. Linotype Spacera is a fun font from the new TakeType No 4 which contains 182 fresh, new, experimental, freaky and above all contemporary fonts. This is a contemporary typeface that could be a good choice when a modern futuristic look is desired.

The Castellon is a classy signature typeface, it includes two styles regular and slant. It has an elegant style which can be used to add a natural touch to your designs. It is a good choice for watermarks on photography, signature, logo designs, quotes, branding, business cards, and many other design projects.

Introducing a vintage look layered label font named "Wanted Denim". This font was inspired by classic slab serif fonts from denim labels and logos. Typeface includes six styles (including effect styles), for sample look at 3rd preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Introducing a vintage look label font named Fun Baking. All available characters you can see at the screenshot. This font have 7 styles - Regular, Outline, Texture, Shine, Shine FX, Outline FX and Texture FX. This funny style font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Introducing original label font named Bistro. This font has a wide languages support with west european characters (check out all available characters on previews). The font family has four styles: Regular, Shadow, Rough, Rough Shadow. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Introducing a vintage label font named Seaman. All available characters you can see at the screenshots. This font has two variations, Clean and Grunge, and for each included three styles - Clean, Shadow and Shadow Wave. This font will look good on any retro design like a poster, T-shirt, label, logo, etc.

The family Night by Nicolai Gogoll includes 10 styles – five serifs and five sans. Both variants harmonize well with each other and each come in five weights, which allows for good use in CI. Combining the Serif and Sans also enables versatile and hierarchical design, which is great for interfaces and infomedia.

Introducing Prosa GT is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose.

LP Harmonia arose from its designer’s private life. As a type designer, Peter Langpeter was often asked by friends or relatives to write a greeting on a birthday card or create a good looking invitation. Over the years, he used ink and a soft feather to form his personal handwriting: LP Harmonia.

Introducing vintage label font named Circus Sideshow. All available characters you can see at the screenshots. This font has six styles: Regular, Shadow, Rough, Rough Texture and two effect styles Texture FX and Shadow FX. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

In 1994, John Benson designed Balzano, Alexa and Caliban, three typefaces with a similar calligraphic character. Balzano differs from the other in its vertical figures, adding a static element to the otherwise lively, flowing components. Balzano is good for short texts and headlines, anywhere in which a personal, elegant look is desired.

Oishigo is a freeform handwritten font, it has a tail that goes up and down randomly which makes this font look different and beautiful. This font has many different ligatures, more than 50 ligatures and additional alternates and swashes Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic alternate, Ss01, Ss02 50+ igature, Swashes, Multilanguage

Hello, on this occasion, we would like to introduce a new font. which we named him "CHLEONA", a font that we design with an elegant, stylish and simple shape at a relatively affordable price but has good quality. This font has the following advantages. Featured Uppercase Lowercase Numeral Functional Stylistic Ligature Multilingual

Introducing a vintage look label font named Race To Space. All available characters you can see at the screenshot. This font have 7 styles - Regular, Shadow, Texture, Shadow FX, Texture FX, Full and Aged. This funny style font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Rushbold inspired by the old brush style that has a fat body, it will really help to bring out a warm, retro, vintage, classic, playful feel. Has 2 Stylistic Sets (Upper & Lowercase) and other Alternate Characters. Each section has a smooth line so that for large prints it will still look good.

Introducing a modern look label font named "Cyberpunk". All available characters you can see at the screenshot. This font have 2 basic styles - Regular and stencil. Regular font have Textured style and effect style with texture. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Introducing a hand-crafted label font duo named Stuntman. All available characters you can see at the screenshots. This family have two fonts - Script and Stencil; and for each included two styles - Clean and Paint (dripping effect). This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!

Introducing vintage label font named Fishman. This font has a multilungual characters support (check out all available characters on previews). The font family has six styles: Regular, Shadow, Light, Shadow FX, Light FX, Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Tampico Typeface is a new font with Rough version, which includes 80+ glyphs and alternative characters. The font looks great on various packages, goods with food. You can also use it to create logos, shortcuts and other design elements. Product Content: SA Tampico Rough SA Tampico Symbols Features: Accents (Multilingual characters) Stylistic Alternates

Introducing a new Layered bold script called Stonekids. Stonekids inspired by handlettering, bold script logotype and kids fonts. Stonekids comes with open type features and multilingual accent good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. Multilingual accents: ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Features: - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for name imprints on medical school diplomas, which seems a bit grotesk. Surely you can do something better with it.

A well-designed bold art deco font. Very chunky. Uppercase, lowercase, numerals and punctuation. CastleType additions to the Koloss family include Koloss Bold Condensed and Koloss Bold Wave. The latter was used beautifully in the wonderful children's book The Leaf Men (and the Brave Good Bugs) written and illustrated by William Joyce.

Backstreet is a purely handwritten typeface with its own unique characteristics. It has an elegant, feminine style with good readability. Perfect for Valentine day, neon design, signatures, invitations, titles, and much more! To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

In 2011, while tutoring an exercise on Slab Serifs, Josema discovered Robert Thorne’s work for Thorowgood. Specifically, he was fascinated by the extraordinary density of the 6-line Egyptian Pica from 1820-21. As a simple exercise, he wanted to test the limits of readability within the context of a contemporary alphabet. Rothwood Ultra is the result of this experiment. As a way of developing the series, he found it interesting to go to the opposite end of the spectrum and discover how to evolve the extra-black Ultra’s DNA into a super lightweight model. The Hairline and Thin styles are her slim sisters. The third challenge has been the creation of the text version. Light, Book, DemiBold and Bold, including italics and Small Caps close the Rothwood cycle for editorial use.

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

And the day in which I introduce my second typographic family has arrived. In order to do this, I borrowed several passages from this beautiful book by Maurice Maeterlinck, “Life and Flowers”. His poetic observation of Nature made me reflect about the small discoveries behind the flow of my pen on paper. About that quick, spontaneous, overwhelmed stroke, with some awkwardness as well as certainty in it. About the writing that looms line after line. About the mischievous stains of ink flooding my writing tool. Lady Dodó was born as a product of these drawings, pieces of writing and reflections. Following the steps of its ancestor and friend, Lady René, it takes advantage of the goodness of the Open Type technology to propose a systematized as well as a personalized writing font. Both friendly and challenging. Due to the large number of alternate characters (both for lower and upper case as well as for numbers) and to its precise programming, it proposes to design diverse and rich typographical sets with multiple strokes in a simple way. However, Lady Dodó is not just made of typographical signs; it also proposes a set of modules to make patterns and another one to design frames. From the combination of these modular signs, an infinite universe of possibilities for decoration arises. Here is Lady Dodó, ready to get started and write its destiny. July 2015.

Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

We live only to discover beauty, all else is a form of waiting. --- Khalil Gibran Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! The curvature of the Casira Script was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Communicate the extent of your mind so that whoever views your designs understand not just what you write, but also the tone and feel of it! The Casira Script makes a perfect addition for your collection of fonts, show love and bring out the true you! Feel free to contact us if you need anything else! If you have a request on what kind of fonts you’d like to see, tell us that too!

Diamond Lady is so gorgeous, she’ll steal your heart with her hand-lettering and handwritten font shapes, The idea of this font was to create as realistic as the possible texture of hand lettering and keep the style of Signature. Diamond Lady is a handwriting font with delicate curves and a unique blend of thick and thin lines. This font offers all the sophistication and beauty you could ask for in one package. It will help you to create an authentic modern signature or a stylish handwritten effect for your logotype and headlines. The font contains 94 ligatures, so it would be perfect for logos and branding with handwriting/sig logos look. She’s got all the real hand-lettered shine, loveliness, and romance attached to the art of hand lettering. Don’t hesitate, just get it! Diamond Lady features: A full set of upper & lowercase characters Numbers & punctuation 94 Gorgeous ligatures Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Mimix is designed especially for comic fans and all typographers who like to play. It’s ideal to express spontaneity and the joy of life. Where Mimix is used, there’s life. The characters are lined in a row, a face looks out from the page. Big ears surround an oval head. A mouse moves without haste, but dynamic and modern through the lines. Mimix skillfully combines the elegance of a modern roman with the spontaneity of a casual handwriting. The mouse shows its versatile character in its broad range of use. Without exaggeration, it’s always delicate and elegant. The quiet form and good readability is a result of its moderate inclination. Well developed, Mimix includes ten weights from Ultrathin through Black. The free trial pack includes two weights with a reduced number of glyphs. If you like it you will be then be able to buy the fonts itself complete with ligatures, special characters for Eastern European languages, uppercase, lining and old style figures as well as fractions and different Opentype features. Declare war on desert lead – with Mimix, those with charm. Download a free trial version of Mimix with a reduced character set. Check it out!