3,213 search results (0.017 seconds)
  1. Clear Prairie Dawn by Quadrat, $25.00
    Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.
  2. Monotype Bernard by Monotype, $40.99
    In the early years of the twentieth century a number of romans with a soft and slightly script like quality were evolved. Although they did not represent the future in terms of the major design influences that were to appear after the First World War, they were a break with the past, and were developed further in the nineteen twenties and thirties. Monotype Bernard Condensed is closely associated with this period, a condensed roman evoking an easy charm. The Monotype Bernard Condensed font offers many display applications where warmth and friendliness is required.
  3. Debugger by Dharma Type, $9.99
    Debugger is a futuristic, sicentific, digital family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Debugger has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Octagonal and diagonal letterform is good for sci-fi, digital projects. Common elements for each letterform makes harmony and a sense of unity. Debugger supports almost all Latin languages. Try this all-new experiment.
  4. Brioso by Adobe, $35.00
    Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.
  5. Aptifer Sans by Linotype, $29.00
    Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling, Aptifer Slab, with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen.
  6. Senpai Coder by Dharma Type, $9.99
    Senpai Coder is a family of typewrighter-style monospaced font for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Senpai Coder has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Typewriter letterform (serif) is good for reading. Common elements for each letterform makes harmony and a sense of unity. Senpai Coder supports almost all Latin languages. Try this all-new experiment.
  7. Schotis Display by Huy!Fonts, $35.00
    If you need a typeface suitable for the most elegant and hard work, you will fall in love with Schotis family, your true Scotch Roman style workhorse. Schotis Text is designed for perfect reading on running texts, leaving the setting of big sizes for Schotis Display. Each optical size family has seven weights plus matching italics, with 1100 glyphs per font. With a very extended character set for Latin based languages including Vietnamese, Schotis shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. Schotis family is based in Scotch Roman style but designed from scratch, with a more contemporary and not nostalgic look. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions.
  8. BigMummy - 100% free
  9. Blok - 100% free
  10. American Participants - Unknown license
  11. Becka Brush by Sulthan Studio, $14.00
    Becka Brush is a bold and chunky lettered display font, created with the help of a brush pen. Add it to your most creative ideas and notice how it makes them come alive!
  12. Bloque by Corradine Fonts, $19.95
    Bloque is a heavy slab font family which contains six fonts. It has three layers for both roman and italic styles, including an inline and a shadow versions to make different color combinations
  13. Glosilla Castellana by Intellecta Design, $21.90
    Glosilla Castellana is a classic font design remastered by the type foundry Intellecta Design. The letter forms of this traditional Roman type style make it ideal wherever a refined, classical appearance is desired.
  14. Interum by Jonahfonts, $25.00
    This roman face is suitable for text and captions. Designed for the graphic designer that is looking for a new and different text font as well as captions. It can be closely kerned.
  15. Mythica by K-Type, $20.00
    MYTHICA is a slightly condensed roman with spur serifs, derived from incised lettering on early twentieth century memorial stones and monuments. The typeface is available in 3 weights each with a complimentary italic.
  16. Deseada by Type-Ø-Tones, $40.00
    Deseada is a blurred roman face with a small x-height —actually a modified Caslon— that fits perfectly into retro environments. Use it as a parody, it's just a sort of Catalan custom.
  17. Good Taste by Grummedia, $24.00
    Inspired by early 20th century hand lettered display advertising, Good Taste is a traditional, elegant roman face best used at larger sizes where its well rounded character can be shown off to advantage.
  18. Stencil Work JNL by Jeff Levine, $29.00
    Stencil Work JNL was re-drawn from a vintage paper stencil with one inch high Roman letters and numbers, often found in stationery, drug and variety stores in the 1950s through the 1980s.
  19. Dot Grid by Essqué Productions, $35.00
    A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.
  20. Hadrianus by Scriptorium, $18.00
    Hadrianus is a full-featured text font with calligraphic qualities. It's derived from Roman period lettering, but with the weight and style of pen-drawing and the features of a sophisticated text font.
  21. P22 Mayflower by IHOF, $39.95
    P22 Mayflower is a classical Roman font taken from a Bible of 1610, the edition likely carried to America by the pilgrims on the Mayflower. Good for period reproductions, with its companion italic.
  22. Boy Meets Girl by PizzaDude.dk, $20.00
    Romantic font with ligatures for double letters
  23. Individual Thinking by Seemly Fonts, $14.00
    Individual Thinking is a bold and chunky lettered display font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.
  24. Mique by Orenari, $17.00
    Mique is a chunky lettered, sweet display font. It will add an incredibly joyful touch to your designs. Add it to each of your creative ideas and notice how it makes them stand out!
  25. Longwood JNL by Jeff Levine, $29.00
    Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.
  26. Yapa by TipoType, $35.00
    Yapa is a display font. Ideal for eye-catching titles, logos and labels, based on the Arya and Prevya typefaces. It is based on Roman proportions, but is accompanied by swashes and decorative ornaments.
  27. Turquoise Tuscan by Resistenza, $59.00
    A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.
  28. Petite Fleur by Wiescher Design, $39.50
    Petite Fleur is a combination of engraved, flowery embellishments and the Capitals of my redesigned Royal Romain (Romain du Roi), the exclusive font of King Louis XIV. It is best used as initials only, but can be mixed with Royal Romain. On the keys for ≥ and ≤ I designed two filler embellishments and the ciphers 0-9 are embellished as well. Enjoy! Your designer of beautiful fonts, Gert Wiescher
  29. The Romance Fatal Goth Versal font, designed by Juan Casco, is a fascinating foray into the world where gothic sensibilities intermingle with romantic fatalism, presenting an artistic expression that...
  30. P22 Lindum by IHOF, $24.95
    Lindum is a classically-proportioned Roman font that is almost a sans serif, the serifs appearing only on the upper part of the letterform. The lowercase features a large x-height and very short descenders.
  31. Aetna by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Aetna has thick stems and serifs, related to Roman and Doric, short descenders, tall x height.
  32. Cyra by Intellecta Design, $27.00
    Cyra is a shaded roman serif classic font. Distressed and antique, use this font in display purposes for a stylized type design. Uppercase letter designs only, works best when used for headers and set manually.
  33. Murder Face by Subversive Type, $13.00
    Inspired by roman typography and extreme metal band logos. This is a vicious looking font that works great in large and small pt. sizes. Ideal for rock bands, alternative literature, films, video games and apparel.
  34. HV Olive and Figs by Harmonais Visual, $15.00
    Olive&Figs - a classic Roman-culture-inspired calligraphic serif with elegant, regal, artistic touch. Specially designed for regal, classy projects, perfectly suitable for creating elegant, simple, lifestyle design such as logos, title, packaging and more.
  35. Minshar MF by Masterfont, $59.00
    Tender and serif font with romantic tender touch.
  36. Best Choice by Dharma Type, $9.99
    Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.
  37. Aptifer Slab by Linotype, $39.00
    Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling Aptifer Slab with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen. Featured in: Best Fonts for PowerPoints
  38. 161 Vergilius by GLC, $38.00
    This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgil’s GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals “I V X L C D M” in the OTF/TTF versions usable as “Old Style Numerals” alternates.
  39. An unconventional classicistic Roman typeface This Roman typeface has a livelier effect than is typical of the epoch of classicistic style. In the lower case letters, an echo of the smoother forms of historically early scripts is identifiable. Typical of a classicistic Roman typeface are the emphasized and clear contrast in the weight of the strokes, the fine serifs and the accentuation of the vertical bold stem. Charpentier Classicistique is pleasantly legible. Its effect is much less harsh than other classicistic fonts. The pointed forms of M and N are uncommon. At 30°, the italic version of Charpentier Classicistique is unusually strongly slanted. The italic lower case letters refer, in part, to English handwriting, which also falls under classicism. Especially the curves show forms influenced by writing. Charpentier Classicistique supports all European languages including Turkish, Greek and Russian. It includes lots of ligatures, also discretional ones, as well as tabular figures and cap-height figures.
  40. Ongunkan Old Latin by Runic World Tamgacı, $40.00
    The Latin, or Roman, alphabet was originally adapted from the Etruscan alphabet during the 7th century BC to write Latin. Since then it has had many different forms, and been adapted to write many other languages. According to Roman legend, the Cimmerian Sibyl, Carmenta, created the Latin alphabet by adapting the Greek alphabet used in the Greek colony of Cumae in southern Italy. This was introduced to Latium by Evander, her son. 60 years after the Trojan war. There is no historical evidence to support this story, which comes from the Roman author, Gaius Julius Hyginus (64BC - 17AD). The earliest known inscriptions in the Latin alphabet date from the 6th century BC. It was adapted from the Etruscan alphabet during the 7th century BC. The letters Y and Z were taken from the Greek alphabet to write Greek loan words. Other letters were added from time to time as the Latin alphabet was adapted for other languages.
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