Naïve Inline is a layered serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Give your designs an authentic handcrafted feel. "Seriffity" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. Files included: - uppercase letters - multilingual symbols - numerals - punctuation Thanks for use this font

Chalky Spritely and full of personality, FS Sammy is a hand-drawn font with a chalky texture, available in one weight only. Give Sammy a run in branding, packaging or billboard advertising for a fresh, informal, honest personality. Calligraphic Too many script fonts have a rushed and thrown-together feel about them. It’s a deceptively complex feat to achieve forms that hold together neatly in text yet still have the breezy, natural air of real handwriting. That’s FS Sammy: considered and crafted. Pencil FS Sammy was originally drawn for a drinks manufacturer by Fontsmith’s calligrapher, Sehmi Satwinder, who made handwritten impressions with a large soft pencil on textured watercolour paper. The digital interpretation of Sehmi’s letters was pushed to its limits and, after a lot of experimentation, a balanced alphabet was achieved. Texture and spirit FS Sammy’s success and uniqueness within the script font category is down to its versatility. In the large text of billboard advertising or headlines, all of its texture comes to life, and small, on menus or booklets, it conveys all of the spirit and personality of a considered piece of handwriting.

Takeshimura is a funky brush font with a very strong character. Very cool if use for logos, headlines, brandings, posters, apparel, etc.

Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the ’20s and ’30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.

Salas is a fun, chunky, slab serif omnicase display font. It's blocky and loud, so it can scream from Posters and Headlines. Think of a clown with poor hearing making a Skype call, he's shouting, but you like it. Anyway: it has over 300 glyphs, several variations on the standard alphabet and lots of those extra foreign features for sending international ransom notes. OpenType coded, it has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. It also has some extra characters available directly through your glyphs palette. Play around with it, I hope you like it.

Button is a solid, chunky, font, with a bold symmetry that makes it a must for products aimed at the younger set. Its unusual letter shapes all point to “NEW TREND!” It is the perfect choice for marketing companies targeting: ⁃ web-design and the creation of stylish buttons and menus ⁃ the music scene: CD covers, posters, music videos ⁃ the movie scene: posters, ads, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: swingtags, posters, brochures, signage, ads It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!). Tournedos is a beefy font family: a chunky all caps set of fonts - and a leaner set to counter and complement this rather heavy dish. And do eat your greens!

Comic Sidekick: A Screwball Comedy Font Family! A hand-drawn brush font with multiple styles, perfect for light-hearted designs such as comics and children’s books, film posters, titles, games and packaging. This 11 font family includes variations on a core theme that can be layered up for interesting effects or used individually for a cleaner look. Led by its regular chunky design, this is accompanied by outline, inline, brush and pen variants offering multiple options to mix and match while staying within consistent boundaries. Also included are a bundle of comic shapes including speech bubbles, underlines, banners and other random objects for experimenting with.

Say hello to Odds - a versatile, chunky casual sans with lots of personality! It’s fresh, friendly and easy to read. It is also a great mix of boldness and cuteness, so it definitely captures attention. The Odds family comes in five distinct fonts styles : - Odds - an artistic handwritten-style sans - Odds Sans - a typical neat and clean sans (caps and small caps which you can mix & match) - Odds Narrow - a cute handwritten narrow sans (uppercase and lowercase), and two awesome sets of goodies: - Odds Extras - borders, arrows, speech bubbles, etc. - Odds Symbols - palm leaves, plants, fruits and other useful objects. Odds works great on a variety of mediums from web to print, but you can find it particularly useful if you're designing food packaging (actually any packaging) and clothes. Other awesome usages include posters, signage, ads, printed and personalized cards, t-shirts, sale banners, everything kids related - merchandise, toys, you name it. Its quirky character and fat letters make up for bold and friendly presentation while the slender letters of the Odds Sans and Odds Narrow are perfect for plain text. And yes, all fonts have Cyrillic! They also have some neat ligatures and alternates to spice up your designs and create more interest!

Hallo everyone, puffy chips! puffy chips - it's groovy,retro, bold, chubby, and playful, chubby typeface of circle in groovy style. Perfect for make any project like header, quote, layout magazine and other. Even better if you use it on 60s and 70s design project Embracing the psychedelia era combine with groovy style, open type features such as stylistic alternates and multilingual support What's you get? - Unique letterforms - Works on PC & Mac - Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! - PUA Encoded Characters - Fully accessible without additional design software. Have a wonderful day, *Say Studio*

Stocky, beefy, dumpy, heavyset, husky, rotund, stubby, thick-bodied, thickset and fun display font with lots of ligatures, stylistic alternates and other features.

In 1912 Gerard Meynell, with J.H. Mason, Ernest Jackson and Edward Johnston, commissioned this large x-height typeface modelled on Caslon’s designs from Pierpont and the Monotype Corporation as the text face for The Imprint, a short-lived magazine about fine printing and typography.

A massive grotesque in four weights + obliques! Perfect for your massive poster or news paper headlines as well as your massive text chunks. The four weights elegantly complete each other as the obliques add tension to your work. Each font consists of a 241 glyph character set with beautiful ligatures for ff ffi ffl fi fl st ts es tt ST ET TT and ES.

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings ( Revla Sans and Revla Serif ) with a touch more chunk. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It’s shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but it’s a belter!), and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Kusukusu means 'chuckle' or 'giggle' in Japanese. It is a feminine, hand written font with a happy feel to it. Kusukusu comes in different styles, has all the diacritics you need and has been kerned by hand.

Teenage Gonabe – Groovy Display Font By Teenage Foundry Introducing our latest font creation – a groovy typeface that’s sure to transport you back to the funky, psychedelic era of the 60s and 70s! With its bold, playful style and unique character, this font is perfect for adding a retro feel to your design projects. This font is incredibly versatile and can be used for a range of design projects, including posters, album covers, branding, and more. Its groovy style gives it a unique character that’s sure to make an impact. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Goby has several distinct personalities, and can definitely help you make some waves. Lower case Goby is sweet, lively, easy to read, bold, and always friendly. Goby also works great in all-caps, and if you turn on discretionary ligatures, discover a huge stash of funky two and three-letter ligatures that can make ordinary words look extraordinary. The Goby font family also includes Goby Graphics, an ocean-y collection of illustrations by Amy Dietrich. If you need some artful seaweed, a head of coral, a seahorse, or maybe a smiling hermit crab, the unique images of Goby Graphics will work swimmingly.

Unleash Your Joy with Rastely Dive into the fun with Rastely – Funky Typeface. It’s a joyful escape, perfect for creative minds. Inspired by psychedelic vibes, this font keeps it chill. Its playful curves promise a good time. Every letter brings a smile, designed for fun at first sight. Playful to the Core Rastely isn’t just a font; it’s a party invitation. Crafted with a relaxed approach, it’s easy-going yet bold. Let each character tell a story of cheer. Imagine your projects with a touch of whimsy. Moreover, its easy legibility makes it perfect for all ages.

ITC Jiggery Pokery is the work of British freelance designer Carol Kemp. ITC Jiggery Pokery evolved from lettering for a project which needed to be quirky, wacky and fun," says Kemp. "The name came to me as the letters appear to jig along - it just seemed to fit. 'Jiggery Pokery' is London Cockney slang which has a variety of meanings. It's used to describe behavior such as 'ducking and diving', trickery, juggling (especially of financial matters!), or 'hanky panky'. My grandparents were Cockneys, and my uncle would use colourful rhyming slang which I loved to hear as a child.""

King George is a chaotic, bouncy, flyer display font that harkens back to Chank's roots as a grunge alphabetician. It also has a ransom note feel that reflects the stresses and randomness of this American life. Pure rebellion!

Manoer – Display Serif Font: Uniquely Eye-Catching Funky and Fresh Design: Manoer – Display Serif is a font that brings a funky twist to traditional serif. It’s perfect for unique, eye-catching displays. This font adds a playful charm to any project. Ideal for Creative Displays: With its unique flair, Manoer excels in creative display needs. It captures attention in advertising, posters, and more. This font is a top choice for making a bold statement.

English designer Richard Bradley created the Calligraphic Ornaments symbol font for ITC in the 1990s. Drawn in a lively traditional style similar to fine calligraphy, this font's characters set the perfect holiday spirit with little teddy bears, a Santa Claus, ringing bells, holly leaves, and other charms.

Inscription is the work of Alan Meeks, a bold copperplate script with a fine open line running throughout. The relatively restrained initial capitals are complemented by a lowercase which joins together in the style of true handwriting. Inscription will give any text a look of refined elegance.

Psyche is a swash font, hand drawn and tweaked and kerned to within an inch of its life. Perfect for fancy, funky initials and phrases.

Stoan is a rough, textured grunge font, based on the popular Spaza. Its characters are irregular and funky, with edges that disappear into the distance.

Innuendo, despite its name, is a straightforward font. It is an all caps, hand-drawn typeface with an elegant look and some cheeky curls. Upper and lower case differ and like to mingle. Comes with a bagful of diacritics.

Naïve Inline Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Grunge Formal started out as a more upright, formal version of one of my fonts, Figment. A most versatile contemporary typeface, Grunge Formal works equally well from funky to formal, from giant size headers to pint size body text, from movie posters to wedding invitations. If you've ever needed a font that has a grungy, deconstructed look but works well for all sizes, a font that you can use for funky, gritty designs, and also for formal wedding stationery, Grunge Formal is a perfect choice. From the formal viewpoint, the font presents as a regular serif typeface with deconstructed edges, giving the antique look popular in wedding stationery design. Here it can be used from header to body size. For in-your-face design, Grunge Formal, when oversized, is really powerful and its deconstructed outline provides a raw, rough contrast to your background images. Grunge Formal has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation.

Wendor Misra fire display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Wendor Misra font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Wendor Misra fire display font. Cheers, Maulana Creative