Anabella is a typeface made for the Master’s Degree in Typography at the University of Buenos Aires. It is inspired by the posters of pizzerias located in Naples, Italy; in order to be used in the pizza franchise Giuseppe in Buenos Aires, Argentina. The font preserves and rescues gestural features of these posters, adding a vertical axis and high contrast, typical of the Italian types that arrived in the city product of the immigration. The stroke with brush provides a more organic quality to the sign and provides connotative features. The family has three variables for the different applications that may be required in a pizza place: Italic for bodies greater than 16 pt, Roman for short texts up to 14 pt, and Stencil for use in brands and titles. Anabella was selected to participate in the eighth typography biennial Tipos Latinos.

Waite Park JNL is based on the smallest of the die-cut letters and numbers contained in the Webway Sign Cabinet - once manufactured by the Holes-Webway Company of Minneapolis, Minnesota. The largest of the set's sizes (2 inch) was the model for Sign Kit JNL, the medium size (1-1/8 inch) was used to make Sign Production JNL and this font is a version from the 3/4 inch size. Each size of alphabet and numerals have their own unique characteristics, although they all follow the same basic font style, which is reminiscent of classic Art Deco-era sanserif typefaces. The name Waite Park JNL was derived from a division of Holes-Webway that (for some reason lost to time) distributed their sign kits under the name Waite Park Sign Company, located in the Minnesota city of the same name.

Adolf Rusch von Ingweiler, was in the 19 th century known mysteriously as the “R'' printer. He was the first printer North of the Alps to introduce the new Roman style of type known now as Antiqua. He was active in the city of Strasbourg from around the early 1460's to 1489. One wonders if the unusual form of “R'' was a personal conceit. This font is, therefore, an Antiqua style font and has over a 1000 defined glyphs with wide support for medieval characters that have since fallen out of use. The baseline was slightly tidied up in order to give the printed text an even cleaner look than the original. The letters are very close approximations of the original type catalogued by the “Veröffentlichungen der Gesellschaft für Typenkunde des 15. Jahrhunderts” as Typ.1:103R GfT1197.

Noah’s Ark was designed to combine it with the bestiary animal series I designed. A simple font, well harmonized with the highly synthesized designs of animals and insects. So, it seemed natural to use them for posters. Noah's Ark is a stylized font with a constant stroke, which stands between writing and the typeface. Its design is inspired by the fonts used in the 1940s. It is made up of linked letters, excluding numbers and other signs.

Antikka draws some inspiration from the style of the Art Deco movement of the 1920s and 30s. The vision behind making Antikka was to revitalize the style of this bygone era -- making it funky and relevant to our 21st century times. Antikka is a minimal font, clear and geometric, yet highly stylized. Comfortable in a business setting - or just about anywhere. Antikka arrives as the business casual of fonts - giving it a wide range of use.

BRIGNELL BIG is a two font family designed by Ian Brignell. Bold and honest, it approaches like a dare: Go Big no regrets. A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.

Calisso is meant to set a new standard. Calisso is a complete redevelopment of the Latin alphabet, where every stroke in each letter was given a new geometry - a complete reformulation of these most atomic components. The challenge of designing such a highly stylized font is to maintain legibility. The Calisso Standard steps up to that challenge and surpasses it. The Calisso Standard is classy, contemporary, and cosmopolitian. For a unique, fresh look - use the Calisso Standard.

Coin Ding Dong pixel Font inspired from 8 bit game with beautiful stylized pixelized, game machine really reminds me of my childhood, with coins you can play it, in my country machine games are called "dingdong", inspired me to create this pixel font name. Really Beautiful font to covering your Project, like For Game Names, Poster art, Magazine, Branding, Logos, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - PUA encoded inumoccatype

“Sandigan" is an rustic, organic, sturdy and expressive display typeface that is inspired by the characteristic and vibes of male filipinos. Sandigan also means foundation in english. This typeface is developed with the intention to be used in display medias to maximize the stylized shapes of each character. This typeface is best used when you want to express elegance, class and sophistication in your designs. *This font includes letters, numbers, multi-language, and all essential marks needed.

Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

Stonecrop is a font unified by bold, imposing lines as well as its use of rounded rectangles as the central stylistic shape. Stonecrop loosely conforms to the monospaced font style, with near-equal widths for all letters and numbers (but not all symbols/punctuation), however it does incorporate kerning for all types of glyphs where appropriate to aid in legibility. A perfect font for usages that demand consistency and precision, while still maintaining a quirky and stylized handwritten effect.

Mandarin font first appeared with the Type Founders of Chicago and is an interpretation of artistically drawn Asian brush calligraphy. The stylized Asian atmosphere is not created only by the forms of the figures but also by the very name of the typeface. A mandarin was a high official of the ancient Chinese empire. Alphabets like Mandarin font are often used for the menus, signs and advertisements of Asian restaurants as well as for businesses with Asian products.

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

MUGUET is a reinvention of the Skin typeface designed by Max Prive in 2016. MUGUET features reimagined capital letters and improved kerning. It’s ultra clean, ultra minimalist with a hint of retro aesthetics.

Luscombe is a boisterous and lively display face, recalling the shaded and outlined faced much beloved of 1920s poster and advertising artists, while offering a regularity of outline that those faces often did not achieve. Itís ideal for poster and display work, or for signage with a subtle period feel. Mix the two faces to add emphasis where it's needed.

The inspiration source for Bontebok Monogram is a unique and inventive hand-drawn letterset from a vintage embroidery publication combining a stylized geometric oblique all capitals letterset with bracketing marks to make a monogram. First drawn as outlined letterforms with stipple shading, we’ve created multiple variations for you to design with. While this monogram was originally intended to adorn handkerchiefs, it has many other possibilities. Download and view the MFC Bontebok Monogram Guidebook if you would like to learn a little more.

Gothic is a stylized script style, with a wide selection of characters. A bold script font that looks cool. Gothic is perfect for branding projects. You can access swash by changing numbers 0-9 -Features of fonts Lowercase, Uppercase, Numbers & Punctuation, Lowercase alternatives, swash variant ligature Stylistic set 1 (for the end of the word) Stylistic set 2 (for the middle of the word) Stylistic set 3 (for the beginning of the word) Stylistic set 4 (for the end of the word) multilanguage

Influenza, whose name means 'the flu' in a number of languages, is a fat, single weight typeface. It's a bastard typeface, each character stands alone as an independent angular structure. Some characters have stylised blackletter features, some are quasi-bitmapped, some are blends between upper and lower case. This also inspired the name since the flu virus changes every time it comes around, it's a new disease every time you have to stay home under the covers drinking hot tea.

Gliners is a simple stylized font that overlies the center of the glyphs bar in the font. Glyphs font doesn’t have too many, it only offers Uppercase and Multilingual, but don’t worry because its simple shape will make your project look interesting. The Gliners font is very suitable for use as movie titles, movie title poster covers like the review image I shared above. how? are you interested in trying it? Thank You, stay the center of attention and classy!

ITC Cancione is the inspired work of California calligrapher and illustrator Brenda Walton. She gave a rough texture to her tall, thin all caps alphabet and its ornaments, making them look as though they were drawn with a brush on stone and then left to withstand years of weather and wear. The graceful letters are complemented by a variety of ornaments and flourishes as well as alternates and even stylized words making ITC Cancione perfect for greeting cards and stationery.

Transit Display is simply two fonts: Regular & Italic. It is an all uppercase based font that takes the grungy look that you love one step further by offering you that do it yourself eroded stamp look with a modern flair. Transit Display will work with any of your stylized design needs! Transit Display also has a larger character set for multilingual support. For a customized look to your works, switch between uppercase and lowercase for a change of grunge to the letters.

Kingfisher is a bold brush family with Script, casual Caps and Extras. Kingfisher is divided into three styles -regular, distressed and one with stylised cuts that emphasize the brush stroke. Kingfisher is packed with several OpenType features: Contextual Alternates and Standard Ligatures are automatically on to keep the flow. For flashier characters, try Swash or Titling Alternates. Font is PUA encoded so you can access extras from character map in most design software. For the best price, purchase the complete pack!

Palitura is a display typeface designed to translate Cyrillic flavor into the Latin script. Palitura means lacquered book cover in Old Ukrainian. The design of letter shapes is inspired by Early Cyrillic handwritten letters and Ukrainian patterns that are conveyed through the sharpness of form, vertical strokes that are narrower at the bottom, stylized oblique hooks at the top, and triangular accents. Languages: 480+. Scripts: Latin, Greek, Cyrillic. Specimen: michaelrafailyk.com/typeface/specimen/Palitura.pdf The promo images used photo of Tima Miroshnichenko from Pexels.

Toroka is a geometric sans serif type family with an extensive selection of styles. Functional and highly legible, it has a friendly vibe due to the lack of extending stems on "b", "d", "p", "q", "u", and "r". Its distinctive personality comes across through the rounded apexes of "V", "W", "v", and "w". Stylised "g" and "y" add sugar and spice. The additional stylistic set offers an eccentric display alternative to the uppercase. Opentype features include ligatures, tabular figures and fractions.

Since the release of his first typeface, Zulia Pro, Joluvian has spent his time dedicatedly experimenting with an array of calligraphic styles and typography, before starting on his second typeface, Salamat. The journey began on a trip to Asia, where Joluvian was inspired by his time in the Philippines. After a series of discarded type sketches, the first stroke of what is now Salamat was then born.   What at first was a quick sketch, over time, evolved into a stylized typography; that lends to humanistic-expressive calligraphy, optimized with wide variety of swash capitals, contextuals ligatures, ascending and descending, starting and ending letters and a wide range of characters for each glyph. Salamat provides the user absolute freedom to play, create words, sentences and even very stylized paragraphs. Giving one the freedom with type, the way the Philippines gave Joluvian the freedom to explore calligraphy and typography.   Joluvian considers Salamat a new benchmark in his career. He now possesses more typography maturity, and a refined focus to put into practice all the knowledge acquired in his recent years of study, for this and much more salamat ('thank you' in Tagalog) to the Philippines.

Boy, they're everywhere. One of your neighbors is probably one of them, Freaking super-heroes (TM, ©, ®, SM blah blah blah) are more ubiquitous in cities these days than Simon Cowell is on talent shows. Notice how that guy on the subway -- the one with the boy scout haircut? -- see how he keeps his shirt buttoned all the way up? He's not sweating either... that's 'cause he's probably from some dead planet that exploded twenty years ago. His REAL parents wrapped him in blankets and, when he turned 18, his Ma on Earth turned those same blankets into Long Underwear for her foster son. He's probably wearing his long underwear right now. That's why he's smiling at you through his horn rimmed glasses. He thinks you don't know. Thinks he's special. Thinks he's a super-hero (TM, ©, ®, SM blah blah blah). Ain't that Super?