Designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman.

A simple sans-serif font made from straight line segments and true circles and arcs.

Based on the Deberny & Peignot, circa 1925. Originally the inline was a capitals only font.

Legere is a slim, light and decorative font, based on the idea to work as close as possible on the geometric forms of the circle, the triangle and the square. As a natural conclusion the number of angles is limited. Legere comes in these weights: THIN, LIGHT, REGULAR and a very special DECO version. Legere might be used as a headline font, for posters or cover layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

Marcu San is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designer Markus McCallion designed his sans serif font with unusual forms based on circles and circle fragments. Legibility is thus decreased for the sake of a unique look and a variety of design possibilities.

This was put together by Dan X. Solo to provide a quick way to set headings for a circus brochure. The name was given in recognition of the Baraboo Circus Museum. The end pieces are in pairs on the uppercase keys A-B, C-D, etc. The alphabet itself is in the lowercase position.

Based on proofs of an early Remington typewriter font from the Keystone Type Foundry, circa 1905.

Fyra is a family of fonts ideal for diagrams and signage. Included in the family are versions with uppercase letters in circles and squares, as well as numbers 0-99 in circles and squares. The characters themselves were designed to be very neutral, so they should pair well with whatever other typefaces you are using on your project.

Zirkle is a monoline font in which the upper-case letters were designed from circles or bits of circles, with interior straight lines. It was the first font I designed in Fontographer when Fontographer was still in version 2 and the most advanced Macintosh was the Macintosh II. I have heard from people who like it, but it was designed not to meet some need but to play with the geometry of circle-based letters. ZirkStressed is a “squared” version that was the result of playing with a font distortion program, which in this case produced a result that seemed interesting.

The typeface LED pixel is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 60 + 1 (icons) font-styles (Circle, Circle Outline, Cross, Hex, Hex Outline, Line, Square, Square Cross, Square Half 1, Square Half 2, Square Outline, Square Circle, Square Star, Star, Triangle × 4) with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️ or #SMILE for

Symmetry is best suited for display use, inspired by circle shape and lines and curves, also space.

Designed by R.H. Middleton. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1938.

Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights.

Northfork JNL is based on a William H. Page wood type alphabet called Parisian, circa 1857-58.

Based on an Adrian Williams design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro.

Originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23.

Distorted fonts are great but are mostly not very practical - 360 is an attempt to create a simple distorted font that can be used far beyond a few logos or headlines. Each 360 character averages roughly half the number of sharp angles of a regular sans serif. This gives it an unusually fresh and timeless appeal and creates a dynamic presence across body text that is very legible and compact without looking overly condensed. 360 was chosen as a name because it can be used as an everyday font, all year round, and because 360 has so many unusual angles that don't conform to normal font conventions. 360 also happens to be a cool number: 360 makes a highly composite number. 360 is also a superior highly composite number and a colossally abundant number. A circle is divided into 360 degrees for the purpose of angular measurement. 360° is also called round angle. 360 is a convenient standard since, 360 being highly composite, it allows a circle to be divided into equal segments with each segment measured in integer degrees rather than fractional degrees. 360 is the sum of a twin prime (179 + 181). A year is roughly calculated as 360 days.

The box cover of “Drawing Stencils No. 3 for Use on Slate or Paper” [a children’s drawing set produced by Montgomery, Ward & Company of Chicago circa the 1890s] had its title in an elegant spurred Roman type face. Working from the few letters available, a complete character set was created that resulted in Antique Packaging JNL, which is available in both regular and oblique versions. To note, this is the 1500th font release from Jeff Levine Fonts since its inception in January of 2006.

SK Irrationalist is a new experimental accidental font created by the SHRIFTOVIK font foundry and Tikhon Reztcov. This font is very unusual. It uses non-standard graphic techniques. Sloping non-parallel lines, sharp shapes and a combination of rectangles and circles all make the font special. The SK Irrationalist font was inspired by the works of constructivist artists of the early 20th century. The font contains both Latin, Latin Pro version for European countries and Cyrillic. This font delivered in 4 styles: Regular; Sharp; Outline; Rounded.

Introducing Boggle Royale, is layered display typeface. It was inspired by the vintage design on the circus and festival signage. Boggle Royale also comes with 3 font, Regular, Shadow, and Hatch. it will make a perfect combination for you to create more detailed designs. Boggle Royale is perfectly suitable for made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Designed by Douglas C. McMurtrie. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1928.

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

Introducing the September Spirit Font Duo! A hyper-realistic handwritten font duo, which utilises a large range of ligatures (uniquely designed letter combinations), and alternate characters—all taken from real handwritten words—to achieve an incredibly natural handwritten style. As well as the fast-flowing handwriting font, September Spirit also include an all-caps version, great for combining with the regular font for adding emphasis to words, or even as it's own standalone font. Not only that, a bonus font of extra circles, underlines & arrows is included to add even more emphasis and an additional hand-crafted aesthetic. The September Spirit family includes; September Spirit • A fast-flowing handwritten font containing upper & lowercase characters, numerals, and a large range of punctuation. September Spirit Alt • This is a second version of September Spirit, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. September Spirit All Caps • An uppercase-only font, perfect for pairing with the regular September Spirit fonts to add emphasis to words or phrases. September Spirit Extras • A bonus font containing 19 hand-drawn arrows, cirlces and underlines. Ideal for adding to your September Spirit text for extra emphasis. Language Support • September Spirit supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Offered in both solid circles and "donut" versions, this fun font is quirky and cute but still completely legible.

These series of fonts contain numbers in circles and other characters that are useful for tabular setting and annotations.

Vintage Price Tags JNL comprises three sets of numbers in both ribbon, circle and star patterns which, when combined will produce point-of-sale price elements. The designs were re-drawn from examples found in an old wood type catalog, and are now collected in digital format. Ribbon-style numbers are found on the upper case keys. A through J have the large numbers, K through T are the smaller, underlined numbers. The remaining upper case keys contain the dollar sign, cents sign and the phrases "each", "for", "dozen" and "pair". On the lower case, the circle set of combination numbers are on the following keystrokes: The keys a through j are the left side semi-circle numbers and the "k" key is a blank left side semi-circle. The l through u keys are the right side semicircle numbers and the "v" keystroke is a blank right side semi-circle. The star set is on the standard numbers keys for the left side of the star, with the right side characters on the corresponding shift keystrokes for the number keys. In following the original design examples, a cents sign follows the numbers on the right side of the circle or star sets. The lower case w through z contain a left side star blank, a left side star with $1, a right side star blank and a right side star with small double zeros (to comprise a star shaped price tag for $1.00).

A bit Circus ... a bit Showbiz ... a bit Western ... but completely FANCY Includes: Western European, Central European, Baltic & Turkish sets

Decalcomania JNL is based on examples of gold and black water-applied initial decals made by the Transfer Monogram Company of Chicago circa the 1940s. It is presumed the patterns for the letters were hand cut, possibly explaining the variations in line widths and character shapes. These eccentricities were left intact and followed through to the other characters in order to represent a more "authentic" digital version of these vintage decals. Decalcomania JNL is available in both the regular (outline) version, and a solid black version, as well as obliques of both styles.

A circa-1951 toy set called “Kusan Kavalcade of Letters” was comprised of molded plastic letters and numbers a child could play with, trace and arrange to learn their alphabet and numerals. Typographically, the design was all over the place – from sans serif characters to those with some spurred serifs and even some stenciled characters because of the nature of manufacture. As odd as this combination seems, it was novel enough to be turned into a digital typeface called Stencil Playthings JNL, which is available in both regular and oblique versions.