The hand-lettered title of a vintage Walter Foster "how to draw" book inspired the Deco-influenced alphabet of Art Lesson JNL. Bold and retro in nature, this typeface gets the message across in a straightforward way, yet still has a bit of a casual feel to it.

Rebel, Energy, Punk, Power... Ramones, jagged interlock letter with bold line. This font will bring that IN YOUR FACE attitude in your design. No more soft side. It's all about the energy ! Either choosing the auto-generate interlocking letters, or keep it original, Ramones still brings you the power.

Resolution is a modern monospaced typeface with 4 weights. The typeface is a satire of rendering of early screens and inherited its name through this sentiment. Since screen resolution is getting higher, this font is a memorial to low resolution screens. Resolution is also an excellent programmer’s choice.

Semarang Kolonial is a stylish, all caps Art Deco font. It is not a recreation of a particular typeface; merely my salute to a bygone era and to the birthplace of my father in law, who recently passed away. Semarang Kolonial goes well with the original Semarang font.

Pascal is a typeface designed in 1953 by José Mendoza y Almeida, inspired by an alphabet created by his father for engraving. It is an elegant and classic typeface. Its use is optimal for use in short texts, headlines and covers. Pascal is a Trademark of BauerTypes SL

The designer-favorite Blue Goblet family has grown with the addition of Blue Goblet Florals. Blue Goblet Florals are flowing and abstract ornaments that resemble foliage or flowers rendered in Cory Godbey's unique illustration style. These fresh and lively foliage inspired ornaments can be resized easily without any loss of quality, and can easily be converted to outlines and modified. These floral ornaments can be combined to form unique compositions or inserted directly into layouts. Please see the sample .pdf to see all 55 floral ornaments in action, and be sure to check out the original Blue Goblet brush script and Blue Goblet ornaments, frames and vignettes. Blue Goblet Florals is a collaboration between insigne Design and Portland Studios.

Remember those plastic Popsicle sticks that clicked together and you could make things from them with your sticky little fingers? Things like... camp crafts. Well, no� Of course you don't. You were too young. That�s why there is Campcraft. This is a fun loving dot-matrix font, or it would be a fun loving dot-matrix if the vertical and horizontal grid lines didn't pile up at the intersections. Then again, it wouldn't be any fun if they didn't pile up at the intersections, would it? Strictly a display type... Campcraft is excellent for what the name suggests. I goes well with Christmas sweaters, beaded jackets and purses and that time when we were all happy children with sticky little fingers.

Schwenk is a wide reversed-contrast typeface made to be used in display settings – headlines, logotypes, store windows. The Regular style is adjusted for smaller point size while the Thin is made in a higher contrast for large headlines. An alternative (wide) capital letter I is available via the Stylistic Set.

WyomingStrudel takes a bold version of WyomingSpaghetti and adds an internal decoration that resembles an exaggerated split serif. The WyomingStrudelInsert style contains only the ornament. It is intended to be used in layers with WyomingStrudel, either covering up the ornament or giving it a different color than the background color.

A full-featured typeface that simulates old newspaper text from the 1700s, Broadsheet gives you all the “long s” ligatures you could ever dream of. Wonderfully authentic in either display type or long blocks of body copy. Includes a couple of printer’s flourishes. (Based on antique publications from 1728 and 1776.)

Febyetska is an elegant new signature style font. The thick and thin parts of each glyph give the impression of beauty and make it classy. With a new style, we want to help your project or brand become fresher and make it elegant and pleasant for all who see it.

Beauties Bright allows you to make handwriting that looks fresher, both quickly and easily. Beauties Bright includes Stylistic Alternates for lowercase and uppercase characters. It is suitable for a variety of texts in your writing and also includes more than 20 swashes that allow your handwritten text to look more amazing.

Inspired by blackletter type styles. Sillium is built on modular basis. As a result, it excels in a wide range of display settings, logotypes, and short text. Determine the grid and create a complete set of cohesive characters (a-z) and multilanguage characters (latin based) in either lowercase or uppercase.

Maxwell Slab is a clean condensed slab serif typeface. It comes in regular and small caps versions, includes custom italics, stylistic alternatives, letter style variations, discretionary ligatures and multiple languages; Cyrillic, Greek, Latin and other Western and Central European languages and works either as a headline font or paragraph text.

Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard. Based on samples taken from early and mid Nineteenth century Clarendons, the font carefully preserves all the battered idiosyncracies of vintage print shop type.

Seasonal Drift is a brush font that I made using one of my father in law's Chinese brushes and ink. For some reason this font reminded me of the ocean, like waves and currents and driftwood. Seasonal Drift comes with a healthy dose of language support and some cool discretionary ligatures.

A photo from Gene Gable (a regular contributor of ideas to Jeff Levine Fonts) shows the vintage signage for the Lasher Hatchery in a slightly different take on the classic Art Deco solid letter style. Since good ideas, like eggs can be hatched, thus the font's name of Hatchery JNL.

Schwager sans is the new version of Schwager. This time with a fresher taste, retaining the same principles of structure, geometry and modernist aesthetics in a contemporary reinterpretation. Designed especially for use in titles, reveals concepts associated with masculinity, technology or sports, perfect for application in cover design, logos, web.

The cover of the 1939 sheet music for "I Wonder Who's Kissing Her Now" has the title set in an outline sans - or is in an inline? With almost equal space and line weights, it can be either! Outline Sans JNL in available digitally in both regular and oblique versions.

Italia is the work of Colin Brignall, a refreshingly different serif typeface. At first glance, Italia might seem comparable to any other square serif typeface, but it has a distinctive pattern all its own. Italia can be used as either a display or text typeface and will give any text a unique look.

Berto is a variable monoline font face. With two stylistic sets it is flexible in usage either for display or for reading matters. It was specially drawn for a corporate design in 2011, and since then has been continuously rebuilt and extended to a font family with five weights and a variable font.

Breaking news! Hallandale JNL has been italicized and run through a line filter (courtesy of Ray Larabie of Typodermic Fonts)! The result: Newsbreak JNL... a bold, techno-style font with all of the headlines and the first on the scene when the latest news matters... Get the whole story first... with Newsbreak JNL!

Walter Tiemann’s Fichte-Fraktur, released by Klingspor in 1934, has come to life again. This font contains the traditional long s which can be accessed by either the OT feature historical alternatives or by typing [alt] + b. Two framing elements can be reached by typing [alt] + shift + p and [alt] + p respectively.

Cool and contemporary or hot and happening? Street smart or down and dirty? You decide. Either way Rough Stuff will add a dash of style and the stamp of authenticity to your graphic projects. Perfect for tee shirt slogans or gig posters. Suitably distressed 'warning' symbols are also supplied. See also Export Drive.

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Misshapen Muck Monster Mutations are on the loose... Their creepy hyper-irradiated bodies have emerged from the blasted desolate wastes of The Forbidden Zone! Could this be Doomsday... or did we just leave one of our typefaces on the radiator? Either way, Meltdown is the perfect font for monstrous inhuman atrocities everywhere.

The Madison Ave. family started from Madison Ave. at Fontstruct.com. As my most downloaded font, this was an easy, although not necessarily logical choice to make – regarding taking an existing free font and attempting to offer it for purchase. The font is very basic and simple in its layout, but has achieved popularity over at Dafont with almost 80,000 downloads with its cool, understated nature and inherent sophistication. The original Madison Ave. is now 95 Madison Ave. A couple of glyphs have changed from the original, but mostly the set is the same. The big news here is the availability of multiple variations on the original. Ninety-five refers to the filter settings used to achieve the faint cross lines in the font. The sequence 95-100 provides a gradual fade to solid effect when used together. The other versions use variations on the filter settings that allow each its own distinctive flavor, while at the same time maintaining inherent characteristics of the original. Ninety-five is now joined by 55, 75, 97, 99, 100, 102, 105, 155, 175, 201, 202, and 275. 100 is the solid version which doesn’t contain the trademark lines found in 95. In 95-99, the line width varies to achieve subtle effects. 50 and 85 are distorted by reducing the filter settings in a somewhat minimizing fashion. In 102-205, these are distorted by increasing the filter settings above the normal which is what 100 represents. While some of the effects are extreme and challenge the legibility of text, these can be fun or edgy. They offer a cohesion that can be used to advantage for different projects that require the use of a modern font family.

In isolated Eastern European states, atop cold castle towers, nefarious nonbelievers are discussing their diabolical devises with their minions, acolytes and sweet little Yorkshire terriers! Evil Doings is a font that gives form to the softly spoken schemes and terrifying tweets of these psychopaths, sociopaths and just plain naughty boys and girls. Will Good Triumph and Defeat the EvilDoings of EvilDoers?! Only if we listen to the cries of the oppressed proletariat and quash the devilish dreams and evil schemes of Fascist Dictators EVERYWHERE! Features: Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

In the 1943 Three Stooges comedy short “Higher than a Kite”, Curly reaches into a box with the label “hand grenades” painted on its side and pulls out one of the devices. The bold, squared stencil hand lettering on that prop inspired Stencil Label JNL, which is available in both regular and oblique versions.

Printers Assistants JNL is a collection of vintage letterpress stock cuts and embellishments features monthly title blocks (for newsletters or calendars of events) in an Art Deco style, a cartoon character counting [with fingers] one through five to emphasize selling points and assorted cartoons and decorations sure to please any lover of nostalgic art.

Jackerton is a playful, hand-drawn typeface inspired by the doodles of the designer's father. Every word is a puzzle with pieces changing and shifting as you type. Over 50,000 words in more than 100 latin-based languages have been scrutinized to make sure each combination of letters fits together precisely from the 2,000+ ligatures.

Vegacute is probably the most romantic font from pizzadude.dk to date! With it's elegant swings and jumpy x-height it stays true to the handwritten sketches that served as a model for this font. Use it for headlines or logos; use it for massive text or letters; either way, Vegacute wins with its retro-cuteness!

“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none.” Tristero is an expansive geometric sans with letter forms that are both classic and quirky. There are over 550 characters in 3 weights. A versatile typeface with a friendly character.

Mumos is a block type font. Is a font of thirteen units of height with straight terminations in which there is complete absence of curves. Although very basic is a dynamic typography with many possibilities thanks to its three styles, including open space, which facilitates the work with fillers without having to vectorize the glyphs.

Red Ring and Red Square - the super-family of two families of fonts. The super-family includes sanserif Red Ring and geometric font Red Square. Families are synchronized by the number and weight of the typefaces and can be used either separately or together. Together Ring and Square produce a cumulative effect of Art Deco and Constructivism.

Created for captions and similar serif situations where small type is required, Freight Micro is amazingly illustrative for large type too. This half-wedge, half-slab design provides the firmest of foundations to build your design on. The abruptness of the sharply carved italics take emphasis to a higher form. Freight Micro is an exercise in whispering very loudly.

Skippy Sharp was drawn by Skippy McFadden in 1995 and faxed to Mister Chank Diesel. Chank completed the character set, added extensive kerning and created a very friendly, informal marker handwriting font. The font is also enhanced for OpenType use with Contextual Alternates for a more natural and organic handwriting style, and true Small Caps, too.

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.